Architectural Etchings

Etchings depicting ancient ruins and structural designs, with intricate details that illustrate the historical significance and artistic style of the period.

Invenzioni capric di carceri all'acqua forte, Piranesi, Giovanni Battista, 1720-1778, burnishing, scratching, black-and-white, ca. 1749-1750

Rome, Piranesi, Giovanni Battista, Di due spelonche ornate dagli antichi alla Riva del Lago Albano, Two decorated grottoes near Lake Albano, Dimostrazione in grande di quella parte di sustruzion, Building with arches in the Alban Hills, verso - stamped, A building with five arches along a road. According to the title, which refers to another print from the same series, these are foundations of the Villa of Clodio in the Alban Hills, later owned by the Barberini family. Title lower left. Numbered upper left: Tav. XI., print, prints, height 159 mm, width 285 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1762 - 1762, paper, papier, etching, etchings, Work conception, after own design by

Cave of De Nymf Egeria, Herman of Swanevelt, 1650 - 1655 print A few figures for the cave of the Nymph Egeria picnic. Two figures look at the cave and a few walkers can be seen in the distance. Paris paper etching landscapes. landscape with ruins. ruin of a building ~ architecture. single named nymphs (with NAME). cave, grotto. sitting on the ground. eating and drinking Rome

The Prisons: A Vast Interior with Trophies, 1745-1750. Giovanni Battista Piranesi (Italian, 1720-1778). Etching;

Invenzioni capric di carceri all'acqua forte, Piranesi, Giovanni Battista, 1720-1778, burnishing, scratching, black-and-white, ca. 1749-1750

PonteMolle. Artist: Jan Both, Dutch, 1618-1652

Shepherd at a tower with a well, Jan van de Velde (II), 1616 print Sitting shepherd with four goats at a tower with a well in a landscape. Twelfth print of a series of a total of sixty prints with landscapes, spread over five parts of twelve prints each. Northern Netherlands paper etching well. landscape with tower or castle. landscape with ruins. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Landscape with hunters on horseback, Johann Sadeler (I), After Antonio Tempesta, 1580 - 1600 print A group of hunters on horseback with hunting dogs for a ruin. In the background a river in a Berglandschao. The print is part of a five -part press series with Italian landscapes. Italy paper engraving mountains. river. hunter. hunting dogs

Landschap met ruïne; Landschappen en ruïnes; Amoenissimae aliquot Regiunculae.Landscape with a ruin with a tower. On the right in the foreground four seated figures. Sixth print from a series of eighteen.

Italianizing landscape with antique buildings and figures, Jan Frans van Bloemen, After Titian, 1689 - 1749 print Rome paper etching landscape with tower or castle

Tomb of the released people and slavish people of the Augustus, Giovanni Battista Piranesi, c. 1756 - c. 1757 print View of the remains of the tomb of the released people (Liberti) and slavish -gyms of the Keizer Augustus family. Title in the end margin. Numbered above: Tom. III. / XXII. Rome paper etching grave, tomb. ruin of a building ~ architecture. landscape with ruins. slavery; serfs and the enslaved. freedom ~ slavery Italy

A. View of the Tomb of Licinianus Piso on the ancient Appian Way... B. Tomb of the Cornelii..., from Views of Rome. Giovanni Battista Piranesi (Italian, 1720-1778); published by Francesco (Italian, 1758-1810) and Pietro Piranesi (Italian, born 1758/9). Date: 1764. Dimensions: 405 x 603 mm (image); 413 x 611 mm (plate); 490 x 669 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Rovine d' antichi Edifizj. Dated: published 1743/1744. Dimensions: plate: 36.1 x 23.6 cm (14 3/16 x 9 5/16 in.). Medium: etching, engraving, drypoint, scratching. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BATTISTA PIRANESI.

Shipyard and Ruins, Nicolas Perelle, 1628 - 1679 print Numbered in the bottom right: 6. paper etching landscape with ruins. harbour. shipyard, shipdock - CC - more than one ship

Landscape with ruins and shepherd with cattle, Carl Friedrich Holtzmann (Possible), 1750 - 1811 print Dresden paper etching / counterproof landscape with ruins. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. cattle driving, cattle driver

Les Soirées de Rome: L'Arc de triomphe, 1763-1764. Hubert Robert (French, 1733-1808). Etching; Derived from his own pen-and-ink drawings, this suite of etchings features fictional characters situated near recognizable buildings and statues in Rome. On the title page, Robert dedicated the suite to Marguerite Le Compte, who visited Rome in 1764 in the company of the wealthy author and art enthusiast Claude Henri Watelet. Both Le Compte and Watelet were amateur etchers, and they socialized with a group that included artists and printmakers centered at the academies in Italy. Roberts dedication was likely motivated by the hope of future patronage from Le Compte. She may be the generous woman with a hand muff depicted in The Ancient Temple, the fifth scene in this series.

View of a Bridge and Waterfalls in Tivoli; verso: View of a Waterfall in Tivoli From Within a Cave. Artist: Guilliam du Gardijn (Dutch, Cologne ca. 1595/96-after 1647 Amsterdam ()). Dimensions: Sheet: 15 1/2 × 10 13/16 in. (39.4 × 27.4 cm). Former Attribution: Karel Dujardin (Dutch, Amsterdam 1622-1678 Venice). Date: ca. 1640-45 (). Museum: Metropolitan Museum of Art, New York, USA.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Tombstone of M. Antonius Antius Lupus; Tomb of Antius Lupus; falling outside; Faces in Rome. .

Handing Bread Aan de Armen, Herman van Swanevelt, 1650 - 1655 print For a classic ruin with domes and a cassette ceiling, two women hand out bread to a few figures. A few figures rest in the front and are a few broken columns. Paris paper etching landscapes. landscape with ruins. giving alms or other charity, e.g.: handing out food. ruin of a building ~ architecture. bread, loaf

An angler with a dog on a waterfront near a fortified town with a gate and drawbridge. In front left a conversing couple. In the background a church. Numbered in the lower right: 5. The numbered prints were published as a series of ten., Angler near a fortified town Figures in landscapes (series title), print maker: Jan van de Velde (II), publisher: Hendrick Hondius (I), (possibly), Northern Netherlands, 1627 and/or 1631, paper, etching, engraving, h 82 mm × w 166 mm

Landscape - NEL Colosseo; Reinhart, Johann Christian (1761-1847); 1792 (1792-00-00-1792-00-00);Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Italy (state), musical instruments, landscapes, shepherds, landscapes, dogs, ruins, herds, staff

Hand out bread to the arms; Twelve landscapes. For a classic ruin with domes and a cassette ceiling, two women share bread to a few figures. Some figures rest in front and lie a few broken columns.

The Ford Landscape with Horsemen Made 1866 France. Etching on mounted cream China paper . Odilon Redon

Ancient ruins in a river, Esaias van de Velde, Anonymous, Claes Jansz. Visscher (II), 1610 - 1617.

In the foreground, a caravan passes by a ruin and a column on a pedestal. The sea in the background. The print is part of a ten-part series featuring landscapes with ruins, Landscape with column and ruins Landscapes with ruins Regionum, rurium, fundorumque, varii at ove amoeni prospectus , print maker: Adriaen Collaert, Hendrick van Cleve, (mentioned on object), publisher: Philips Galle, (mentioned on object), Antwerp, 1587, paper, engraving, h 186 mm × w 242 mm

Landscape with antique ruins, Nicolas Perelle, 1613 - 1695 print Nummered at the bottom left: 5. France paper etching / engraving landscape with ruins

Etching by Pierre Laurent from 1760-1809 showing a landscape view of Mondragon in Dauphiné, depicting terrain, buildings, and human activity.

Travelers Visiting Ruins. Artist: Gabriel Perrelle (French, ca. 1603-1677). Dimensions: sheet: 9 9/16 x 12 3/8 in. (24.3 x 31.4 cm). Publisher: Le Blond (Paris). Date: mid-17th century. Museum: Metropolitan Museum of Art, New York, USA.

Waterfall at Ruins, Reinier Vinkeles (I), After P. Kobold, 1751 - 1816 print Figures at a waterfall that comes to gang from a ruin. Amsterdam paper etching / engraving waterfall. landscape with ruins

Giovanni Battista Piranesi, The Staircase with Trophies, published 1749 1750 The Staircase with Trophies

Italian Landscape with Ruins. Jonas Umbach the Elder; German, 1624-1693. Date: 1644-1693. Dimensions: 76 x 110 mm (image/plate); 780 x 115 mm (sheet). Etching in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

The Herd Returning in Stormy Weather. Claude Lorrain; French, 1600-1682. Date: 1651. Dimensions: 158 × 219 mm (image); 162 × 224 mm (plate); 174 × 235 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

A Peasant Greeting the Statue of Mary. Artist: Johann Christoph Erhard (German, Nuremberg 1795-1822 Rome); After Ferdinand Kettner. Dimensions: plate: 6 5/8 x 8 in. sheet: 9 3/4 x 13 5/8 in.. Date: 1817. Museum: Metropolitan Museum of Art, New York, USA. Author: Johann Christoph Erhard. After Ferdinand Kettner.

Art of Scaling 1785 () Samuel Alken. Art of Scaling. After Thomas Rowlandson (British, London 1757-1827 London). 1785 (). Etching and aquatint. Probably Samuel Alken (British, London 1756-1815 London). Prints

NOSTUNNUALLY FOntine In Bassin of canaal, anonymousy, after Jean Lepautre, c. 1650 print On the fountain, Hercules fights against Hydra. From series of 12 magazines. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Giovanni Battista Piranesi, A Vast Interior with Trophies, c. 1744, etching on paper.

Landscape with classic statues and buildings, Isaac de Moucheron, 1677 - 1744 print Landscape with the remnant of a round classic temple on the left and right a sculpture. In the foreground a figure wads through the water, on the side three figures are gathered. In the background a triumphal arch and a ship on the quay. To the painted wall panel in the room of the house of merchant David Bueno de Mesquita. Amsterdam paper etching / engraving triumphal arch. landscape with ruins. piece of sculpture, reproduction of a piece of sculpture

Tombe van Cecilia Metella, Adrien Manglard, 1753 print Numbered in the bottom right: 14. print maker: RomeItaly paper etching mausoleum Tombe van Cecilia Metella

Landscape with travelers and ruin, Jean Charles Baquoy, Maurice Baquoy, After Jean Antoine Watteau, 1690 - 1777 print France paper etching landscape with ruins - II - ideal landscapes. ass, donkey

Figures in ruins of a village, Jan van de Velde (II), 1616

Two riders plaster at the forehead of an inn. Two riders plaster at the pre-hoe of an inn with a monumental gate.

Ferry at a bridge and a ruin, Jan van de Velde (II), 1616 print A ferry on which figures and a cart with migratory animals on the water at a stone bridge and a ruin with a tower. On the right on the bank two figures. Seventh print of part two of a series of a total of sixty prints with landscapes, spread over five parts of twelve prints each. Northern Netherlands paper etching ferry. landscape with tower or castle. ruin of a dwelling, house, castle, etc.. landscape with bridge, viaduct or aqueduct

Ruins in a street to the Grote Markt at the Manneken Pis in Brussels, 1695; Vue de la rue tirant du Grand Marché, fresh Le Manneken-Pis; Perspectives des Ruines de la Ville de Bruxelles. Presentation of the ruins in a street to the Grote Markt at the Manneken Pis in Brussels after the bombing by the French, 13-15 August 1695. Seventh print in the series of twelve.

Landscape with a goat herd, Cornelis Matthieu, 1637 - 1656 print Landscape with a round ruin and in the foreground a goat herder. Antwerp paper etching / engraving landscape with ruins. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Thermen from Diocletian in Rome, Etienne Dupérac, 1575 View of the remains of the Thermen of Diocletian in Rome. Caption in Italian. Print is part of an album. maker: Italypublisher: RomeVaticaanstadItaly paper engraving / etching Thermen from Diocletianus View of the remains of the Thermen of Diocletian in Rome. Caption in Italian. Print is part of an album. maker: Italypublisher: RomeVaticaanstadItaly paper engraving / etching Thermen from Diocletianus

Two figures for the ruin of a triumphal arch, Johann Oswald Harms, 1673 print paper etching landscape with ruins (+ city(-scape) with figures, staffage). triumphal arch

Landscape with right bridge Marie-Th�r�se, Duchess of Angoul�me (Born Marie-Th�r�se of France) (1778-1851). Landscape with Bridge right. Black and Lavis Pencil, 1801-1825.

Les Soirées de Rome: Le Temple Antique, 1763-1764. Hubert Robert (French, 1733-1808). Etching; Derived from his own pen-and-ink drawings, this suite of etchings features fictional characters situated near recognizable buildings and statues in Rome. On the title page, Robert dedicated the suite to Marguerite Le Compte, who visited Rome in 1764 in the company of the wealthy author and art enthusiast Claude Henri Watelet. Both Le Compte and Watelet were amateur etchers, and they socialized with a group that included artists and printmakers centered at the academies in Italy. Roberts dedication was likely motivated by the hope of future patronage from Le Compte. She may be the generous woman with a hand muff depicted in The Ancient Temple, the fifth scene in this series.

Avanzi del Foro diNerva. Etcher: Luigi Rossini, Italian, 1790-1857

Landscape, Nicolas Perelle, c. 1680 - c. 1695 print Landscape. Design for painting above chimney mantle or door Print is part of an album. paper etching landscapes in the temperate zone (+ landscape with figures, staffage). landscape with ruins. Cleopas and Peter meet Christ (sometimes they are dressed as pilgrims)

Breenberg, Bartholomaus. "Ruins de Rome, view of the Caracalla thermal baths (Hollstein 13)". Etching. 1639. Museum of Fine Arts of the City of Paris, Petit Palais. 146345-6 PRINT

Forum of Augustus, plate 15 from Some Views of Triumphal Arches and other monuments. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1747-1748. Dimensions: 133 x 263 mm (plate); 343 x 451 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

View of the Colosseum. Artist: Joseph Marie Vien (French, Montpellier 1716-1809 Paris). Dimensions: 11 3/4 x 18 1/16 in. (29.8 x 45.9 cm.). Date: ca. 1744-50. Museum: Metropolitan Museum of Art, New York, USA.

The Well, from the series Landscape Scenes 17th century Thomas Wijck Dutch. The Well, from the series Landscape Scenes 359599

Landscape with ruin and a shepherd with cattle, Carl Friedrich Holtzmann, after Johann Georg Wagner, 1772 print Dresden paper etching / counterproof cattle driving, cattle driver. landscape with ruins. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Veduta degli Avanzi, o sia del termine degli Archi che conducevano l'Acqua Giulia, 1756. Giovanni Battista Piranesi (Italian, 1720-1778). Etching and engraving;

The Villa Sachetti 1778 Jean François Janinet French. The Villa Sachetti. Jean François Janinet (French, Paris 1752-1814 Paris). 1778. Mezzotint printed in color. Prints

Ruin with man and girl. Below the arc of a ruin is a man with a hat. Next to him is a girl. The man is slightly bent over and indicates something.

. Landscape. Design for painting above mantle or door

Shepherds among ruins. Pillement, Jean-Baptiste (1728-1808), draughtsman, cartoonist

Weinsberg, Thurm and womens path on the loyalty to women, The Kernerhaus, The core memorial, Justinus Kerner, The scorehorm, Portrait of the German poet and doctor Justinus Kerner, scenes from Weinsberg from illustrated world , Nisle, artist

Antwerp, Cock, Hieronymus, Doetechum, Johannes of Lucas van, Roman ruins, 1561, Fourth view of the ruins on the Palatine, verso - stamped, Fourth view of the ruins on the Palatine in Rome. Two men are playing with their dogs between the ruins., print, prints, height 230 mm, width 324 mm, print maker, printmaker, 1561 - 1561, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Southern Netherlands, 1518 - 1570-03-10, after a design by, Publication (Event), Publication, publisher

Black-gray feder and watercolor drawing by Abel Schlicht showing a ruincapriccio with a view of a bow, executed over pencil with edging lines, late 18th to early 19th century.

Plate 6: 'Ruins of an ancient tomb in front of ruins of an ancient aqueduct; above the arches of the latter is the channel which conveyed the water to Rome' (Ruine de sepolcro antico posto dinanzi ad altre ruine d'un Acquedotto pure antico; sopra gli archi del medesimo v'è il canale, per cui si conduceva l'acqua in Roma), from the series 'Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe' (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 14 9/16 x 9 5/8 in. (37 x 24.5 cm)Plate: 15 3/8 x 9 5/8 in. (39 x 24.5 cm). Series/Portfolio: Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe (Prima parte di Architetture, e prospettive inventate, ed i

Italianizing landscape with Roman ruins, Hendrik Carré (II), 1706 - 1775 drawing paper. ink pen / brush

Vaulted Staircase, c. 1770-1779. Hubert Robert (French, 1733-1808). Pen and brown ink and brush and brown wash over graphite; framing lines in brown ink; sheet: 44.1 x 28.2 cm (17 3/8 x 11 1/8 in.); secondary support: 52.9 x 38.7 cm (20 13/16 x 15 1/4 in.).

Print, Saint-Francois () dans un paysage de ruines; Jean-Laurent Legeay (French, ca. 1710-86); France; etching support: cream laid paper; 30.1 x 21 cm (11 7/8 x 8 1/4 in.) 11 13/16 x 8 1/4 in. Platemark/repeat: 18.8 x 15.9 cm (7 3/8 x 6 1/4 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)

Stairs with the four border posts, Hubert Robert, 1763 print A group of people near a staircase next to a overgrown ruin of a Roman building. Fourth print from a series of ten. Rome paper etching ruin of a building ~ architecture

Architectural Fantasy with a Fountain, Classical Ruins, and a Bridge. Dated: before 1753. Dimensions: plate: 16.3 x 18.1 cm (6 7/16 x 7 1/8 in.) sheet: 24 x 34.5 cm (9 7/16 x 13 9/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giuseppe Antonio Landi.

Landscape with Ruin, Two Women in Foreground. Dated: 1758. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Paul Sandby.

Amsterdam, Fokke, Simon, The twelve months, September, verso - stamped, From a series of twelve prints, the imagination of the month September. Figures on the terrace of a villa. In the foreground a hunter walks with his hunting dogs, on his shoulder he carries a stick from which hangs the shot game., print, prints, height 104 mm, width 60 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etsen

Thermen van Diocletian, Jan Goeree, After Anonymous, 1704 print Above a reconstruction of the Thermen of Diocletian, flanked by images and trees. Under a representation of the ruins of the Thermen with two treasure seekers in the foreground. Captions on stone blocks for both performances. The print is part of an album. print maker: NetherlandsAmsterdam paper etching representation of real building (either existing or having existed). public baths. treasure hunting, goldrush. landscape with ruins. piece of sculpture, reproduction of a piece of sculpture Thermen from Diocletianus

Two figures at ruin ..

Nuttial allegory, watercolor L.v. Thierry. (TF)

Resting hunting company in a courtyard, Jean Moyreau, After Philips Wouwerman, 1749 print France paper etching hunters resting during the hunt. courtyard

Classic palaces at a port, Jan Jansz. van der Vinne, After Isaac de Moucheron, 1768 print Two palaces with columns and statues, on either side of a river, a harbor with a tower in the background. In the foreground two women in classic robes in conversation, next to them a dog. Haarlem paper etching palace. harbour

Woodcut by Albrecht Dürer illustrating the Stay in Egypt from the Marienleben series, created around 1502, depicting Mary, Joseph, and the infant Jesus during their time in Egypt.

Two figures at a fountain in a ruin landscape, anonymous, after Johann Adam Stockmann, c. 1750 - c. 1799 print A figure drinks from a fountain with a lion's head in a ruin landscape. On the left a woman with a jug runs on her head and in her hand. A rocaille frame on the underside of the performance. Publishing number 61. Augsburg paper etching landscape with ruins. ornamental fountain. drinking. female sex; woman. jar, jug (used as drinking-vessel)

Aquatint by Wilhelm Alexander Wolfgang von Kobell, 1802, showing Bohemian figures requesting alms in an outdoor scene with terrain and architectural elements.

Plate in Nouveaux Livre de Paysages (New Book of Landscapes), Daniel Marot, French, active in the Netherlands and England, 1661-1752, Etching and engraving on white laid paper, A pastoral scene in the foreground inside an arcade; two shepherdesses and sheep sit on the ground, as two men on horseback walk into the arcade. In the background, a ship is being docked by three men, all under a cloudy sky., Netherlands, ca. 1700, architecture, Print, Print

View of the Temple of the Tiburtine Sibyl 1809 Jean Jacques de Boissieu French. View of the Temple of the Tiburtine Sibyl. Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). 1809. Etching with drypoint and roulette; seventh state of seven (Perez). Prints

Grotten in Malta, 1682 - 1733 The meeting of a Spanish commander with the residents in the caves in Malta. The right is cooked. Left drink cattle and chickens from a trough. Light also falls in through two air holes. With a legend in Dutch and French. The print is part of an album. Leiden paper etching Malta The meeting of a Spanish commander with the residents in the caves in Malta. The right is cooked. Left drink cattle and chickens from a trough. Light also falls in through two air holes. With a legend in Dutch and French. The print is part of an album. Leiden paper etching Malta

Feder and watercolor drawing by Abel Schlicht depicting a ruincapriccio with a sphinx and a partially erased female figure, executed over pencil with black-gray edging lines, dating from the late 18th to early 19th century.

The Bishops Tomb, from the series Vedute (Views). Artist: Canaletto (Giovanni Antonio Canal), Italian, 1697-1768

Desprez, Louis Jean, Ruine d'Architecture, Ruin overgrown with plants, verso - stamped, print, prints, height 341 mm, width 240 mm, French, 1743-05-28 - 1804-03-19, print maker, printmaker, 1771 - 1771, paper, papier, etching, etchings, Work conception, after own design by

Subterranean Jail for the Stage, 1788. Abel Schlicht (German, 1754-1826). Etching and aquatint; sheet: 54.2 x 71.2 cm (21 5/16 x 28 1/16 in.); platemark: 49 x 63 cm (19 5/16 x 24 13/16 in.).

An entrance to a fortress in center, a woman with child seated by a fire to right, soldiers gather to right and in center, cannons in landscape to left, title page for 'Peace and War' (Divers desseins tant pour la paix que pour la guerre). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet (trimmed to plate): 4 5/16 in. × 10 in. (10.9 × 25.4 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: 'Peace and War' (Divers desseins tant pour la paix que pour la guerre). Date: ca. 1641. Museum: Metropolitan Museum of Art, New York, USA.

Colonnade with a view of a harbor, Anonymous, After Daniël Marot (I), in or after 1703 print Colonnade with two women and two sheep in the front, resting in the shade of two trees. Netherlands paper etching harbour

Landscape with many figures at an inn. View of a village where people arrive at a party for an inn with dancing couples and musicians.

Dedication Page, from Antichità di Pesto (Antiquities ofPaestum). Artist: Filippo Morghen, Italian, 1730-after 1807 After: Antonio Joli, Italian, 1700-1777

Villa di Papa Giulio. Dated: c. 1635. Dimensions: Overall: 18.6 x 13.3 cm (7 5/16 x 5 1/4 in.) support: 23.9 x 18 cm (9 7/16 x 7 1/16 in.). Medium: pen and brown ink with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Claude Lorrain.

Bas-relief of the arch of Titus, draughtsman: Jan Wils (tekenaar), 1610 - 1666, paper, brush, h 352 mm × w 275 mm

Graftombe Van de Drie Gebroeders Curiazi in Albano, Giovanni Battista Piranesi, c. 1756 - c. 1757 print View of the tomb of the three Curiazi brothers in Albano. Title and text in STUDMARGE. Numbered above: Tom. III. / X. Rome paper etching grave, tomb Albano

Les Ruines au Fond. Artist: Jean Morin (French, Paris ca. 1605-1650 Paris). Dimensions: sheet: 7 13/16 x 7 3/16 in. (19.8 x 18.3 cm)image: 6 5/16 x 5 11/16 in. (16 x 14.5 cm). Museum: Metropolitan Museum of Art, New York, USA.

Landscape with ruin, anonymous, 1600 - 1700 print Ruin with two cows next to it. paper etching landscape with ruins

Egyptian Stage Design. Dimensions: mount: 24.7 x 35 cm (9 3/4 x 13 3/4 in.) image: 19.7 x 23.8 cm (7 3/4 x 9 3/8 in.). Medium: pen and brown ink with brown wash over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Galliari.

Return of the yacht, Jean Moyreau, 1700 - 1762, paper, etching

View of the Palatine with sunrise, Hieronymus Cock, 1550.

Landscape with figures and pack mules on a road near ruins. On the left a watermill. Eleventh print from part four of a series of sixty prints with landscapes, divided into five parts of twelve prints each, Landscape with ruins and a watermill Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 120 mm × w 190 mm

Frontispiece, plate one from Vasi Invention. Jean-Laurent Legeay; French, 1710-1786. Date: 1768. Dimensions: 226 × 186 mm (image); 248 × 208 mm (plate); 309 × 228 mm (sheet). Etching with drypoint on tan laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

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