Human Figure Maya 100 BCE-200 CE View more. Human Figure. Maya. 100 BCE-200 CE. Clay. Mexico, Mesoamerica, Veracruz. Ceramics-Sculpture

Human Figure Maya 100 BCE-200 CE View more. Human Figure. Maya. 100 BCE-200 CE. Clay. Mexico, Mesoamerica, Veracruz. Ceramics-Sculpture
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Human Figure Maya 100 BCE-200 CE View more. Human Figure. Maya. 100 BCE-200 CE. Clay. Mexico, Mesoamerica, Veracruz. Ceramics-Sculpture by piemags/PL Photography Limited is available for licensing today.

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Ushabti
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Flute. Culture: Tairona People; La Aguja Style. Dimensions: L. 6.6 cm (2-9/16 in.); W. 3.3 cm (1-5/16 in.). Date: 1300-1500. Museum: Metropolitan Museum of Art, New York, USA.
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Vase in the Shape of Mother Monkey with Her Young. Dimensions: H. 18.6 × W. 6.5 × D. 7.6 cm (7 5/16 × 2 9/16 × 3 in.). Dynasty: Dynasty 6. Reign: reign of Merenre I. Date: ca. 2255-2246 B.C..Inscribed with the name of Merenre I, fourth king of Dynasty 6. This charming composition alludes to motherhood and fertility and also to the exotic lands that provided rare ingredients for the oils and unguents contained in these vases. The contents were presumably believed to have rejuvenating effects. Inscriptions on this and similar vases (1992.338) suggest that the vessels were given by Sixth Dynasty kings to favored courtiers, particularly women, at the time of the king's jubilee. Museum: Metropolitan Museum of Art, New York, USA.
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Amulet of the God Ptah. Egyptian. Date: 664 BC-332 BC. Dimensions: 2.9 × 1.3 × 1 cm (1 1/8 × 1/2 × 3/8 in.). Faience. Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA. Author: Ancient Egyptian.
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Amulet of the Goddess Hathor () with Cow's Head. Egyptian. Date: 1069 BC-332 BC. Dimensions: 2.5 × 1 × 0.5 cm (1 × 3/8 × 3/16 in.). Faience. Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA. Author: Ancient Egyptian.
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Bone pin ca. 1st-2nd century A.D. Roman Representing a female bust.. Bone pin 244073
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Prehistory, Malta, Neolithic. Votive statue. From Brochtorff Circle at Xaghra, Gozo Island
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Shawabty of Ditamenpaankh, 715-656 BC. Egypt, Late Period, Dynasty 25. Terracotta; overall: 6.8 x 2.5 x 1.6 cm (2 11/16 x 1 x 5/8 in.). High demand for shawabtys in the Late Period, a time when as many as 400 or more shawabtys were placed in the tomb with the deceased, gave rise to a specialized container for storing them: the shawabty box. This example is inscribed for the lady of the house, Ditamenpaankh, and was probably one of a pair originally made for her. The single-masted boat on the box's lid is perhaps an allusion to the pilgrimage of the deceased to the holy city of Abydos, the cult city of Osiris, king of the dead. The shawabtys inside are crude, mass-produced examples cast in an open mold. Made of terracotta, their blue paint imitates more costly shawabtys made of faience. As for the shawabty spell, it has been removed from its traditional location on the shawabty's front and relocated onto the sides of box, where it needed only to be written once, thus expediting product
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Seated Water Carrier Colima Culture, West Mexico 200 B.C. - 300 A.D. Ceramic Pre-Columbian The Cummer Museum of Art and Gardens, Jacksonville, Florida
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Pottery Whistle and Rattle 19th century Mexican. Pottery Whistle and Rattle 501257
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Carved seal. Unknown
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Standing Male Figure
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Biiga, late 20th century, 10 11/16 x 3 5/16 x 2 1/8 in. (27.1 x 8.4 x 5.4 cm), Wood, Burkina Faso, 20th century
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Furniture support: female sphinx with Hathor-style curls ca. 18th century B.C. Old Assyrian Trading Colony This piece is one of a set of four furniture legs, probably found at the site of a palace at Acemhöyük in central Anatolia, carved in the shape of compact seated sphinxes without wings. They have large eyes with inlaid pupils, only one of which survives intact. Traces of gold foil remain on the hair and headdresses as well as eyes of some examples. The pink staining of this piece indicates that iron oxides are present on the surface, although it is not known whether this was a deliberate decorative treatment, or a result of contact with the soil in which the pieces were buried. Additionally, the overall gray color indicates that the object was exposed to considerable heat, perhaps during the destruction of the palace. Each sphinx wears a wig or hairstyle in which heavy locks of hair ending in large curls, held behind protruding ears, frame the face, resembling images of the Egypti
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Image Number: 6145-52952427Royalty FreeCredit Line:piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedStory:Decorative Historical ArtifactsContributor:piemagsModel Release:NoProperty Release:NoResolution:1024×766