China,Hong Kong,Tsuen Wan,Yuen Yuen Institute,Ceiling Decoration

China,Hong Kong,Tsuen Wan,Yuen Yuen Institute,Ceiling Decoration
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Tara (Sanskrit: ारा, tārā) or Ārya Tārā, also known as Jetsun Dolma (Tibetan: Rje btsun sgrol ma) in Tibetan Buddhism, is a female Bodhisattva in the Mahayana tradition who appears as a female Buddha in Vajrayana Buddhism. She is known as the 'mother of liberation', and represents the virtues of success in work and achievements. In Japan she is known as Tarani Bosatsu, and less well known as Tuoluo in Chinese Buddhism. Tara is a tantric meditation deity whose practice is used by practitioners of the Tibetan branch of Vajrayana Buddhism to develop certain inner qualities and understand outer, inner and secret teachings about compassion and emptiness. Tara is actually the generic name for a set of Buddhas or bodhisattvas of similar aspect. These may more properly be understood as different aspects of the same quality, as bodhisattvas are often considered metaphoric for Buddhist virtues.
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'Bodhisattva Manjushri'. Mongolia, 19th century. Dimensions: 60x38 cm. Museum: State Hermitage, St. Petersburg.
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'Hayagriva with his Retinue'. Tibet, Early 19th century. Dimensions: 66x46 cm. Museum: State Hermitage, St. Petersburg.
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religious painting in monastery, pemyangtse, sikkim, Copyright: xAshaxAdatia/DinodiaxPhotox
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Shri (Palden Lhamo). Central Tibet, circa 1750-1850. Paintings. Mineral pigments and gold on cotton cloth
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'Vajrapani with his Retinue'. Tibet, Early 19th century. Dimensions: 73x48 cm. Museum: State Hermitage, St. Petersburg.
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'A painting on the core pillar of the Pagoda at the Daigoji Monastery', c13th century. Artist: Unknown.
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The Fifth Dalai Lama, NgawangLobzang
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Thanka with Buddha 19th century Tibet. Thanka with Buddha. Tibet. 19th century. Distemper on cloth. Paintings
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Nepal, Katmandu. Thanka Treasure
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Scroll Painting (Thangka) with Four Mandalas 1400-1500. Each of these four mandalas, or ritual diagrams, represents a sacred space.
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Yidam Mahakala, protector of Dharma, 19th cent. Wear skulls- symbols of power, manuscript. TIBET.
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The Arhat Chudapantaka. Eastern Tibet, Kham region, a Trungpa Monastery in Surmang (), circa early 17th century. Paintings. Mineral pigments and gold on silk
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wall painting of lord buddha, stok monastery, ladakh, Jammu and Kashmir, india Copyright: xNxSharma/DinodiaxPhotox
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fine arts, Tibet, painting, Thangka, Dhyani Buddhas, silk, 18th/19th century, Ethnological Collection, Zuerich University,
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Buddhist trinity of Vairocana, Manjusri and Samantabhadra, late 16th-17th century, 90 13/16 x 33 3/4 in. (230.66 x 85.73 cm) (image, and text)121 3/8 x 37 in. (308.29 x 93.98 cm) (without roller), Ink, colors, and gold on silk, China, 16th-17th century, This painting depicts Buddha Vairocana seated on a lotus-flower throne in heaven. Buddha Vairocana is an iconic figure in Mahayana, one of the major branches of Buddhism. He is seen as a universal Buddha and the matrix from which all phenomena emerge. On either side are Buddha Vairocanas typical attendants, the bodhisattvas of wisdom and benevolence: Manjusri, on a lion, and Samantabhadra, on a six-tusked elephant. A bodhisattva is a being that is able to reach enlightenment but delays doing so to help those suffering on earth. In China, this group of three is known as the Three Saints of Huayan and is described in the influential Flower Garland sutra (scripture), so called because the Buddhas enlightenment is like a floral crown, or
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Bodhisatva a descendant of Amida, woodcut, Japan. Japanese Civilisation, Fujiwara period, 10th-11th century.
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Avalokiteshvara and Deities , late 18th-early 19th century. Watercolors and gold on cotton, 40 x 63 3/4 in. (101.7 x 162.0 cm). Asian Art late 18th-early 19th century
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The Pure Land of Buddha Amitabha. Tangut State of the Western Xia (982-1227). Khara-Khoto. 12th century. Tangka; colours on cotton. The State Hermitage Museum. Saint Petersburg. Russia.
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GAURDIAN OF THE SOUTH (originally Bon deity), WALL FRESCO to protect gompa (monastery) entrance, LAMAYURU - LADAKH
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A dakini (Sanskrit: ḍākinī; Tibetan: khandroma) is a tantric deity described as a female embodiment of enlightened energy. In the Tibetan language, dakini is rendered khandroma which means 'she who traverses the sky' or 'she who moves in space'. Sometimes the term is translated poetically as 'sky dancer' or 'sky walker'. The dakini, in all her varied forms, is an important figure in Tibetan Buddhism. She is so central to the requirements for a practitioner to attain full enlightenment as a Buddha that she appears in a tantric formulation of the Buddhist Three Jewels refuge formula known as the Three Roots. Most commonly she appears as the protector, alongside a guru and yidam (enlightened being). Although dakini figures appear in Hinduism and in the Bön tradition, dakini are particularly prevalent in Vajrayana Buddhism and have been particularly conceived in Tibetan Buddhism where the dakini, generally of volatile or wrathful temperament, act somewhat as a muse for spiritual practice.
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Image Number: 1606-187974Rights ManagedCredit Line:Eurasia Press/Photononstop -La Phototheque/Photononstop/SuperStockCollection:Photononstop -La PhotothequeStory:Buddhist Deities and ArtContributor:Eurasia PressModel Release:NoProperty Release:NoResolution:3744×5616
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