The ballet

The ballet
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Iana Balova, Alexander Bird, Sarah-Jane Brodbeck, Weronika Frodyma, Tyler Gurfein, Mari Kawanishi, Konstantin Lorenz, Sacha Males, Ross Martinson, Johnny McMillan, Aya Okumura, Tabatha Rumeur, Polina Semionova, Alejandro Virelles. Media rehearsal on 25.09.2021 at the Deutsche Oper (Berli
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William Forsythe's THE SECOND DETAIL, created in 1991, celebrated its premiere at the Staatsballett Berlin in 2006. The ballet was revived in a new version in 2019. The fast-paced work, one of Forsythe's early but very typical creations, has long been seen in many classical companies around the world, with Forsythe pushing the dancers to the limits of their balance and flexibility. THE SECOND DETAIL is an immediate and sensual experience, not least because of Thom Willem's electronic score, which he originally composed for Forsythe's choreography. Press performance of the Berlin State Ballet on 03 May 2019
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The ballet
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At the Staatsoper Berlin: Benjamin Millepied, ballet director of the Opera National de Paris from 2014 with the ballet 'Daphnis et Cloe' For this neoclassical creation, he was primarily inspired by Maurice Ravel's score, the Symphonie choreographique . The scenography of moving geometric shapes and clear colours was created by the conceptual artist Daniel Buren. Press performance at the Berlin State Opera on 20 January 2017
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At the Staatsoper Berlin: Benjamin Millepied, ballet director of the Opera National de Paris from 2014 with the ballet 'Daphnis et Cloe' For this neoclassical creation, he was primarily inspired by Maurice Ravel's score, the Symphonie choreographique . The scenography of moving geometric shapes and clear colours was created by the conceptual artist Daniel Buren. Press performance at the Berlin State Opera on 20 January 2017
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The ballet
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At the Staatsoper Berlin: Jean-Christophe Maillot, artistic director and chief choreographer of the Ballets de Monte-Carlo since 1993, with 'Altro Canto'. The press department writes that Maillot is concerned with a dance-like, even an emotional description of the subtle energy that unfolds as the real attraction when the iridescent tension between opposites becomes the main event in the pulse of sensation. Sounds like one of those sentences you get when you fire up one of those funny bullshit generators you find on the internet, which are so often used by alternative practitioners and homeopaths to populate their websites. Press performance of the Berlin State Opera on 20 January 2017
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The ballet
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Dancers depicting trees, Mark Morris Dance Group performing at the London Coliseum Theatre, London, England, United Kingdom, Europe
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Iana Balova, Alexander Bird, Sarah-Jane Brodbeck, Weronika Frodyma, Tyler Gurfein, Mari Kawanishi, Konstantin Lorenz, Sacha Males, Ross Martinson, Johnny McMillan, Aya Okumura, Tabatha Rumeur, Polina Semionova, Alejandro Virelles. Media rehearsal on 25.09.2021 at the Deutsche Oper (Berli
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Staatsballett Berlin in co-production with Sasha Waltz Guests: SYM-PHONIE MMXX for dance, light and orchestra. The choreographer Sasha Waltz had commissioned the renowned composer Georg Friedrich Haas to compose an original ballet score for a joint creation. After numerous operas, SYM-PHONIE MMXX is his first official stage work for dance. (Media rehearsal from 10.03.2022 at the Staatsoper Unter den Linden)
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German Opera, Berlin
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At the Staatsoper Berlin: Jean-Christophe Maillot, artistic director and chief choreographer of the Ballets de Monte-Carlo since 1993, with 'Altro Canto'. The press department writes that Maillot is concerned with a dance-like, even an emotional description of the subtle energy that unfolds as the real attraction when the iridescent tension between opposites becomes the main event in the pulse of sensation. Sounds like one of those sentences you get when you fire up one of those funny bullshit generators you find on the internet, which are so often used by alternative practitioners and homeopaths to populate their websites. Press performance of the Berlin State Opera on 20 January 2017
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Ballet performance at Stockholm Opera House
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Das Ballett
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The ballet
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German Opera, Berlin
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The ballet
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Marius Petipa brought the choreography 'LA BAYADERE' to the stage in St Petersburg in 1877. Fortunately, the notations of the original have been preserved so that choreographers today can give us a reliable picture of his ideas. In this production, the choreographer Alexei Ratmansky did so to music by Ludwig Minkus and with the help of Jerome Kaplan for the set and costumes. In colonial-influenced images of a fantastic India of temples and palaces, the story is told of a love that is not befitting her station: the bayadere Nikia an Indian temple dancer loves the warrior Solor, who in turn is promised to Gamsatti, the daughter of the powerful Rajah, as her husband. According to the laws of drama, this union can only end unhappily in the 'Kingdom of Shadows'. Colourful, opulent and, as one might say today, diverse, this ballet is a feast for the eyes. At the Staatsballett Berlin. In the main
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Carmen performed by Compania Aida Gomez at Sadler's Wells Theatre, Aida Gomez as Carmen, London, England, United Kingdom, Europe
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German Opera, Berlin
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DETAILS
Image Number: 1848-53102963Rights ManagedCredit Line:Axel Lauer/imageBROKER/SuperStockCollection:imageBROKERStory:Contemporary Ballet PerformancesContributor:Axel LauerModel Release:NoProperty Release:NoResolution:5760×3339
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