Architectural Designs

Detailed architectural drawings showcasing intricate chimney and room designs, emphasizing classical influences and ornamental details.

64. S D Salomon; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Design for a Chimney. Dimensions: overall: 15.1 x 23.2 cm (5 15/16 x 9 1/8 in.). Medium: pen and black ink. Museum: National Gallery of Art, Washington DC. Author: JOHN FLAXMAN.

64. S D Salomon; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Print

Drawing, Two Designs for Altar Cross Bases; verso, Designs for Five Projects; Attributed to Luzio Romano (Italian, active 1528 - 1575); Italy; pen and brown ink, brush and brown wash, black chalk on heavy cream laid paper; 32.9 x 22.1 cm (12 15/16 x 8 11/16 in. )

A pencil drawing on transparent paper by Carl von Hasenauer showing ceiling decoration designs in the show halls at the Kunsthistorisches Hofmuseum, Vienna I, second half of the 19th century.

A pencil sketch by Emerich Alexius Swoboda for a monument, showing early design ideas with focus on form and compositional structure.

Stained Glass Drawing - Study for Gothic Architecture Background Prosper Lafaye (1806-1883). Stained glass drawing: Study for Gothic architecture background (upper part), between 1845 and 1875.

Drawing, Design for a Ceiling; Italy; graphite, pen and ink, brush and wash on paper

The central part of the retable has the shape of a niche, in front of which, below, is a panel with two festoons, above a picture, probably the Virgin, carried by angels upon clouds into heaven. On top of the circular frame are two angels. In the height of the upper angular edge of the frame is, laterally, an entablature. It is curved and projecting at the front, the outer end being supported by a column, the inner one by a pilaster, belonging to the wall of the niche. The entablature projects also to the back wall, the supports being similar. Above the entablature, laterally and at the front, are angels. On top of the niche is a triangular pediment with two sitting angels. In the outer panels of the zone of the pedestals are escutcheons. In the hollow of the mensa is a bathtub sepulchrum. the tabernacle stands upon the mensa. slightly colored background. Pen and brown ink, brush and brown wash on lined off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Mu

Wandindeling met panelen; Wandindelingen.Wall layout with two panels with pastoral scenes, with rocaille frame. In the foreground two benches decorated with seedilles and a table. Publisher number 135.

Drawing (Italy); pen and brown ink with brown wash support: off-white laid paper on secondary paper support

Elevation of a Living Room Wall. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Bound Print, Panel Design of Grotesque Ornamentation; Designed by Jean Bérain the Elder (French, 1640-1711); Print Maker: Jacques-François Bénard (French, 16..-1751); Published by Jacques Thuret (French, 1669-1738); France; engraving

Esther before Ahasuerus late 17th-early 18th century Anonymous, French, 18th century French. Esther before Ahasuerus 343762

Elevation of a Candelabra, Graphite, pen and ink, brush and watercolor on paper, Octagonal base. The shaft consists of a pedestal showing a circular medallion of Christ, seated laterally, and lambrequins under a broken pediment, of a low section with the half-figure of an angel and heads on columns, of a section with seated figures in aedicules, a pediment with a representation of a Madonna and the child; laterally are busts of men carrying flower baskets on their heads. On top stand two women and two children on the base, on which the bowl with a thorn stands on a short shaft., Italy, 1700-1750, lighting, Drawing, Drawing

The base is similar to 1938-88-1319. The structure is a round tower in freestone work. At the front is a doorcase, with an entablature which is supported by consoles. Above it is an oblong block with a putto crouching upon it, carrying probably a crozier and another stick. Laterally are more projecting and more detailed doorcases, with putti similarly disposed. Above is a band with a triglyph frieze. On top is one of those variations of 1938-88-1323, in which the angel is kneeling (as in 1938-88-1302). Date: 1793. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Divinité Chinoise, Gabriel Huquier, French, 1695-1772, Antoine Watteau, (French, 1684-1721), Black chalk, brush and black ink, wash, traces of stylus on cream laid paper, lined, An enthroned chinaman is surrounded by topiary in perspective. Figures on steps to right and left pay homage; trees enframe the scene. Above and below, arabesques composed of herms, medallions, are shown as if seated., probably Paris, France, ca. 1730, ornament, Drawing, Drawing

Pierre Alexandre Aveline after Antoine Watteau, LeMay LeMay

Design for Cabinet Pianoforte, François Premier Style 1835-1900 Robert William Hume British. Design for Cabinet Pianoforte, François Premier Style 391711

Drawing, Woman with a Water; Designed by Domenico Gargiulo; Italy; pen and ink on paper

Design for a Painted Ceiling, Pen and brown ink, brush and brown wash, over black chalk on off-white laid paper, Design for a painted ceiling featuring two putti at left and right holding drapery that supports garland of fruit and leaves below. On ceiling, partially completed design for painting including figures, animals, and angels. Highly decorated with various options for patterns including a Greek key border., Italy, ca. 1590, interiors, Drawing, Drawing

Sangallo Guiliano da (1445-1516), Palazzo Gondi in Florence. Console (without date): Wall detail console in the courtyard. Photo, 37.8 x 23.6 cm (including scan edges)

Stairs of Life. Draughtsman: Antoon Derkinderen. Dating: c. 1869 - c. 1925. Measurements: h 623 mm × w 498 mm. Museum: Rijksmuseum, Amsterdam.

Design for a Fountain with the Three Graces ca. 1570-80 Circle of Jacques Androuet Du Cerceau French. Design for a Fountain with the Three Graces 669963

Print, Chimneypiece Decoration for a Large Apartment; Designed by Jacques-François Blondel (French, 1705 - 1774); Published by Jean Mariette (1660-1742); France; etching and engraving on laid paper

Designs for Composite Capitals and Bases, Pen and brown ink on off-white laid paper, Group of architectural designs showing fourteen portions of composite capitals and four bases. Top row: three right halves of capitals shown in elevation. A figure of a harpy with a fishtail scroll. Second row: two left and two right halves of capitals. Third row: four right halves of capitals, one left half. The tops of the shafts are shown below four of the designs. The fifth is supported by a fluted bracket. Bottom row: two right parts of bases of fluted columns, the left half of a capital, a bearded head supporting a fluted bracket fragment of a moulded base, shown from a corner. Verso: at top right, a capital obliquely shown. At bottom edge, three top parts of capital and the left half of another., Northern Italy, 1530-1540, architecture, Drawing, Drawing

A pencil drawing on transparent paper by Rudolf Weyr depicting a design with decorative elements, showing ornamental motifs and architectural features.

Dummy decorative project on the occasion of the feasts which gave itself on June 14, 1860, for the meeting of Savoie and the County of Nice in France Anonymous. Discussion of dummy decoration on the occasion of the holidays which gave itself on June 14, 1860, for the meeting of Savoie and the County of Nice in France. Pencil.

Project for military school, court side Angel-Jacques Gabriel (1698-1782). Project for military school, court side (detail without cache). Feather.

Circle of Andrea Pozzo, A Baldachin with a Painting of the Annunciation, c 1708 or later A Baldachin with a Painting of the Annunciation

Wilkinson Tracing, Design for a memorial, featuring the bust of a clergyman, with a man standing and looking up at the bust, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

The Covenant of Romulus and Titus Tatius, King of Sabines, Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. paper. pencil. ink pen / brush romulus as King of Rome. (story of) titus tatius

Design for a Cabinet with Three Glass Doors and a Porcelain Plaque. Artist: Anonymous, British, 19th century. Dimensions: each sheet less than: 8 x 9 in. (20.3 x 22.9 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Oil lamp, Pencil and brown wash on paper, Vertical rectangle. Lamp ornamented with three standing female nudes. Pencil framing lines. A, B, C pasted together., 1810-25, Drawing, Drawing

Meissen. Epitaph of Melchior von Meckau at the cathedral - fragment with shield with coat of arms; verso: sketches of details and cornices. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Drawing, Design for a Chalice, Plan; Flaminio Innocenzi Minozzi (Italian, 1735 - 1817); pen and ink with ink and yellow washes on paper; 13.7 × 23.4 cm (5 3/8 × 9 3/16 in.); 1908-18-1-a

Decorative print for a written wish. On either side trees next to a vase on a pedestal. In the center, a view of a village along a river. On the river a rowing boat and a sailing ship. At the top between garlands an empty diamond shaped frame. Numbered top right: N. 22., Wishing letter with decorative frame with a village view, print maker: Leonardus Schweickhardt, (mentioned on object), publisher: Jan Hendriksen, (mentioned on object), print maker: Noord-Nederland, publisher: Rotterdam, 1793 - 1862, paper, etching, h 402 mm × w 324 mm

John Flaxman, Designs for Monuments (recto and verso) Designs for Monuments recto and verso

Design for a wall painting for Gerrit Duijm, c. 1783 drawing Wall with two wallpaper compartments on either side of a chimney. paper. pencil. ink pen / brush

Album n � 4; Vitauil project for Fleury / Andelle: CENE, Christ and Saint Thomas Gsell-Laurent workshop. Album n � 4; Stained glass project for Fleury / Andelle: Supper, Christ and Saint Thomas. Pencil on layer.

Law of perspective that dictates that in order to maintain proportional harmony for the viewer, elements that overhang the columns of a temple must protrude over the vertical axis, engraving from I dieci libri d'architettura secondo i precetti di Vitruvio, by Giovanni Antonio Rusconi, published by Nicolini, 1660, Venice.

Designs for a Mantelpiece, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-whtie laid paper, lined, Designs for a Mantelpiece., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Design for room wall for the dining room of D. Luden ..

A pencil draft by Emerich Alexius Swoboda depicting a monument with architectural and compositional details for planning and design purposes.

Design on the occasion of the 100 -year jubilee of the Great Noordhollandsche of 1845 and General Friesche, Carel Adolph Lion Cachet, 1874 - 1945 drawing paper. ink. chalk pen / brush names of organizations, companies, trade unions, etc.

Designs for a Table and a Table Base 19th century Anonymous, French, 19th century French. Designs for a Table and a Table Base 362076

Three photo productions of drawings of wall or ceiling decorations, c. 1875 - c. 1900 photograph Above (72) a coat of arms with angels and a garland by Marco Marchetti, center (73) a surface distribution with dogs and a putto, under (74) a decoration with portraits and presumably biblical performances by Marco Marchetti. Europe cardboard. photographic support albumen print drawing, sketch. cupids: 'amores', 'amoretti', 'putti'. dog. coat of arms (as symbol of the state, etc.) Europe

Interior of the Cappella Gentilizia, Villa Simonetta, Milan, Lombardy, Italy. Detail.

Design for a Frieze: Garland and Animal Skull 18th century Anonymous, Italian, first half of the 18th century Italian. Design for a Frieze: Garland and Animal Skull 340295

Illumination Column, Attributed to Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, 1795, Gray wash and graphite on medium, slightly textured, cream wove paper, Sheet: 11 1/2 × 12 1/8 inches (29.2 × 30.8 cm), architectural subject

Drawing, Design for a Tureen; Designed by Giuseppe Gagliardi (1697 - 1749); Italy; graphite, pen and ink, brush and wash on paper

Design for a corridor with a portrait medallion. Furniture design.

Bass relief with a women's face from a house in Caen, c. 1875 - c. 1900 photograph Paris cardboard. photographic support albumen print sculpture (+ relief ~ sculpture). mask, mascaron ~ ornament. flowers ~ ornament

Design for a (mirror) frame, draughtsman: Johann Esaias Nilson, 1731 - 1788, paper, pen, brush, h 417 mm × w 293 mm

Design for the Decoration of the Conch of a Niche, Pen and sepia ink, brush and gray watercolor, graphite on paper, Horizontal rectangle. Divided into three compartments, framed by upright stripes with garlands and with a shell on top above an entablature, which is supported by consoles at the ends of the stripes. The compartments are decorated with lozenges or coffers, with rosettes inside. Outside framed by insular mouldings in front of which is an escutcheon with the arms of a layman, supported by genii., Rome, Italy, ca. 1750, architecture, interiors, Drawing, Drawing

Copy of an Engraving. William Henry Fox Talbot (English, 1800 - 1877)

Drawing, Design for the Hilt of a Hunting Sword; Style of Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); France; pen and black ink, brush and black wash, gray-blue watercolor on paper, laid down; Frame: 50.2 x 39.7 x 2.5 cm (19 3/4 x 15 5/8 x 1 in.) Sheet: 20.9 x 12.1 cm (8 1/4 x 4 3/4 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)

Design for a garden rod with bust of Diana and two hunting dogs. Design for a garden ornament.

Photo production of the Fresco Stanze d'Eliodoro / the liberation of Peter from the dungeon in the Camere di Raffaello, Anonymous, After Rafaël, 1851 - 1900 photograph Vatican CITY paper. cardboard albumen print picture, painting Camere di Raffaello (Palazzo Vaticano). Vatican Stanza d'Eliodoro. Vatican museums. Vatican CITY

Germany, Cartouche with two putti, verso - stamped, A large ornamented cartouche with two putti with cloths., print, ornament print, prints, ornament prints, height 314 mm, width 182 mm, print maker, printmaker, 1700 - 1799, paper, papier, engraving, engraving (printing process), Expression creation

Print, Ornamental Vase Design; Designed by Jean Claude Thomas Duplessis (French, 1761 - 1783); France; etching on paper

Design for a Frieze: Garland and Animal Skull. Artist: Anonymous, Italian, first half of the 18th century. Dimensions: 7-13/16 x 10-13/16 in. (19.8 x 27.4 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

"Stereo photograph of a bronze statue of Apollo in the Versailles garden, created by Balthazar Keller in 1684-1685, taken on albumin paper around 1860, showing the sculpture and surrounding garden."

Supraporta barokowa and fragment of hand rail - sketches. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Design decorations Dom, / 1836.

'Two Capitals with Eagles and a Winged Sphinx'. France. Dimensions: 19,2x26,6 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

Stage image for the opera 'Fernand Cortez, ou LA Conquest' by Lorenzo Sacchetti, executed with Feder and lavated technique in 1825, showing theater stage details.

Benjamin West, 1738-1820, American, active in Britain (from 1763), Study of a Vase, Undated. Pen and brown ink and graphite on medium, slightly textured, cream laid paper.

Old Paris. Detail of the painted decor, interior of the Lauzun Hotel, 17 Quai d'Anjou, 4th arrondissement, Paris Old Paris. "Detail of the painted decor, interior of the Lauzun Hotel, 17 Quai d'Anjou, Paris (IVEM ARR.)". Photograph of Eugene Atget (1857-1927). Albumped paper draw.

Wallpaper tray with frame and paneling, from a design for a side wall. Design for a wall painting in a long narrow departure, presumably the side room of Brouwersgracht 41 in Amsterdam. The suspected client is Allard Hulshoff.

Design for a Chalice Surmounted by a Maltese Cross 1580-1620 Anonymous, Italian, Florentine, second half of the 16th century Italian. Design for a Chalice Surmounted by a Maltese Cross 346316

Beckmann Carl (1799-1859), painted wooden ceiling, Gdansk (without dat.): Perspective view. Pencil watercolored on paper, on cardboard, 18.7 x 28.6 cm (including scan edges)

Bliżej Kultury Matejko, Jan (1838 1893)

Drawing (Italy); pen and black ink with gray wash support: thick off-white laid paper

Lazio Roma Frascati Villa Mondragone1. Hutzel, Max 1960-1990 Exterior views of outer and courtyard facades of the 16th c. villa, now a Jesuit school. Detailed coverage of Portico del Vignola (17th c.). Views of fountain and obelisk. Interior views of guest room, Salone degli Svizzeri, Sala dei Cariati, Chapel of S. Gregorio. _ Antiquities: Roman Ninfeo, sarcophagi and fragments in Garden of the Popes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

See 1901-39-2625. The tabernacle is framed by reversed consoles. Upon the door is a representation of the rising Christ. It is above semi-circular and has on top a cherub and a garland. Laterally are moldings, with a high, central ogee, at left seen from the front, at right from the side. Pen and brown ink, brush and brown wash on lined off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Study for a vignette for a book about screening (). Draughtsman: Bernard Picart. Dating: 1683 - 1733. Measurements: h 98 mm × w 275 mm. Museum: Rijksmuseum, Amsterdam.

Interior of temple with high vaults on columns with Italian inscriptions. Sculptural group in the middle with inscription. Sculptures of hanged men on the wall. Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper. Date: ca. 1796-1801. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 358953

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, George Edmund Street, 1824-1881, British, undated, Pen, black ink and graphite with watercolor and gouache, verso: white gouache on medium, slightly texted, beige wove paper with two fold marks, Sheet: 11 1/4 × 5 3/8 inches (28.6 × 13.7 cm), architectural subject

Bound Print (France)

Departure of the Guard to the aura; Fragonard, Jean-Honoré (1732-1806); 1773-1774 (1750-00-00-1800-00-00);Czartoryska née Krasiński, Ludwika Maria (1883-1958), Czartoryska née Krasiński, Ludwika Maria (1883-1958)-collection, Działyńska from Czartoryski, Izabela (1830-1899), Działyńska from Czartoryski, Izabela (1830-1899)-collections, collections, Gołuchów - collection, album Dessins de Maîtres, Czartoryski deposit, trees, riders, gardens, palaces (architect), landscapes with buildings, French drawings, genre scenes, firefighters

Design for a Table Centerpiece, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, 'Desser' table centerpiece for the Altieri family., Rome, Italy, 1790-1799, metalwork, Drawing, Drawing

GSELL-Laurent workshop. Album n ° 4; stained glass project for Chambéry; Two spans window: Christ puts the keys back to Saint Peter. Pencil, ink of China, gouache, photographs. Paris, Carnavalet museum. Album Numero 4, Apotre, Chambery, key, pencil, ink of China, window two travees, gouache, stained glass project, photography, saint

Print (France)

Paris, Tuileries, Drorehbrces, Details

Altaren and capitals with leaf motifs, 1837 - 1921 Page 11 Recto from a sketchbook with 23 sheets. paper. pencil altar. capital (~ column, pillar). foliage, tendrils, branches ~ ornament

Figure at a gate to a courtyard .Page 21 From a sketchbook with 50 sheets.

Three-part architectural sketch by Moritz von Schwind in black pencil and pen, including figurative hints, possibly inspired by Wartburg frescoes, 1853-1855.

Design for Trompe L'Oeil Ceiling for Dining Room, Hôtel de Trévise 1850-1910 Jules-Edmond-Charles Lachaise French. Design for Trompe L'Oeil Ceiling for Dining Room, Hôtel de Trévise 345664

DECORDERS INTERIORS Representative Several views from Maupertuis Park, D�cors destined for the Hotel du Comte de Montesquieu Alexandre-Theodore Brongniart (1739-1813). Domestic decorations representing several views of Maupertuis Park, decorations for the Hotel du Comte de Montesquieu. Watercolor with golden enhancers.

Krishna Serenades Radha Indian. Krishna Serenades Radha, ca. 1650. Ink on paper, sheet: 9 1/16 x 6 in. (23.0 x 15.2 cm). Asian Art ca. 1650

Design for a vase with ears in the form of lions. .

Part of a cartouche with a mask and a figure. Design for a print.

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 359286

A variation of the scheme of -1539. The left corner is clearly shown. The figures of two women stand in front of the support of a sphere, below a festoon, in the arch between the panel, in the intervals of the painted arches. Above them are oblongs with rinceaux. The upper part is decorated with octagonal representations. They are separated by bands. Children, holding a shell with a mask, are seated upon the oblongs with rinceaux. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1790-1800. Museum: Cooper Hewitt, Smithsonian Design Museum.

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