Fragment of a Feather-Garmented Figure, 1540-715 BC. Egypt, New Kingdom or Third Intermediate Period. Limestone; overall: 9 x 5.6 x 5.8 cm (3 9/16 x 2 3/16 x 2 5/16 in.).

Fragment of a Feather-Garmented Figure, 1540-715 BC. Egypt, New Kingdom or Third Intermediate Period. Limestone; overall: 9 x 5.6 x 5.8 cm (3 9/16 x 2 3/16 x 2 5/16 in.).
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Explore Ancient Mesopotamian Artifacts: A Detailed View of a Historical Stone Relief Sculpture. by Piemags/PL Photography Limited is available for licensing today.

Visually Similar More from Decorative Historical Artifacts story

RM
6145-59085444
Boat; around 1295 1186 BC ; New PA
RM
6145-58854253
Zieke aap, joseph mendes da costa (1863-1939), c. 1900 Decorative object in the shape of the sick monkey, in yellow and white glazed stoneware. Monogrammed. Netherlands stoneware vitrification Decorative object in the shape of the sick monkey, in yellow and white glazed stoneware. Monogrammed. Netherlands stoneware vitrification
RM
6145-43656993
Dog sitting on a table; netsuke. unknown, sculptor
RM
6145-45525813
Ushabti
RM
4409-17399186
Flute. Culture: Tairona People; La Aguja Style. Dimensions: L. 6.6 cm (2-9/16 in.); W. 3.3 cm (1-5/16 in.). Date: 1300-1500. Museum: Metropolitan Museum of Art, New York, USA.
RM
4409-17403703
Vase in the Shape of Mother Monkey with Her Young. Dimensions: H. 18.6 × W. 6.5 × D. 7.6 cm (7 5/16 × 2 9/16 × 3 in.). Dynasty: Dynasty 6. Reign: reign of Merenre I. Date: ca. 2255-2246 B.C..Inscribed with the name of Merenre I, fourth king of Dynasty 6. This charming composition alludes to motherhood and fertility and also to the exotic lands that provided rare ingredients for the oils and unguents contained in these vases. The contents were presumably believed to have rejuvenating effects. Inscriptions on this and similar vases (1992.338) suggest that the vessels were given by Sixth Dynasty kings to favored courtiers, particularly women, at the time of the king's jubilee. Museum: Metropolitan Museum of Art, New York, USA.
RM
4409-17545238
Amulet of the God Ptah. Egyptian. Date: 664 BC-332 BC. Dimensions: 2.9 × 1.3 × 1 cm (1 1/8 × 1/2 × 3/8 in.). Faience. Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA. Author: Ancient Egyptian.
RM
6145-48529872
Uszebti. unknown, author
RM
4409-17544619
Amulet of the Goddess Hathor () with Cow's Head. Egyptian. Date: 1069 BC-332 BC. Dimensions: 2.5 × 1 × 0.5 cm (1 × 3/8 × 3/16 in.). Faience. Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA. Author: Ancient Egyptian.
RM
6145-46346492
Lifts silver. A separate silver handle. On the lift a victory bar and the shelling of a city, a running dog at the end.
RM
6145-29720172
Bone pin ca. 1st-2nd century A.D. Roman Representing a female bust.. Bone pin 244073
RM
1788-39489
Prehistory, Malta, Neolithic. Votive statue. From Brochtorff Circle at Xaghra, Gozo Island
RM
6145-29061993
Shawabty of Ditamenpaankh, 715-656 BC. Egypt, Late Period, Dynasty 25. Terracotta; overall: 6.8 x 2.5 x 1.6 cm (2 11/16 x 1 x 5/8 in.). High demand for shawabtys in the Late Period, a time when as many as 400 or more shawabtys were placed in the tomb with the deceased, gave rise to a specialized container for storing them: the shawabty box. This example is inscribed for the lady of the house, Ditamenpaankh, and was probably one of a pair originally made for her. The single-masted boat on the box's lid is perhaps an allusion to the pilgrimage of the deceased to the holy city of Abydos, the cult city of Osiris, king of the dead. The shawabtys inside are crude, mass-produced examples cast in an open mold. Made of terracotta, their blue paint imitates more costly shawabtys made of faience. As for the shawabty spell, it has been removed from its traditional location on the shawabty's front and relocated onto the sides of box, where it needed only to be written once, thus expediting product
RM
1075-260
Seated Water Carrier Colima Culture, West Mexico 200 B.C. - 300 A.D. Ceramic Pre-Columbian The Cummer Museum of Art and Gardens, Jacksonville, Florida
RM
6145-29780269
Pottery Whistle and Rattle 19th century Mexican. Pottery Whistle and Rattle 501257
RM
6145-48892128
Carved seal. Unknown
RM
6145-29770973
Figurine of a man ca. 3650-3450 B.C. Predynastic, early Naqada II The earliest pieces of Egyptian sculpture represent men and women in formal poses. Figurines were made from mud or unbaked clay, ceramic, or ivory; details such as body hair, clothing, and tattoos were either incised or painted on the clay surface. This bearded man is made from the end portion of a hippo incisor. The features of his face and clothing were incised into the ivory and filled with a black paste like substance. Figurines are very rare in this period of Egyptian art and little is known about their use in the Predynastic cultures that created them.. Figurine of a man 547233
RM
6145-29119207
Standing Male Figure
RM
4409-17892
IDOLO ANTROPOMORFO DE HUESO O DIVINIDAD CON ATRIBUTOS HUMANOS PROCEDENTE DE VALENCINA DE LA CONCEPCION (SEVILLA) 2100-1800 AC TRANSICI. Location: MUSEO ARQUEOLOGICO-COLECCION. Sevilla. Seville. SPAIN.
RM
4443-28739771
Biiga, late 20th century, 10 11/16 x 3 5/16 x 2 1/8 in. (27.1 x 8.4 x 5.4 cm), Wood, Burkina Faso, 20th century
RM
6145-29710653
Furniture support: female sphinx with Hathor-style curls ca. 18th century B.C. Old Assyrian Trading Colony This piece is one of a set of four furniture legs, probably found at the site of a palace at Acemhöyük in central Anatolia, carved in the shape of compact seated sphinxes without wings. They have large eyes with inlaid pupils, only one of which survives intact. Traces of gold foil remain on the hair and headdresses as well as eyes of some examples. The pink staining of this piece indicates that iron oxides are present on the surface, although it is not known whether this was a deliberate decorative treatment, or a result of contact with the soil in which the pieces were buried. Additionally, the overall gray color indicates that the object was exposed to considerable heat, perhaps during the destruction of the palace. Each sphinx wears a wig or hairstyle in which heavy locks of hair ending in large curls, held behind protruding ears, frame the face, resembling images of the Egypti
Royalty Free License
Royalty-Free Standard Commercial licenses are granted for worldwide, non-exclusive and perpetual use, unless specifically noted otherwise. All Royalty-Free transactions are final. The Royalty-Free Standard Commercial license has no limitations and covers up to 15 users.
  • $50.00 Low438 X 500
  • $150.00 Med657 X 750
  • $250.00 High2978 X 3400
$1,225.00
RF High / Super Res 5 Pack
Save $25.00
$245.00
per download
Order a Framed Print
Looking for a license?
Click here, and we'll help you find it! Questions? Just ask!
DETAILS
Image Number: 6145-29076198Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedStory:Decorative Historical ArtifactsContributor:PiemagsModel Release:NoProperty Release:NoResolution:2978×3400
Cleveland Museum Of Art
Egypt|
FeatherGarmented|
figure|
fragment|
|
|
|
|
|
|