Biblical Scenes and Etchings

A collection of 18th-century and earlier etchings depicting key biblical events such as the Resurrection, Adoration of Kings, and meetings between biblical figures, showcasing intricate details.

Opwekking of Lazarus and De Rijke Jongelder leaves Chistus, Jacob Folkema, 1791 print Two Biblical performances from Joh. 11 and matt. 19. The revival of Lazarus, and the rich young man leaves Christ sadly. Two performances of one plate, each with a title in Dutch and French. Fully numbered at the bottom right: 24. publisher: Amsterdampublisher: Dordrecht paper etching the raising of Lazarus ('Lazarus, come out'). a rich young man who came to see Christ goes away sorrowful

This 1763 etching by Johann Heinrich Tischbein the Older depicts the Resurrection of Christ, emphasizing religious imagery and 18th-century printmaking techniques.

A copper engraving by Jacob Matham depicting the Adoration of the Kings, created around 1594, illustrating the biblical scene with the Magi presenting gifts to the infant Jesus.

Meeting of David and Abigaïl; Seventh book; David and Saul. Abigaïl kneels with a handkerchief in her hand for her future husband David. In turn, David bends towards her with outstretched hand. Behind David waiting soldiers at a rock, behind Abigaïl is a group of people with packed donkeys.

Opwekking of Lazarus and De Rijke Jongelder leaves Chistus, Jacob Folkema, 1791 print Two Biblical performances from Joh. 11 and matt. 19. The revival of Lazarus, and the rich young man leaves Christ sadly. Two performances of one plate, each with a title in Dutch and French. Fully numbered at the bottom right: 24. publisher: Amsterdampublisher: Dordrecht paper etching the raising of Lazarus ('Lazarus, come out'). a rich young man who came to see Christ goes away sorrowful

Two biblical performances from RI. 8 and 14. An angel rises from the flames coming from the manoach sacrifice and his wife, and Simson kills the lion with his bare hands. Two representations of one plate, each with a title in Dutch and French. Numbered at the bottom right: 41.

Baptism of the Eunuch by the Apostle Filippus, Sébastien Bourdon, 1626 - 1671 print paper etching Philip baptizes the Eunuch

Israelites pick the Manna and Moses hits water from a rock, Jacob Folkema, 1791 print Two biblical performances from ex. 16 and 17. The Israelites pick up the manna from the ground that rains from a cloud, and Moses hits water from a rock with his staff so that the Israelites can drink. Two performances of one plate, each with a title in Dutch and French. Fully numbered at the bottom right: 29. publisher: Amsterdampublisher: Dordrecht paper etching the gathering of manna (in baskets and pots). Moses striking water from the rock (Exodus 17:1-7; Numbers 20:2-13)

Christ in the court of Getemane; "Only it may happen to him, to see a angel that encouraged him". Christ prays to God in the court of Getemane. In the cloud sky an angel with a goal. In the background there are three students to sleep Petrus, James and John.

Saul greets David as a victor of Goliath; Second book; David and Saul. King Saul greets David as the victor of Goliath. David kneels with his sword for David and his soldiers and holds the head of Goliath to the hair.

Two biblical performances from 2 could. 2. The Ascension of Elia, and the children mocked Elia are devoured by bears. Two representations of one plate, each with a title in Dutch and French. Numbered at the bottom right: 64.

David shows Saul the piece of his cloak; David showed the slip of Saul's cloak. David prevents his men to kill Saul. He shows the surprised Saul a piece of his cloak that he has cut off earlier. Illustration for the Old Testament, I Sam 24:12. Under the show a title in Hebrew, English, German, Latin, French and Dutch.

Jozef tells his dreams Enjozef sold by his brothers, Simon Fokke, 1791 print Two Biblical performances from Gen. 37. Numbered below: 18. Amsterdam paper etching first dream of Joseph: the eleven sheaves of wheat of his brothers form a circle round Joseph's sheaf and bow down. Joseph sold into slavery and taken to Egypt (Genesis 37:12-35)

Hagar and Ismaël dismissed Abraham and an angel points Hagar de Waterbron, Jacob Folkema, 1791 print Two Biblical performances from Gen. 19 and 21. Abraham rejects Hagar and Ismaël, and an angel points Hagar the water source. Two performances of one plate, each with a title in Dutch and French. Fully numbered at the bottom right: 11. publisher: Amsterdampublisher: Dordrecht paper etching the banishment of Hagar and Ishmael (Genesis 21:9-21). an angel appears and reveals a well of water to Hagar

Petrus Clouwet engraved Christ collapsing under the cross between 1645 and 1670, depicting the crucifixion using copper engraving.

Abuse of Reformers at Vaals, 1764. Abuse of Reformed by Catholics in Vaals and in three other nearby villages, January 1764. An Roman priest encourages the abuse.

The inhabitants of Zierikzee attract Charlemagne and beg for mercy, 1472, 1795 print The inhabitants of Zierikzee attract Charlemagne and begging the duke on their knees for grace, 1472. Netherlands paper etching Zierikzee

Etching by Lodovico Lana depicting St. Irene and three other saints tending to St. Sebastian, created in 1643.

Burning the weeds and harvesting of the grain; Parable of the sower; Thesaurus Novi Testamenti Elegantissimis Iconibus Expressus Continens Historias Atque Miracula Doni Nostri Iesu Christi. The landlord, with a scepter in hand, gives the command to get the harvest. The grain is harvested and the weeds are collected and burned. A boy holds the rug of the landlord. Under the show a reference in Latin to the Bible text in mat. 13. This print is part of an album.

Etching by Domenico Maria Bonaveri created between 1670 and 1731 depicting the baptism of Christ, including John the Baptist, Christ, and water in a religious scene.

Abrahams encounter with Melchis deck. Abraham meets the king and high priest Melchis deck in Salem. He brings bread and wine and blesses Abraham.

. In a forest, Absalom hangs with his hair on a tree branch, his helmet is on the floor for him. Joab, the army leader of King David, is about to cross Absalom with his lance. This print is an illustration at the ninth chapter of the seventh book of 'All the works of Flavius Josephus'.

The Israelites in Egypt Suppressed / Moses is found, Pieter Tanjé, 1791 print Two biblical performances. Above: The Israelites are forced into hard slave labor in Egypt. They make stones to build a city for Pharaoh. Below: The servants of Pharaoh's daughter take Moses out of the water in his basket. The daughter of Pharaoh is under a parasol. Among the performances a reference to the Bible texts and the titles in Dutch and French. Amsterdam paper etching / engraving the Israelites are forced to hard labour ~ Exodus. Moses is pulled out of the water by the servants

Procession, Reinier Vinkeles (I), 1809 print Christians travel through the landscape in a parade and proclaim their faith. Amsterdam paper etching / engraving procession ~ Christian religion. landscapes

David hears from the death of Saul and Jonatan / Absalom's death, Noah van der Meer (I), 1724 - 1769 print Two biblical performances. Upstairs a messenger brings to David and his men the message that Saul and Jonatan died. As proof, he brought the crown and bracelet of King Saul. David tears his clothes. Under Absalom hangs on his hair in a tree, while Joab kills him with a spear. Top right: pl. Iv. Leiden paper etching Joab stabs Absalom with three spears. the messenger brings Saul's crown and bracelet to David

'Works of Mercy' is a copper engraving and etching by Louis Audran (1690-1712), depicting acts of charity and compassion with figures and narrative composition.

Ranking of Christ. Christ is placed by Joseph of Arimathea and Nikodemus in the Rock Graf. Around the grave the grieving holy women. In the foreground the passion tools.

An etching by Christian Wilhelm Ernst Dietrich from 1804 depicting a baptism scene in a chamber, showing figures, gestures, and religious ritual.

Holy family in a landscape, 1660 print Possibly the rest on the flight to Egypt. In the background a house on a rock. This print is part of an album. paper etching Holy Family (alone), 'Trinitas terrestris'. rest on the flight into Egypt

Hannibal swears eternal hatred at the Romans, Bartolomeo Pinelli, 1818 print Hannibal and his son stand by an altar on which a ram is sacrificed. A crowd of soldiers watches. Hannibal swears eternal hatred of the Romans. Rome paper etching in front of the altar, young Hannibal takes the oath to fight the Romans (sworn hatred)

Ascension of Christ, Laurent de la Hire (attributed to), after Laurent de la Hire, 1616 - 1656 print print maker: Francepublisher: Paris paper etching / engraving Christ strides up into heaven, holding God's hand or assisted by angel(s)

The Holy Family with Saint Elizabeth and angels ca. 1729 Nicolas Henry Tardieu. The Holy Family with Saint Elizabeth and angels. Nicolas Henry Tardieu (French, Paris 1674-1749 Paris). ca. 1729. Etching and engraving. Prints

God's covenant with Abraham.

Jean Jacques Avril produced a copper engraving and etching between 1764 and 1831 depicting Sainte Geneviève, patron of Paris, illustrating European religious and devotional art across the late 18th and early 19th centuries.

Abrahams encounter with Melchis deck. Abraham meets the king and high priest Melchis deck in Salem. He brings bread and wine and blesses Abraham.

Sleeping Christ on a ship during the Storm Enchristus allows devils to sail in wild boar, Simon Fokke, 1791 print Two biblical performances from Mat. 8. Numbered below: 13. Amsterdam paper etching Christ in a boat with the apostles, talking or sleeping. the demons enter into a herd of swine, which leap into the sea ~ healing of two possessed at Gerasa

Christ and the Headman (Centurio) from Kafarnaum; Christ preaches from the ship, Pierre Quentin Chedel, 1715 - 1763 print Numbered below: 12. France paper etching the centurion of Capernaum, kneeling before Christ, begs him to heal his paralytic servant (or son) (Matthew 8:5-13; Luke 7:1-10; John 4:46-54). Christ preaching from a boat

Gesprek tussen Karel V van Habsburg en Frans I van Valois-Angoulême; Keiser Carel den V. en Francois den I. Koning van Vrankryk.Emperor Charles V is in a garden next to a fountain. Behind him is French I, King of France. On the right, father is time with zeis, winged hourglass and a paper with the text K destroy it all and breaks on stitch, and bring something new at all. On the top the zodiac sign the virgin.

Resurrection of the dead, Louis Surugue, After Bernard Picart, 1691 - 1733 print paper etching / engraving resurrection of the dead ~ Last Judgement. Ezekiel's vision of the valley of the dry bones (Ezekiel 37:1-10)

Holy family with Johannes de Boper, Francesco Bartolozzi, After Pietro Testa, 1738 - 1815 print Maria, Joseph, Christ and the young John the Baptist in a landscape with a pyramid. Text in English in STUDMARGE. after design by: Italypublisher: London paper etching / engraving Holy Family with John the Baptist (as child)

Nightingale and the cuckoo; The nightingale and the cookie cake. In a tree there are a nightingale and a cuckoo to sing. The boys in the background cheer around the singing of the cuckoo. The minneco couple in the foreground is moved into tears by the singing of the nightingale.

Jacob struggles with the angel and reconciliation of Jacob with Esau; The wrestling Jacobs / La Lutte de Jacobezau is coming Jacob in the mind and embraces him / La Rencontre de Jacob et d'Esaü.two Biblical Performances from Gen. 32 and 33. Numbered at the bottom Right: 16.

Piety shows Bible to two women, Simon Fokke, 1758 print The personification of piety or fuel for faith on the head shows a Bible to two women who turn their gaze. One of the women has a passer on the head. On the left are putti with Christian images; Adam and Eva, The birth of Christ and Christ on the cross. paper etching / engraving Piety, 'Pietas', 'Timor Dei' ~ the Three Theological Virtues. Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. the Bible as a book

A lithograph by Johann Nepomuk Strixner from 1830 depicting Christ on the Mount of Olives, showing figures, gestures, and religious composition.

Sanherib's army defeats, Simon Henri Thomassin, After Bernard Picart, 1697 - 1741 print An angel of God, with a bundle of fire in every hand, flies above the tent camp of the Assyrian army in which women, soldiers and horses flee in a panic. paper etching / engraving at night, an angel of the Lord decimates the Assyrian camp: 185.000 soldiers are killed. tent-camp

. Faith (Fides) on a cloud, accompanied by Putti. They carry the tables of the law and the hose that bites themselves into their own tails (symbol of eternity). Faith points to attributes with her right hand that refer to the release of sacrifices and the defensive glory. With her left hand, she points to heavenly redemption that follows when one complies with the laws. In the margin a bible quote from 2 Cor. 3:11 in French.

The martyrdom of Saint Laurentius. Oval representation of the Holy Laurentius that is roasted. His executioner fires the fire and hold Laurentius with skewers. On the left in the background, a Roman prefect sparks from its throne.

Josia lets the surrounders killed; Josias reform. King Josia is killed the surroundings priests who had been appointed by Judah's kings. All idolations are also burned and the altars are destroyed. Illustration for 2 could. 23. Under the show a title in Hebrew, English, German, Latin, French and Dutch.

Christ in the court of olives; Jesus vint His students sleeping. Christ awakens his sleeping apostles and manages to stay awake and pray on the olive mountain. In the distance, the soldiers are already looking for lanterns in the dark. Below the print is a rule from Bible text Matthew 26:43 in six languages

Russian village unknown, lithography: from Lasteyrie Charles

Christ in the Hof van Olijven, François van Bleyswijck, After Arnold Houbraken, 1728 print Christ arouses his sleeping apostles and urges them to stay awake and pray on the Mount of Olives. In the distance the soldiers are already searching with lanterns in the dark. Under the print is a rule from Bible text Matthew 26:43 in six languages Leiden paper etching / engraving sleeping; unconsciousness. Christ summons the apostles to stay awake and pray ~ Garden of Gethsemane

Glorification of Christ and Christ heals a moon sick, Simon Fokke, 1791 print Two biblical performances from Mat. 17. Numbered below: 17. Amsterdam paper etching the Transfiguration: Moses and Elijah appear on either side of Christ on Mount Tabor (Matthew 17:1-13; Mark 9:2-13; Luke 9:28-36). healing of a lunatic boy (Matthew 17:14-21; Mark 9:14-29; Luke 9:37-43)

Graflegging, John Baptist Jackson, after Jacopo Bassano, 1745 print paper Christ's entombment (possibly by angels)

Offer from Isaak, 1643 print Abraham raises his knife to sacrifice his son Isaac, but an angel keeps him from it. On the right a ram is entangled in the bushes, which will be sacrificed in Isaac. On the right in the landscape, Abraham and Isaac are on their way to the sacrifice, after they have left the donkey and servants. Under the performance a reference in Latin to the Bible text in Gen. 22. This print is part of an album. Amsterdam paper engraving the servants are left behind while Abraham and Isaac (usually carrying wood) climb the mountain. when Abraham has his hand raised to kill Isaac, an angel restrains Abraham's hand

Copper engraving and etching by Karolus from 1540-1560 depicting women in the entourage of Jesus as described in Luke 8, showing detailed figures and gestures in a biblical scene.

Innemeration of Jericho and conviction of Achan; Jericho / La Prise de Jéricoachan van 't Verbenen said Word convicts / Achan coupable et puni.two biblical performances from the book of Joz. 6 and 7. Numbered at the bottom Right: 35.

Two biblical performances from 1 could. 17 and 18. Elijah fed by the raven, and Obadiah feeds a hundred prophets in a cave. Two representations of one plate, each with a title in Dutch and French. Numbered at the bottom right: 62.

PICNIC IN AUSTRALIA TO THE OFFICERS OF THE FLYING SQUADRON, 1870

Cross Drearing, Monogramist AC (Wood Gravurer), 1850 - 1900 print paper Christ collapsing ~ carrying of the cross

Birth ceremony and wedding ceremony under the Khoikhoi, Bernard Picart (workshop of), After Bernard Picart, 1729 print Leaf with two performances of rituals of the Khoikhoi, a birthplace and a wedding ceremony respectively. Above: The newly born child is rubbed in the hut with cow poop. In the background, an unwanted child is bound by a tree branch. Below: The bridal couple is in the middle of a circle. The man pees on his wife. Among the performances a caption in French. Amsterdam paper etching / engraving Religions of African tribes. First Care of New Born Baby. Marriage, Married Couple, 'Matrimonium'. Khoikhoi South Africa

Offer from Noah, Reinier Vinkeles (I), After Jacobus Buys, 1793 print Noah and his family pray at the altar, where they sacrifice a lamb. Full of awe, they look at the sky where a rainbow appears, as a sign of the covenant. Amsterdam paper etching / engraving Noah's sacrifice; various animals are offered, possibly a lamb, a dove and a ram (often combined with the rainbow of the covenant)

Passion stations Statio VII. Jesus falls under the cross for the second time Filipowicz, Jan Józef (CA 1710 Ca 1767/1770)

Copper engraving by Adriaen Collaert depicting the life of Jesus, created around 1598. The work shows biblical figures, events, and composition details.

Joy in heaven for a penitent sinner, Philips Galle (attributed to workshop or), After Maerten de Vos, 1547 - 1612 print A penitent sinner (Homo Poenitens) is received in heaven. Next to him are the personifications Poenitentia and Dolor. Angels make music. Under the print a Latin caption and a reference to Luke 15:10. Under the Latin caption a handwritten, Dutch text. Antwerp paper engraving Pain, Sorrow, Sadness; 'Dolore', 'Dolore di Zeusi' (Ripa). penance, 'Poenitentia'; 'Contritione' (Ripa) ~ part of the confession. angels singing, making music

Holy Women And Angels at the empty grave Enchristus appears to Maria Magdalena, Simon Fokke, 1791 print Two Biblical performances from 20 John. Numbered below: 38. Amsterdam paper etching the empty tomb ~ Resurrection of Christ. Mary Magdalene kneeling before Christ, who is usually represented as a gardener with a hoe and/or a spade; 'Noli me tangere'

Jews flights from a burning house; It took a crowd jooden. A group of men's flight from a burning building. The house is all in flames. People can still be recognized on the first floor.

Carpet with the descent for Holy Spirit and Prefigurations in a church in La Chaise-Dieu, Hippolyte Malègue, c. 1868 - 1873 photograph photographic support albumen print tapestry

Exodus of the Remonstrant Priekants, 1619. Exodus of the Remonstrant pastors. Presents from cars with remonstrant pastors who leave after their exile on the Synod of Dordrecht from The Hague to Waalwijk, July 6, 1619.

Original Americans at a tipi, G. van Houten (Possible), 1650 - 1750 drawing Group of men and women with a tipi. There are two deer with them. In the background, men hunt with arrow and arch. Design for a book illustration or print. paper. ink. chalk pen / brush hunt ~ hoofed animals. tepee, tipi, teepee. Native peoples of North America. Asiatic races and peoples (TATARS)

A 1691 copper engraving by Bartholomäus Kilian depicting a Bishop of Venice in a medallion with allegorical accessories, clothing, and heraldic details.

Etching and copper engraving by Jean Morin between 1625 and 1650 depicting the biblical scene of the Adoration of the Shepherds with the infant Christ, Mary, Joseph, and visiting shepherds.

God calls Adam and Eva to account, Jan van Vianen, After Gerard Hoet (I), 1720 - 1728 print God calls Adam and Eva to account in paradise, after they have eaten the tree of knowledge of good and evil. Illustration of the Bible text Gen. 3: 9. Under the show the title in Hebrew, English, German, Latin, French and Dutch. publisher: Amsterdampublisher: The Hague paper engraving God calls Adam and Eve to account for their deed

Two biblical performances. Above: Cain and Abel sacrifice. Cain's sacrifice is refused, because the smoke goes down. Abel's sacrifice is accepted by God. Cain therefore becomes so angry that he wants to kill Abel with a bat. Below: Cain raises his bat to kill Abel. Among the performances a reference to the Bible texts and the titles in Dutch and French.

An angel points Hagar to a source, Bernard Lens (II), 1669 - 1725 print paper guardian angel. urn. forest, wood. an angel appears and reveals a well of water to Hagar

Christ on the Mount of Olives, The Flagellation, Christ Crowned with Thorns, The Crucifixion, 1788. Martin Johann Schmidt (Austrian, 1718-1801). Brush and gray ink and gray wash with black chalk;

Copper engraving by Adriaen Collaert from 1580-1665 depicting Moses on Mount Sinai and Isaac and Ishmael at Abraham's grave, illustrating biblical events and figures.

History of a prodigal son; Dietrich, Christian Wilhelm Ernst (1712-1774); 1756 (1750-00-00-1764-00-00);Bible, New Testament (Bible), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, prodigal son (iconogr.), German graphics, parables (Bible) , biblical scenes

Proclamation to the shepherds, Johann Sadeler (I), After Maerten de Vos, 1579 print An angel is in the middle of a group of shepherds with their herd of sheep. He proclaims the birth of Christ. Above his head, in the clouds, angels with bander rolls on which a Latin text. The print has a Latin Bible quotation as a caption and is the fourth print of a twelve -part series about the birth and the first years of Christ. Cologne paper engraving annunciation of Christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air

Moses points to the murder of an old man, Noah van der Meer (II), After Jacobus Buys, 1778 - 1785 print Moses, standing on a mountain, points to an old man who is murdered with a sword. The man who kills him, thinks the old man has stolen his money. But another man in the background flees with the money fair found. Amsterdam paper etching Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law. murder. hacking and thrusting weapons: sword

Earth in God's eyes corrupted and full injustice. The earth in Noah's time is corrupt and full injustice. On the right in the background started the construction of the Ark. Illustration of the bible text gene. 6: 11. Under the show the title in Hebrew, English, German, Latin, French and Dutch.

Saul at the witch of Endor, Simon Fokke, 1766 print Saul visits the witch of Endor with two servants to be able to consult the spirit of the deceased Samuel. Saul and his servants are huddled on the left, the spirit of Samuel has appeared in the background. The dark space is filled with diabolical figures and skulls This print is part of a series about the story of David and Saul. Amsterdam paper etching the ghost of Samuel appears to the witch of Endor; Saul falls prostrate to the ground

Christ heals the sick, Léopold Flameng, 1856 print paper. etching miracles of Christ ~ healing the sick

Establishing freedom tree in Klundert, 1793. Dancing to the freedom tree founded for the town hall in Klundert, 25 February 1793. With handwritten inscription.

Copper engraving by Nicolaes de Bruyn depicting the capture of Christ, created in 1632.

Priest passes by the wounded traveler, Anonymous, After Paul Bril, After Johann Sadeler (I), After Crispijn van de Passe (I), 1646 print In a wooded river landscape, the wounded, robbed traveler is under a tree. A priest with an open book in his hand passes the wounded and offers no help. On the right two figures in a rowing boat. There is a chapel in the background. To the Bible story in Luc. 10: 25-37. This print is part of an album. paper engraving a priest and/or a Levite passing by without attending to the wounded man ~ parable of the Good Samaritan. forest, wood

Boaz and Ruth, Reinier Vinkeles (I), After Gerbrand van den Eeckhout, 1751 - 1816 print Boaz, with beard and turban, instructs his mowers to treat Ruth, with a bundle of grain in her hands. Scene from the Bible story Ruth: 2. Amsterdam paper etching Ruth in the field of Boaz (Ruth 2:3-17)

Holy Spirit with the Archangels and the Angels of Lowest Order; Engelenkoren. In the clouds the Holy Spirit as a pigeon. Around the pigeon the angels of lowest order: the protective angels. The Archangels kneel under the pigeon. The middle angel has a palm branch and a laurel crown in the hands. Under the clouds The acts of these angels on earth: on the left the angels as children's protectors, centrally the Archangel Michael as a defender of humanity and on the right the angel of Bethesda. The print has a Latin caption and is part of a series about the different angel choirs.

Bidprent for Franciscus Johannes Antheunis, with black and white representation of the agreement between Abraham and Lot on the front, prayer print engraving picture material parchment, Image in black and white of Abraham and Lot between the two areas with inscription Agreement between Abraham and Lot. On the reverse text on the death of Franciscus Johannes Antheunis died in Paramaribo on August 4, 1828. Bible texts and image of skull and hourglasses. Agreement between Abraham and Lot and GEN. XIII mourning bible religion remember praying religious ceremony Abraham Lot Loth

Saint Louis presenting his sword to Christ, after a ceiling design 1755-90 Charles Nicolas Cochin II. Saint Louis presenting his sword to Christ, after a ceiling design. Charles Nicolas Cochin II (French, Paris 1715-1790 Paris). 1755-90. Etching and engraving. Prints

Procedure to De Herders, Joseph Mulder, After Arnold Houbraken, 1720 - 1728 print An angel proclaims the birth of Christ to the shepherds. Putti are on the clouds. At the bottom of the margin a reference to the Bible text and the title in Greek, English, German, Latin, French and Dutch. Amsterdam paper etching / engraving annunciation of Christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air

Bedelaars te China, Jan Evert Grave, after Bernard Picart, 1769 - 1805 print Beggars and street artists in China. On the left a man who balances a stone on his head. In addition, a sitting man with a cloud above his head. On the right two Chinese hit their heads against each other. At their feet a sitting man who beats his head against a stone. The print has a Dutch caption. Amsterdam paper etching / engraving Chinese. beggar. the show; fair and circus performers

Priest passes the injured traveler; Praetereunt Aegum Que Sacerdos Atque Leuita; Galigecken van den Samaritaen; Parable of the merciful Samaritan; Den Grooten Figuer Bibel (...). In a wooded river landscape the wounded traveler is under a tree. A priest with a opened book in his hand passes the injured and offers no help. Right two figures in a rowing boat. A chapel is in the background. To the Bible story in Luc. 10: 25-37. This print is part of an album.

Holy Trinity with Maria, Anonymous, 1700 - 1799 print paper etching extensions of the Holy Trinity. Quaternity (i.e. Trinity with Mary)

Etching by Jean Le Pautre from 1625-1682 depicting Christ entering Jerusalem and clearing the temple, including figures, architectural elements, and narrative composition.

Tomb of Louis de la Rochejaquelin. (TF)

Doornenkring van Christus, Anonymous, 1734 - 1754 print Two men put Christ with sticks a crown on the head and give him a reed stick in his hand. A man with a crown kneels for him. In the lower margin four lines of Dutch and four lines of French text. Entirely in an ornamented frame with flowers. paper engraving the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

The landlord inspects the fields; Parable of the sower; Thesaurus Sacrarum historiarum Veteris Testamenti (...). The servants, both with a halberd in hand, ask the landlord or they must weigh the weeds between grain. The landlord provides an answer that the grain and weed must continue to grow until the harvest. A boy holds the rug of the landlord. Under the show a reference in Latin to the Bible text in mat. 13.

Requirement of Christ, Jan Punt, After Jacob de Wit, after Peter Paul Rubens, 1747 print A devil in a human form asks Christ to transform the stones into his hands into breads. Amsterdam paper etching / engraving Christ, sometimes accompanied by guardian angel(s), tempted by Satan, who usually appears in human form Carolus Borromeuskerk

Burning the weeds and harvesting of the grain; Leeringhe Iesu by Gelyckenissen; Parable of the sower; Den Grooten Figuer Bibel (...). The landlord, with a scepter in hand, gives the command to get the harvest. The grain is harvested and the weeds are collected and burned. A boy holds the rug of the landlord. Under the show a reference in Latin to the Bible text in mat. 13:30. This print is part of an album.

Beggars and street artists in China. On the left a man who balances a stone on his head. In addition, a seated man with a cloud above his head. Times two Chinese strike their heads against each other. At their feet a seated man hitting his head against a stone. The print has a Dutch caption.

Flagellation of Jesus Christ - Flagellation of Jesus Bertin, François Edouard (1797 1871), Cochin

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