Artistic Cafe Scenes

A series of artworks depicting intimate café scenes and figures, rendered in varied styles, capturing moments of leisure, conversation, and social interaction.

Henri de Toulouse-Lautrec (French, 1864-1901), Carnival (Carnaval), 1894, lithograph in olive green and red on velin paper

Wounded Eros (Eros vanné). Dated: 1894. Medium: lithograph in black on velin paper. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.

The Lamp Made 1890-1891 United States. Color aquatint, drypoint, and soft ground from three plates, on off-white laid paper . Mary Cassatt

Interior of a Café, Samuel Jessurun de Mesquita, 1898 print On the left a reading man; On the right a woman drinks from a glass. In the background a plate with the word 'ice'. paper inn, coffee-house, public house, etc.. drinking. reading

La clownesse assise (Mademoiselle Cha-u-ka-o) , Clowns. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Henri de Toulouse-Lautrec (French, 1864-1901), Carnival (Carnaval), 1894, lithograph in olive green and red on velin paper

At the Moulin Rouge: the Franco-Russian Alliance. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1893. Dimensions: 344 × 250 mm (image); 380 × 280.5 mm (sheet). Lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

La loge au mascaron doré , Theaters. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

L'Artisan Moderne, Toulouse-Lautrec, Henri de, 1896.

The Lamp. Artist: Mary Cassatt (American, Pittsburgh, Pennsylvania 1844-1926 Le Mesnil-Théribus, Oise). Dimensions: plate: 12 11/16 x 9 15/16 in. (32.2 x 25.3 cm)sheet: 17 3/16 x 11 5/8 in. (43.7 x 29.5 cm). Date: 1890-91. Museum: Metropolitan Museum of Art, New York, USA.

Richard Minutolo seducing Catella in a dark room. Lithograph handcoloured in pochoir (stencil) after an illustration by Charles Martin from Jean de la Fontaines Contes et Nouvelles en Vers, Tales and Novellas in Verse, Libraire de France, Paris, 1930.

L'Age de Fer. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; woodcuts. Woodcut

Jean-Louis Forain (French, 1852-1931), To Bullier's, c. 1876, color etching

Henri de Toulouse Lautrec, At the Concert (Au concert), 1896 At the Concert (Au concert)

Truus is at the desk of a woman, 1913 - 1970 drawing Truus stands with down eyes, the head slightly bent over and hands on the back in front of a woman's desk. There are books on the desk and there are a telephone and vase with flowers. In the background you can see a landscape with bushes through the window. paper. India ink (ink). deck paint. pencil pen / brush writing-table, writing-desk. girl (child between toddler and youth). head bent forward; bowing

Henri de Toulouse Lautrec, Seated Clowness (La Clownesse assise), 1896 Seated Clowness (La Clownesse assise)

Czarownica. Goryńska, Wiktoria (1902-1945), graphic artist

Le Maroz illustration entitled 'How to Prepare for an Expedition'. A colonial officer bribes he local nomad.

Le coiffeur - programme du Thétre Libre , Hairdressing, Thétre-Libre. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

The Englishman at the Moulin Rouge 1892 Henri de Toulouse-Lautrec French. The Englishman at the Moulin Rouge 334378

In the Public Garden (Au square). Dimensions: 54.4 cm x 39.2 cm, 33.2 cm x 23 cm. Museum: Van Gogh Museum, Amsterdam. Author: Henri Evenepoel.

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), finally (title given by the author). Black stone. Graphite pencil. Blue watercolor and black ink on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

On the "Pont de l'Europe". Dated: 1897/1898 (published 1899). Dimensions: sheet: 33.3 x 39.4 cm (13 1/8 x 15 1/2 in.). Medium: color lithograph on china paper. Museum: National Gallery of Art, Washington DC. Author: Edouard Vuillard.

Design Illustration for King Lear by Shakespeare: King Lear and Cordelia Caught, Jacob Pieter van den Bosch, 1878 - 1948 drawing Design for a print. paper. ink. pencil pen / brush illustration ~ printed matter, book. (SHAKESPEARE, King Lear) specific works of literature (with AUTHOR, Title). arrest (of criminal)

Francisco de Goya (1746-1828), finally in place, 1797-1798

Print, Gazette du Bon Ton (Journal of Good Taste), Vol. 1, No. 12, L'Entr'acte (Between the Acts), Plate 6; Designed by Maurice Taquoy (French, 1878-1952), House of Worth; Art Director: Lucien Vogel (French, 1886-1954); France; lithograph and pochoir on paper; 22.5 × 16.4 cm (8 7/8 × 6 7/16 in.)

Brune. Théophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1893. Dimensions: 342 × 235 mm (image); 420 × 309 mm (sheet). Photorelief print in red and black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Jane Avril dancing (Jane Avril dansant), ca 1892, by Henri de Toulouse Lautrec (1864-1901), oil on cardboard, 85x45 cm.

Gaspar Homar i Mezquida / 'Danza de las hadas', ca. 1902, Madera de pino con marquetería, 101 x 51 cm. Museu Nacional d'Art Catalunya, Barcelona.

Henri de Toulouse-Lautrec, At the Concert (Au concert), French, 1864-1901, 1898, color lithograph (restrike)

Drawing on a postcard showing a small child looking cold and frightened, meant to represent Belgium which had fallen to German forces in the first few weeks of the First World War. 'Brave Little Belgium' was a frequent symbol used to rally support for Britain's involvement in the conflict. George Ranstead was an amateur artist of the Great War who served in the Army Pay Corps. Ranstead was one of many soldiers of WWI who took up drawing as a hobby. His subjects range from wartime humour t

Advertisement for 'the dainty Erasmic Soap' showing a lady wrapped in a towel and b eing handed a box of the soap before her bath. Date: 1917

Print (France)

The Lamp. Dated: 1890-1891. Dimensions: plate: 32.39 × 25.24 cm (12 3/4 × 9 15/16 in.) sheet: 32.4 x 25.4 cm (12 3/4 x 10 in.). Medium: drypoint and softground etching in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Mary Cassatt.

Mary Cassatt (American, 1844 - 1926), In the Omnibus, 1890-1891, drypoint and aquatint on laid paper

Woman in front of a window (Spring), about 1908, by Umberto Boccioni (1882-1916), tempera on cardboard, 37x29 cm.

Two Women. Constantin Guys; French, 1802-1892. Date: 1835-1845. Dimensions: 323 × 223 mm. Pen and brown ink with brush and watercolor over traces of graphite, on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Florentine knight Magnificent seducing jealous Aldobrandins wife in front of the old miser. The Magnificent. Le magnifique. Lithograph handcoloured in pochoir (stencil) after an illustration by Charles Martin from Jean de la Fontaines Contes et Nouvelles en Vers, Tales and Novellas in Verse, Libraire de France, Paris, 1930.

Femme etlampe. Artist: József Rippl-Rónai, Hungarian, 1861-1927

Two Women and a Man with a Top Hat and a Monocle 19th century Constantin Guys French. Two Women and a Man with a Top Hat and a Monocle. Constantin Guys (French, Flushing 1802-1892 Paris). 19th century. Pen and brown ink, brown wash, some pale blue, orange and yellow wash.. Drawings

The Clowness Cha-U-Kao Seated. After a colour litho print created by Henri de Toulouse-Lautrec in 1896. From his series Elles.

Alfred la Guigne, by Henri de Toulouse-Lautrec, 1894, French Post-Impressionism painting, oil on cardboard. This is a portrait of Lautrec's friend, Bonnefoy. The painting gained it's title, when Toulouse-Lautrec submitted it as an illustration for title o (BSLOC_2016_5_250)

Paul Gauguin, Breton Women Standing by a Fence, 1889, zincograph.

'The Peacock Girl', 1893. Artist: Aubrey Beardsley.

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), Mi-Carême (title given by the author), 1903. Pierre Noire. Blue pencil. Black ink and white gouache on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Henri de Toulouse-Lautrec (French, 1864-1901), For You (Pour toi!), 1893, 4-color lithograph on velin paper

1893 Art Work - The Loge with the Gilded Mask Henri de Toulouse-Lautrec.

Couple de paysans, départ pour la guerre, Chagall, Marc (1887-1985)

At the Renaissance: Sarah Bernhardt in Phèdre. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1893. Dimensions: 346 × 235 mm (image); 382 × 283 mm (sheet). Lithograph on grayish-cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Album Tangoville-sur-Mer - As you had to be cute under the Empire - two couples: Jean-Louis Forsan dance with a very vilain Marianne, the painter Louise Abbema; Auguste Rodin squeezes in his arms a sculpture SEM (Georges Goursat, said 1863-1934) / j. SAUD�. "Album Tangoville-sur-Mer - As you had to be cute under the Empire - two couples: Jean-Louis Forsan dance with a very vilain Marianne, the painter Louise Abbema; Auguste Rodin squeezes a sculpture". Color lithography.

Helle Green Album: Marthe Helly, Liane de Lancy, GOUSSICAIRE AND CAROLINE OTERO SEM (1863-1934). "Green Album: Marthe Helly, Liane de Lancy, GOUSSICAIRE AND CAROLINE OTERO". Color lithography.

The Avenue of Success. George Grosz; American, born Germany, 1893-1959. Date: 1930-1940. Dimensions: 670 × 490 mm36" × 28". Watercolor, with brush and brown ink, on grayish-white wove paper. Origin: American. Museum: The Chicago Art Institute, Chicago, USA.

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), I do not understand that you have a tunts of vein that I always have to pay (title given by the Author), 1904. Black Pierre and blue watercolor on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Palace of Industry, Grande Fests Antwerp-Paris Jules Cheret (1836-1932). "Palace of the industry, big festivals Antwerp-Paris". Lithography. 1888.

The Bistro. Fikret Mualla (1903-1968). Gouache on paper. 53.4 x 63.5cm

Watercolor design by Sergius Hruby created in 1902-1903, showing compositional elements in a structured layout.

Gazette du Bon Ton, 1921 - No. 7, PL. 51: The Country Girl. Young woman at a garden vase, dressed in a simple dress with a top hat on the head. A scale in the hands. Planche 51 from Gazette du Bon Ton 1921, No. 7. Explanation about the clothing on page "Explication des Planches Hors-Texte. CONTUES DANCE LE NUMÉRO 7.

Elegant near a horse.

A brush and feather drawing with black ink and watercolor by Constantin Guys depicting a theater box scene.

Cartoon, a nouveau riche man, who has made his money from the war, tells a showgirl that he arrived in Paris in clogs, and he won't blush to admit it. She replies that he would have difficult to blush anyway (he already has a red face from his rich lifestyle). A note below the caption says that this was the final cartoon received from the artist before he died on active service the previous October. Date: 1917

Two Women in Late 18th Century Dress 1830-1863 England. Pen and blue ink, and brush and blue wash, on ivory wove paper, tipped on cream wove paper . William Edward Frost

Edouard Vuillard (French, 1867 - 1939), On the "Pont de l'Europe", 1897-1898 (published 1899), color lithograph on china paper

Aa You need up close "-Caricature of Mr. H. S.; Witkiewicz, Stanis AW (1851-1915); after 1900 (1900-00-00-1910-00-00); was downloaded from the Muse of the National Museum in Warsaw; drawing / ink, painting / Gouache, drawing / oh, products; products from Wzkien / Paper / cardboard; height 24 cm, width 17.8 cm; Fig. Pol.14091 MNW; all rights reservations.Tatra Museum Zakopane - collection, gift (provenance), conversation, satire, genre scenes

Large Boston Public Garden Sketchbook: The Huntington Avenue Streetcar. Artist: Maurice Brazil Prendergast (American, St. John's, Newfoundland 1858-1924 New York). Dimensions: 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm). Date: 1895-1897.This charming depiction of a woman stepping off a departing streetcar and running across the tracks is one of forty-four sheets, all in the Robert Lehman Collection, from Prendergast's "Large Boston Public Garden Sketchbook." The drawings and watercolors of this now-dismantled sketchbook principally show the cheerful activities of elegantly attired women, who are seen riding bicycles, pushing prams, strolling with parasols, and resting on park benches. Museum: Metropolitan Museum of Art, New York, USA.

Aux Ambassadors, Henri de Toulouse-Lautrec, 1894 print Singer stands on a stage in front of a terrace at Café Les Ambassadeurs. Because she is shown from behind in a slightly colored dress, she contrasts against the dark blue evening air. Paris paper singer without accompaniment. female sex; woman Paris

Paris Illustrated

ŻYCZENIA NOWOROCZNE Octave uzanne'a na 1897 album E. MAINDRON The illustrious programs of theaters and concert caves. Menus, invitation cards, small prints, etc. Feure, Georges de (1868 1943) W A C. Van Sluÿters, Joseph, Maindron, Ernest (1838 1908)

Elegants under a foliage Fr�d�ric Bonnet. Printing Maurice Dupuy & Cie. Elegant under a foliage. Poster. Lithograph Color, between 1920 and 1925.

Color poster by Brynolf Wennerberg titled 'PIK-Fein', created around 1900, showing a stylized figure with graphic design and promotional elements.

Vaslav Nijinsky, Plate 1. Montenegro, Roberto, 1887-1968. Illustrations. 1913. Jerome Robbins Dance Division. Nijinsky, Vaslaw, 1890-1950, Ballet dancers

At the Theater. Date: 1878. Gouache, ink, and pencil on paper. Museum: HIRSHHORN MUSEUM AND SCULPTURE GARDEN.

Two Soubrettes 19th century Constantin Guys French. Two Soubrettes 337267

Skinnpåsen, Bauer, John (1882-1918)

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), starch flowers (title given by the author), 1913. Black Pierre on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Chocolat Dansant, by Henri de Toulouse-Lautrec, 1896, French Post-Impressionist print. This lithograph shows Afro-Caribbean former slave named, Rafael, dancing at the bar of Achille, located rue Royale, in Paris. He performed in a duet with the white clow (BSLOC_2017_5_76)

Waitress at the Owariya Teahouse. Ippitsusai Buncho; Japanese, active c. 1755-90. Date: 1763-1773. Dimensions: 32.7 x 15.5 cm (12 7/8 x 6 1/8 in.). Color woodblock print; hosoban. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Wisdom 1893 France. Color lithograph on ivory wove paper . Henri de Toulouse-Lautrec

Without titles two women, Karl Wiener -, artist

Band design with two women with a book, Johan Braakensiek, 1868 - 1940 drawing Standing woman with an open book in her hands next to a sitting woman who turns in her direction. In the background a decorative motif with leaves. paper. India ink (ink). watercolor (paint). deck paint. pencil pen / brush standing figure - AA - female human figure. sitting figure - AA - female human figure. book - MM - book open

MARIANA PINEDA- 1927- DIBUJO. Author: Federico García Lorca. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Woman puts bracelet around in bed, Adrie Vürtheim, 1917 - 1970 drawing A woman is upright in bed and puts a bracelet around her wrist. There are a book and pouch on bed. Next to the bed is a vase with flowers on a table. paper. India ink (ink). pencil pen bed. bracelet, wristlet. flowers in a vase

Spring, Design for a Calendar. Artist: Heinrich Lefler (Austrian, Vienna 1863-1919 Vienna). Dimensions: 6 3/4 x 10 1/4 in. (17.2 x 26 cm). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Tenderness Madeleine (two heads) / Tenderness Magdalena (Two Heads) / Tensens Madeleine (Two Heads), from: the original print, album I, Paris: A. Marty, 1893 Denis, Maurice (1870 1943), L'Estampe Original (André Marty), Ancourt, Edward (1841 Ok. 1898)

The Panama Canal: Dr Cornelius Herz, one of those responsible for its financing, gets on a train to flee France after the collapse of the company. Watercolour drawing by H.S. Robert, ca. 1897.

Józef Mehoffer (1869-1946), Europe Jubilans; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939), Anczyc, Władysław Ludwik and company (Kraków; Drukarnia; 1875-1948); 1909 (1909-00-00-1909-00-00);

Caricature by French artist, Felix Valloton. Félix Edouard Valloton (1865 - 1925) was a Swiss/French painter and printmaker associated with the Nabis school of art. original lithograph. Published in Paris in 1902 for L'Assiette au Beurre. Printed on wove paper for a special issue of L'Assiette au Beurre. A gentleman watches two young women, in front of a jeweller's shop, L'Assiette was an illustrated, French, weekly satirical magazine, with anarchist political leanings; between 1901 and 1912

Watercolor, ink, and tempera drawing with gold accents by Fernande Biegler depicting the Frog King scene, showing figures, setting, and composition, 1919.

Fan. Dated: 1903. Medium: transfer lithograph. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Odalisque. Costume design for the ballet Sheherazade by N. Rimsky-Korsakov by Bakst, Leon (1866-1924) / Private Collection / 1910 / Russia / Watercolour, Gouache on Paper / Opera, Ballet, Theatre / 33x28 / Theatrical scenic painting

CARTEL DE BAILE DE INOCENTES (1896). Location: PRIVATE COLLECTION. MADRID. SPANIEN.

Teodor Axentowicz, in the artist's studio Pastel reproduction; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939), Anczyc, W Adys Aw Ludwik and Spóka (Kraków; Drukarnia; 1875-1948); 1910-1916 (1910-00-00-1916-00-00);Axentowicz Teodor, reproduction, Witke-Jeżewski Dominik, collection, gift, painting, Polish painting, portrait, women's portrait, painting studio, art workshops

Henri de Toulouse Lautrec, In the Skating Professional Beauty, 1895 In the Skating Professional Beauty

Mr Rudyard Kipling takes a bloomin' day aht, on the blasted 'eath along with Britannia, 'is gurl. Sir Max Beerbohm (1872-1956). Watercolour, pen and black ink. Executed in 1904. 12 3/4 x 8in

Henri de Toulouse Lautrec, Loge with the Gilt Mask (La loge au mascaron doré), 1893 Loge with the Gilt Mask (La loge au mascaron doré)

Encounter , Karl Wiener -, artist

Lorelei and Dorothy Illustration by Ralph Barton 1891 to 1931 Frontspiece from the book But Gentlemen Marry Brunettes by Anita Loos published 1928

In the Opera Box (No. 3) recto. Dated: 1880. Dimensions: overall (approximate): 21.2 x 16 cm (8 3/8 x 6 5/16 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Mary Cassatt.

The Lady at the Dressing Table, Aubrey Vincent Beardsley, 1872-1898, British, ca. 1897, Black ink, gray ink and gray wash on medium, white, slightly textured wove paper mounted on card, Sheet: 7 7/8 x 6 5/8 inches (20 x 16.8 cm) and Mount: 9 1/2 x 8 1/8 inches (24.1 x 20.6 cm), dressing table, dressing table, genre subject, mirror, parrot, women

Silhouette of Mrs. M.Perkins, late 18th-mid 19thcentury, Grey wash and black wove paper cutout adhered to white wove paper, sheet: 21.6 × 20 cm (8 1/2 × 7 7/8in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Samurai is the term for the military nobility of pre-industrial Japan. By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class. The samurai followed a set of rules that came to be known as Bushido. While they numbered less than ten percent of Japan's population, samurai teachings can still be found today in both everyday life and in martial arts such as Kendo, meaning the way of the sword.

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