Abstract Artistic Expressions

A collection of abstract art using bold colors and textures, featuring elements like dark backgrounds, layered shapes, and organic forms.

Detail of burnt building

MACULATURA 1968. Author: JOAN-JOSEP THARRATS I VIDAL (1918-2001). Location: PRIVATE COLLECTION. Barcelona. SPAIN.

SIN TITULO - 1999 - GRAFITO Y OLEO/L - 200x100 cm. Author: ANGELES SAN JOSE (1961-). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Boquet De Corail by Mathiew Mategot

DETALLE - INSOMNIO DE PAZ Y DE CONFLICTO (POLIPTICO) - 2001 - OLEO/TELA. Author: SEVILLA SOLEDAD 1944-. Location: GALERIA SOLEDAD LORENZO, MADRID, SPAIN.

'Eclipses', 2006, Wax and oil on wood, 185 x 157 cm. Author: JOSE MARIA SICILIA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Detail of burnt building

Moses by Salvador Dali, 1904-1989

MUSEO HOLANDES - 1989 - OLEO/LIENZO - 195 x 130 cm. Author: FERNANDO SANCHEZ-CALDERON (1951-2016). Location: CONGRESO DE LOS DIPUTADOS-PINTURA. MADRID. SPAIN.

Series of travel photographs by Johann Victor Krämer around 1900 depicting streets, buildings, and surrounding landscapes in urban and rural settings.

Lazio Roma Rome S. Stefano del Cacco2. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting, frescoes, reliquary objects, high reliefs, iconostasis (15th century). Minor church found in vicinity of Piazza Argentina. Small basilica of early middle ages, enclosed by Baroque palaces. basilica of early middle ages, enclosed by Baroque palaces. Oratorium, small museum with Roman and early medieval sculpture of 9th century basilica is found. Photos show restoration process of retrieved statues from copper iconostasis which was stolen about 40 years ago and rediscovered in the early 1960's. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance a

The black ball, 2005, mixed media on canvas, exhibition Miquel Barcelo, Vida y Muerte, Museum Kueppersmuehle, Duisburg, Germany- Editorial use only

PINTURA - S XX. Author: JOSE MANUEL BROTO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

'Eclipses', 2006, Oil and beeswax on wood, 50 x 50 cm. Author: JOSE MARIA SICILIA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

SIN TITULO - 1996-8. Author: ANTONIO MURADO (1964-). Location: PRIVATE COLLECTION. MADRID. SPAIN.

My Mind (1) by Hsu Soo Ming, 1987

SIN TITULO - SIGLO XX. Author: MANUEL MILLARES / MANOLO MILLARES (1926-1972). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Answer. Francesco Clemente (b. 1952). Oil and graphite on canvas. Dated 1988. 298 x 197cm.

Venice the Rialto - Moonlight, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof on moderately thick, moderately textured, cream, wove paper, with cream, chine colle, Sheet: 14 1/4 × 9 5/8 inches (36.2 × 24.4 cm), Plate: 11 5/8 × 6 1/4 inches (29.5 × 15.9 cm), Chine collé: 11 1/4 × 5 15/16 inches (28.6 × 15.1 cm), and Image: 3 1/2 × 3 3/4 inches (8.9 × 9.5 cm)

Lazio Viterbo Caprarola Palazzo Farnese64. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

INTERIOR-PLANTA SEGUNDA-DET CUADRO EXPUESTO-ARTE MODERNO S XX. Location: GUGGENHEIM MUSEUM. Bilbao. Biscay. SPAIN.

TRABAJOS-300X260 CM-ACRILICO/LIENZO. Author: JOSE MANUEL BROTO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Victor Hugo (1802-1885). "A grave". Paris, house of Victor Hugo. Falls into a night landscape, with the inscription of France below. This volume was generally interpreted as an evocation of that of Léopoldine, the daughter of Victor Hugo, in reference to the last poem in the collection Les Contemplations, to that which remained in France. BROWN INK, CIMETIERE, CROIX, Cemetery, DESSIN, DRAWING, ENCRE BRUNE, GRAVE, GRAVESTONE, LAVIS, NUIT, Night, PIERRE TOMBALE, Scenic, TOMB, TOMBE, TOMBSTONE, WASHING, cross

SIN TITULO - SIGLO XXI - TECNICA MIXTA SOBRE PAPEL JAPONES - 50x50 cm. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION.

DETALLE DE LA BOVEDA DE LA SALA DE BAÑOS DECORADA CON RED DE ROMBOS Y ANIMALES - FRESCOS OMEYAS DEL CASTILLO DE QUSEIR AMRA - SIGLO VIII. Location: CASTILLO. QUSEIR AMRA.

VESTIGIA VITAE - B IV -1990. Author: JOSE MANUEL BROTO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Painting nº 16, Oil on canvas, 135 cm x 120 cm. Museum: Colección Ruiz de la Prada, MADRID, SPAIN. Author: RAFAEL CANOGAR.

Cat and Mouse. Dated: 1912-1913. Dimensions: sheet: 17.5 × 39 cm (6 7/8 × 15 3/8 in.) support: 32.7 × 49.9 cm (12 7/8 × 19 5/8 in.). Medium: linocut on wove cream paper, attached to a heavy wove support sheet. Museum: National Gallery of Art, Washington DC. Author: Christian Rohlfs.

ARBOL-1990-200X160 CM-ACRILICO/LIENZO-. Author: JOSE MANUEL BROTO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

LA TRAVESIA DEL DESIERTO - 1988 - 266X297 CMS. Author: MIQUEL BARCELO.

'The Fifth Air Raid Shelter'. USSR, 1941. Dimensions: 26,3x34,7 cm. Museum: State Hermitage, St. Petersburg. Author: Alexander Nikolsky.

Tile with blue painting, tile pilaster footage fragment ceramic earthenware glaze, d 1.0

Profiles On A Wall by Robert Rauschenberg, photograph, 1983, b.1925, USA, Florida, Jacksonville, Collection of The Museum of Contemporary Art

William Miller, 1796-1882, British, The Simplon, 1834. Etching and engraving, engraver's proof.

USA, Florida, St. Petersburg, Museum, Velazquez Painting the Infanta Margarita with the Lights and Shadows of his own Glory by Salvador Dali, oil on canvas, 1958, (1904-1989),

Georges du Mesnil de La Tour 1593-1652. St. John the Baptist in the desert. about 1649. oil painting on canvas cm 81 x 101. detail.

Painting in exhibition, India Copyright: xRajendraxShukla/DinodiaxPhotox

Stained glass decoration, Alkmaar, Netherlands

lovers by the Norwegian artist Edvard Munch

SIN IDENTIFICAR - 1991. Author: JOSE MANUEL BROTO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

SIN TITULO - TECNICA MIXTA SOBRE PAPEL JAPONES - 50x50 cm. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION.

Small window of greenish-tinted window glass with stained-glass decoration, flower or fleur de lis, window glass building material soil find glass, w 5.5 cast drawn cut painted baked Small windowpane of green tinted window glass Roughly worked edges Stained-glass home decor with large flower or fleur de lis as representation. Heavily damaged by archeology irradiation Landpoortstraat Geervliet Bernisse indigenous glasswork adorn living building glazed court of Putten archaeological find in the soil Geervliet pit Landpoortstraat 1 September 1983.

Tile with blue pleated fabric and landscape, tile picture footage fragment ceramics pottery glaze, d 1.0

Boccioni, Umberto (1882-1916) © Museum of Modern Art, New York Painting 70,8x95,9 Abstract Art States of Mind II: Those Who Go

Landscape in the Tang Manner Unidentified artist. Landscape in the Tang Manner. Unidentified artist. China. Hanging scroll; ink and color on silk. Yuan dynasty (1271-1368). Paintings

Mercè Rodoreda / "Sin título", Acuarela sobre papel. Colección privada.

France, Pas de Calais, Calais, Musee de la Dentelle et de la Mode, museum of lace and fashion, lace detail.

MATIERE FLOTANTE - 2002 - 50x50. Author: ALBERTO REGUERA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Idun, also spelled Idunn, or Iduna, in Norse mythology, the goddess of spring or rejuvenation and the wife of Bragi, the god of poetry. She was the keeper of the magic apples of immortality, which the gods must eat to preserve their youth. This illustration by Gordon Browne dates to 1913.

Head of a man looking obliquely at the top right. Draughtsman: Leo Gestel. Dating: 1930 - 1941. Measurements: h 133 mm × w 193 mm. Museum: Rijksmuseum, Amsterdam.

Two Characters; Deux Personnages. Jean Dubuffet (1901-1985). Thick gouache on paper. 21 x 34cm.

Untitled. Louise Nevelson (American, born Russia, 1899-1988); published by Tamarind Lithography Workshop (American, founded 1960). Date: 1963. Dimensions: 285 x 383 mm. Lithograph in black and brown on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Miserere Series: Chantez Matines, Le Jour Renait by Georges Rouault, 1922, 1871-1958

Part of an arm, Federico Zuccaro, 1550 - 1609 drawing paper. chalk

Michelangelo (Michelangelo Buonarroti) (1475-1564). Group of warriors, ca. 1546. Charcoal drawing. Farnese Collection. National Museum of Capodimonte. Naples. Italy.

PINTURA - 1991. Author: MIQUEL BARCELO.

LOS CORNIFICIANOS VIVEN - 1951 - 130x195 - EXPRESIONISMO ABSTRACTO. Author: GEORGES MATHIEU (1921-2012). Location: PRIVATE COLLECTION.

EL PESO DE LAS LAGRIMAS - TECNICA MIXTA SOBRE PAPEL JAPONES - 50x50 cm. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION.

SAN MATEO-DET. Author: EL GRECO. Location: CASA MUSEO DEL GRECO-COLECCION. Toledo. SPAIN. SAN MATEO APOSTOL Y EVANGELISTA.

Painting by Johann Victor Krämer, 1894, depicting a scene in the garden of Nazareth in Taormina, showing figures, vegetation, pathways, and landscape composition.

Au bord de la mer by Salvador Dali, 1921, 1904-1989, USA, Florida, St. Petersburg, Salvador Dali Museum

Tile with blue wavy lines and decoration, tile picture footage fragment ceramic pottery glaze, d 0.8

Details of rust and paint on metal.

PINTURA-1987 PRADO ENTRE ARBOLES 40*105 CM OLEO/LIENZO. Author: MARTA CARDENAS. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Spain - 29 October 2020: prehistoric animal drawings on the ceiling of the Altamira Caves in northern Spain

Sorceress by Lucien Levy-Dhurmer, 1865-1953, France, Paris, Musee d'Orsay

SIN TITULO - SIGLO XXI - TECNICA MIXTA SOBRE PAPEL JAPONES - 50x50 cm. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION.

Portrait of Jean de Carondelet Jan Cornelisz. Vermeyen (Dutch, 1500-1559). Portrait of Jean de Carondelet, ca. 1530. Oil on panel, 30 3/4 x 24 1/2 in. (78.1 x 62.2 cm). Jan Cornelisz. Vermeyen demonstrates his keen sense of observation by faithfully capturing his sitter, an influential Catholic cleric and statesman, at age sixty, paying equal attention to the topography of his face and the textures of the luxurious dark fur and fabric of his clothing. The artist animates Jean de Carondelets stern and blocky figure by enlivening the hands, one of which firmly grasps a pair of gray leather gloves, while the other contorts in an enigmatic gesture. European Art ca. 1530

Die Wechselfaelle des Lebens, 2022 Mixed media on canvas, Exhibition Miquel Barcelo, Vida y Muerte, Museum Kueppersmuehle, Duisburg, Germany- Editorial use only

"Pearwood panel from the honorary gate of Emperor Maximilian I, section B', showing the conclusion of narrow axle with freelancers, created by Dürer in 1515, with carved relief and decorative motifs."

Voice Box Multimedia Series Diana Ong (b.1940/Chinese-American) Acrylic enamel

Nils Holgerson drawing.

Miss Jean Bellette - Artist. November 02, 1953.

An old map of India painted on a wall.

HERTA III - 2003 - ACRILICO Y FOTOGRAFIA SOBRE PAPEL FUJI PROFESIONAL ALUMINIO Y TABLA - 60x45,3. Author: OFELIA GARCIA (1951-). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Thoughtograph, or Psychic Photograph. Artist: Charles Lacey. Dimensions: approx. 4 x 3. Date: 1894-98. Museum: Metropolitan Museum of Art, New York, USA.

Opus 7, Storm in the Mountain; Opus 7, Tempete dans la Montagne - Opus 7, Bergtempeest. Victor Servranckx (1897- 1965). Oil on canvas. Signed and dated 1932. 57.8 x 46cm.

Head of a Child (Emmanuel). Charles Angrand; French, 1854-1926. Date: 1898. Dimensions: 625 × 478 mm. Black Conté crayon on ivory laid paper, ruled in blue pencil at edges. Origin: France. Museum: The Chicago Art Institute, USA.

Etching in black ink on ivory laid paper.

Work entitled Desire by Norwegian artist Edvard Munch (1863-1944). This work was produced in 1898.

Graffiti with face

POESIA RASA, JOAN BROSSA, DIBUJO DE ANTONI TAPIES, COLECCIÓN PRIVADA.

Date rape, 2006, Diana Ong (b.1940/Chinese-American) Computer Graphics

Work entitled In The Forest by Norwegian artist Edvard Munch (1863-1944). This was produced in 1897.

ARTE SIGLO XX. ESPAÑA. PLENSA, Jaume (n. Barcelona 1955). Escultor catalán. "CROWN FOUNTAIN" (2004). Escultura situada en el Parque del Milenio (Milennium Park). CHICAGO. Estado de Illinois. Estados Unidos.

LANZAROTE - XXXVII - 1999 - 65x75 - AGUATINTA. Author: MIQUEL BARCELO 1957-. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Salvador Dalí, 'Madonna', 1958, Oil on canvas, 225.7 x 191.1 cm. Museum: The Metropolitan Museum of Art, New York.

CON LUCES DE PEDERNAL, 1889. Author: SOLEDAD SEVILLA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Illustration by Odilon Redon for 'Les Fleurs du Mal' by Baudelaire. 1891

Pareidolia of a recognizable face on wood.

Georges du Mesnil de La Tour 1593-1652. St. John the Baptist in the desert. about 1649. oil painting on canvas cm 81 x 101. detail.

'Une Moitie', 1984, Painting on cardboard, 103 x 171 cm. Author: ANTONI TAPIES (1923-2012). Location: GALERIA ANTONIO MACHON. MADRID. SPAIN.

EL JUICIO DE PARIS-DET. Author: Jean Antoine Watteau. Location: LOUVRE MUSEUM-PAINTINGS. France.

Steindetail, Ticino, Switzerland, Europe

Pumpkins decorated for Halloween, Louisville, Kentucky

Head of a boy with a hat, looking down. Draughtsman: Jan ter Borch. Dating: c. 1634 - c. 1643. Place: Netherlands. Measurements: h 82 mm × w 84 mm. Museum: Rijksmuseum, Amsterdam.

Double exposure of the famous Trevi fountain in Rome, Italy.

DA-SC-85-00945. Country: Unknown

Lydia Field Emmet William Merritt Chase (American, 1849-1916). Lydia Field Emmet, 1892. Oil on canvas, 72 x 36 1/8 in. (182.9 x 91.8 cm). One of the most striking portraits by the leading New York painted William Merritt Chase, this dramatic likeness of his talented student and later the successful portait painter Lydia Field Emmet (1866-1952) was an homage to the portraitists he most admired: the Spanish Baroque master Diego Velázquez and the nineteenth-century painters James McNeil Whistler and Edouard Manet. Drawing particularly on the vigorous painterly realism of Veláquez, Chase structured the likeness with strikingly opposed areas of light and dark, and employed such brilliant passages of the painterly freedom as the trailing pink bow of the "Van Dyckian" Baroque-inspired gown. Lydia Emmet's direct gaze and bold pose, with her elbow assertively aimed at the the viewer, speak to her spirit of independence, at the time she was preparing a mural entitled Art, Science, and Literatur

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