Ancient Glass Artifacts

Historical glass items including bowls and brooches, featuring unique textures and designs from ancient times.

Excerpt of a plate painted in blue under the glaze with a coat of arms with cover rugs, anonymous, 1600 - 1650 plate (dishes) Fragment of a plate from Faience. The flat is painted in blue under the glaze with a coat of arms with cover rugs, surrounded by concentric circles. A semi -circular damage runs through the show Northern Netherlands .

Glass network mosaic bowl fragment late 1st century B.C.-early 1st century A.D. Roman Rim fragment.Translucent blue, opaque white, and colorless.Applied coil rim with rounded lip; slightly tapering side, then curving in sharply towards bottom. Rim in blue with fine double white spiral threads; body decorated with twelve colorless narrow canes slanting from top right to bottom left, decorated with two spirally twisted white threads.Pinprick bubbles; exterior polished, with pitting of surface bubbles; dulling and creamy iridescent weathering on interior; jagged, weathered edges.. Glass network mosaic bowl fragment. Roman. late 1st century B.C.-early 1st century A.D.. Glass; cast. Early Imperial. Glass

Paperweight 1846-1856 Clichy. Glass . Clichy Glasshouse

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Witte kraal, anonymous, 1800 - 1900 White kraal. . White kraal. .

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3 Krajcary; Jan Christian (KSI Legnica-Brzeski; 1591-1639), Jerzy Rudolf (KSI Legnica-Brzeski; 1595-1653), Cantor, Christoph (Fl. 1611-1622); 1613 (1613-00-00-1613-00-00);Jan Chrystian (Prince of Brest - 1591-1639), Jerzy Rudolf (Prince Legnica - 1595-1653), Legnica (coat of arms), Piastów (family), Duchy of Brest (coat of arms), principal of Legnica (coat of arms), letters, letters C - C , Silesian Eagle (iconogr.), Eagles, crossed hooks, shields, coat of arms, coat of arms under the prince's miter

cup of coffee isolated on white

Paperweight 1801-1900 Clichy. Glass . Clichy Glasshouse

Excerpt of a plate painted in blue under the glaze with a coat of arms with cover rugs, anonymous, 1600 - 1650 plate (dishes) Fragment of a plate from Faience. The flat is painted in blue under the glaze with a coat of arms with cover rugs, surrounded by concentric circles. A semi -circular damage runs through the show Northern Netherlands .

Paperweight 1840-1865 France. Glass . Compagnie de Saint Louis

foam pillow orthopedic cartoon. foam pillow orthopedic sign. isolated symbol vector illustration. foam pillow orthopedic cartoon vector illustration

Paperweight. Baccarat; France, founded 1764. Date: 1847. Dimensions: Diam. 10.2 cm (4 in.). Glass. Origin: Lunéville. Museum: The Chicago Art Institute, Chicago, USA. Author: Baccarat Glassworks.

Paperweight 1840-1865 France. This paperweight uses a traditional glass-making technique called millefiori to great effect. Italian for ìone thousand flowers,î millefiori was first developed in fifteenth-century Venice. In the nineteenth century, French glassmakers revived the technique with a cultural twist. Arranged to evoke traditional French gardens such as the Tuileries in Paris, paperweights like this example brought a little of this landscaping magic indoors.From the late 1840s to early 1860s, French manufacturers of fine glass and crystalósuch as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)ócatered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.. Glass . Clichy Glasshouse

Anonymous. Fragment. Earthenware. Paris, Carnavalet museum. 71684-22 Decoration, earthenware, fragment, revolutionary period, French revolution, plate

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Golden ring isolated on the white background

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Scarf

Glass eye bead ca. 4th century B.C. Greek, Eastern Mediterranean Blue bead covered with blue and white eyes.. Glass eye bead 250032

Pentagonal CHAIN frame for decorative headers. Gray ornates frames with CHAIN isolated on white background. Vector decorative element

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Paperweight 1801-1900 Clichy. This paperweight uses a traditional glass-making technique called millefiori to great effect. Italian for ìone thousand flowers,î millefiori was first developed in fifteenth-century Venice. In the nineteenth century, French glassmakers revived the technique with a cultural twist. Arranged to evoke traditional French gardens such as the Tuileries in Paris, paperweights like this example brought a little of this landscaping magic indoors.From the late 1840s to early 1860s, French manufacturers of fine glass and crystalósuch as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)ócatered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.. Glass . Clichy Glasshouse

Coiled Dragon Pendant. China. Date: 1100 BC-900 BC. Dimensions: 1 5/8 × 1 × 5/8 in. Jade. Origin: China. Museum: The Chicago Art Institute, Chicago, USA.

Basket a Ur.; Mielów (faience and porcelain factory; 1804-); 1840-1850 (1840-00-00-1840-00-00);

Rectangular and curved shoe spacer lacquered metal, with an engraved decoration consisting of a diamond pattern with dots, anonymous, c. 1880 - c. 1910 Rectangular and curved shoe spacer lacquered metal, with an engraved decoration consisting of a diamond pattern with dots. Netherlands metal. lacquer (coating) engraving Rectangular and curved shoe spacer lacquered metal, with an engraved decoration consisting of a diamond pattern with dots. Netherlands metal. lacquer (coating) engraving

Garbage bin with paper waste isolated on white

Inlay fragment, millefiori 100 BC-100 AD Ptolemaic Period-Roman Period. Inlay fragment, millefiori 571957

Molecular model

math blue rulers supplies with copy space

Golden horseshoe Royalty Free Vector Image

A stock photograph of a colour condom.

Alphabet made from hammered nails isolated on white background, number 0

Knee Buckle 1730-75 American. Knee Buckle 4612

Glass inlay fragment 1st half of 1st century A.D. Roman Translucent cobalt blue and opaque white.Fragment of thin, flat strip with beveled edges at sides.Straight, broad band of blue overlay on surface, flanked by white; white covering back.Elongated bubbles; polished surface; iridescent weathering on back and edges.Probably used as decoration in wall or ceiling revetment or as inlay for furniture.. Glass inlay fragment. Roman. 1st half of 1st century A.D.. Glass; cast. Early Imperial, Julio-Claudian. Glass

Metallic Dish Scrubber Isolated isolated on white background. Close up

Striped ribbon circle in 3d style. Graphic element. Technology round. Vector illustration. EPS 10.. Striped ribbon circle in 3d style. Graphic element. Technology round. Vector illustration.

Glass bowl

24 k gold facial serum in a pipette on a white background. 24 k gold facial serum in a pipette on a white background. Copyright: xZoonar.com/MAREVGENNAx 22916815

Reinforcing Abdominal Defense ca. 1550 to 1575 Italian This reinforcing abdonimnal defense is part of an unusually large armor garniture (acc. no. 27.159.1) from the armory of the Dos Aguas family in Valencia, Spain. The garniture contains pieces for use in battle and for the tilt in both the Italian and German fashions. The tilt was a tournament fought on horseback between two opponents armed with lances and separated by a lengthwise barrier.The armor as mounted is equipped with a helmet and vambraces (arm defenses) for the tournament. The buffe (chin defense), second breastplate (27.159.2), and manifer (reinforced left gauntlet) (27.159.6) would have been added to make the armor ready for exchange pieces for different forms of the tournament. For the German tilt, the trellised targe (shield) (27.159.7), small elbow defense (27.159.5), and small stomach defense (27.159.3) were added. For the Italian tilt, these elements were replaced by the form-fitting reinforce covering the left hal

Three glass bottles isolated on a white surface with copyspace in studio. Old green vintage wine bottles arranged horizontally on empty background. Front view of dirty unused similar sized containers

Bracelet. Unknown

Attic Red-Figure Lidded Jar Fragment. Onesimos (Greek (Attic), active 500 - 480 B.C.)

Seal

Medallion with Sacrifice to Hymen. Wedgwood Manufactory; England, founded 1759. Date: 1775-1799. Dimensions: 7.3 × 5.9 × 1.1 cm (2 7/8 × 2 5/16 × 7/16 in.). Stoneware (jasperware). Origin: Burslem. Museum: The Chicago Art Institute, Chicago, USA.

Whisk (at an angle, from the front)

Stone wall letters Letter F 3D stone wall letters Letter F 3D copyright: xzoonar.com/milicxdjurovicx 22938057

Thai Bowl on on white background.

Mirror frame Oval mirror with shiny silver sparkling frame Copyright: xZoonar.com/MarkoxBericx 14198895

Broken helmet after accident on a white background. Safety and road accidents

Pearl and Gilt Button, 1790-1800. Made in Birmingham, maker unknown

Closeup of one silver Christmas gift bow on white background studio portrait

Cup decorated with warts and studs, on three bolts. Cup of clear colorless glass decorated with warts and studs, on three blue bolts.

Glass insulator destroyed by exposure to short-circuit current. isolated on white background

Cruet stand, Christopher Dresser, Scottish, 1834 - 1904, Elkington & Co., Silver-plated metal, Form composed of three circular containers in triangular arrangement, conjoined at center; tall, 'T'-form handle rising from center., Birmingham, England, ca. 1885, metalwork, Decorative Arts, Cruet stand

Blue ceramic block on the white background.

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The Coins Globe (Money Conceptual Picture) Isolated On white

Cup of tea. Close up image with falling cup of tea

Penannular Earring ca. 1550-1295 B.C. New Kingdom. Penannular Earring. ca. 1550-1295 B.C.. Shell. New Kingdom. From Egypt; Probably from Northern Upper Egypt, Deir el-Ballas. Dynasty 18

Flat Lay isolated image of a coastal seashell on a light blue background

Alphabet made from hammered nails isolated on white background

Sweden, Blekinge, Blekinge, Karlskrona, Karlskrona, external marina (depicted, town).Sweden, Blekinge, Blekinge, Karlskrona, Karlskrona, External War Gogs (depicted, City)

Empty round wooden plate for serving cheese, vegetables on a white isolated background, top view

Cup Plate 1825-60 American. Cup Plate 2943

Smoking cigarettes isolated on the white background

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Golden square hearts frame for decorative headers. Pink gold metal valentine ornament isolated on white background. Vector

Paperweight 1825-1850 Baccarat. Glass . Baccarat Glassworks

Paperweight 1840-1865 Baccarat. Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying and classifying the natural world. Amateur botanists were eager to collect and preserve floral specimens, which they intently researched and catalogued. In response to this broad appeal, French glassmakers made paperweights that portrayed the very botanical subjects that were so enthusiastically sought. Many weights represented specimens with horticultural correctness, but others were entirely fanciful creations. Paperweights like this example speak to the periodís fascination with taxonomic systems.From the late 1840s to early 1860s, French manufacturers of fine glass and crystalósuch as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)ócatered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts,

set of spherical views of Copenhagen, Denmark

Dish, white, painted in blue. Dish of milk glass with blue email paint painting; Double layer and cave inside.

Marbles still life.

Realistic cartoon sunflower seed icon. Colorful vector illustration. Plant icon isolated on white background.

Paperweight 1840-1865 Clichy. Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying and classifying the natural world. Amateur botanists were eager to collect and preserve floral specimens, which they intently researched and catalogued. In response to this broad appeal, French glassmakers made paperweights that portrayed the very botanical subjects that were so enthusiastically sought. Many weights represented specimens with horticultural correctness, but others were entirely fanciful creations. Paperweights like this example speak to the periodís fascination with taxonomic systems.From the late 1840s to early 1860s, French manufacturers of fine glass and crystalósuch as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)ócatered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, we

Hand drawn doodle frame. Round frame with flowers. Transparent hand drawn circle in sketch style. Doodle circle in handwritten style. Vector EPS 10

Alphabet made from hammered nails, letter I Alphabet made from hammered nails isolated on white background Copyright: xZoonar.com/AndriixMykhailovx 2271696

Pumpkin seeds

Pizzella, a typical cookie from the Italian region of Abruzzo in the shape of a Presentosa, a traditional local jewel.

Round Indian tribal texture. Pattern shown on the ceramic plate. Vector illustration.

Vertical studio image of a metallic christmas star on a blue background.

Text divider, border

Beads Perlen Beads Perlen Copyright: xZoonar.com/YvonnexBogdanskix 6831829

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Green sign on white background

hanky handkerchief towel color icon vector. hanky handkerchief towel sign. isolated symbol illustration. hanky handkerchief towel color icon vector illustration

Covered Tripod Incense Burner (Censer) with Foliate Scrolls and Leafy Tendrils. China. Date: 960 AD-1127. Dimensions: H. 6.4 cm (2 1/2 in.); diam. 6.0 cm (2 3/8 in.). Qingbai ware; porcelain with openwork and underglaze molded decoration. Origin: China. Museum: The Chicago Art Institute, Chicago, USA.

Paperweight 1850-80 New England Glass Company. Paperweight 5532

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Cup of tea. White cup of chamomile tea against white background

Lily of the Valley Comb, c. 1900. René Lalique (French, 1860-1945). Horn, enamel and gold; overall: 15.4 x 9.4 x 3 cm (6 1/16 x 3 11/16 x 1 3/16 in.).

Paperweight 1841-1860 Lunéville. The colorful geometric clusters embedded in this paperweight reflect the nineteenth-century European fascination with optical effects. Sir David Brewster invented the kaleidoscope in 1815, and its colorful and changing patterns brought great visual entertainment. Paperweights such as this example reformed this childlike pastime for a sophisticated adult audience. Depicted in glass were tiny glittering flowers, small black and blue cameos of figures, and even miniature bottlecaps. These were delicately arranged within the orb for the observant eye to discover.From the late 1840s to early 1860s, French manufacturers of fine glass and crystalósuch as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)ócatered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.. Glass . Baccarat Glassworks

Illustration Easter vintage card with set eggs - vector

closeup of sample of natural mineral from geological collection - raw Amazonite stone isolated on white background. raw Amazonite stone isolated on white

Vase (USA); Designed by Fernand Moreau (French); Manufactured by The Gates Potteries, American Terracotta and Ceramic Company; earthenware

Mount; 1904-21-82-a,b

Stock Buckle c 1745-1775 Philadelphia. Silver . Daniel Dupuy

Drawing

Cream, hyaluronic gel and serum on a beige background. Textures of cosmetic products.

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