Antique Classical Statues

Photographic representations of classical sculptures and busts, emphasizing the aesthetic values of ancient art and mythology.

Lazio Frosinone Alatri S. Maria Maggiore8. Hutzel, Max 1960-1990 Architectural views (medieval core collection) Views of portals with frescoed lunettes (deteriorated), rose window and turreted campanile with mullioned windows. Views of naves and chapels. Extensive coverage of the chapel of the "Madonna of Constantinople." TCI (1981), p. 598. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Vénus de Praxitèle. Vatican. Probably James Anderson (British, 1813 - 1877)

Le Faune de Praxitèle. Capitole. James Anderson (British, 1813 - 1877)

Flying Drapery in the Vatican.

Polymnie. Vatican. Probably James Anderson (British, 1813 - 1877)

The brief of the Bacchus from the backer Winogoron in the right; around 1860-around 1895 (1860-00-00-1900-00-00);

Apollo. Apollo, captain of the muses.

Lazio Frosinone Alatri S. Maria Maggiore8. Hutzel, Max 1960-1990 Architectural views (medieval core collection) Views of portals with frescoed lunettes (deteriorated), rose window and turreted campanile with mullioned windows. Views of naves and chapels. Extensive coverage of the chapel of the "Madonna of Constantinople." TCI (1981), p. 598. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sculpture of an Amazon, Vatican, James Anderson, After Anonymous, c. 1857 - c. 1875 photograph This photo is part of an album. Vatican Museums paper albumen print piece of sculpture, reproduction of a piece of sculpture. (story of) the Amazons Vatican Museums

Marble statue of a woman in a robe with a bare chest, in her left hand she wears a laurel wreath, in her judge a ship anchor.; 10. Le Nouvel Opéra de Paris. Statues Decoratives.; Le Nouvel Opéra de Paris with 50 photos.The Woman is wearing a Crown on Her Head.

Personification of the victory of Michelangelo, c. 1875 - c. 1900 photograph Florence cardboard. photographic support albumen print monument, statue. human figure of ideal proportions, e.g. academic nude. Victory Florence

Statue of Flora from Farnese 18th century Anonymous, French, 18th century French. Statue of Flora from Farnese 357047

Umbria Terni Amelia Cathedral9. Hutzel, Max 1960-1990 Medieval: Tombstones, baptismal font. Post-medieval: Original romanesque church completely remodelled 1640. Architecture, architectural sculpture, views of interior including altar and organ, baptismal font, tombs, pavement by Sangallo, paintings, frescoes. Extensive coverage of exterior, interior naves and altars, tombs, burial chapel and paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury Verlag of Ferdinand Schenk in Vienna

Bliżej Kultury Frankenstein. M. & CO

Bacchus, Block-printed paper, Vertical rectangle. Male figure, suggestive of sculpture, in the costume of classical antiquity, with the attributes of a Bacchante: grapes in one hand, and goblet in the other. He stands on a pedestal with guilloche decoration. Printed in grays and neutral yellow on gray ground., France, 1825-1835, Wallcoverings, Decorative panel, Decorative panel

Fauno, M. Cap. , Antiquities, Sculpture, Supernatural beings, Fauns Roman mythology. Nicholas Catsimpoolas Collection

Roma Antinoo Con il Cavallo (Villa Albani) Rome. Villa Albani - Bal Antinous with a horse; Anderson (Rome; photography and publishing company); around 1860-around 1895 (1860-00-00-1900-00-00);

St. Sebastian; verso: sketch of a soldiers head and half-length image of a girl pressing a finger to her mouth. Gatti, Bernardino, Il Sojaro (ca 1495-1576), draughtsman, cartoonist, Procaccini, Camillo (1561-1629), draughtsman, cartoonist

Marble statue of a woman in gown with beaten arms.; 12. Le Nouvel Opéra de Paris. Statues Decoratives.; Le Nouvel Opéra de Paris with 50 photos ..

973 Nike fastening her sandal. A.M. Athens , Bas-reliefs, Antiquities, Goddesses, Architectural sculpture, Nike Greek deity. Nicholas Catsimpoolas Collection

Sculpture of a personification of gratitude by Giovanni Maria Benzoni, exhibited on the Great Exhibition of the Works of Industry of All Nations of 1851 in London; Gratitude. (Marble) Benzoni.

Roman emperor Galba , Antiquities, Sculpture, Emperors, Galba, Servius Sulpicius, Emperor of Rome, 3 B.C.-69 A.D.. Nicholas Catsimpoolas Collection

Rohscan

Bhutesvara Yakshis

A woman holding a rod encircled by a snake leads an invalid; representing medicine. Process print after a bas-relief by U.A. Ricci.

973 Nike fastening her sandal. A.M. Athens , Bas-reliefs, Antiquities, Goddesses, Architectural sculpture, Nike Greek deity. Nicholas Catsimpoolas Collection

Firenze - R. Galleria Uffizi. Niobe madre con la più piccola delle figlie. (scultura antica) , Antiquities, Sculpture, Niobe Greek mythological character. Nicholas Catsimpoolas Collection

Musée de l'Acropole d'Athènes, 12, Victoire otant sa sandale (balustrade d'Athena Nike) fin du V siecle , Bas-reliefs, Antiquities, Goddesses, Architectural sculpture, Nike Greek deity. Nicholas Catsimpoolas Collection

Tomb relief found at Athens , Antiquities, Bas-reliefs, Tombs & sepulchral monuments. Nicholas Catsimpoolas Collection

Chalk and brush drawing by an anonymous artist showing a back view of a Caryatid with a flower thread over the left shoulder, rendered in gray brush, white highlights, on brown paper.

Apotheosis of Louis XVI (TF)

Three sculptures around a pillar, c. 1875 - c. 1900 photograph cardboard. photographic support albumen print sculpture. column, pillar ~ architecture. staircase

Rome - Palais du Vatican, Chapelle Sixtine, Michel-Ange. Adolphe Braun (French, 1812 - 1877)

Sculpture Laocöngroep; Laocoon, Vatican. Part of photo album with recordings of sights and artwork in Rome.

Terracotta sculpture of Juno or Venus, Marcel Gustave Laverdet, c. 1852 - in or before 1857 photomechanical print Paris paper photolithography piece of sculpture, reproduction of a piece of sculpture (+ clay, sand, etc. ~ arts). adult woman

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani"9. Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

"Nydia, the Blind Flower Girl of Pompeii" by Randolph Rogers. Unknown, photographer about 1865-1885 Sculpture of a female figure wearing a dress. She is lunging forward and has a hand to her cheek, her arm crossed over her body. Her eyes are closed and she is holding a staff with her other hand. (Recto, mount) lower right, pencil: "Rogers Nydia";

Lazio Frosinone Alatri S. Maria Maggiore9. Hutzel, Max 1960-1990 Architectural views (medieval core collection) Views of portals with frescoed lunettes (deteriorated), rose window and turreted campanile with mullioned windows. Views of naves and chapels. Extensive coverage of the chapel of the "Madonna of Constantinople." TCI (1981), p. 598. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Etching by Hubertus Quellinus around 1668 depicting a female figure dressed in a toga and band, illustrating classical attire and figure composition.

"Copper engraving and etching by Jean Jacques Avril depicting an ancient female statue, showing figure, drapery, classical style, and compositional details around 1818."

Copper engraving and etching by Abraham Girardet around 1818 showing the ancient goddess Demeter, highlighting classical representation and symbolic attributes.

Stage with prize -winning images distinguish with the Médaille d'Honneur and the Médaille 2nd Classe Prix du Salon, c. 1880 - c. 1900 photograph Part of French artists' album. paper. photographic support albumen print piece of sculpture, reproduction of a piece of sculpture (+ sculpture). distribution of awards ~ art contest

Gypsum Models for Kariatides at the Louvre Palace by Francisque DURET. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.

Statue of Flora with flowers in hand, 1636 - 1647 print Statue of flora with flowers in hand. She points with her right hand. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Flora

Image of Hermes that wears Dionysos as a small child, c. 1895 - c. 1915 photograph Image made by Praxiteles. By the paper. cardboard collotype Greece

Lazio Viterbo Viterbo Museo Civico93. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Statue of Flora, 1636 - 1647 print Image of Flora with a flower wreath on her head and in her hand. She holds a flute in her other hand. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving (story of) Flora. piece of sculpture, reproduction of a piece of sculpture

Image of Lucius Verus in Naples, Anonymous, 1850 - 1900 photograph Naples photographic support. cardboard albumen print sculpture. emperor

Marble image of a woman in robe with a bare chest, in her hand she wears a torch., C. 1878 - 1881 photograph Paris photographic support albumen print

Capitoline Venus; James Anderson (British, 1813 - 1877); Rome, Italy; about 1845 - 1855; Albumen silver print

Marble image of a woman in a robe with crossed arms., C. 1878 - 1881 photograph Paris photographic support albumen print

Marches Macerata Matelica Museo Piersanti9. Hutzel, Max 1960-1990 Views of the museum's collection of late 14th-16th century paintings, as well as the tapestry and maiolica collections. Antiquities: The photos depict roman portraiture busts. Object Notes: Hutzel photo campaign date: March 29, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Velletri S. Clemente, Cathedral19. Hutzel, Max 1960-1990 Medieval: Architecture (4th c., rebuilt c. 1300, reconstructed 1659-62); architectural sculpture and mosaic (13th century); Roman urn (1-2nd c. A.D.); wall painting; includes reused Roman and 8-11th century fragments). Post-medieval: Architecture, architectural sculpture, frescoes, sculpture Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign date: October 30, 1982. There was another photo campaign previous to 1982, possibly 1962. There is one set of prints and a second "A" set with the same numbers and ideally the negatives would correspond to each set; however, they are commingled to a certain extent (particularly the later numbers of those in the Medieval core collection, whose print sequence fits into the "A" set, but whose negatives are filed under the other set). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death.

Sculpture on man in toga-like garment

Lazio Rieti Antrodoco S. Maria Assunta, Cathedral. Hutzel, Max 1960-1990 Medieval: Romanesque facade portral from church of S. Maria extra moenia. Post-medieval: 18th century architecture (1712) with rich Baroque interior; paintings on canvas; processional cross German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Copper engraving by Raffaello Santi depicting a karyatid symbolizing Navigation, produced between 1655 and 1703.

Sculpture Capitoline Antinüs, Anonymous, c. 1860 - c. 1900 photograph Part of photo album with recordings of sights and artworks in Rome. Capitoline Museums photographic support albumen print piece of sculpture, reproduction of a piece of sculpture. youth, adolescent

Venus of Medici, Pietro Fontana, Italian, 1762 - 1837, Luigi Durantini, Italian, 1791 - 1857, Line engraving on white paper, Frontal view of Medici Venus., Italy, 1819, Print, Print

Minerva, Richard Collin, after Joachim von Sandrart (I), 1675 - 1680 print Image of an image of the goddess Minerva, also known as the Giustiniani Minerva. Minerva is in the air with her right arm. Her spear is missing. Antwerp paper engraving (story of) Minerva (Pallas, Athena). piece of sculpture, reproduction of a piece of sculpture

Apostle with ink pot and ferry, Valentin Daniel Preissler, After Annibale Carracci, 1756 print With caption in French. Nuremberg paper (single) apostle, unspecified

Victoire de Samothrace , Sculpture, Antiquities, Goddesses, Nike Greek deity. Nicholas Catsimpoolas Collection

marble sculpture, Vatican photographic prints, albumen prints, vintage prints

Rome. Museums Vatican and Villa Borghese - Three Rzecz Jellyfish and Creugante (Museo Pio-Clementino) and Paulina Bonaparte as Venus (Museo della Villa Borghese); around 1870-around 1895 (1870-00-00-1900-00-00);

Copper engraving and etching by Félix Massard around 1818 depicting an ancient male statue, showing classical sculptural features.

Lazio Latina Terracina Museo Archeologico29. Hutzel, Max 1960-1990 Antiquities: Stone figures, both full-length and busts; ancient altars, sarcophagi, inscriptions and stone fragments from the Temple of Giove Anxur and from the ancient town. Object Notes: Hutzel campaign notes are undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Unknown photographer, green vault in Dresden (without date): ivory carving (Ritter St. Georg). Photo on cardboard, 16.9 x 11.1 cm (including scan edges) unbek. Fotograf : Grünes Gewölbe in Dresden (ohne Dat.)

Laocön, 1619 print Reproduction of the traditional laocoöngroep, seen diagonally from the front. Under the show a banderole entitled Laocoon and an assignment in Latin to the ambassador in London. Delft paper etching Laocoon and his twin sons are strangled by two serpents during the preparations for a sacrifice

Unknown photographer, Mary figure (without date): View. Photo on cardboard, 32.9 x 23.8 cm (including scan edges) unbek. Künstler : Marienfigur

Persephone bronze--Found at Vu... , Antiquities, Sculpture, Goddesses, Persephone Greek deity. Nicholas Catsimpoolas Collection

Statue of a woman, 1636 - 1647 print Statue of a standing woman in classic robe. With one hand she holds her rug, a round disk in her other hand. The right sleeve of her robe is closed with three knots. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving classical history (+ full length). adult woman (+ front view). piece of sculpture, reproduction of a piece of sculpture

Sculptuur van Hurkende Venus; N. 1197 Rome. Vatican Museum. Masked cabinet, squatting Venus.

Wszyscy wici w MNK Sangiorgi, Nicola (Fl. 1844 Ante 1875), Sosnowski, Tomasz Oskar (1810 1886)

SaintBartholomew. Artist: Unknown After possibly: Master F. P., Italian, active 16th century

Bust of j.c.f. Von Schiller by J.H. Dannecker; Schiller von Dannecker, Bekleedete Bust. Part of album with 38 photos of a journey through the Harz.

The Laocoon. Edward Falkener (British, 1814 - 1896)

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia99. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A copper engraving by Petrus Clouwet created between 1639 and 1670 depicting an angel, showing a celestial figure with wings rendered in 17th-century engraving style.

Claude Mellan's 1620-1688 copper engraving depicts an antique statue with emphasis on sculptural anatomy, drapery, and artistic detail.

Bas-relief with a putto that partly consists of foliage; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Bas-relief with a putto that partly consists of foliage. His wings and legs are formed by foliage. In the middle of Vincenzo Giustiniani coat of arms. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Sculpture of a man by presumably Lawrence MacDonald, admitted to the Great Exhibition of the Works of Industry of All Nations of 1851 in London; Iconic Statue. (Marble) MacDonald.

GIPS models for sculptures on the Palais du Louvre: left "La Pêche fluvial" by Jean Jules Allasseur and on the right "Le Berger" by Jehan Dusigneur, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 3. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Lazio Viterbo Caprarola Palazzo Farnese386. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

MARCUS COCCEIUS NERVA Roman emperor Date: 30 - 98

Rubens, Peter Paul.

Florence. Museo Dell'opera del duomo di S. Maria del Fiore - Luca della Robbia (1399-1481), detail of the cathedral choir with musician cherubs, illustrating a fragment of the psalm 150 from the biblical book of psalms; around 1900 (1880-00-00-1910-00-00);

Umbria Perugia Spoleto S. Maria Assunta, Cathedral07. Hutzel, Max 1960-1990 Exterior views: facade (12th century) with details of the rose window, blind gallery, classicizing architectural sculpture, portal with jambs of inhabited vinescroll, campanile with reused relief fragments (7th-8th centuries), and painting of Christ Blessing flanked by St. John and Virgin Mary (1207). Interior views: pavement in geometric patterns; apse frescoes by Fra Fillipo Lippi (1469) with scenes from the Nativity; fresco of the Pieta by Pinturicchio in the Cappella Eroli (1497); frescoes in the Cappella del'Assunta of Saints Jerome, Michael and Lucy, and ceiling frescoes of Noah, Adam and Melchisedek; paintings, cruicifixes, marbles busts of the Cardinal Eroli and Lippi in the Cappella delle Reliquie; marble statues of Kings David and Solomon in the baroque Cappella della SS. Icone; 14th and 15th century frescoes and a baroque frieze in the Cappella S. Anna; and perhaps a marble statue by Bernini in the w

Statue of a woman with braids in the hair; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a woman with braids in the hair. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Laocön; LaoCoon. Reproduction of the classic Laocöngroep, seen diagonally from the front. Under the show a banderole with the title Laocoon and an assignment in Latin to the ambassador in London.

st, town hall - plastic - coat of arms knight - plaster model for a not executed fireplace in the Vienna town hall, Michael Frankenstein -, Photographer, Josef Fritsch -, sculptur

Anonymous, sculpture, bust of the French Republic (Marianne) adopted by the municipal council of Paris, after the fire in the town in 1871, 4th arrondissement, Paris. (Dummy title). Albumin paper draw. Carnavalet museum, history of Paris.

Genius of the world; Cosmico; Tarocchi. Winged young man or genius as a guardian of the world with globe in his hand. Under the show is the text Cosmico XXXIII

st, Rathausplatz - Rathaus - plastic - coat of arms of Upper Austria, Michael Frankenstein -, Photographer, Josef Anton Probst -, sculptur

Statue of Saint Genevieve, (c.419-502), patron saint of Paris, in Saint-Germain-lAuxerrois, Paris. St. Genevieve, statue tiree du portail de leglise Saint Germain lAuxerrois a Paris. Tinted lithograph by Villain after an illustration by Horace de Viel-Castel from his Collection des costumes, armes et meubles pour servir à l'histoire de la France (Collection of costumes, weapons and furniture to be used in the history of France), Treuttel & Wurtz, Bossange, 1827.

Junon. Vatican. Possibly James Anderson (British, 1813 - 1877)

Saint-Trophime, Paris, Giraudon, A., Art Roman, Saint Trophime, Sculpture of Saint Trophime, recto - embossed, photograph, photo, photos, RIJKS-NORMALSCHOOL voor TEEKENONDERZERS. AMSTERDAM, verso - stamped, T 23, recto - printed, Figure d'un pilier (Cloître d'Arles), A. Giraudon, Publisher, 15. R. Bonaparte. Paris, height 370 mm, width 302 mm, photographer, 1850 - 1900, cardboard, photographic paper, photo paper, albumen print, albumine print, Publication (Event), Publicatie, publisher, uitgever, monument, statue

Reprodukcja rzeźby: Ravello. Katedra - Nicola di Bartolomeo da Foggia, Popiersie Sigilgaidy (Sigilgaity) Rufolo, z 1272 roku (obecnie w Museo del Duomo w Ravello) ; il. z: Der Stil in den bildenden Künsten und Gewerben aller Zeiten, herausgegeben von Georg Hirth, Serie 1., Bd. 2: Der schöne Mensch in der Kunst aller Zeiten: Der schöne Mensch in Mittelalter und Renaissance, München und Leipzig, 1900, taf. 49. Weese, Artur (fl. 1900), author, Hirth, Georg (1841-1916), publisher

Reprodukcja rzeźby: Piza. Babtysterium - Nicola Pisano (ca 1220-ca 1284), fragment ambony z przedstawieniem Pokłonu Trzech Króli ; il. z: Der Stil in den bildenden Künsten und Gewerben aller Zeiten, herausgegeben von Georg Hirth, Serie 1., Bd. 2: Der schöne Mensch in der Kunst aller Zeiten: Der schöne Mensch in Mittelalter und Renaissance, München und Leipzig, 1900, taf. 26. Weese, Artur (fl. 1900), author, Hirth, Georg (1841-1916), publisher

1912. text. 1911 - 1913. General Research Division. Art , Poland

Monti, Vincenzo.

Composition of Gipsen Ornaments from the studio of J. Delbove, Brussels, Belgium, 1860 - 1882 photograph Photo from an incomplete series of 13 photos. Photo has traces of an eye on the top that shows that the photo hung. Recto on the photo in red pen numbers per pleaded plaster object, corresponding with a handwritten frame that is stuck Verso. Brussels cardboard. paper albumen print piece of sculpture, reproduction of a piece of sculpture

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