Baroque Design Illustrations

Sumptuous illustrations of Baroque designs for artistic creations, featuring intricate ornamental elements and elaborate details.

Design for Monstrans, Anonymous, 1500 - 1600 print Monstrans, decorated with cherubs and leaf vines, whether or not ending in fish heads or mascarons. Netherlands (possibly) paper engraving

Design for an altar crucifix, Gabriel Huquier, Juste Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching cross as symbol of Christ. work of applied art

Girandole Met Slangen; A notebook of six girandoles for the use of goldsmiths and founders; Artworks with bronze sculptures, containing girandoles, torches, fire (...). Een Geornamenteerde Tweearmige Girandole puts Bladmotieven in Slangen.

Spiegel: Oval with a representation of the death of Julia, Etienne Delaune, 1561 print Oval, in a frame of rolling work with grotesks, figures, mascarons and garlands. A ring hangs on the handle. One leaf from a series of two. France (possibly) paper engraving mirror

Arts Theater Transformation Project: Elevation of a Fair, Alternative Project with Funder Arc for the Haut Lodge Alexandre Th�odore Brongniart (1739-1813). Project to transform the theater of the arts: elevation of a forebody, alternative project with arc in the hintr for the lodge of the top. Fountain and Chinese Ink, Lavie de Bister on paper, 1739-1813. Carnavalet Museum, History of Paris.

Design for a Candlestick with Candle Wick Trimmers 1560-70 Erasmus Hornick Netherlandish Print with a design for a candlestick decorated with reclining gods in oval compartments. On both sides of the burning candle, Hornick has depicted designs for wick trimmers.. Design for a Candlestick with Candle Wick Trimmers 633473

Pelvis with two boys, c. 1870 - c. 1894 Paris tracing paper. graphite (mineral). cardboard containers

Design for the Decoration of Firearms. Culture: French, Versailles. Designer: Workshop of Nicolas Noël Boutet (French, Versailles and Paris, 1761-1833). Dimensions: 6 1/2 x 3 in. (16.5 x 7.6 cm). Date: ca. 1795-1805. Museum: Metropolitan Museum of Art, New York, USA.

Vaas met guirlandes, in or after 1771 print An ornamented vase with rings and garlands. Publishing number 374. Germany paper etching / engraving vase ~ ornament

Design for a paneling with a woman on a swing, Jacques-Philippe Le Bas, after Jean Antoine Watteau, c. 1726 - c. 1735 print Numbered below: 2. Paris paper etching panelling. swing. ornaments ~ art

Design for Monstrans, Anonymous, 1500 - 1600 print Monstrans, decorated with cherubs and leaf vines, whether or not ending in fish heads or mascarons. Netherlands (possibly) paper engraving

Wall panel with two standing women under oval list, 1647 print A landscape with a ruin can be seen in the list. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper engraving

Lazio Viterbo Caprarola Palazzo Farnese76. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Trophy with weapons; Trophée à la Gloire des Princes; Premier Deuxième, Trosième Cahier de Trophées. A trophy with obelisk, beams, palm tree, winged medallion, flags, shields, weapons and painting attributes.

Drawing, Elevation of Altar Candlestick; Made by Unknown

Shield with the arms of the Holy Roman Empire, 1576 Shield with the weapon of the Holy Roman Empire. The ornament is a fragment of a map of Germany. The print is part of an album. print maker: CologneAntwerp paper engraving Shield with the weapon of the Holy Roman Empire. The ornament is a fragment of a map of Germany. The print is part of an album. print maker: CologneAntwerp paper engraving

An Oil Burning Lamp, Giovacchino Belli, Italian, 1756 - 1822, Pen and ink, brush and wash on paper, Europe and USA, 1775-1880, lighting, Drawing, Drawing

Netherlands, Master W with the Key, Gothic monstrance, Printed from two plates on two sheets, attached to each other., print, prints, height 460 mm, width 113 mm, Southern Netherlands, print maker, printmaker, 1465 - 1485, third quarter 15th century, fourth quarter 15th century, paper, engraving, engraving (printing process)

Kandelaber, Giovanni Battista Piranesi, 1778 print A candle slick with two sculptures from Putti next to it. Rome paper etching Chandelier, a candlestick. Cupids: 'Love' '' Amoretti '' Putti '

Semi -Round Table, Augustin Foin, After Richard de Lalonde, 1784 - 1785 print Front and top view of an ornamented semicircular table with garlands. On top of the table is a coffee or tea set. Paris paper etching / engraving table

Decoration on the Keizersgracht at the Spiegelstraat, 1816, Anonymous, 1816 drawing Decoration with the theme of music. Trophy with a winch and trumpet on a pedestal. On top of a radiant sun. On the base 'Schoone Arts'. Founded on the Keizersgracht near the lock with the (new) Spiegelstraat. Part of a series of 14 (of the 16) drawings for the decorations drawn up during the visit of the Prince and Princess of Orange to Amsterdam on September 19, 1816. Netherlands paper pen / brush other decorative structures (~ triumphal entry, etc.). public festivities on the occasion of royal events (+ decorated staff, portable structure ~ festive activities). 'Musica', symbolic representations, allegories and emblems ~ music; 'Musica'(Ripa). lyre, cithara, psaltery Amsterdam. Keizersgracht. New Spiegelstraat

Unknown photographer, green vault in Dresden (without date): Onyxcamée with the portraits of the emperor Tiberius. Photo on cardboard, 16.8 x 11.1 cm (including scan edges) unbek. Fotograf : Grünes Gewölbe in Dresden (ohne Dat.)

Ricco Tavolino con smalti e bronzi dorati, che fece parte dei donativi accolti in omaggio da Sua Maesta l'Augusta Imperatrice, Opera ornamentale, Borsato, Giuseppe, 1771-1849, Engraving, 1825, Plate inscribed at lower left, G. Borsato inv., and at lower right, Comirato inc.

Lazio Viterbo Caprarola Palazzo Farnese201. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for one side of a gate with a niche, agostino mitelli, 1600 - 1699 drawing Design for one side of an entrance gate with a niche between gaping masks between two pilasters in Rustica. Architecture design. paper. chalk. graphite (mineral). ink pen / brush exterior ~ architectural design or model

Louvre (Façade sur le Quai). Édouard Baldus (French, born Germany, 1813 - 1889)

Lazio Viterbo Caprarola Palazzo Farnese49. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Leopard, Beer and Wolf (Firapeel, Bruun and Isegrim), Bernard Willem Wierink, c. 1910 print paper fable of Reynard the Fox

Half niche with fountain in the form of a vase; Flat decorations and grave monuments / Father's Niewe Inventien (...). In a domed half niche is a fountain in the form of a vase. On the vase a man faithed by two hermes pouring water into a child's jug that is sitting at their feet. Around the fountain figures with jugs and jugs. Belongs to series consisting of a title page, a text sheet and 14 blades with grotesken with rollerwork, saters, garlands, trophies, animals and fantasy stations.

Woman's Head on a Pedestal. Artist: Jean Mignon (French, active 1535-ca. 1555). Dimensions: 8 11/16 x 5 1/16 in. (22 x 12.9 cm). Date: 1535-55. Museum: Metropolitan Museum of Art, New York, USA.

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 56e Cahier, Candlesticks, Chandelier simple, Candlestick with leaf motifs, verso - stamped, An ornamented candlestick with leaf motifs. Print number 331., print, ornamental print, prints, ornamental prints, height 329 mm, width 205 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, paper, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Atia .

Title Page, from Nouveaux Livre de Parterres (New Book of Garden Beds), Daniel Marot, French, active in the Netherlands and England, 1661-1752, Pierre Husson, Etching and engraving on white laid paper, Landscape architecture design for garden., ca. 1700, architecture, Print, Print

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 55e Cahier, Kandelaars, Chandelier a deux branches, Kandelaar met leeuwenhoofd, verso - stamped, An ornamented three-armed candlestick with garlands and a lion's head. Print number 330., print, ornamental print, prints, ornamental prints, height 329 mm, width 205 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Partial Design for a Chimneypiece. Artist: Attributed to Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Dimensions: sheet: 9 9/16 x 6 9/16 in. (24.3 x 16.7 cm). Date: 1740-1800. Museum: Metropolitan Museum of Art, New York, USA.

Grave monument with a rhyton; Vases, candlesticks, tombstones, sarcophagus, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi; Vasi, Candeabri, Cippi, Sarcophagi, Tripodi, Lucerne, etc. Ornamenti Antichi DISEGN. Ed Incisi Dal Cav. Gio. Batta Piranesi. A grave monument with a Rhyton with a cup of a wild boar. Assignment above show. Text in undermarge.

Design for the left half of a chimneypiece 17th century Anonymous, Italian, 17th century Italian By the seventeenth century, chimneypieces had become an important object of design within the interior. Examples in late Renaissance and early Baroque styles were often highly sculptural, heavily ornate and very colorful feats of design bravura. The love for the theatrical, which characterized the Baroque period, meant that a certain level of monumentality was pursued. In that respect, these two drawings show designs of a relatively modest nature, although colored marbled and gilding could transform their final look dramatically.. Design for the left half of a chimneypiece 363800

Abruzzo Chieti Lanciano S. Maria Maggiore7. Hutzel, Max 1960-1990 Church dates from 14th century and reputedly is built over a temple of Apollo. Parts of the church were renovated in the 16th century, but some of this renovation was removed in 1965, returning the church to its original style. There are many exterior views, with particular attention paid to the apse and right portals with their rose windows. There are general views of the interior. A few paintings are photographed; the main objects are a processional cross and a wooden crucifix with terracotta figures of Mary and St. John. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque mo

Gueridon met leeuwenkop; Gueridon propre à porter des torcheres; Gueridons; 54e Cahier.A gueridone with three-armed candlestick, garlands and a lion's head. Print number 322.

July Column Project (TF)

Project for a Ostensory, Luigi Righetti, Italian, 1780 - 1819, Graphite, pen and ink, brush and wash on paper, The shaft has the shape of a round pedestal below, which supports an urn, above which rises a baluster. The receptacle is surrounded by a glory of cherubim and rays. At top is a cross. Coloring suggests partial gilt., Italy, 1807, metalwork, Drawing, Drawing

The coat of arms of the Kress von kressenstein family Hans Sebald Beham (1500-1550), formerly attributed to Albrecht D�rer (1471-1528) Coat of arms of the Kress von Kressenstein family - B 161. Woodcut.

Captain Buzdygan from the 17th century in the collections of the Krasi Mountain Assembly in Warsaw - general views from the side and from above; Frania, Zygmunt (1882-Post 1932); 1919 (1919-00-00-1919-00-00);

Sweeten, Gerard Freiherr VAN.

Study for Plate 7 of Bouchardon's "Premier livre de vases" 18th century Circle of Edme Bouchardon French. Study for Plate 7 of Bouchardon's "Premier livre de vases" 335030

Augsburg, Hertel, Johann Georg (I), Hoppenhaupt, Johann Michael (II), Longcase clocks, Clock with female figures, verso - stamped, A rocaille longcase clock, decorated with female figures with rocaille lower bodies. Publisher number 90., print, ornamental print, prints, ornamental prints, height 289 mm, width 158 mm, print maker, printmaker, 1721 - 1775, paper, etching, etchings, 1709 - 1750, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Vase with a medallion of Marie Therese, in the collection of Queen Victoria, and plate with ribbons. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quantin, Paris, 1891.

Umbria Perugia Foligno S. Giovanni in Profiamma3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculpture, stone ciborium, metal crucifix. This church was constructed in the 11th-12th centuries from the remains of Roman buildings. The portal was built by a Master Filippo (1239), whose works are also known in Ancona. The interior of the church consists of a single nave, a presbytery and a crypt below. The columns of the crypt are spolia from earlier buildings, including an architrave from an 8th century structure. Object Notes: Foligno environs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are

Rome, Piranesi, Giovanni Battista, Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegn. ed incisi dal cav. Gio. Batta Piranesi, Vases, candlesticks, gravestones, sarcophagi, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi, Vase on an urn and a pedestal with a group of figures, verso - stamped, Sheet with two representations of an antique vase on an urn and a pedestal with a group of figures. Left: an antique vase with griffins and garlands on an antique urn with winged figures. Text in the lower margin. Right: a pedestal consisting of three sculpted nude female figures. Dedication above the representation. Text in the lower margin., print, prent, prints, prenten, height 388 mm, width 256 mm, height 389 mm, width 259 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1778 - 1778, paper, papier, etching, etsen, Work conception, after own design by

Print, Console Table Design; Designed by Richard de Lalonde (French, active 1780-96); Print Maker: Augustin Nicolas Foin (French, 1726-c. 1759); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on off-white laid paper

La Mariée à la Grecque. Benigno Bossi (Italy, Arcisate di Como, 1727-1792). Italy, 1771. Prints; etchings. Etching

Sketchbook of Byzantine and Romanesque Decoration, 1887-1894. Study of an ornamented crozier. Sir Edward Burne-Jones. 110 sketches of Mediaeval and Byzantine decoration made in connection with studies for the 'Holy Grail' tapestries for Morris & Co.

Drawing, Architectural Studies; Filippo Marchionni (Italian, 1732-1805); Italy; charcoal, brush and sepia, black-brown watercolor on laid paper; 28.1 x 19.6 cm (11 1/16 x 7 11/16 in.)

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributes Hierogliphyques, N Tombeaux, Athenes et Macédoine, Athene en Macedonië, verso - stamped, A tomb with at the bottom a medallion with a female figure with a torch and a dragon. At the top weapons, a scythe, books, a frame with an owl and a medallion with Minerva looking in a mirror. Print number 19., print, ornament print, prints, ornamental prints, height 377 mm, width 230 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Two pedestals with laurel wreath and medallion, 1751 - 1775 print Two pedestals with garlands and flower vines. The left pedestal is decorated with a laurel wreath and goat heads. The right pedestal contains a medallion with a person and profil. Publishing number 121. Augsburg paper etching pedestal of a piece of sculpture (perhaps in the form of a herm). garland, wreath. ornament ~ medallion. ornament ~ festoon, garland

Umbria Terni Terni Palazzo Spada6. Hutzel, Max 1960-1990 Post-medieval: Architecture (16th century). Triple-arched portal; frescos (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Louis XV (king of France), Paris, Huquier, Gabriel, Meissonnier, Juste Aurèle, Oeuvre de Juste Aurele Meissonnier, Design for the Base of a Candlestick, This print is part of an album., print, album sheet, ornament print, prints, height 352 mm, width 235 mm, French, 1695 - 1772-06-11, print maker, printmaker, 1738 - 1749, paper, etching, etchings, Work conception, 1693 - 1750-07-31, after a design by, Publication (Event), Publication, publisher, 1710-02-15 - 1774-05-10, granter of privilege

German Emperor Henry II in a niche, Heinrich Aldegrever, 1512 - 1558, The German Emperor Henry II, full-length, with crown, Reich's apple and Reich's sword, standing in a niche., draughtsman: Heinrich Aldegrever, 1512 - 1558, paper, pen, brush, h 140 mm × w 54 mm

Drawing, Design for a pendant; Italy; 1940-86-937

Design for a Naval Presentation Sword ca. 1850-60 British. Design for a Naval Presentation Sword. British. ca. 1850-60. Pen, wash, parchment. Works on Paper-Drawings

Ornamental vase and medallions, Michelangelo Pergolesi, 1777 print Leaf with three numbered performances among each other. I: Oval medallion with Aesculapius, between Arabesken. II: Ornamental vase with putti and horses. III: Oval medallion with Pluto, the god of the underworld, between candlesticks. Italy paper etching foliage ~ ornament. vase ~ ornament. ornaments ~ art

Hand drawn alphabet letter D vector. Old 19th century engraved illustration, El Mundo Ilustrado 1881

Wilkinson Tracing, Design for a torchère, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Clock. William Chaffers (English, 1811 - 1892)

Feldwisch-Drentrup Albert, choir chapter. (From: Prints of seminar works by the Royal Technical University of Berlin, Vol. III) (1904): Detail the vision of the Hesekiel. Pressure on paper, 32.3 x 23.7 cm (including scan edges) Feldwisch-Drentrup Albert : Chorkapitell. (Aus: Drucke von Seminararbeiten der Königlich Technischen Hochschule Berlin, Bd. III)

Trophy with agricultural equipment, 1572 print Agricultural equipment and a beehive. From series, consisting of a title page and 16 magazines. Netherlands (possibly) paper etching

Book, L'oeuvre (Works)

Rome, Piranesi, Giovanni Battista, Le Antichità Romane, Archaeological finds in and around Rome, Tomb in the burial chambers of L. Arruntius, verso - stamped, View of and section through a tomb in the burial chambers of L. Arruntius. Numbered upper left: Tom. II. Numbered upper right: XI. Below a text and explanatory list of letters, printed from another plate., print, prints, height 325 mm, width 207 mm, height 41 mm, width 210 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1756 - 1757, paper, papier, etching, etchings, Work conception, after own design by

Challened column from Sint-Pietersbasiliek (Colonna Santa); Speculum Romanae Magnificentiae. A brushed column decorated with a rankes with composite capital. The Colonna Santa mentioned.

Bookplate: duc d'Arenberg: Christus protector meus. Vermorcken, Edouard (1820-1906), graphic artist, Schoy, Auguste Félix (1838-1885), draughtsman, cartoonist

Israëliërs; Les Isreélites; N Tombeaux; Nouvelle Iconologie Historique Ou Attributs Hierogliphyques (...).A tomb with stone tables, a book, weapons, hoses, crowns, crosses and a round medallion with a figure under a fallen column, hoses, an owl and a figure in a carriage with three horses stopped by an angel. Print number 17.

Book, L'oeuvre (Works)

In the center upright fasci stands a republican bonnet. Below in the foreground are two helmets sitting symmetrically. At the left is a pennant with R.R (Respublicen Ravennatica) inscription, while the right one has R.C. (Ravennatornin Civitas). Date: 1830-1850. Black crayon, pen and black ink, brush and bistre on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Woodcut by Albrecht Dürer depicting the B scene of the honorary gate for Emperor Maximilian I, showing the inner pair of outdoor columns, created on pear wood in 1515.

Bracket. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Portion of Original Weather Vane. Dated: c. 1936. Dimensions: overall: 35.8 x 26.5 cm (14 1/8 x 10 7/16 in.) Original IAD Object: Base 10"; vane 6'. Medium: watercolor, gouache, colored pencil, pen and ink, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Geoffrey Holt.

Cross. Dated: c. 1937. Dimensions: overall: 34 x 35 cm (13 3/8 x 13 3/4 in.). Medium: graphite and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: Ray Price.

Design for a chandelier, draughtsman: Firma Feuchère, France, c. 1825 - c. 1835, paper, pen, h 308 mm × w 217 mm

Design for a fountain, Pen and brown ink, brush and brown wash, on paper, A variation of the fountain in 1901-39-2103. Three mermaids kneeling upon a rocky base support the upper basin. From the mouth of three upright entwined dolphins water springs and flows below., 1787-88, architecture, Drawing, Drawing

Pendula crowned with globe, Anonymous, Daniël Marot (I), After 1706 - Before 1800 print A pendula crowns with a globe, flanked by personifications of astronomy and truth. The pendulum is surrounded by four decorations for dials or watch cabinets and ten other ornaments. Copy of page 4 from the Nouveaux Liure de Boïtes de Pendulles series, published by Daniel Marot around 1706. Leaf from the second edition. Netherlands (possibly) paper etching

Anonymous. "Mobilier element". Albumin paper draw. 1870-1880. Paris, house of Victor Hugo. 200671-11

Illumination of the H. van Oort's house in Rotterdam, 1788; Image of glorious illumination and decoration for the Huizinge van den Heere H: van Oort, on the 7th August 1788. Illuminatie for H. van Oort's house in Rotterdam, on the occasion of the birthday of Princess Wilhelmina van Prussen on August 7, 1788. Two chassinets with allegorical representations. Signature at the top right: BL 106.

Herman Bader, Firemark, 1935 1942 Firemark

Herberstein, Johann Maximilian Graf too.

Study for the Decoration of a Vault. Artist: Orazio Samacchini (Italian, Bologna 1532-1577 Bologna). Dimensions: 15-3/8 x 10-1/16 in. (39.1 x 25.5 cm). Date: 1532-77.Samacchini worked briefly in Rome but primarily in his native Bologna and surrounding areas. In 1570 he secured the commission to paint the vault of the north transept of the cathedral in the nearby town of Parma. In this drawing, Samacchini's decorative scheme for the transept, a seated prophet of the old Old Testament and a pagan sibyl - both types generally understood to be harbingers of the coming of Christ - are depicted in each of the four corners of the vault, accompanied by putti. The iconography and style of this refined and polished design find their principal inspiration in Michelangelo's frescoes in the Sistine Ceiling (1508-12), with its alternating monumental figures of sibyls and prophets in a variety of complicated poses. At the same time, the compressed, decorative arrangement of the figures and the cris

Above-de-Portes puts Vazen, François Chauveau, 1670-1676 print Two Dessus-de-Portes with garlands and crowned vases with seahorses and dragons with garlands in the mouth as handles. paper etching door. vase ~ ornament Tuileriep-palpal

Vignette with Lier and Stars, Anonymous, 1821 - 1860 print Vignette with Lier above which five stars. In ornamental frame. paper etching vignette. piece of sculpture, reproduction of a piece of sculpture. stars

Drawing, Section of a Parliament Building or Academy; France; pen and black ink, brush and gray and pink wash, black chalk on paper; 20 x 54.4 cm (7 7/8 x 21 7/16 in.)

Rome, Piranesi, Giovanni Battista, Vasi, candelabri, cippi, sarcophagi, tripodi, lucerne, ed ornamenti antichi designed. ed incisi dal cav. Gio. Batta Piranesi, Vases, candlesticks, gravestones, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi, Tripod or altar, verso - stamped, A decorated marble altar or a tripod, found at Ostia. Text on the left and right. Dedication in the lower margin. Numbered top right: 63., print, prints, height 672 mm, width 422 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1778 - 1778, paper, papier, etching, etchings, Work conception, after own design by

Grave monument with vase, raux, 1758 A burial monument with triangular pediment and garland. A vase at the top. paper. rope etching grave-building, monumental tomb. vase ~ ornament

Drawing, A Candlestick with Four Branches; Luigi Righetti (Italian, 1780 - 1819); Italy; pen and ink, brush and watercolor on paper

Marie von Anjou, Princess of Naples.

Lazio Roma Rome S. Maria in Aquiro64. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, religious artifacts (reliquaries), decorative arts (tapestries, furniture). From Counter-Reformation, built in 1590 and finished in 1774. A picture gallery exists in the former convent, which also houses offices. Located on Piazza Capranica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Triomf Van de Dood, Andrea Andreani, After Giovanni Fortuna, 1588 print Triumph of death with the three branch goddinnen (Fates) in a niche above a circle with texts and skulls with headwear. The circle is flanked by skeletons. Above two obelisks, two putti and an hourglass. Italy paper Death as Skeleton. "Trionfo della death, 'Triumph of death'; "Carro della death '(Ripa). Turn of fate, wheel of fortune. Hourglass. Fates, spare (Moir). Obelisk, Needle

Italian decorative plate. William Chaffers (English, 1811 - 1892)

Print (France)

Detalnye risunki k zagorodnomu domu.. Illustrations, Architectural drawings. 1874. General Research Division. Architecture , Russia, Decoration and ornament, Architectural , Russia

'Relics Associated with Henry VIII', 1882, (1886). Artists: Robert Anderson, Charles Lawrie.

. A sheet of paper hangs on a nail on the wall. Two putti folds the points of the sheet. On the sheet a vignette with minerva.

Corinthian capital from the Pantheon of Rome, the history of ancient Rome, Roman Empire, Italy, Historical, digitally restored reproduction of a 19th century original, Europe

Design for a Chandelier Design for a Chandelier, draughtsman: Jean Démosthène Dugourc, 1784, paper, pen, brush, h 256 mm × w 198 mm

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