Architectural Drafts

Detailed drawings of architectural designs, featuring classical elements, decorative motifs, and plans for altars, ceilings, and colonnades, on varied paper textures.

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Vaulted Ceiling with Alternative Designs, Felice Giani, Italian, 1758-1823, Pen and ink over traces of graphite on greyish laid paper, Row of big coffers of various design, supported by pointed arches separated by spandrels. Representations in lunettes, at bottom of arches, reference to Athena as protector of arts. Candelabrum motifs in spandrels., Italy, ca. 1750, Drawing, Drawing

Drawing, Upper Corner of a Window Frame; Designed by Filippo Marchionni (Italian, 1732-1805); Italy; black crayon, brush and sepia wash on laid paper; 25.9 x 15.7 cm (10 3/16 x 6 3/16 in.)

Design for a Main Altar, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The plan of the retable is like the half of an octagon. At the front is a representation of the ascension of the Virgin, in presence of the Apostles. On top are two angels. In front of the oblique sides is a statue of a saint. Projecting columns frame the sides. The front has a triangular pediment upon the sides of which angels sit. Above them is a circle with the Dove of the Holy Spirit. The upper part forming a circular pediment with garlands and two angels above. Angels sit upon the lower ends of the supports near the wall. The mensa stands at the front, with the tabernacle in front of the central panel of the zone with the pedestals. In the oblique ones are escutcheons. Laterally are round pedestals, disposed similarly to -1369, either of them with a group consisting of a standing female figure and two sitting angels. Usual background., Rome, Italy,

Drawing (Italy); pen and black ink with gray wash and traces of graphite support: off-white laid paper

Drawing, Colonnade with Fountain; Attributed to Carlo Marchionni (Italian, 1702-1786); Italy; pen and brown ink, brush and gray wash, graphite on laid paper ; 20.9 x 28.2 cm (8 1/4 x 11 1/8 in.)

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Design for ceiling decoration, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Horizontal rectangle. The lower part is a variation of the scheme of -1522. The supports consist of fluted consoles upon which two children are seated beside a flower pot in front of a shell at right. Half of a similar motif is upon the support at left. A landscape with a Doric temple in ruins and pyramids are shown. The upper part suggests an ovoidal painting in rich framing. At right is an imaginary arch double the width of that at left., Italy, 18th century, interiors, Drawing, Drawing

Design for a Tabernacle, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Below are the moldings of the altar furniture. The tabernacle has the shape of a building. Seen from its left corner. Below is a dado. The central part is bordered by a convex semi-circle with six free columns and a cupola. Inside is a group of figures. The lateral panels contain a niche with a statue. Above the upper entablature are on either side two figures, in the center are two angels upon clouds, in adoration of a central motif., Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Decoration of a Dado, Black chalk, pen and ink, brush and watercolor on paper, Horizontal rectangle showing an entablature supported by pilasters and volutes. Between these and shell ornaments, festoons are hung. Rosettes in the center of panels; one complete one shown at left and a partial one at right., France and Italy, ca. 1775, interiors, Drawing, Drawing

Gothic architectural details, verso: fragment of the "Anti -Lightning castle with tower and the dust, sketches of sedentary men and trees; Lesser, Aleksander (1814-1884); 11.7.1835 (1835-00-00-1835-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, towers, gift (provenance), details, architectural details, trees, tree, gothic (style), men, gothic ornaments, gothic ornaments, Characters, sitting characters, castles (architect)

Holmberg, Werner, work, Sketch book, drawing, 22.5 cm x 29 cm, Holmberg, Werner

Six tombs, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, In the center is a round pedestal, with the statue of a woman standing, who carries in her left hand a cross and leans with left arm upon a medallion with the bust portrait of a ruler, standing beside her. At left, beside the pedestal sits a putto. Above, at left, horizontally, a monument, a variation of -1293. Above, left, with a group which is a variation is that usual in -1254. The right lowered arm of the woman is stretched out and a second putti seems to sit at her left. Central row at left: upon a pedestal sit two figures in front of a sarcophagus. Above, is the statue of a woman carrying the cross in her right hand. Beside her, a sitting putto supports a medallion, at right, and another kneels at left. At right, the monument is a variation of -1298 (below, right). The sitting figures are putti with trumpets. They support an escutcheon between them. Above, the s

Arcade in the Balustrade (Stage Setting) 16th century Anonymous, Italian, 16th century Italian. Arcade in the Balustrade (Stage Setting) 342280

Dollinger Conrad (1840-1925), grave monument Luise Klett born Moehrlin (18.08.1886): 2 views. Pencil watercolor on the box, 77.3 x 34.6 cm (including scan edges)

Design for a Lady's Tomb 16th century Anonymous, French, 16th century French. Design for a Lady's Tomb 362890

Decoration of a Salon Empire Epoque Decoration of an Empire era . Drawing.

The architectural setting is a niche with a rectangular plan, and with an arch above an entablature. The framing parts of the columns are drawn. The pavement of the niche is in the height of the upper edges of the bases of the columns. Upon it stand upon separate bases the sarcophagus and two crowned women (Jusice or Royalty), the left one with what seems to be the sword, and support a cloth hanging in front of the sarcophagus. Above is a pedestal, upon which a winged female (Victory) putto sits at left, and a putto kneels at right, supporting together the oval medallion with the bust portrait. On top is a variation of the motif in 1938-88-1345, with a wreath instead of the crown. Date: ca. 1795. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Pencil drawing by Rudolf Weyr depicting the Weyr family grave, showing tombstone layout and surrounding details.

Space with figures around a table, 1819 - 1849 Sketch in a frame. Possibly a preliminary study for a painting. Page 30 Verso from a sketchbook with 58 sheets. paper. pencil standing figure. architecture

Persius Reinhold (1835-1912), grave monument for Emil Illaire in Potsdam-Bornstedt (without dat.): Front and side view (see Inv.No. 46765). Ink on transparent, 24.1 x 37.1 cm (including scan edges) Persius Reinhold (1835-1912): Grabdenkmal für Emil Illaire, Potsdam-Bornstedt

Probably for the Young Pretender Charles Edward Stuart who died in 1788. Above is the elevation, below is the plan. Standing in a niche with a vault (). A variation of the design 1938-88-1264. One section of steps leads up. Female figures stand upon the lateral pedestals. Only the sarcophagus at the front is repeated. No lamps are above the entablature. The figure on top is similar to that in 1938-88-1650. Colored background beside the upper design. Pen and brown ink, brush and brown wash on paper. Date: ca. 1795. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for a monument. Artist: Anonymous, French, 18th century. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for an Epitaph in Red Marble, surmounted by an Obelisk 17th century Anonymous, Flemish Flemish. Design for an Epitaph in Red Marble, surmounted by an Obelisk 679423

Project for a Sepulcher Monument, Graphite on off-white laid paper, Figure readings and seated on a sarcophagus, which stands on two pedestals. Against the upper pedestal leans two angels. Accounting., Italy, 1820-1830, architecture, Drawing, Drawing

Design for a monstrance, monogram miss WA with the key (Possible), 1480 - 1520 drawing Design for an ostensorium on eight-lobe base, with a mode that gives four oval bulbs to see, and next to the mounted cylindrical glass two open niches in rod work, deposited by fills aside and from above. The two saints drawn in the niches, Catharina and Margaretha, created around 1500; Perhaps the entire object before. Lower Rhine region paper. ink. chalk pen / brush ostensorium, monstrance

Royal Portugese Funeral Monument (possibly part of a funeral book). Artist: Michel Bouteux (French, active 17th century). Dimensions: Sheet (trimmed): 15 15/16 × 8 13/16 in. (40.5 × 22.4 cm)Mount: 17 3/8 × 12 13/16 in. (44.1 × 32.6 cm). Date: late 17th-early 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Catafalque (recto); Female Saint Kneeling on Clouds under an Arch, and a Design for the Pinnacle of the Catafalque (verso) ca. 1669 Baldassarre Franceschini (il Volterrano) Italian. Design for a Catafalque (recto); Female Saint Kneeling on Clouds under an Arch, and a Design for the Pinnacle of the Catafalque (verso) 338771

Wall Decoration. Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 15-1/2 x 9-3/4 in. (39.4 x 24.8 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Monument in memory of Marshal Lefebvre: Main elevation. Monument to the memory of Marshal Lefebvre at the cemetery of Father Lachaise: Main elevation Jean-Louis Provost (1781-1850). Monument in memory of Marshal Lefebvre: Main elevation. Monument in memory of Marshal Lefebvre at Father Cemetery Lachaise: Main elevation. Chinese ink at the feather on paper, 1820-1820. Carnavalet Museum, History of Paris.

A pencil sketch sheet (Skizzenblatt) by Rudolf Weyr presenting figure or architectural studies, emphasizing layout and form.

Design for Two Tasseled Curtains, Shown with Chairs. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 5/8 x 12 5/16 in. (21.9 x 31.2 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Designs for Vases and Architecture, Pen and ink, brush and wash on paper, Views of garden architecture and vase designs., Italy, 1700-1800, architecture, Drawing, Drawing

Design of an Architectural Monument (Tomb). Artist: Anonymous, Italian, 19th century. Dimensions: 5 1/4 x 7 11/16 in. (13.3 x 19.6 cm). Date: 1850-80. Museum: Metropolitan Museum of Art, New York, USA.

Sievers Carl (1834-1891), New Museum on the Museum Island in Berlin. Wall and ceiling paintings (without date): wall painting (red fec.), Bacchussaal. Pencil watercolored on paper, 27.3 x 33.5 cm (including scan edges) Sievers Carl (1834-1891): Neues Museum auf der Museumsinsel, Berlin. Wand- und Deckenmalereien

Cabinet Design with Central Shelves 19th century Anonymous, British, 19th century British. Cabinet Design with Central Shelves 386621

Dollinger Conrad (1840-1925), monument to Wieland (1880): Perspective view. Pencil, colored pencil on cardboard, 77.3 x 35.4 cm (including scan edges)

Decoration for low dome of a room. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Drawing, Fifteen Sketches for a Throne; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, graphite on off-white laid paper; Image: 28.9 x 42.7 cm (11 3/8 x 16 13/16 in.)

Designs for an Altar Mensa, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and gray wash on off-white laid paper, lined, Horizontal rectangle. At top left, an angel, holding boughs of a tree supporting four burning candles, sits beside a tabernacle, the left part of which is shown. It has the shape of a pavilion and Christ is sketched upon the door. At bottom, the left upper part of the mensa (altar stone) is shown with a ledge ending at right at the tabernacle in the shape of a pavilion., Rome, Italy, 1750-80, furniture, Drawing, Drawing

Assorted pencil sketches by Franz Alt from 1855 to 1867, depicting landscapes, buildings, and natural features.

Design for a Lectern (recto); Design for a Cartouche (verso). 1652-1725 Attributed to Giovanni Battista Foggini Italian. Design for a Lectern (recto); Design for a Cartouche (verso). 346364

Design for a Console supported by Putto (recto); Architectural Arcade (verso) 17th century Anonymous, Italian, 17th century Italian. Design for a Console supported by Putto (recto); Architectural Arcade (verso) 389352

Edelfelt, Albert, work, Sketch book, drawing, 9.5 cm x 15 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Relations of a capital and six Corinthian capitals decorated with volutes and leaf vines, Wendel Dietterlin (I), 1593 - 1595 Numbered: 22. Print is part of a book. Strasbourg (France) paper etching other architectural details. capital (~ column, pillar). column, pillar ~ architecture. Corinthian order ~ architecture

Two fireplaces; Designs for religious and profane objects; Invenzioni Various Di Mobili Ed Utensili Sacri E profani; Invenzioni Various Di Mobili Ed Utensili Sacri E profani per USI Comuni della Vita. Print is part of an album.

Drawing, Design for the Entrance Hall, Royal Pavilion, Brighton; Frederick Crace (English, 1779-1859); England; graphite on paper; Mat: 40.6 x 55.9 cm (16 x 22 in.) 33.5 x 48.9 cm (13 3/16 x 19 1/4 in.)

Klingholz Fritz (1861-1921), memorial leaf (without date): Views (variant for Inv.No. 19683/85/86/87). Ink, pencil watercolored, gold -raised on transparent, 25 x 28.3 cm (including scan edges) Klingholz Fritz (1861-1921): Gedenkblatt

Design for a Chapel with Flight into Egypt as Altarpiece 17th century Anonymous, Spanish, 17th century Spanish. Design for a Chapel with Flight into Egypt as Altarpiece 337151

Drawing, Proposed Design for the South Wall of the Entrance Hall, Royal Pavilion, Brighton; Designed by Frederick Crace (English, 1779-1859); England; graphite on paper; Mat: 16 x 22 cm (6 5/16 x 8 11/16 in.) 32.6 x 50.8 cm (12 13/16 in. x 20 in.)

Pen and pencil drawing on medium-strong paper showing a wall fountain with two figures at Schönbrunn Castle, Vienna, in orthogonal view, created in spring 1821.

Curtain Design, Soldiers at a Flight of Steps, Angelo Toselli, ca. 1765 - 1826, Pen and brown ink on laid paper; verso: pen and brown ink, Horizontal rectangle. Antique buildings, stairs in front, two warriors walking up. Verso: sketch of pedestal for column., Italy, early 19th century, theater, Drawing, Drawing

Museo Civico Dettaglio Terre Cotte. dell'Emilia Fotografia (Italian, active Bologna, Italy 1860s - 1870s)

An 18th-century ink and watercolor draft by an anonymous artist showing a Rococo-style clock, focusing on ornamental design, form, and decorative elements.

John Flaxman, Designs for Monuments Designs for Monuments

Study for Greenwich Hospital: The Painted Hall, from Microcosm of London. Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1810. Dimensions: 198 × 255 mm. Graphite on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Design for the Triumphal Arch at the Porta Ticinese in Milan, with the Imperial Arms of the Hapsburg and Allegorical Figures 1633 Francesco Maria Richini (or Ricchino) Italian Previously considered anonymous, this drawing has been correctly attributed as by the Milanese architect and author Francesco Maria Richini by Antonio Russo (see Bibliography, Russo 2013), who identified the design with the triumphal entry of Cardinal Ferdinand Hapsburg (1609-1641), "Infante" of Spain, which occurred in 1633 in the Porta Ticinese, the southern gate to the city of Milan.. Design for the Triumphal Arch at the Porta Ticinese in Milan, with the Imperial Arms of the Hapsburg and Allegorical Figures 363178

Project Graraal Mandara 2015 Carnavalet Museum, Collection Drawings

Study of architectural details of the vault decorations; Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);Baroque (archite.), ceiling decoration, artistic crafts, vaults, stucco, studies (sketches), studies of architectural details, wreaths, interiors, purchase (provenance)

The Forge, Passage du Dragon, 1894. James McNeill Whistler (American, 1834-1903). Lithograph;

Top left: a door frame from which cones on pedestals project. A similar design topped by a pair of seated captives. Bottom row: similar to the design in -1705. Top right, topped by a trophy (). Arched doorway; captives stand laterally. A pair of them crouches on top. The left hand of the elevation pylon-shaped door openings. A captive stands laterally. Inscription tablet on top. Colored background. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1780-1790. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for a Panel, Pen and dark ink, brush and sepia wash, graphite on paper, Panels of a dado with intertwined waved laurel boughs. A pedestal projects at right showing a female mask crowned with a coronet with a crescent and supporting a filled quiver which is topped by an oak wreath and stands before an oval frame from which the waved ribbons of a bow-knot and flower boughs drag., France, 1785, Drawing, Drawing

Fountain project in Napoleon, isolated fountain # 1: elevation and sketch of plan.

Reliefs for the mantelpiece, Noble Cabinet, Palazzo Altieri; realized version carved in marble by Vincenzo Pacetti. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: ca. 1789. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for Stage Set. Artist: Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730-after 1797). Dimensions: 9 15/16 x 7 15/16 in. (25.2 x 20.1 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Stained glass project for the Collegiale de Huy (Belgium): 2 topics Gsell-Laurent workshop. Stained glass project for the collegiate church of Huy (Belgium): 2 topics.

This open and perspective pencil sketch by Carl von Hasenauer shows a design for the cheek of a seat for the Burgtheater or Grillparzer monument in Vienna's Volksgarten, on transparent paper, second half 19th century.

Drawing, Curtain Design, Soldiers at a Flight of Steps; Designed by Angelo Toselli (ca. 1765 - 1826); Italy; pen and brown ink on laid paper; verso: pen and brown ink

Design for Frame for Altar Retable Painting, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Cherubim and an angel surround the frame of a small painting. Laterally are pairs of pilasters., Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Urn with garland and medallion, anonymous, 1650 - 1800 drawing Left half of an urn with acanthus motifs, a garland and a medallion. paper. chalk urn. ornament ~ festoon, garland. ornament ~ medallion

Lüdecke Carl Johann Bogislaw (1826-1894), choir stalls (without a year): Upper front view, side view (with variant). Ink on transparent, 30.5 x 39.3 cm (including scan edges) Lüdecke Carl Johann Bogislaw (1826-1894): Chorgestühl

Design for a Painted Wall Decoration, with Figures in a Landscape with Classical Ruins. Artist: Anonymous, Italian, first half of the 18th century. Dimensions: 8-3/16 x 16-3/16 in. (20.8 x 41.1 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Print (France)

Design for Ceiling at Fontainebleau. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 10 15/16 x 10 1/4 in. (27.8 x 26.1 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

ornamentprent, Jacques Androuet, 1561 Part of 'Seconde Livre d'ArchitectVre' (1561): 64 etchings with ornamented architecture parts. paper etching architectural design or model

Design for a room wall with fireplace, Jurriaan Andriessen, 1752 - 1819, Design for a painting., draughtsman: Jurriaan Andriessen, 1752 - 1819, paper, brush, pen, h 320 mm × w 511 mm

Design for a Monument of King Louix XVI of France, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The elevation of a sepulchral tower. Below are some steps. The door case is projecting and it is laterally elongated by parapets with urns with flames at their ends. Above the entablature sits upon a base. Faith or Religion, supporting with her right hand a medallion standing in her lap, raising with her right hand a monstrance. Beside her is the continuation of the wall shaped like a pedestal. Above it stands a kind of sepulchral urn, with on top a fleur-de-lis upon a base. Usual background., Rome, Italy, ca. 1795, architecture, Drawing, Drawing

A drawing replicating the upper section of Jan Muller's Hercules Fountain in Augsburg from 1602, showing fountain details with white heightening, dated circa 1602.

Design for a theater decor, Part of a richly decorated interior with colonnades, draughtsman: Giuseppe Galli Bibiena, c. 1706 - c. 1756, paper, pen, pen, h 293 mm × w 212 mm

Ceiling Design. Artist: Matías Arteaga y Alfaro (Spanish, Villanueva de los Infantes 1633-1703 Seville). Dimensions: 6-5/16 x 10-1/2 in. (16.0 x 26.7 cm). Date: 1633-1703. Museum: Metropolitan Museum of Art, New York, USA.

Bound Print (France)

Architectural Drawing (recto); Sketch of a Figure (verso). Artist: Anonymous, Italian, first half of the 18th century. Dimensions: 6-5/16 x 4-5/16 in. (16 x 11 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Worms. St. Peter's Cathedral - colonnade fragment. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

A pencil study by Rudolf Weyr depicting a monument, showing structural and sculptural elements and surrounding context.

Drawing (Italy); pen and black ink with gray, yellow and blue wash and traces of graphite support: off-white laid paper

Verrière Project Representative Saint Aubin, Mr. Gaillon and Mr. Forcival Jean Gaspard Jules Or Johann Caspar Julius Gsell (1814-1904). Verrière Project Representing Saint Aubin, Mr. Gaillon and Mr. Forcival. Pencil.

Tombe en bank.A tomb with octagonal medallion with an old man in Pij and putto with the text Charitas. On the right a side view of a bank and draperery.

Romanesque Style Font and Plan (recto); One Font (verso). Artist: Anonymous, British, 19th century. Date: mid-19th century. Museum: Metropolitan Museum of Art, New York, USA.

Lehmgrübner Paul (1855-1916), sketchbook: Rathäuser Bocholt, Wernigerode, Goslar, Alsfeld (without dat.): Rathaus Bocholt. Face details. Pencil on paper, 17.3 x 22.3 cm (including scan edges) Lehmgrübner Paul (1855-1916): Skizzenbuch: Rathäuser Bocholt, Wernigerode, Goslar, Alsfeld

Renaissance interior. Noakowski, Stanisław (1867-1928), draughtsman, cartoonist

Photo production of Fresco with scenes from the lives of Johannes de Baptist and Maria to Domenico Ghirlandaio in the Santa Maria Novella in Florence, Italy, Fratelli Alinari, after Domenico Ghirlandaio, 1857 - 1900 photograph Florence cardboard. paper albumen print picture, painting Santa Maria Novella

Augustus Welby Northmore Pugin, 1812-1852, British, Design for Gothic Ornamentation, undated. Graphite on medium, slightly textured, cream wove paper.

Two steps lead up. Urns with flames stand at the corners of the upper one. Two women lean upon a sacrophagus which stands upon a dado. A cinerary urn rises on top. A part of the drawing is drawn over lines of a part of a sketched plan. Pen and brown ink, brush and brown wash on lined off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Water pours over the edge of a basin into a lower one. In the center rises a circular pedestal with bowls, into which water is poured by - visible - three merman blowing their horns. On top is a female statue. Colored background. Date: ca. 1790. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

Left Half Design for an Architectural Project. Artist: attributed to Mauro Antonio Tesi (Italian, Montalbano 1730-1766 Bologna). Dimensions: Overall: 7 3/4 x 3 7/16 in. (19.7 x 8.7 cm). Museum: Metropolitan Museum of Art, New York, USA.

Card 28: Wooden car with a horse in a sketchbook, containing landscapes, views, sketches of objects. unknown

This drawing by Giovanni Guerra depicts the Cave of Cupid at Pratolino using pen and bister with washes, highlighting architectural details and natural surroundings for study purposes.

Tomb monument and altar. Sketches of front views and floor plans of a grave monument and an altar.

A pencil draft by Emerich Alexius Swoboda for a monument, showing structural design, layout, and compositional elements.

Schouw for Ministry of Marine, c. 1866 - c. 1900 drawing Fireplace with two angels and two putti that support a sphere. In the middle there is a putto with a trident on a sea horse. pencil drawing

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