← Architecture

19th Century Architectural Engravings

Detailed engravings of historical buildings, including theaters and fountains, reflecting architectural styles from the 1800s.

Entrance to the Carlton Club, Westminster, London, c1875 (1878). Artist: Unknown.

Germany. Berlin. New Victoria Theatre, built according to plans by architect M. Titz. Nineteenth-century engraving.

The Albrecht Fountain in Vienna, around 1890, Austria, Europe

View on the front of a palace. On the foreground two carriages.

Der Albrechtsbrunnen in Wien, um 1890, Österreich / The Albrecht Fountain in Vienna, around 1890, Austria, Historisch, historical, digital improved reproduction of an original from the 19th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt.

THE ITALIAN HOUSE OF PARLIAMENT

Entrance to the Carlton Club, Westminster, London, c1875 (1878). Artist: Unknown.

Veduta del Castello dellAcqua Paola sul Monte Aureo (View of the Fountainhead of the Acqua Paola on Monte Aureo), from Vedute di Roma (Views of Rome). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Old St. Paul's School London England before the Great Fire From Old England's Worthies by Lord Brougham and others published London circa 1880's, Historical, digitally restored reproduction from an original from the 19th century, Record date not stated..

Poland. National Theater of Warsaw. Founded in 1810 by Frederick August. Engraving, around 1840.

Tallow Chandler's Hall, Samuel Ireland, active 1760-died 1800, British, between 1794 and 1800, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 1/8 × 6 7/8 inches (13 × 17.5 cm) and Mount: 9 × 12 1/2 inches (22.9 × 31.8 cm), architectural subject

Teatro di Marcello. Questo fu fabricato da Augusto, e dedicato a Marcello suo Nipote (The Theater of Marcellus. This Building was Built by Augustus, and Dedicated to His Nephew Marcellus), from Vedute di Roma (Views ofRome). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

History of Spain. Mercedes of Orlaans (1860-1878). Queen consort of Spain, wife of Alfonso XII. Death of Queen Maria de las Mercedes. Madrid. The public leaving the palace through the Prince's Gate, after having visited the corpse of the Queen. Engraving by Ovejero. La Ilustracion Espanola y Americana, 1878.

View of the Mansion House in London, Jean -François Daumont, 1745 - 1775 print In the title numbered: 39. publisher: Parisprint maker: France paper. watercolor (paint) etching / brush mayor, burgomaster. civic architecture; edifices; dwellings. street (+ city(-scape) with figures, staffage) Mansion House

NICOLAS CHAPUY/ PLA DE PALAU, BARCELONA, 1840. MUSEO DE HISTORIA DE BARCELONA.

Paris, France - Chambre des Deputes. Date: circa 1830

Print (France)

Canaletto, A Venetian Courtyard, in the Procuratie Nuove, c 1760 A Venetian Courtyard, in the Procuratie Nuove

View of the interior of the Tomb of Saint Costanza, built by Constantine the Great, and erroneously called the Temple of Bacchus, now the Church of Saint Costaza.. Giovanni Battista Piranesi (Italy, Mogliano, 1720-1778). Italy, cira 1760-1778. Prints; etchings. Etching

View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views) ca. 1756 Giovanni Battista Piranesi Italian Piranesi's earliest views of Rome, such as the Piazza del Popolo (37.45.3.49), had placed the principal buildings at the back of a vast, tilted space, filled with a diversity of human activity. By the mid-1750s, the monuments fill the space more commandingly, and are seen as if from below and close at hand, as in this view of the Castel Sant'Angelo. Piranesi produced this view at the same time he was working on the Antichità Romane (41.71.1.3.49; 41.71.1.3.53), his four-volume archaeological treatise, and it may have been originally intended for that work. The clear didactic character of the image and the type of lettering are characteristic of the Antichità Romane, although the dramatic view of the castle as it appeared in the eighteenth century is entirely in keeping with the other Vedute. The buildings at the top of t

Terem Palace by Michel Francois Damam-Demartrait, Lithograph, 19th century, 1763-1827, Russia, Moscow, State United Museum Centre in the Kremlin,

The Piazetta and the Church of Santa Maria della Salute, Venice, Italy, c. 1870, digitally restored reproduction of an original 19th century painting, exact original date unknown, Europe

NEW YORK, THE EXCHANGE, USA, US

View of the Palazzo Doria-Tursi in Genoa; Veduta del Palazzo del Duca d'Oria in Strada Nuova. Leaded numbered: GG 3.

Vatican City, Alexander VII, Rome, Rossi, Giovanni Giacomo de', Italy, Falda, Giovanni Battista, Il nuovo teatro di Roma moderna, Il nuovo teatro delle fabriche, et edificii, in prospettiva di Rome Modern (libro primo), Modern buildings in Rome, Collegio de Propaganda fide, Collegio de Propaganda Fide in Rome, Title and an explanatory list of numbers in the bottom margin. Print is part of an album., print, album sheet, prints, height 174 mm, width 291 mm, Italian, 1643 - 1678, print maker, printmaker, 1665 - 1665, second quarter 18th century, third quarter 18th century, paper, etching, etchings, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1627 - 1691, publisher, 1599-02-13 - 1667-05-22, granter of privilege

Prévost-Dumarchais, Hippolyte Adrien Démetrius (or Provost-Dumarchais), Spring stores (dummy title). Lead mine, rehabilitus of watercolor. Carnavalet museum, history of Paris.

View of the Piazza di San Giovanni in Laterano in Rome; VUE De La Place De St Lean the lateran.links the church of Sint-Jan from Lateran and in the middle of the lateral obelisk. In the undermaster an explanatory list of numbers.

Chariot Race in the Circus Maximus - Rome, 1850. '...the Circus Maximus....originally founded in the infancy of Rome by Tarquin the Elder, became, by subsequent repeated enlargements...one of the grand sights of the city. It was surrounded by noble porticoes and seats of marble, wherein...no less a multitude than 485,000 spectators could be accommodated. Upon the spina...were raised the two Egyptian obelisks...There are some fragmentary traces of this circus still to be seen on its well-known site, now called the Via de' Cerchi...Suetonius telis us that Nero, when he played the charioteer in

GRABADO S XIX - BANCO DE ESPAÑA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Palazzo Chigi-Odescalchi te Rome; View of the Odescalchi Palace; Gezichten op Rome; Views of Rome designed and engraved by Giambattista Piranesi Architect Ve (Nez) iano. Gezicht op Palazzo Chigi-Odescalchi te Rome. Titel en Lijst Met Verklande Nummers in Overtermard.

Engraving depicting the Manchester Exchange (left). Dated 19th century

Artist: Giovanni Battista Piranesi, Italian, 1720-1778, Veduta della Piazza della Rotonda (View of the Piazza della Rotonda), from Vedute diRoma, Etching, platemark: 41 × 54.9 cm (16 1/8 × 21 5/8 in.), Italian, 18thcentury, Works on Paper -Prints

Russia, Saint Petersburg. Bronze Horseman. Equestrian statue of Peter the Great in the Senate Square. Monument to the founder of St Petersburg by order of the Empress Catherine the Great. Engraving by Lemaitre, Danvin and Cholet. History of Russia by Jean Marie Chopin (1796-1870). Panorama Universal, Spanish edition, 1839.

Topographical view of Birmingham.Lithograph.. New Street, Birmingham. By C Radclyffe

Carlton House, North Front, Richard Gilson Reeve, 1803-1889, after William Westall, 1781-1850, British, 1819, Aquatint, Sheet: 10 3/8 x 12 3/8in. (26.4 x 31.4cm)

Monumento al almirante Nelson en Trafalgar Square en Londres (Inglaterra), ciudad en la que vivió y murió el compositor clásico Georg Friedrich Haendel. Grabado de la primera mitad del siglo XIX.

Rudolf von Alt created a watercolor view of Schönbrunn Castle from the garden side in 1861, showing architectural and landscape details.

Watercolor by Franz Alt showing the Wiener Ringstraße near Schwarzenbergplatz in Vienna, focusing on the street layout, buildings, and urban setting.

Arrival of the German Emperor and Empress at the Royal Palace in Amsterdam, 1891, 1891 print Arrival of the result with the German emperor and empress at the Royal Palace in Amsterdam. Illustration in the magazine consisting of four magazines with text and illustrations, published on the occasion of the visit of the Emperor Wilhelm II of Germany and the empress to Amsterdam from 1-3 July 1891. Printer: Amsterdamfter Photo by: Noord-Holland Publisher: Amsterdam paper Amsterdam. Royal Palace Amsterdam

CIVITATIS HISPALENSIS - PROYECTOS DE CALLES MAYORES - VISTA PERSPECTIVA DE SEVILLA - S XVIII. Location: NATIONAL LIBRARY. France.

Gare Saint Lazare in Paris, Gare Saint-Lazare (Paris), Charles-François Daubigny, 1827 - 1878, paper, pencil, h 131 mm × w 229 mm

View of the Palazzo Doria -Tursi in Genoa, family Remondini (attributed to), 1700 - 1799 print Numbered in the bottom right: GG 3. Publisher: Bassano del Grappaprint Maker: Italy paper. watercolor (paint) etching / brush street (+ city(-scape) with figures, staffage). palace Palazzo Doria-Tursi. New road

Building of the New Conservatory, Conservatory, School of Music in Vienna, c. 1885, Austria, Historic, digitally restored reproduction of a 19th century original, exact original date unknown, Europe

Joseph Wagner after Canaletto, Prospetto della Chiesa di S Simeone Appostolo, 1742 Prospetto della Chiesa di S. Simeone Appostolo

Piazza San Marco in Venice; Forum Minus Divi Marci Publicijs Utrinque Insigne; Faces on Venice; Magnificentiores Selectioresque Urbis VenetiaRum Prospectus. View of the San Marco Square in Venice with the Palazzo Ducale on the left and on the right the Biblioteca Nazionale Marciana.

Nicolas-Jean-Baptiste Raguenet (1715-1793). "The Tuileries Palace seen from the Quai d'Orsay". Oil on canvas, 1757. Paris, Carnavalet museum. 27042-3 Facade, Seine river, 1st 1 arrondissement, garden, river navigation, Tuileries Palace, Peniche, Quai

'Charterhouse Square', 19th century. Artist: Unknown

Martinez Hebert. Ciudades: Madrid, calle de Alcala. Grabados Mexico, Madrid.

Engraving depicting a section of an American hotel in Paris, France. Dated 1857

PALACIO REAL DE MADRID - GRABADO SIGLO XIX. Author: HENRI PIERRE LEON PHARAMOND BLANCHARD (1805-1873). Location: MUSEO DE HISTORIA-GRABADOS BLANCO Y NEGRO. MADRID. SPAIN.

View of the Piazza Navona, Rome, with the church of St Agnese at left and Bernini's fountain in the middle 1693 Gomar Wouters Flemish. View of the Piazza Navona, Rome, with the church of St Agnese at left and Bernini's fountain in the middle 414393

The Casino and Villa Borghese, near Rome, 18th century.Artist: Giuseppe Vasi

Central station. Wooden engraving by B Haglund 1872 after Kumli's watercolor

Schleicher Wilhelm (born 1857), Cathedral in Berlin. Schinkel competition 1884 (November 19, 1885): View east facade. Tusche watercolor on the box, 74.1 x 116.9 cm (including scan edges) Schleicher Wilhelm (geb. 1857): Berliner Dom. Schinkelwettbewerb 1884

A staircase in the ancient part of the Kremlin

Aerial view of the 1900 Universal Exhibition, Paris, France, illustration from L'Illustration, No 2731, June 29, 1895.

View of the Capitol in Rome, Basset, 1700 - 1799 print In the middle the stairs to Piazza del Campidoglio. There are three palaces around the square. Two columns with three lines of French text each in the lower margin. Numbered: 150. publisher: Parisprint maker: France paper. watercolor (paint) etching / brush square, place, circus, etc. (+ city(-scape) with figures, staffage). flight of steps. palace Capitol. Campidoglio square

Stock Exchange building, Copenhagen, Denmark, drawing by Emile Therond (1821- 1883) from Journey to Denmark, 1860 by Jean-Marie Dargaud (1800-1866) Le Tour du Monde 1862

An engraving depicting Northumberland Avenue, Charing Cross, London. Dated 19th century

Palazzo del Governo. Palazzo Pretorio, Pistoia. Tuscany, Central Italy. Europe. Small Towns and Great Art in Tuscany by Henri Belle 1871. Le Tour du Monde 1879

Piranesi, Giovanni Battista, London, Bowles, Thomas (II), Monogrammist I.G., Sayer, Robert, Rome, A view of the Church & Hospital of the Holy Ghost at Rome, Zich op de kerk Santo Spirito in Sassia te Rome, verso lower center - stamped, print, optic print, prints, optic prints, height 272 mm, width 426 mm, Publication (Event), Publication, English, 1725 - 1794-02, publisher, uitgever, 1750-11-12 - 1750-11-12, paper, papier, watercolor (paint), waterverf, etching, etchings, brush, Borstel, 1695 - 1767, print maker, prentmaker, Italian, 1720-10-04 - 1778-11-09, intermediary draughtsman

Spain (19th c.). Convent and Square of San Antonio in the Royal Site of Aranjuez. Engraving from a painting by Fernando Bambrila. Romanticism. Litography. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Museo de Historia.

MESSRS. MAME'S PRINTING ESTABLISHMENT AT TOURS, FRANCE, 1867

Mexico. Viceroyalty of New Spain. Court of The Acordada. Interior. Engraving, 19th century.

The Quadrant, Regent Street, c1852. Creator: Day & Son.

Central Park; Parque Centrale. Victor Patricio Landaluce (1828-1889). Watercolour on paper. 28 x 39cm.

Italy. Venice. St Mark's Square. Engraving by Tauxier, 1879.

The Embankment Gardens at Charing Cross. Date: circa 1870

View of the Pantheon taken from the Arsenal, Thomas Girtin, 1775-1802, British, Frederick Christian Lewis the Elder, 1779-1856, British, after Thomas Girtin, 1775-1802, British, 1803, Aquatint, Bassin de l'Arsenal, Europe, France, Panthéon, Paris, Seine, Ville de Paris, Départment de, Île-de-France

In the late 19th century, Cour du Grand Hotel du Louvre was a famous, covered courtyard of the hotel of the same name, magnificent interior with glass ceiling, horse-drawn carriages, pedestrians, tea services and a grand staircase that served as a lively transshipment point for travelers, Paris around 1900, France, authentic, digitally restored reproduction from a 19th century original, exact date of presentation unknown, historical

Puerta de Alcalá. Anónimo. Grabados México, Madrid.

The Chapel of the Foundling Hospital, London, Attributed to Theodore Jacobsen, died 1772, British, undated, Watercolor, pen and brown ink over graphite on medium, slightly textured, cream laid paper, Sheet: 7 3/8 x 13 3/16 inches (18.7 x 33.5 cm), architectural subject, chapels, churches, views, Foundling Hospital, London

The Palace of the Third Schuetzenfest in Vienna, 1869, Austria, Historic, digitally restored reproduction of a 19th century original, Europe

Trocadero Decoration - Egyptian Temple, August 15, 1867 Leylyze (active in the nineteenth century). At Trocadero, August 15, 1867, Egyptian Temple. Watercolor.

Sketch of an Arcenal project, which deserved the Grand Prix, A J.A. JES. Hutery, in 1770 (assigned title) | Architecture project for an Earth Arsenal, 1770. (Title Title)

Nevsky Prospect, St. Petersburg, Engraving from Nouvelle Geograpique Universalle (Universal Geography), by E. Reclus, Vol 5, Russia 19th century.

'"The Project for the Count Sheremetev's Palace in Kitai-Town in Moscow"'. Russia, 1790s. Dimensions: 12,6x95,5 cm. Museum: State Hermitage, St. Petersburg. Author: Louis Jean Desprez.

The royal palace. Date: circa 1840

St. Martin-in-the-Fields, Interior, Thomas Malton the Younger, 1748-1804, British, undated, Watercolor over etched outline on medium, slightly textured, cream, wove paper, mounted on, thick, slightly textured, beige, laid paper, Mount: 12 13/16 × 15 3/4 inches (32.5 × 40 cm), Contemporary drawn border: 10 15/16 × 13 7/8 inches (27.8 × 35.2 cm), and Sheet: 8 15/16 × 11 15/16 inches (22.7 × 30.3 cm), architectural subject

View of Winter Palace by Louis Jules Arnout, lithograph, watercolor , 1840s, 1814-1868, Russia, St. Petersburg, A. Pushkin Memorial Museum, 23, 5x31, 5

Amsterdam, Maaskamp, Evert, Schouten, Hermanus Petrus, Netherlands, Lutz, A., Four plates of the fire in the New Lutheran Church in Amsterdam in 1822, The Lutheran New Church in Amsterdam. from the inside to see, to the side of the Singel on the pulpit and the organ, as it appeared before the terrible fire on the 18th of September 1822, Interior of the New Lutheran Church in Amsterdam, before the fire of 1822, verso - stamped, Interior of the Koepelkerk or New Lutheran Church on the Singel in Amsterdam, in good condition before the fire of 18 September 1822. In the center the pulpit under the organ., print, prints, Frederik Muller Historieplaten, height 361 mm, width 292 mm, print maker, printmaker, 1823-02-15 - 1823-02-15, paper, papier, etching, etchings, aquatint, Noord-Nederlands, 1747-11-28 - 1822-05-11, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Northern Netherlands, 1769-09-27 - 1834-01-31, publisher

View of the Armoury in Berlin, 1750, Germany, Historic, digitally restored reproduction from a 19th century original, Europe

Neglinnaya River by Ilarion Vasilyevich Moschkow, Watercolor on paper, 1800s, 1778-1845, Russia, Moscow, State History Museum,

The Quirinal, or Palace of the Pope on Mount Cavallo at Rome, Remi Parr, active 1723-1750, British, after unknown artist, (Falda, G.), undated, Hand-colored engraving on wove paper, Sheet: 12 1/2 x 18in. (31.8 x 45.7cm), architectural subject, cityscape, clouds, palace, statues, Europe, Italy, Lazio, Palazzo del Quirinale, Quirinale, Rome

The Admiralty of St. Petersburg, built by Peter the Great since 1704, Russia, Historic, digitally restored reproduction of a 19th century original, exact date unknown, Europe

Machines being used to lift the two stone blocks covering the gable of the main entrance of the Louvre in Paris, 1677, France 17th Century. Engraving.

The facade of the Lateran Palace, Rome, Italy, photo from 1882, Historic, digitally restored reproduction of a 19th century original, exact date unkno...

Interior of the synagogue in Vienna, Austria, 19th century drawing

Etching by Josef Schaffer depicting the Narrenturm, created in 1787. The print shows architectural details of the tower and surrounding area with colored etching techniques typical of late 18th-century Austrian prints.

Louvre. Apollo Gallery, vintage engraved illustration. Paris - Auguste VITU 1890.

Piazza San Marco in Venice; Forum Maius, et basilica D: Marci, Cum Insula Procul S. Georgij Maioris et Aedes D: Marci Procatorum (...); Faces on Venice; Magnificentiores Selectioresque Urbis VenetiaRum Prospectus. View of the Piazza San Marco in Venice. On the left the San Marco. Spiritives are walking across the square in a procession.

Mansion House, the residence of the Lord Mayor of London. Date: 1750

The Glyptotek museum commissioned by the Bavarian King Ludwig I to house his collection of Greek and Roman sculptures, Munich, Germany. Drawing by Dieudonne Lancelot (1823-1895) Trip from Paris to Bucharest, 1860 by Victor Duruy (1811-1894) Le Tour du Monde 1862

View of Piazza del Campo in Siena, Tuscany, late 1800s. Italy, Europe. Old 19th century engraved illustration from Souvenirs de la Reformation en Italie 1883 by John Stoughton (1807-1897)

View of the Michael Palace in St. Petersburg, Lory, Mathias Gabriel (1784-1846)

Capitol, Washington, D.C., 1881., 1881., New York. Etching and aquatint, hand colored

The universe illustrated / the place of the opera during the headquarters (IT)

Friedrichskron Palace, New Palace near Potsdam, Berlin, woodcut from the year 1888, Germany, Europe

Germany, Interior of Thomaskirche (St. Thomas Church) in Leipzig before 1885, engraving

Lissel Paul (1851-1887), Reichstag, Berlin (1882): Perspective view. Tusche watercolor on the box, 53.8 x 70.9 cm (including scan edges)

The temple at Vlissingen, erected on the occasion of the second centenary of the liberation, 6 April 1772. Draughtsman: Jacobus Buys (mentioned on object). Dating: 6-Apr-1772 - 1801. Measurements: h 82 mm × w 56 mm. Museum: Rijksmuseum, Amsterdam.

of 3