Biblical Scene Etchings

Detailed etchings showcasing biblical narratives and characters, featuring figures in dynamic compositions, emphasizing religious themes and dramatic storytelling.

A copper etching by Jean Le Pautre created between 1625 and 1682 depicting the Holy Family resting during the flight to Egypt, including Mater Amabilis, figures, and landscape elements.

Copper engraving and etching by Justus Sadeler depicting the four seasons, created in 1616, illustrating seasonal landscapes, human activities, and nature.

Etching by Paul van Somer from 1660-1700 showing biblical scenes: Heli with an angel and Hagar in the desert, including figures, gestures, and desert landscape.

A copper etching by Jean Le Pautre created between 1625 and 1682 depicting the Holy Family resting during the flight to Egypt, including Mater Amabilis, figures, and landscape elements.

Etching by Orazio Borgianni depicting scenes from the Bible, located in the loggias of the Vatican, created in 1615.

Woodcut by Jacques Stella (1620-1657) showing the Prophet Jonah and John the Baptist, depicting figures, garments, and religious symbolism.

Copper engraving and etching by Bernard Picart from 1727 depicting an allegory including the portrait of Fontenelle, with symbolic figures and decorative elements in dotting manner.

Etching by Orazio Borgianni depicting Bible scenes within the loggias of the Vatican, created in 1615, showing architectural features and biblical figures.

François Hutin created etchings between 1740 and 1758 depicting mythological figures including Pan, Syrinx, Ladon, Apollo, Daphne, and Peneus, illustrating classical stories with 18th-century European engraving techniques.

Etching by Cornelis de Wael from 1647 depicting a title cartouche with Levantine sailors, showing detailed figures, ships, and maritime elements.

Copper engraving by Jan Collaert the Younger depicting the Passion, death, and resurrection of Jesus, created between 1584 and 1587.

The 1641 etching by Johann Wilhelm Baur depicts scenes from Ovids Metamorphoses, showing gods, mortals, transformations, and narrative illustration in detail.

Allegorical scenes engraved and etched by Bernard Picart between 1693 and 1733 using copper engraving in dotting manner.

Etching by Arnold Houbraken depicting symbolic personifications, created between 1675 and 1719, showing figures representing abstract concepts.

Etching by Francesco Mazzola depicting the grave of Christ, produced between 1515 and 1540, showing figures in mourning with gestures and expressions around the tomb.

An etching by Bernard Picart from 1734 depicting Jacob giving the sheep of Rachels water at Paroy, representing a biblical narrative with pastoral figures and landscape elements.

Etching by Comte Anne Claude Philippe de Caylus depicting Minerva triumphing and Mars in victory, created between 1720 and 1765, illustrating mythological figures.

Etching by Adriaen Schoonebeeck depicting Wilhelm III and Maria II, created after 1688. The artwork shows historical figures, attire, and composition.

A copper engraving by Johann Sadeler the Elder depicting the personifications of East and Noon, created between 1570 and 1600, illustrating times of day and allegorical figures.

A copper engraving by Philipp Galle, 1561, showing St. Hieronymus in a wasteland landscape with figures, terrain, and detailed composition.

Etching by the School of Fontainebleau from 1545-1555 depicting people fleeing a city engulfed in flames, showing human figures, buildings, and fire.

This copper engraving and etching by Charles Simonneau, created between 1702 and 1792, presents a portrait of Louis XIV of France, highlighting royal iconography.

Etching by Giovanni Battista Galestruzzi showing two Medusa heads, a Bacchanal scene, and Silenus with a satyr, created between 1640 and 1660, illustrating mythological subjects.

Etching by Giuseppe Diamantini from 1650-1700 showing Saturn and Rhea, depicting classical mythological figures with symbolic attributes and detailed composition.

Etching by Giovanni Pietro Possenti from 1640-1660 depicting Hercules, Dejanira, and the centaur Nessus, showing mythological figures and detailed composition.

Etching by Simone Cantarini da Pesaro dated 1630-1648 showing the Holy Family resting during their journey to Egypt, depicting figures, gestures, and natural surroundings.

Etching by Jean Le Pautre from 1625-1682 depicting scenes from the life of Mary, including multiple figures, architecture, and religious settings.

A collection of 18th-century etchings by various artists created as illustrations for books, covering diverse subjects and themes.

Paulus Pontius engraved 'Thomyris' in 1630, depicting the figure Thomyris with attendants and symbolic elements in copper engraving format.

Copper engraving by Cornelis Cort around 1560 depicting Noah's victim and his sons covering their father, showing figures, gestures, and narrative elements.

Pencil drawing by Gilles Demarteau created between 1742 and 1776 showing an interior with wife and children.

Copper engraving by Hendrick Goltzius depicting the classical elements and the allegorical representation of the five senses, created around 1588.

Duplicate entry: Etching by Pietro Testa depicting an allegory of Cardinal Franciottis term as Bishop of Lucca with personifications of the virtues, created 1628-1650.

This copper engraving by Nicolaes de Bruyn, produced between 1591 and 1656, depicts the Prodigal Son as a swineherd and his return home, showing detailed figures and narrative composition.

Copper engraving print by Johann Sadeler the Elder from the 17th century depicting a title leaf with an image of Josaphat, showing figures, decorative elements, and compositional design.

Etching by Domenico Peruzzini from 1620-1673 depicting St. Hieronymus in the wilderness, including landscape elements, posture, and gestures.

Harmen Jansz. Muller engraved Lucretia Romana and the nine heroes between 1567 and 1584, showing historical and legendary figures in detailed compositions.

Etching by Paul van Somer from 1660-1700 depicting various scenes with putti, showing figures, gestures, and decorative compositions.

Etching by Giovanni Battista Franco depicting various antique scenes, created between 1530 and 1561, illustrating historical, mythological, and classical subjects.

Copper engraving and etching by Benoît Louis Prévost from 1765-1804 depicting an allegory featuring Pippin the Younger and Charlemagnes conquest of the Saxons, including figures and symbolic elements.

Etching by Franz de Paula Ferg depicting landscapes with various human figures, animals, trees, hills, and natural features, created between 1709 and 1740.

Etching by an unknown engraver depicting a Sibyl with an angel, created between 1630 and 1700, illustrating religious and allegorical figures.

Etching by Christian Wilhelm Ernst Dietrich depicting a figure engaged in having or holding, showing human posture and gestures, created in the 18th century.

A copper engraving by Willem de Haen from 1612-1625 depicting the Adoration of the Shepherds with the nativity scene and surrounding figures.

Copper engraving and etching by Pieter Danoot created around 1650 depicting an allegory featuring rulers.

This copper engraving by Jacob de Weert, created between 1580 and 1600, depicts multiple scenes from the life of John the Baptist, illustrating key biblical moments with detailed figure work.

Copper engraving print by Philipp Galle from 1563 depicting scenes of human suffering, showing figures, expressions, and symbolic elements.

Copper engraving and etching by Matthäus Greuter depicting heroic figures in partial representation, focusing on their upper bodies and attributes.

Guillaume Caoursins 1496 woodcut depicts the siege of Rhodes, showing fortifications, soldiers, ships, and military actions in a detailed book illustration.

An etching by Wenzel Hollar from 1647 depicting an angel in a mythological or religious scene.

Woodcut by Jacob Lucius from 1530-1597 depicting Loth and his daughters and the baptism of Christ, showing religious figures and narrative composition.

Copper engraving and etching by Bernard Picart depicting an allegory with the four continents, created in 1719 using dotting technique.

Copper engraving by Cornelis Bloemaert depicting an allegory of John II Casimirs rule after the death of King Wladyslaw IV, created around 1648.

Copper engraving and etching by Jan Collaert the Younger, 1560-1618, depicting narrative scenes from the Old and New Testament with detailed figures and composition.

Copper engraving and etching by Felice Polanzani from 1715-1756 illustrating the life of Mary with figures, drapery, and architectural elements.

Etching by Remy Vuibert from 1635 depicting the biblical scenes of Adam and Eve and Solomon's judgment, showing figures, narrative, and symbolic elements.

Etching by Johann Christoph Storer from 1651 showing a king seated on a throne while attendants load a horse, including figures, throne details, and ceremonial elements.

An etching from 1652-1654 by Wenzel Hollar depicting illustrated scenes from Vergils texts in book format.

16th-century copper engraving by an unidentified monogrammist showing various representations including human figures, animals, and decorative motifs.

Etching by Matthäus Merian the Elder illustrating a New Testament scene, created in 1631, depicting human figures and religious narrative.

This etching by Adam Friedrich Oeser, created between 1735 and 1799, depicts allegorical representations, highlighting symbolic imagery and 18th-century printmaking.

Copper engraving and etching by Carl Gustav Amling from 1697-1698 depicting the wedding of Otto I von Wittelsbach and Agnes by Loon.

Copper engraving based on Peter Paul Rubens design depicting a Triumph scene, created in the 17th century.

Copper engraving by Maarten van Heemskerck depicting Ahab, Jezebel, and Naboth, showing figures, palace architecture, and vineyard in 16th-century attire.

Etching by Georg Kaspar Prenner depicting Pietro Niccolo Farnese liberating Bologna in 1361, created in 1744, illustrating historical event and Italian noble history.

Etching by Abraham Blooteling depicting the seduction of St. Antonius, showing the saint, temptress figures, and symbolic elements in a 17th-century composition.

Etching by Marcus de Bye from 1655-1667 depicting Hubertus von Liège, showing figure, attire, and portrait details.

Copper engraving and etching by Philipp Galle, circa 1572, illustrating the eight wonders of the world with architectural and natural landmarks from ancient civilizations.

Copper engraving by Francesco Brizio from 1595 showing the Madonna with child, depicting the Virgin Mary holding the infant Christ, with detailed drapery and facial expression.

Copper engraving by Adriaen Collaert depicting Venus, showing figure, attributes, and classical iconography. Created in 1581.

An 1837 etching by Ludwig Emil Grimm depicting a title leaf for the Brothers Grimm children's and household fairy tales, showing decorative elements and lettering.

Etching by Gabriel Huquier from 1720-1772 depicting a pastoral scene with figures in a rural landscape, showing natural setting and detailed composition.

Etching by Stefano della Bella depicting the Holy Familys escape to Egypt, created between 1630 and 1664, showing figures, animals, and landscape in a biblical scene.

Harmen Jansz. Muller produced copper engravings and etchings from 1568 to 1638 illustrating the seven planets, showing symbolic planetary figures and celestial motifs.

Copper engraving and etching by Raphael Sadeler the Elder depicting the biblical scene of Lot with his daughters, set in an outdoor landscape, dated 1580-1632.

Copper engraving and etching by Louis Desplaces depicting Aeneas reaching the banks of the Tiber River, created between 1719 and 1757.

A copper engraving by Philipp Galle, 1566, depicting the four evangelists, showing figures, symbolic attributes, and detailed composition.

Etching by Franz Stöber depicting mythological scenes of Psyche, the judgment of Paris, and Hesione, showing figures, classical motifs, and narrative elements between 1810 and 1858.

Copper engraving and etching by Philipp Galle from 1550-1612 depicting allegorical figures representing virtues, showing gestures, symbols, and composition.

Copper engraving and etching by Matthys Pool from 1690-1732 depicting the plague, showing figures, urban settings, and historical medical scenes.

Etching by Orazio Borgianni depicting scenes from the Bible, located in the loggias of the Vatican, created in 1615.

Etching by Salomon Savery illustrating fables and proverbs in book illustrations, produced between 1615 and 1683, depicting allegorical and narrative scenes.

Copper engraving by Jan Wierix from 1570-1620 depicting Assyrian and Persian figures, showing historical scenes, attire, and gestures.

Copper engravings by Cornelis Galle the Elder for Goltzius and Haeften, depicting Roman and Greek antiquity monuments and the Royal Way of the Cross title pages, showing figures, architecture, and symbolic elements, produced in 1634 and 1645.

Etching and copper engraving by Abraham Blooteling depicting views of European cities including Rome, created between 1635 and 1683.

Engraving and etching by Johann Sadeler the Elder depicting patriarchs, produced between 1570 and 1600.

Copper engraving by Philipp Galle illustrating the biblical story of Susanna, capturing the narrative and characters in 1563.

Copper engraving by Étienne Delaune depicting the months of January, February, and March, created between 1538 and 1583, illustrating seasonal and calendar symbolism with classical figures.

Etching by Stefano della Bella depicting bone men representing death, created between 1630 and 1664, emphasizing symbolic and allegorical imagery.

Copper engraving by Theodor Galle depicting the Circle of Humanity, produced between 1591 and 1635, showing figures arranged in a circular composition representing human interaction.

Copper engraving by Cornelis Cort in 1563 depicting the heroic deeds of Hercules, showing figures, combat scenes, attire, and mythological elements.

Woodcut by Michael Wolgemut illustrating the 26th and 27th figures depicting Stephan Fridolin as a treasure retailer, showing facial features, attire, and objects, produced in 1491.

Card with four engravings according to the "figurine" cycle (study pairs), in: "Serie Di LXXXV Disen Disen in Varie Grandezze Composze Composze Composze Dal Celebre Pittore Salvator Rosa ..."; Antonini, Carlo (1749-1835), Rosa, Salvator (1615-1673); 1780 (1780-00-00-1780-00-00);

Copper engraving by Crispin van de Passe depicting the seasons Spring and Summer, showing figures, activities, flora, and landscape. Created around 1604.

Etching by Comte Anne Claude Philippe de Caylus from 1762 depicting the Crossing with an Apostle, showing figures, gestures, and 18th-century religious composition.

Etching by Jacques Gabriel Huquier from 1750-1805 depicting watchers and a girl holding a bird (oiseau), showing figures, gestures, and composition.

A 1654-1660 etching by Jan van Ossenbeeck depicting the mythological scene of the Death of the Niobids, highlighting human figures, gestures, and narrative action.

Copper engraving by Pieter de Jode depicting the temperaments Sanguine and Phlegmatic, created around 1600.

Photo production of the Fresco Parnassus. .

Copper engraving and etching by Marcantonio Raimondi, created between 1513 and 1515, depicting God appearing to Noah, with biblical figures and narrative composition.

Copper engraving and etching by Lambert Lombard depicting the theological virtues Fides, Spes, and Caritas, created in 1558, showing allegorical figures.

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