Edward Pryce Owen, 1788-1863, British, St. Mary's Font. Etching.

Edward Pryce Owen, 1788-1863, British, St. Mary's Font. Etching.
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Vaulted Ceiling with Alternative Designs, Felice Giani, Italian, 1758-1823, Pen and ink over traces of graphite on greyish laid paper, Row of big coffers of various design, supported by pointed arches separated by spandrels. Representations in lunettes, at bottom of arches, reference to Athena as protector of arts. Candelabrum motifs in spandrels., Italy, ca. 1750, Drawing, Drawing
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Design for a Main Altar, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The plan of the retable is like the half of an octagon. At the front is a representation of the ascension of the Virgin, in presence of the Apostles. On top are two angels. In front of the oblique sides is a statue of a saint. Projecting columns frame the sides. The front has a triangular pediment upon the sides of which angels sit. Above them is a circle with the Dove of the Holy Spirit. The upper part forming a circular pediment with garlands and two angels above. Angels sit upon the lower ends of the supports near the wall. The mensa stands at the front, with the tabernacle in front of the central panel of the zone with the pedestals. In the oblique ones are escutcheons. Laterally are round pedestals, disposed similarly to -1369, either of them with a group consisting of a standing female figure and two sitting angels. Usual background., Rome, Italy,
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Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.
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4409-28960462
The architectural setting is a niche with a rectangular plan, and with an arch above an entablature. The framing parts of the columns are drawn. The pavement of the niche is in the height of the upper edges of the bases of the columns. Upon it stand upon separate bases the sarcophagus and two crowned women (Jusice or Royalty), the left one with what seems to be the sword, and support a cloth hanging in front of the sarcophagus. Above is a pedestal, upon which a winged female (Victory) putto sits at left, and a putto kneels at right, supporting together the oval medallion with the bust portrait. On top is a variation of the motif in 1938-88-1345, with a wreath instead of the crown. Date: ca. 1795. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.
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Image Number: 6145-30320797Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedStory:Architectural DraftsContributor:PiemagsModel Release:NoProperty Release:NoResolution:1535×1920