Architectural Decorations

Detailed images of architectural designs and decorations, including plaster models and historical embellishments in various styles.

Plaster models for decorations on the Palais du Louvre: "Trophée d'instruments de Musique" by Emile servant, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 1. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Design by Aldegräver. Édouard Baldus (French, born Germany, 1813 - 1889)

Plaster models for decorations on the Palais du Louvre: "Trophée d'instruments de Musique" by Emile servant, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 1. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Lazio Roma Rignano Flaminio SS. Vincenzo e Anastasio4. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: 16th century architecture and architectural sculpture, including stucco decoration; 16th century wooden crucifix; sculpted marble altars and tombs; frescos; paintings on canvas; stoup (1578) Antiquities: Fragments of architectural sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two decorations with braid and crown, 1704 - 1737 print Two rocaille decorations with braid, leaf motifs and a crown, with line drawings. paper etching / engraving 'Leaf and bandelwerk' ~ ornament

Plaster model for façade decorations on the libraryque Impériale of the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Lazio Viterbo Caprarola Palazzo Farnese05. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Klomp Johannes Franziskus (1865-1946), grave monuments, altars and church details (0-0): ornamental sketches. Pencil on transparent, 18.5 x 31.6 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Grabdenkmäler, Altäre und Kirchendetails

Kandelaber with leaf vines, 1512 - 1540 print Flat decoration. The Kandelaber is worn by two women's backs. They have volutes instead of arms. Shaded background. Germany (possibly) paper engraving

Design for the Decoration of Mouldings, C. C., French, active 19th c., Graphite, pen and black ink, brush and gray watercolor, black on light creamy paper, Above is an ogee with a palmette band. In the middle is a flat torus with an interlacement band. The section is at the right end. Black framing stripes above and below., France, 1811, drawing, drawing

Abruzzo Pescara Penne Cathedral. Hutzel, Max 1960-1990 Romanesque church on site of Roman ruins. Cathedral now has Renaissance side door, and 14th century bell tower. Facade reconstructed in 1955. Several views of the 12th century altar, reconstructed after WWII bombing, of the 13th century crucifix, and of gold statue of S. Massimo from 1762. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Gradoli Palazzo Farnese6. Hutzel, Max 1960-1990 Exterior views of the palazzo and surrounding area. Extensive photo coverage of the restored interior and its poorly preserved frescoes. Details of wall frescoes, including a mythological frieze and an ornamental frieze. An extensively decorated wooden, coffered ceiling. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Relief of the San Marco in Venice, Carl Heinrich Jacobi, c. 1880 - in or before 1885 photomechanical print This print is part of a cover with 79 prints on 53 sheets and 2 text magazines. Venice paper collotype piece of sculpture, reproduction of a piece of sculpture. architectural detail Basilica of San Marco

Fragment of a back of a banknote of twenty -five guilders, Pieter Dupont, after Antoon Derkinderen, 1910 print Fragment of a rectangular frame that is decorated with plant motifs. At the top left the number '25'. Amsterdam paper engraving ornaments ~ art

Netherlands, Kellen, David van der (1804-1879), Serrures 1500-1600, Sloten, Three locks from the sixteenth century., print, book illustration, prints, ornamental prints, height 265 mm, width 215 mm, 1804-09-25 - 1879-03-30, print maker, prentmaker, 1865 - 1878, third quarter 19th century, fourth quarter 19th century, paper, papier, etching, etchings

Design for Ceiling Decoration. Pen and brown ink, brush and brown wash on off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Lazio Roma Velletri Museo Civico di Velletri55. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

Gypsum Model for a Vault Decoration of the Louvre Palace by François Théophile Murgey. Share of meeting of the Tuileries at the Louvre 1852-1857, album 3.

Wrijfprent ,, c. 1900 Rubbing. China paper. ink Rubbing. China paper. ink

Two reliefs with flower motifs, c. 1875 - c. 1900 photograph Italy photographic support albumen print sculpture (+ relief ~ sculpture). flowers ~ ornament

Lazio Viterbo Orte Convento di S. Bernardino2. Hutzel, Max 1960-1990 Post-medieval: Architecture and frescos (16th-17th centuries) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fries met Minerva in cartouche, 1645 print Cartouche flanked by putti, whose lower slices go over in leaf vines around which ribbons are wounded. Leaf from series consisting of a title page and nine unnumbered magazines. print maker: England (possibly)after own design by: England (possibly)publisher: London paper etching

Panel for the city of Medford done by the Ciampi Project , Ships. The Massachusetts WPA Federal Art Project Photograph Collection

Panel for the city of Medford done by the Ciampi Project , Ships. The Massachusetts WPA Federal Art Project Photograph Collection

Various trials for designs for Reinaert de Vos, Bernard Willem Wierink, c. 1910 print Possibly for a bract. paper fable of Reynard the Fox

Gypsum Model for Sculpture at the Louvre Palace. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.

Plaster model for decoration of the Palais du Louvre by Edme Petit, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Georennamenterde Lier, Isaac Weissenbruch, 1836 - 1912 print Netherlands paper lyre, harp, harp

Lazio Frosinone Veroli S. Andrea Apostolo, Cathedral7. Hutzel, Max 1960-1990 Views of metalwork objects housed in Treasury of S. Andrea Apostolo, including busts, reliquaries, crosses, polittico, boxes. Antiquities: relief sculpture; busts General Notes: Museum, which contains Treasury, is located in the last chapel of the right nave. Thirteen views of (non-metalwork) sculpture from Museum have been assigned numbers at end of Treasury sequence, but there are no negatives corresponding to these prints, nor is there authoritative evidence that these objects are housed in the Cathedral Museum. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque

Pieta /Ma A /, Trinity; Skoczylas, W Adys Aw (1883-1934); 1916 (1916-00-00-1916-00-00);

Relief of the Borobudur (Boroboedur), near Magelang, Dutch East Indies, c. 1895 - c. 1915 photograph Relief of the Borobudur (Boroboedoer), near Magelang, the Dutch East Indies Magelang photographic support. paper. cardboard gelatin silver print Indonesia

Relief of the Borobudur, C. Dietrich (photographer), 1875 - 1890 photograph This photo is part of an album. Java paper. cardboard albumen print sculpture (+ relief ~ sculpture) Borobudur

Summer Oscar (1840-1894), ceiling painting (without date): View. Pencil watercolored on paper, on cardboard, 48.7 x 64.7 cm (including scan edges) Sommer Oscar (1840-1894): Deckenbemalung

N.N., Consoles, Paris. (From: Motifs historiques d´Architecture et de sculpture d´ornement, ed. V. César Daly, Vol. Stitch on paper, 32 x 45.4 cm (including scan edges)

Victor Hugo (1802-1885). Victor Hugo notebook - Earthenware tile project. Between 1856 and 1870. Brown ink. Paris, house of Victor Hugo. Notebook, faience tile, drawing, French writer, brown ink, sketch, project

Stucversiering van de Villa Farnesina in Het National Roman Museum Te Rome.

Abruzzo Pescara Penne Cathedral. Hutzel, Max 1960-1990 Romanesque church on site of Roman ruins. Cathedral now has Renaissance side door, and 14th century bell tower. Facade reconstructed in 1955. Several views of the 12th century altar, reconstructed after WWII bombing, of the 13th century crucifix, and of gold statue of S. Massimo from 1762. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Stained glass window with a cartouche, anonymous, in or after 1907 - 1930 photograph photographic support gelatin silver print work of monumental art. ornament ~ cartouche

Écritoire du soultan Bahrite Schban : ensemble et détails (XIVe. siècle) : 2. Cournault, Charles. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Decorative arts, Islamic

Etching by Daniel Nikolaus Chodowiecki depicting male heads, created in 1774.

Book ends , Book ends. The Massachusetts WPA Federal Art Project Photograph Collection

Affectionately couple under a tree, Virgilius Solis, 1524 - 1612 print Nuremberg paper engraving (lovers) embracing each other, 'symplegma'

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia15. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Detail of a plaster model for Frisian on the Palais du Louvre by Léon Falconnier, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 1. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)95. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

The Seven Liberal Arts Persecuted by Pluto and Bacchus ca. 1554-91 after Jost Amman Swiss Segment of a circle with five of the seven liberal arts fleeing right, being chased by a satyr with a bagpipe at center. To the left Bacchus rides a boar, and at far left a blind folded Pluto weilds his trident.. The Seven Liberal Arts Persecuted by Pluto and Bacchus 423391

Design for goldsmith work with flowers and animals, 1614 Design for goldsmith work with flowers and animals. At the bottom of a deer show, left and right flowers. Numbered in the bottom right: 5. One of four oblong designs for goldsmiths, decorated with animals, flowers and figures (Nos. 2, 3, 5, and 6 and from a series of 7). paper engraving frequently used ornamental compositions. flowers. hoofed animals: deer. stag-hunting

Long procession of riders and figures on foot, Gilles Neyts (Possible), 1633 - 1687 drawing paper. ink pen cortege, funeral procession

Carnavalet museum, history of Paris.

Zwei Miniaturen.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Abruzzo L'Aquila S. Giuliano (L'Aquila environs) Museo42. Hutzel, Max 1960-1990 Views of the four collections housed in museum: Roman coins; Pre-Columbian art brought from Central America in 17th century; Greek and Roman sculpture; Egyptian sculpture and minor arts. Museum Roman coins; Greek and Roman sculpture; Egyptian sculpture and minor arts; Pre-Columbian sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Insertion 16th century Italian. Insertion 226392

Deraisme, Pierre -Georges (n.1859 - D.1932), gusset watches (main title), 1900. Graphite, ink and gouache on the front, gouache on the back on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

1. Edward Trojanowski. Warsaw. 2. Kazimierz Brzozowski. Buried. - Kilima from the studio of Mrs. Antonina Sikorska in Czernichów near Krakow; Sharpening with: "Applied art. Publishing House of the Polish Art Society used in Krakow", 1907, z.10, p. 41; Unknown, Polish Society applied art (Kraków; 1901-1914), apple, T. and Spóża (Kraków; reproductive inn; 1890-1926); 1907 (1907-00-00-1907-00-00);

Lazio Viterbo Caprarola Palazzo Farnese326. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Tomb of the Valerii7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ten designs for the decoration of houses, including at least one for the stairway of the Chateau d'Ognon of M. deMachy (Oise, France) second half 19th century Jules-Edmond-Charles Lachaise French. Ten designs for the decoration of houses, including at least one for the stairway of the Chateau d'Ognon of M. deMachy (Oise, France) 384809

Coat of arms of the Cranendoncq family, Alexander Cranendoncq, 1809 - 1869 print Weapon with three cranes and a banderole with the text 'A. Cranendoncq, art engraver in Hout in Nijmegen '. Nijmegen paper armorial bearing, heraldry. shore-birds and wading-birds: crane

Two reliefs of ivory with performances from the New Testament, from the Onze-Lieve-Vrouwebasiliek in Tongeren and the St. Paul's Cathedral in Liège, drawn up at an exhibition on religious objects from the Middle Ages and Renaissance in 1864 in Mechelen, Joseph Maes, 1864 photograph Mechelen photographic support albumen print piece of sculpture, reproduction of a piece of sculpture (+ bone, ivory ~ arts). New Testament Mechelen

Lazio Roma Subiaco Monastery of S. Scolastica Archaeological Museum2. Hutzel, Max 1960-1990 Antiquities: Views of antiquities in museum, including sarcophagi, plates, vases, coins. General Notes: Hutzel guide says we have negatives, but we cannot find them. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Terni Palazzo Spada9. Hutzel, Max 1960-1990 Post-medieval: Architecture (16th century). Triple-arched portal; frescos (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Deraisme, Pierre -Georges (n.1859 - D.1932), watches (main title), 1900. Graphite, ink and gouache on the front, gouache on the back on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

The Luxembourg Garden // Leda, Bas-relief of A. Valois. / (Fountain de Medici) / April 1907. Leda, Bas-relief of Valois on the Fountain de Medici du Jardin du Luxembourg, 6th arrondissement, Paris Leda ", Bas-relief of Valois on the Fountain of Medici of the Garden of Luxembourg. Paris (life arrested). April 1907. Photography of Séniberger Brothers. Draw with gelatin bromide of silver. Paris, Carnavalet museum.

Lazio Viterbo Bagnaia Villa Lante40. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Study into a burial monument for a woman, Louis Joseph Greuse, after Germain Pilon (I), 1883 print paper etching the corpse. grave, tomb

Lazio Rieti Rieti S. Caterina0. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, metalwork, tapestry, painting. Baroque church which contains a painting of the Transfiguration by Giovanni Giacomo Pandolfi (1595). In the sacristy are displayed vestments and a silver cross with an elaborately carved base. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Goldenes Waschbecken; Silberrelief; Ohrgehänge; Zinnrelief; Riemensenkel ().. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Plaster model for decoration above a door of the Pavillon Richelieu in the Palais du Louvre by Barles, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Interior of the Domkerk in Utrecht: Image of the side of a console of a men's bank.

Vignette with the coat of arms of the city of Haarlem, Isaac Vincentsz. van der Vinne, c. 1681 - 1740 print The coat of arms of the city of Haarlem with a tree, a crown, two lions and two clocks. paper vignette. coat of arms (as symbol of the state, etc.) (+ city; municipal) Haarlem

Napkin with the conquest of Buda and Pest, Anonymous, in or after 1686 Linnamast napkin with the conquest of Buda and Pest. The symmetrically doubled pattern shows three scenes from bottom to top. 1 gunner fires a cannon in the presence of two soldiers. 2 cityscape, above which the offs and buda (offs are the German for the Slavic plague). 3 ECHERS PORTRET of Leopold I, Keizer van Germany, with the text: Leopoldus D.C. Romanorum Imperator. Double standing and lying edges: weapons and trophies; Outside of that: blocking edge. Kortrijk linen (material) damask Boeda. Pest Linnamast napkin with the conquest of Buda and Pest. The symmetrically doubled pattern shows three scenes from bottom to top. 1 gunner fires a cannon in the presence of two soldiers. 2 cityscape, above which the offs and buda (offs are the German for the Slavic plague). 3 ECHERS PORTRET of Leopold I, Keizer van Germany, with the text: Leopoldus D.C. Romanorum Imperator. Double standing and lying edges: weapons and troph

Abruzzo Chieti Chieti Museo Nazionale di Antichita83. Hutzel, Max 1960-1990 Exterior views of part of the former Villa Frigeri, which along with a neighboring palazzo, houses the Museo Nazionale di Antichita. Views also of the gardens, fountain (17th century) and the restored interior. The so-called "Capestrano Warrior" (5th century B.C.) is found in the Antiquities core collection under Men, Youths, Warriors--Stone--Etruscan, Italic. Hutzel views include statues, funerary monuments, portrait busts and mosaics, many of which were excavated from Alba Fucens. Hutzel paid particular attention to the colossal statue of Hercules (late Hellenistic); the funerary temple reliefs of Lucius Storax; various nudes, torsos and heads, including the portrait bust of Agrippina Minore and the sepulchral portrait relief of Lucius Poditius (1st century A.D.); gravestones with inscriptions and bas-reliefs; Roman coins; bronze figurines (mainly warriors); and bronze vessels, utensils, helmets and ornaments

Campania Napoli Naples S. Lorenzo Maggiore79. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Design for ex Libris by Johannes Henoch Neethling, and two other designs, Carel Adolph Lion Cachet, 1874 - 1945 drawing pencil. paper. deck paint. ink pen / brush ex-libris. historical persons

Stela del regno di Necao e di Amasis che si conserva nel museo di Firenze.. Angelelli, Giuseppe (1803-1848). Rosellini, Ippolito, 1800-1843. Prints, Illustrations. 1832 - 1844. General Research Division. Egypt , Antiquities, Nubia , Antiquities, Monuments & memorials , Egypt, Museo egizio di Firenze, Stelae

Decorative design. .

Fries met de letters A, B, C, D, E, F., 1546 print Frisian with the letters A, B, C, D, E, F. The Fries is part of an alphabet made up of ornaments and grotesque figures. The entire alphabet is printed from a plate. The print has been kept intact for a long time. The four Frisians were slid loose later, as is apparent, among other things, the walking of stains. The four strips set together as one leaf. paper engraving letters, alphabet, script. ornaments ~ art. satyr(s) (in general). ornament ~ hybrid beings; human and animal forms mixed

Description: Cyprus Antiquities Location: Cyprus Date: 1876-1942 mediterranean, mediterraneanthroughalens

Rouvenat, Léon (1809-1874). Pin. Graphite pencil, watercolor wash and white gouache enhancement on tray paper glued on paper. n.d .. Petit Palais, Museum of Fine Arts in the city of Paris

Lazio Viterbo Viterbo Museo Civico92. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Lazio Frosinone Anagni Chiesa3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Kästchen mit Knochenbekleidung; Holzplatten mit Inschrift.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Lazio Viterbo Nepi Oratorio di S. Biagio9. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, portal contains Roman spolia; ambo, altar (1170); cofanetto (12th century). Post-medieval: Frescoes (14-15th century). Viewsn of damaged frescoes and small crypt. Antiquities: Holy water font with Roman spolia German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Massa Marittima Museo Civico3. Hutzel, Max 1960-1990 Post-medieval: Panel painting (1), painting Antiquities: Sculpture, urns, arrowheads, tools German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portret van Jacques de la Faille, Anonymous, After Hendrick Goltzius, 1580 - 1667 print Portrait of merchant Jacques de la Faille. He fled from Antwerp to Haarlem in 1584. paper engraving

Dettaglio di mosaico trovato a Villa Adriana - Museo Vaticano - Roma. Unknown

Woman's wrapper (àdìrẹ ẹlé̩kọ) Yorùbá , unknown maker's mark. Woman's wrapper (àdìrẹ ẹlé̩kọ), 20th century. Commercial cotton cloth, synthetic indigo dye, 68 5/8 × 78 × 1/16 in. (174.3 × 198.1 × 0.1 cm). Àdìrẹ is a Yorùbá textile whose patterns are made through resist dyeing. The àdìrẹ technique used to make this wrapper is àdìrẹ ẹlé̩kọ, wherein female artists paint cassava flour paste on fabric, preventing certain areas from soaking in blue indigo dye. This cloths name is Olókun, identifiable in part by the motif of a circular “stool” surrounded by “leaves.” As goddess of the sea, Olókuns domain is the source of wealth, lending the cloth the associated meaning “life is sweet.” Other àdìrẹ employ tie-and-dye techniques (àdìrẹ oníko), where raffia ties hold small stones or seeds in place to cover areas of the fabric during dyeing, resulting in àdìrẹ eléso patterns. One such àdìrẹ oníko was incorporated underneath a panel in the featured egúngún (see photograph). Arts of Africa 20th c

Leilas Reise, persische Miniatur; Schriftprobe in Tsuluts.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

st, Opernring , State Opera Hofoper, spectators, Plafond Tafel -, Heinrich Bültemayer Bültemeyer -, Copper Engraver

Lazio Frosinone Veroli S. Andrea Apostolo, Cathedral2. Hutzel, Max 1960-1990 Views of metalwork objects housed in Treasury of S. Andrea Apostolo, including busts, reliquaries, crosses, polittico, boxes. Antiquities: relief sculpture; busts General Notes: Museum, which contains Treasury, is located in the last chapel of the right nave. Thirteen views of (non-metalwork) sculpture from Museum have been assigned numbers at end of Treasury sequence, but there are no negatives corresponding to these prints, nor is there authoritative evidence that these objects are housed in the Cathedral Museum. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque

Snow Crystal. Artist: Wilson Alwyn Bentley (American, 1865-1931). Dimensions: Image: 2 7/8 × 3 1/16 in. (7.3 × 7.8 cm)Sheet: 3 × 4 in. (7.6 × 10.1 cm). Date: 1890s-1920s. Museum: Metropolitan Museum of Art, New York, USA.

Plaster models for a vault decoration of the Palais du Louvre by Flandrin, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 3. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Sievers Carl (1834-1891), decorative studies (1856-1856): Mäander ornament. Pencil watercolored on paper, 29.5 x 47.1 cm (including scan edges) Sievers Carl (1834-1891): Dekorationsstudien

Flower with buttons, hand with a rose one and a panther, Leo Gestel, 1939 - 1941 drawing paper. pencil. chalk hand. flowers: rose. beasts of prey, predatory animals: panther. insects: bee

Campania Napoli Sorrento Cathedral2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Schriftseite; Schriftseite.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Abruzzo Chieti Chieti Museo Nazionale di Antichita6. Hutzel, Max 1960-1990 Exterior views of part of the former Villa Frigeri, which along with a neighboring palazzo, houses the Museo Nazionale di Antichita. Views also of the gardens, fountain (17th century) and the restored interior. The so-called "Capestrano Warrior" (5th century B.C.) is found in the Antiquities core collection under Men, Youths, Warriors--Stone--Etruscan, Italic. Hutzel views include statues, funerary monuments, portrait busts and mosaics, many of which were excavated from Alba Fucens. Hutzel paid particular attention to the colossal statue of Hercules (late Hellenistic); the funerary temple reliefs of Lucius Storax; various nudes, torsos and heads, including the portrait bust of Agrippina Minore and the sepulchral portrait relief of Lucius Poditius (1st century A.D.); gravestones with inscriptions and bas-reliefs; Roman coins; bronze figurines (mainly warriors); and bronze vessels, utensils, helmets and ornaments.

Tile 18th century or later Dutch. Tile. Dutch. 18th century or later. Tin-glazed earthenware. Ceramics-Pottery

N.N., Chateau d´anet. (From: Motifs historiques d´Architecture et de sculpture d´ornement, ed. Stitch on paper, 63.7 x 46.3 cm (including scan edges)

High-Pool. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1964-1966. Dimensions: 265 x 390 mm (image); 485 x 320 mm (sheet). Lithograph on tan newsprint. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Latina Sezze Antiquarium Comunale16. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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