Architectural Designs

Drawings of ornate doorways and decorative features, emphasizing classical elements, craftsmanship, and intricate motifs in architectural layouts.

Cheminée Decorée de GlacesDifféremment, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, interiors, Print, Print

Drawing, Design for a door case; Filippo Marchionni (Italian, 1732-1805); After Carlo Marchionni (Italian, 1702-1786); Italy; graphite, pen and bistre ink, brush and gray watercolor on paper; 36.5 x 23.5 cm (14 3/8 x 9 1/4 in.)

Cheminée Decorée de GlacesDifféremment, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, interiors, Print, Print

Monumental door project Anonymous. Monumental door project. Feather, Chinese ink wash.

Design for a Window Frame, Filippo Marchionni, Italian, 1732-1805, Graphite, pen and black ink on laid paper, Wall panel, balustrade between pedestals is beneath the opening. A circular pediment with a crown and two palm branches in the field. Scale below., Italy, 1740-50, architecture, Drawing, Drawing

Underbias; Verschyde mantels chimney. The cornice of the Frisian above the tablet is interrupted by a round medallion with an offer scene. There are two putti with a burning torch.

Architecture fantasy with a canopy with images of animals at the top; Leviores et ut videtur Extemporaneeae Picturae Quas Grotteweschas Vulgo Vocant (...). Flat decoration with grotesken. From series of 20 sheets.

Subsema, shaft decorated with mirror, Abraham Bosse, After Jean Barbet, After 1638 - Before 1643 print Two garlands hang above the mirror. Page 11 from the second edition of series. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Design for a Mirror. Artist: Anonymous, Italian, 19th century. Dimensions: Sheet: 12 5/8 × 9 5/8 in. (32.1 × 24.4 cm). Date: 1800-1900. Museum: Metropolitan Museum of Art, New York, USA.

Design for a portal, Anonymous, After Mauro Antonio Tesi, 1787 print Design for a portal, in a niche at the top left is a sculpture of a woman. Print is part of an album. paper etching parts of church exterior and annexes: portal

Design for a Pedestal, for Richmond House, Whitehall, London ca. 1760 Circle of Sir William Chambers British, born Sweden. Design for a Pedestal, for Richmond House, Whitehall, London 362924

Lambert & Stahl, fireplace made of marble (without date): Plan content N.N. detected. Ink on cardboard, 41.2 x 31.3 cm (including scan edges)

Collection of planks of furniture: two feet of tables. Fourth table foot board of a suite of 8 Jacques Androuet du Cillece (1515-1584). Collection of furniture planks: two feet of tables. Fourth table footboard of a suite of 8. Etching. 1575.

Subsema with vase in nis, c. 1655 - c. 1657 print At the top is the French royal crown. From the second edition. Paris (possibly) paper engraving

Scouk Plarie A Castle, Carv Albert Von Leser was depp game, Afterhervis de Clubs, 1737 print An ornamented fireplace with rocailles and two two -armed candlesticks. Two ornamented doors with Dessus-de-Porte with ruin landscapes on either side. paper etching open hearth, fire-place. door

Print (France)

Decorated cabinet with small drawers and inscription, Anonymous, 1875 - 1930 photomechanical print Florence paper collotype ornamental cupboard (+ wood and other phytogenic material) Florence

Design for a Chimney-piece, for Thomas Hollis of Lincoln's Inn, London. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Dimensions: sheet: 10 5/16 x 8 in. (26.2 x 20.3 cm). Date: after 1754. Museum: Metropolitan Museum of Art, New York, USA.

Fence with variant for right half, anonymous, after Jean Lepautre, 1750 - 1765 print From series of 6 magazines with Dutch opposite copies to the Liure de Serurerie series, designed by Jean Lepautre, and magazines from another series. Second edition. print maker: Netherlands (possibly)after design by: France (possibly)publisher: Amsterdampublisher: Amsterdampublisher: Amsterdam paper etching

Paneel puts medallion in putti, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print A panel with an oval medallion, two putti with a laurel wreath and helmets, flags and weapons on the underside. Print number 243. Paris paper etching / engraving ornament ~ medallion. cupids: 'amores', 'amoretti', 'putti'. garland, wreath. helmet. weapons

Fireplace design with a medallion in the confidence; unknown, Marot, Daniel (1661-1752; st.); around 1712 (1663-00-00-1752-00-00);Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Dutch (culture), fireplaces, medallions, images in compositions, ornaments, designs, interiors

Print, Plate 6, "Decoration d'une Portal double à placards, traittée dans la même gout..."; Designed by Jacques-François Blondel (French, 1705 - 1774); Published by Jean Mariette (1660-1742); France; engraving on paper; 41.3 × 28 cm (16 1/4 in. × 11 in.); 1959-85-36

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 21st Cahier, Fireplaces, Cheminée à la Moderne, Fireplace with smoking barrel, verso - stamped, An ornamented fireplace with tendrils and a smoking barrel. Print number 121., print, ornamental print, prints, ornament prints, height 326 mm, width 203 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, paper, etching, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

A fireplace design over which a trapezoidal mirror and historical image from scenes Ho unknown, Marot, Daniel (1661-1752; st.); around 1712 (1663-00-00-1752-00-00);France, Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, decorations, interior decorations, French (culture), tributes, fireplaces, mirrors, paintings, images in composition, ornaments, projects, historical scenes , trapezoid (geometric figure), interior

Fountain and bacchus on a ton; Artis perspectiva (...). Detached fountain in the form of a cross-shaped pavilion on a pedestal. There are two low basins against the pedestal. There is a third pelvis in the pavilion in which a pedestal is located. Then Bacchus is on a ton. There is a build-up with a fries with a bacchant procession at the head. The print is part of an album.

Underbias between two Tuscan pilasters; Underbools. In the middle, an oval painting with a sacrificial scene hangs down a fireplace in the form of a cartouche with a mask.

Door with medallion; Elevation d'une porte à placard à deux vanteaux; Doors and portals; 26th Cahier. A door with panels, above a panel with a woman portrait and profil in a round medallion. Print number 151.

Design for an Octagonal Cabinet with Glass Doors and Shelves. Artist: Anonymous, British, 19th century. Dimensions: sheet: 5 1/2 x 3 3/8 in. (13.9 x 8.5 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Diameter of a canopy or chapel; Raccolta di Dissegni Originali di Mauro Tesi. Print is part of an album.

Print, Plate 1 from a Set of 6, "Decoration d'une porte double à placard"; Designed by Jacques-François Blondel (French, 1705 - 1774); Published by Jean Mariette (1660-1742); France; engraving on paper; 41.4 × 27.8 cm (16 5/16 × 10 15/16 in.); 1959-85-31

Bound Print, Wall with Chimneypiece and Mirror; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Carl Albert von Lespilliez (German, 1723 - 1796); Germany; engraving on paper; Platemark: 33.7 × 23.7 cm (13 1/4 × 9 5/16 in.)

Panel with Merminden and Fronton, Jean Pelletier, After Juste Nathan François Boucher, 1772 - 1779 print A panel with two mermaids on either side of a round medallion. Below that a semi-circular fronton above a door or window opening. Print number 245. Paris paper etching / engraving merman - AA - mermaid, siren. ornament ~ medallion. other architectural details (with NAME). door

Drawing, Project for an Alter; Italy; pen and black ink, brush and wash on white laid paper; 39.5 x 24.9 cm (15 9/16 x 9 13/16 in.) dims = widest point Mat: 55.9 x 40.6 cm (22 x 16 in.)

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Bichard, Jean-Baptiste, 35e Cahier, Nissen, Elevation et Coupe de niche, Niche with garland and drapery, verso - stamped, Front and side view of an empty niche with garlands and drapery at the bottom. Print number 207., print, ornamental print, prints, ornamental prints, height 328 mm, width 203 mm, 1722 - 1769, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Half Plan and Half Elevation for a Catafalque for Margarita Louisa, Gran Duchess of Tuscany (d. 1721). Artist: Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696-1756 Berlin). Dimensions: 20-3/8 x 14-1/4 in. (51.8 x 36.2 cm). Date: ca. 1721. Museum: Metropolitan Museum of Art, New York, USA.

Dessus de-porte and consoles; Z tables et consoles dance le goût antique; Iie Volume de l'oeuvre de J. Ch. Delafosse (...). A Dessus de-porte and two consoles on a leaf. Above a Dessus-de-Porte with cartouche, garlands and an oval medallion with women's portrait and profil. Under two consoles with garlands and an oval medallion with women's portrait and profil. Left under 4 numbered.

Tafelfontein, c. 1830 - c. 1850 Paris tracing paper. graphite (mineral) pen Paris tracing paper. graphite (mineral) pen

Northern part of the Eastern Gallery in the Town Hall on Dam Square (left part), Dancker Danckerts (Possible), After Jacob Vennekool, After Jacob van Campen, After Artus Quellinus (I), 1661 print Left part of a print of the northern part of the eastern gallery in the town hall on Dam Square in Amsterdam, consisting of two parts. In the middle the image of Cybele. On the left the door of the orphan room, on the right the door of the Vroetreskamer. Imagined at the bottom: V. 1. paper etching / engraving townhall. interior ~ architectural design or model. (story of) Cybele, Rhea Cybele, Great Mother of the Gods (Berecynt(h)ia) City Hall of Amsterdam (1655-1808)

Finestrone di mezzo che conduce nella ringhiera sopra la porta del palazzo dell' Emmo. Sigre. Cardinale Chigi, Stvdio d'architettvra civile sopra gli ornamenti di porte e finestre tratti da alcune fabbriche insigni di Roma con le misure, piante, modini, e profili: opera de' piv celebri architetti de nostri tempi, Bartoli, Francesco, 1675-1730, Bernini, Gian Lorenzo, 1598-1680, Quadri, Carlo, Engraving, 1702-1721, Drawn by Carlo Quadri, engraved by Francesco Bartoli. Architecture by Bernini.

Fireplace design with a picture from scenes victims; unknown, Marot, Daniel (1661-1752; st.); around 1712 (1663-00-00-1752-00-00);Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Dutch (culture), fireplaces, images in composition, victim, ornaments, designs, interiors

Another stove with all its ornaments and main golden moldings

Design drawing for a vase with a satyrpaar on the lid, anonymous, c. 1750 drawing Vase with a satyrpaar on the lid, the body decorated with dancing naked men and dressed women, above ram heads and skulls with garlands Bologna (possibly) graphite (mineral). ink. cardboard brush

Drawing, Mantelpiece; Italy; pen and brown ink, blue, gray, ochre wash, over black chalk support: white laid paper laid down; 26.1 x 17.1 cm (10 1/4 x 6 3/4 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)

Design for the Mantlepiece and Dado for a Room in the Villa Digne, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, The lower part is a variation of the scheme of -1522. The supports consist of fluted consoles upon which two children are seated beside a flower pot in front of a shell at right. Half of a similar motif is upon the support at left. A landscape with a Doric temple in ruins and pyramids are shown. The upper part suggests an ovoidal painting in rich framing. At right is an imaginary arch double the width of that at left., Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Hexagonal Raised Platform with an Architecturally-Shaped Canopy ca. 1530-40 Anonymous, French, 16th century French. Hexagonal Raised Platform with an Architecturally-Shaped Canopy 386541

Amsterdam, Passe, Crispijn van de (II), Oficina Arcvlaria ((...)), Bovticqve Menvseries ((...)), Schriner Laden ((...)), Schrinwerckers Winckel, Altar decoration with empty panel, With a variant for the right half. The panel is flanked by Corinthian columns., print, ornament print, prints, ornamental prints, height 321 mm, width 222 mm, Work conception, 1597 - 1670-01-06, after a design by, 1642 - 1642, second quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

Subsema, Daniël Marot (I), After 1703 - Before 1800 print The chimney bosom consists of two long consoles; A mirror with candle holders next to it hangs above the tablet; Above is a painting with a sacrificial scene. From series of 6 magazines. paper etching

Fireplace with garlands, 1778 - 1782 print An ornamented fireplace with garlands and a round element at the top. Paris paper etching open hearth, fire-place. ornament ~ festoon, garland

Drawing, Aedicule with Coat-of-arms; Italy; graphite, pen and ink, brush and wash on paper

Design for an Overdoor and Chimney, Pen and ink, brush and brown watercolor, graphite, Three putti are shown in the overdoor. A pair of billing doves, a quiver and a torch are in the top center of the frame of the mirror over the chimney., France, ca. 1740-1750, interiors, Drawing, Drawing

Kast puts Vazen, Philibert Boutrois, after just Nathan François Boucher, 1772 - 1779 print A cupboard decorated with a laurel wreath and two vases. Print number 179. Paris paper etching / engraving furniture for storage. garland, wreath. vase ~ ornament

Two alternate Design for a wall elevation 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Two alternate Design for a wall elevation 365695

Design for Table, Augustin Foin, French, 1726 - ca. 1759, Richard de Lalonde, French, active 1780-96, Engraving on paper, Europe, France, 18th century, Print, Print

Stove with vase in a niche, anonymous, after François Boucher, 1737 - 1806 print A stove with a vase and garlands in a niche. Augsburg paper etching / engraving heating stove. vase ~ ornament. ornament ~ festoon, garland. 'concha' ~ architecture

Print, Design for a Fireplace for a Salon or the End of a Gallery; Print Maker: Pierre Lepautre (French, 1652-1716); engraving on paper

Two alternate Designs for a frame of door 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Two alternate Designs for a frame of door 365549

Design for an Octagonal Cabinet with Glass Doors and Shelves 19th century Anonymous, British, 19th century British. Design for an Octagonal Cabinet with Glass Doors and Shelves 386582

Altar with a woman; Designs for altars. Design for an altar with rocaille ornaments and a cross in the middle. On the right is a woman with a small crown or tiara on the head. On top of two rocaille vases and a seated putto with palm branch.

Design for a Wall Elevation with Halved Alternate Designs for the Doorway (recto); Designs for a Quarter of a Ceiling, Design for a Wall Elevation (verso). Artist: Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730-after 1797). Dimensions: 17-3/8 x 12-3/8 in. (44.2 x 31.5 cm). Date: 1774-90. Museum: Metropolitan Museum of Art, New York, USA.

Door with two panels, Anonymous, After Jean Lepautre, 1750 - 1765 print The panels are not decorated. At the top two cherubs float next to a medallion. With rebellion and plan at the bottom. print maker: Netherlands (possibly)publisher: Amsterdampublisher: Amsterdampublisher: Amsterdam paper etching

Print (England)

Salon Ceiling, Houghton Hall, Norfolk 1735 Isaac Ware British Design for ceiling with decorative carving in the vault an an octagonal-shaped painting of Apollo in his chariot. This drawing relates to Isaac Ware's and Thomas Ripley's book "The Plans, Elevations and Sections, Chimney-pieces and Ceilings of Houghton in Norfolk" (first published 1735; second edition 1755 with added "Description of the Pictures at Houghton" by Horace Walpole).. Salon Ceiling, Houghton Hall, Norfolk 353860

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 22e Cahier, Panels and doors, Panneau avec Porte, Door and panels with vase, verso - stamped, Wall decoration with a door with tendrils and panels on either side. At the top a panel with flowers in a vase and garlands. Print number 127., print, ornamental print, prints, ornamental prints, height 325 mm, width 203 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Mirror and commode; Wall decorations; 19ME Livre t Livre de Decorations de Lambris. An ornamented mirror and panels with an oramic chest of drawers. Above the mirror a panel with putti and a goat.

Design for a Chest of Drawers 18th century Anonymous, French, 18th century French. Design for a Chest of Drawers 356110

Ravensburg, Gradmann, Johann, Hauer, Johann Thomas, Tabernacles et Confessionales, Tabernacles and confessionals, Confessional, verso - stamped, Design and plan of a confessional with vases and garlands. Publisher number XXXIII., print, ornamental print, prints, ornamental prints, height 205 mm, width 153 mm, Hungarian, 1748 - 1820, print maker, printmaker, 1780 - 1780, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, seller

Design for the main altar of the church of San Vincenzo in Bassano Romano; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Design for the main altar of the church of San Vincenzo in Bassano Romano. On the base left and right the coat of arms of Vincenzo Giustiniani, the founder of the church. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Epitaaf, Jean Lepautre, 1640 - 1703 print Empty tablet on a coffin with an empty oval medallion above it. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Design drawing for a vase with a satyr pair on the lid. Vase with a Satyrpaar on the lid, the body decorated with dancing naked men and dressed women, above Ramskoppen and skulls with garlands

Burial monument in the form of a tempietto, Jean Marot (I), 1629 - 1716 print In the niches are images, on top, Minerva is on a weapon trophy. From the first edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper engraving

Design for a Pulpit, Plate 4 from an Untitled Series of Pulpit Designs Printed ca. 1750-56 Carl Pier Ornament print with a design for a suspended pulpit shown in frontal elevation. The pulpit is characterized by a baldachin of rocaille ornaments leading up to a representation of the Holy Ghost in the form of a pigeon, surrounded by rays of sunshine. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for a Pulpit, Plate 4 from an Untitled Series of Pulpit Designs. Carl Pier (German, active Augsburg, ca. 1750). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg)

Underbools with fourteen vases and teapots; Underbools for a 'Lambris d'Appi'. Underbuffs with two plates on which nine and five Chinese vases and teapots are. A portrait of a woman is standing in front of the mirror.

Upright, plan and side elevation. The tablet of the high chimney breast is supported by Ionic pilasters., Sub-basement Sub-basements (series title), print maker: Cornelis Danckerts (I), Pieter Jansz. Post, publisher: Justus Danckerts, (mentioned on object), print maker: Netherlands, (possibly), Netherlands, (possibly), publisher: Amsterdam, c. 1675 - c. 1686, paper, etching, h 212 mm × w 158 mm

Panel with medallion and hornsucopia; Architectural fragments; 41E CAHIER Divers Fragmens D Architecture. A panel with a mask, an oval medallion and two horns of plenty above a door or window opening. Print number 244.

Erepoort at the entry of Willem V in Veere (no. IX), 1766, 1766 - 1767 print Platform or elevation founded for the Town Hall in Veere, decorated with statues of personifications of virtues. Part of a group of 10 plates of the decorations in Veere on the occasion of the inauguration of Stadholder Willem V as Markgraaf van Veere, 28 May 1766. Numbered at the top right: No. IX. Northern Netherlands paper etching / engraving triumphal arch Veere

Triumphal arch with portrait of emperor Charles VI, founded on the occasion of the anniversary of the sacred sacrament of the miracle, 1720. Triumphal arch with portrait of emperor Charles VI, founded in 1720 on the Place de la Chancellerie in Brussels on the occasion of the 350 year old Anniversary of the sacred sacrament of the miracle from 1370. incomplete cut.

Untitled Renaissance cabinet watercolours, works on paper

Design for a Monumental Altar, Plate d from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.' Printed ca. 1750-56 Georg Gottfried Winckler Ornament print with a design for an altar in a late Baroque style, with a large architectural reliquary on the altar table, flanked by four statues of female personifications of the Cardinal Virtues. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for a Monumental Altar, Plate d from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'. After Johann Michael Leüchte (German, active Augsburg, died 1759). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Georg Gottfried Winckler (German, 1710-1786)

Design for a door frame, Carlo Marchionni, Italian, 1702-1786, Graphite, black crayon, brush and black wash on laid paper, An inscription tablet from which two garlands are suspended in front of the top part of the door frame. The over door is formed by a niche between two low cornices; bust of a pope. Two reading men in the doorway, a third one slightly sketched at left., Italy, ca. 1775, architecture, Drawing, Drawing

The architraaf above the undoubting is decorated with a round (mirror) list, which are five Chinese vases on a tablet.

One Half of a Design for a Wall With a Panel or a Mirror. 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. One Half of a Design for a Wall With a Panel or a Mirror. 365511

Design for a Frontispiece, Pierre Edme Babel, French, ca. 1720-1775, Pen and black ink, brush and black ink wash on paper, In the scheme of an entablature and a pediment. Putti decorate an escutcheon with a device. An obelisk is depicted with a garland wound around it. Two stairs are shown as well. Depicts coat of arms of architect Carl Harlernan, friend of Meissonnier., ca. 1749, ephemera, Drawing, Drawing

Frame with putto and vase, Johann Thomas Hauer (Possible), 1758 - 1820 print Design for a window frame with garlands, laurel wreath, putto and vase. Publishing number XXV. Ravensburg paper etching / engraving ornaments ~ art (+ framing decorations)

Bound Print, Profil de deux Venteaux de la porte Cochere; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Carl Albert von Lespilliez (German, 1723 - 1796); Published by Nicolas Jean Baptiste de Poilly (France, 1712 - ca. 1758); Germany; engraving on paper

Design for an altar, Andrea Palladio (Circle of), 1518 - 1599 drawing Italy paper. ink pen / brush

Mantelklok, c. 1830 - c. 1850 Paris tracing paper. graphite (mineral) Paris tracing paper. graphite (mineral)

Tabl. XCI, Katafal, exhibited in Milan at the execias for the duca visconti di modrone in: Building designs Förster, Ludwig

Wall with Mirror and Console Tables, Livre de Lambris (Book of Wainscoting), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Engraving on paper, Design for an interior wall decoration with applied ornamental stuccowork. At center, a wall panel with large mirror flanked by two trumeaux with console tables. Scale at lower right., Munich, Germany, 18th century, albums (bound) & books, Bound print, Bound print

Design for a Fountain 18th century Anonymous, French, 18th century French. Design for a Fountain 356247

Subsema in the Huis ten Bosch Palace, Jan Matthysz., After Pieter Jansz. Post, 1664 print The Hague paper engraving

Confessional, Johann Thomas Hauer, 1780 print Design and map of a confessional chair with vases and garlands. Publishing number XXXIII. Ravensburg paper etching / engraving confessional ~ part of the confession

Design for one half of an Altar with a Pilastered Wall at the Right 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Design for one half of an Altar with a Pilastered Wall at the Right 340705

unknown, Augsburg, Merz, Johann Georg, Middelburg, Grendel, Gerrit de, Neu inventirte Hollaendische Camine, Erster Theil, Nouveau Livre de Chéminees Hollandoises Premiere Partie, series S, Design for a mantelpiece with Diana as goddess of the hunt, verso - stamped, Design for a mantelpiece with a representation of Diana with a bow and arrow in her hands and a hunting dog on a pedestal. The mantelpiece is decorated with rocaille ornaments and volutes. On either side a candlestick. Numbered at the top in the middle: No. 18., print, ornamental print, title print, prints, ornamental prints, height 305 mm, width 187 mm, Work conception, after a design by, 1709 - 1762, second quarter 18th century, third quarter 18th century, paper, papier, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, German, 1694 - 1762, publisher, granter of privilege

Ereports XIX-XXII in The Hague, 1747; Neat image and ample bladice of honor gates, headed by the blyde to back from wyle (...) Willem Karel Hendrik Friso, Prince of Orange and Nassau (...) Uyt Zeeland, and sometimes Intreated in 'SGravenhage, on Den 6 Juny 1747. Leaf with the honorary lets numbered XIX-XXII. Loos leaf Originally part of the sheet metal neat image and ample description of the Ele ports from 1766 with representations of the honorary foals and triumph arches prepared in The Hague during the festivities around the entrance of Prince Willem IV as the Stadholder of Holland and West Friesland on 6 June 1747.

Florence, Collection Bardini, Decorated cabinet with small drawers and inscription, recto - printed, photomechanical print, photos, Pl. 57, height 360 mm, width 273 mm, maker, manufacturer, 1875 - 1930, paper, collotype, photoprint, ornamental cupboard (+ wood and other phytogenic material)

Augustus Welby Northmore Pugin, 1812-1852, British, Designs for a Gothic Box and Cabinet, 1830. Graphite on medium, slightly textured, cream laid paper.

A pencil sketch sheet by Rudolf Weyr presenting figure studies and compositional arrangements with precise line work.

Fireworks drawing in front of the Paris City Hall for the publication / peace between France and the Empire January 1698 (IT)

Design for Wall Decoration with Doors on both Sides of a Tall and Narrow Frame 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Design for Wall Decoration with Doors on both Sides of a Tall and Narrow Frame 365527

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