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Serene Landscape Etchings

Delicate etchings of tranquil landscapes, including rivers, cottages, and trees, capturing the essence of rural scenery in various artistic styles.

Landscape with cottages and a figure by a cart 17th century Attributed to Pieter de Molijn Dutch. Landscape with cottages and a figure by a cart 347518
Landscape with cottages and a figure by a cart 17th century Attributed to Pieter de Molijn Dutch. Landscape with cottages and a figure by a cart 347518
236 assets in this story
La promenade du convalescent , Sick persons, Walking, Trees, Alphonse Legros (1837-1911)Old Village (Ville vieille). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.The Flight into Egypt: Altered from Seghers. Dated: c. 1653. Medium: etching, burin and drypoint. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.Etched by Joseph Mallord William Turner, 1775-1851, British, Sheep-Washing, Windsor, 1813 to 1823. Etching and mezzotint, printed in brown ink Modern Impression (Charles) on moderately thick, slightly textured, cream wove paper.Red chalk drawing by Richard Saint-Non depicting a landscape with one sitting and one standing figure.Landscape with fantastic ruin, Jean Bernard, 1775 - 1833 drawing paper. ink. chalk pen / brushBathers Ker-Xavier Roussel (1867-1944). "Bather". Museum of Fine Arts of the city of Paris, small palace.View of the Diemerdijk with a Milkman and Cottages. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1644-1655. Dimensions: 65 x 174 mm (image/sheet, trimmed within plate). Etching with drypoint in black on cream laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.James McNeill Whistler, Greenwich Park, 1859 Greenwich ParkCotonard Farm. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1910. Dimensions: 230 × 296 mm (image/plate); 249 × 319 mm (sheet). Etching on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.No. 48. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, FrenchView from the garden of the Palazzo Farnese on the Palatine with two statues and the Colosseum, View of part of the Farnesian Gardens on the Palatine in Rome., draughtsman: Charles Joseph Natoire, Oct-1765, paper, pen, brush, h 305 mm × w 526 mm. .Farm on a country road, draughtsman: Johannes van Lexmond, 1779 - 1838, paper, pen, h 181 mm × w 250 mmAlphonse Legros, Along the Top of the Hill (Sur le haut de la colline) Along the Top of the Hill (Sur le haut de la colline)Drawing by Christian Wilhelm Ernst Dietrich depicting two shepherds with a herd among ruins, created in 1765 using leading handle and light brown brush laviert.Le mort du vagabond , Death, Tramps, Trees, Alphonse Legros (1837-1911)A man with a walking stick sits on a bench in the Haarlemmerhout. On the right, a coach and, in the background, a couple walking with a child by the hand, Carriage and ramblers in the Haarlemmerhout, View of the Haarlemmer Hout , print maker: Izaak Jansz. de Wit, (mentioned on object), intermediary draughtsman: Jurriaan Andriessen, (mentioned on object), Haarlem, 1801, paper, etching, h 209 mm × w 235 mmGarden of the Villa Madama, outside of Rome. Draughtsman: Gerard ter Borch (I) (signed by artist). Dating: 1609. Place: Rome. Measurements: h 275 mm × w 195 mm. Museum: Rijksmuseum, Amsterdam.Rembrandt van Rijn, The Shepherd and His Family, 1644 The Shepherd and His FamilyNear the Woods (Pres du bois). Medium: drypoint and (etching). Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.Landscape with a drinking cow. Mirror-image copy to the Print of the same name from Rembrandt.Sonninger Weg; Graetzer, Alfred (1875-1911); 1911 (1911-00-00-1911-00-00);Partage Plus, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, sun, roads (transport), modernism (style), Schreberg garden (Wrocław), landscapesHouse in the Forest, Gerardus Empaus de Micault, 1863 print Netherlands paper etching forest, woodEtched by Joseph Mallord William Turner, 1775-1851, British, Procris and Cephalus, 1812. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper.View in the village of Waarde, on South Beveland, anonymous, c. 1700 - c. 1800, draughtsman: anonymous, draughtsman: Egbert van Drielst, (rejected attribution), c. 1700 - c. 1800, paper, brush, h 284 mm × w 366 mmHengelaar at a dilapidated hut in a landscape, Jan van de Velde (II), after Pieter de Molijn, after Willem Pietersz Buytewech, 1604 - 1641 print A dilapidated hut in a landscape; On the left a fisherman in a boat. Fourth print from a series of four. Northern Netherlands paper etching / engraving shed. hut, cabin, lodge. angling. treesJersey; Six etching tests.Dwóch jeźdźców pędzi drogą wśród skał. Reinhart, Johann Christian (1761-1847), graphic artistNo. 101. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, FrenchHauling Logs in a Forest (recto); Sketches of People in Various Activities (verso) Artist's working dates 1760-1812 France. Pen and black ink, with touches of brush and gray wash, on tan wove paper . Philippe Jacques de Loutherbourg, IILandscape with Figures 18th or early 19th century Possibly by George Frost. Landscape with Figures 341787Landscape with a funerary monument Six landscapes with ruins (series title), print maker: Theodor Roos, 1667, paper, etching, h 104 mm - w 95 mmHagar in the desert, Jurriaan Cootwijck, after Eustache Lesueur, 1759 print Hagar is located on the ground in a mountainous landscape. An angel points her to a water source. On the right is Ismaël, the child of Hagar, hidden under a bush. print maker: Amsterdamafter drawing by: Paris paper an angel appears and reveals a well of water to HagarLittle Poigny Made 1906 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlanBosgevicht, Johannes Hendrik van West, 1813 - 1881 drawing paper. chalk. pencil drawingThe album of the views from Italy view of Chiaja Taken from vomero. unknownLandscape with S. Rochus, Anonymous, 1600 - 1699 print Octagonal tree -rich landscape. Saint Rochus is sitting by the tree in the middle. An angel looks at the plague bumps on his leg. In addition, a dog. The print is part of an album. paper etching the confessor and pilgrim Roch(us) (Rocco, Rock) of Montpellier; possible attributes: angel (with ointment box or spoon), dog (sometimes with loaf), (pointing at) plague-spot on thigh, pilgrim's shell, staff, hat and wallet. landscapesLittle Burner of Grass (Le petit bruleur d'herbe). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.. Etching on off-white laid paper . Nicolas PérignonWomen Bathing. Paul Huet; French, 1803-1869. Date: 1867. Dimensions: 154 × 229 mm (primary support); 307 × 482 mm (secondary support). Etching on ivory China paper, laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.Liber Studiorum: Twickenham, 1838. John Sell Cotman (British, 1782-1842). Etching;A brook with a grotto and a boat, Rembrandt van Rijn, 1645 print paper etching / drypointHarvesters (Les moissoneurs). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.Jean-Baptiste-Camille Corot, The Little Shepherd, 2nd Plate (Le Petit Berger, 2me planche), c. 1855, printed 1921, cliché-verre, gelatin printing-out print.Genoels, Abraham, work, Vesiallas, (1000 - 2000), line etching, graphics, image width 20.5 cm, image height 14 cmVille d'Avray, d'apres Corot, (2nd state).. Lalanne, Maxime (1827-1886). Avery, Samuel Putnam, 1822-1904. Prints. 1876 - 1881. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Bordeaux (France), Haarlem (Netherlands), Trouville-sur-Mer (France), Amsterdam (Netherlands), Antwerp (Belgium)Riverbank with Serpent 1540-56 Léon Davent. Riverbank with Serpent 697366Penton Hook 1864 Sir Francis Seymour Haden Seymour Haden was the unlikely combination of a surgeon and an etcher. Although he pursued a very successful medical career, he is mostly remembered for his etched work as well as for his writings on etching. He was one of a group of artists, including James McNeill Whistler (1834-1903) and Alphonse Legros (1837-1911), whose passionate interest in the medium led to the so-called etching revival, a period that lasted well into the twentieth century. The extolling of etching for its inherent spontaneous qualities reached its pinnacle during this time. While the line of the etching needle, Haden wrote, was "free, expressive, full of vivacity," that of the burin was "cold, constrained, uninteresting," and "without identity."In this work, an ancient, hollow tree leans over a river, as a man rests against the trunk and a boy fishes at left. Harrington's early catalogue describes this as the first state "with the dry-point touches in various parts ofAugustin Hirschvogel, River Landscape with the Temptation of Christ, 1545 River Landscape with the Temptation of ChristSoldatenbivak. .Capriccio with Fountain and Frolicking Swans 1772 France. Pen and brown ink, with brush and blue and brown wash, on ivory laid paper, perimeter mounted on cream laid paper . Jean Baptiste HuetSketch made for a Vignette by Mr. Ed Hall's History of Caernarvonshire, Which Was Never Published, Isaac Weld, 1774-1856, Irish, 1809, Pen and brown ink, over graphite on thick, moderately textured, cream, wove paper, Sheet: 11 × 16 3/8 inches (27.9 × 41.6 cm)Anonymous drawing of a landscape featuring a shepherd playing the shawm, executed in pen with diagonal crease.Clearing in a Wooded Landscape. Artist: Marco Ricci (Italian, Belluno 1676-1730 Venice ()). Dimensions: 11 1/2 x 7 13/16in. (29.2 x 19.8cm). Date: 1676-1730. Museum: Metropolitan Museum of Art, New York, USA.Alphonse Legros, Wash house, called The Washerwomen (Le lavoir, dite Les Laveuses) Wash-house, called The Washerwomen (Le lavoir, dite Les Laveuses)Toyokuni I, work, Actor Kataoka Nizaemon VII as the bandit Ishikawa Goemon, (1817), color woodblock print, graphicThree waxes with child for a house, Jean Baptist Leprince, 1771 print paper etching laundering. cottageThe Debacle of de Lesseps, Panama 1912 United States. Etching on ivory laid paper . Joseph PennellA Rocky Hillside. Claude Lorrain; French, 1600-1682. Date: 1635-1636. Dimensions: 209 × 276 mm. Pen and brown ink, brush with brown, pink, and green wash, heightened with white gouache, over traces of red chalk, on cream laid paper. Origin: France. Museum: The Chicago Art Institute, USA.Drawing Funnen omärkt i magasinet.unknown, Paris, Bonenfant, Antoine, Antwerp, Bril, Paul, Nieulandt, Willem van (II), Italian landscapes, Mountain landscape with wooden aqueduct, verso - stamped, A wooden aqueduct over a stream in a mountain landscape. To the left of the aqueduct a waterfall, bottom left two men and a dog. Print from a series of Italian landscapes., print, prent, prints, height 244 mm, width 321 mm, Northern Netherlands, 1584 - 1635, print maker, printmaker, 1594 - 1635, paper, papier, etching, engraving, engraving (printing process), Work conception, 1554 - 1626-10-07, after a design by, Publication (Event), Publication, publisher, uitgever, Publicatie, verlener, verlener van privilegeSir Robert Smirke the younger, 1781-1867, British, Scenery at the Entrance of the Tyrol, 1802-1804. Graphite on moderatly thick, moderately textured, beige, wove paper.Canal Landscape with a Fisherman. Artist: Attributed to Jacob van Ruisdael (Dutch, Haarlem 1628/29-1682 Amsterdam). Dimensions: sheet: 5 1/16 x 7 15/16 in. (12.9 x 20.2 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.Wooded Landscape with Donkeys and Goats, and Castle on Hill in Distance. Paul Bril (Flemish, 1554-1626); after Pieter Bruegel, the elder (Flemish, 1525-1569). Date: 1569. Dimensions: 345 × 246 mm. Pen and brown ink on buff laid paper. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.Noyant, 1883. Maxime Lalanne (French, 1827-1886). Etching;View in Gelderland, Nicolaes Maes, 1650 - 1660, draughtsman: Nicolaes Maes, draughtsman: Rembrandt van Rijn, (rejected attribution), 1650 - 1660, paper, pen, brush, h 145 mm × w 197 mmGarden view with decorations. Draughtsman: Dionys van Nijmegen (possibly). Dating: 1715 - 1798. Measurements: h 202 mm × w 166 mm. Museum: Rijksmuseum, Amsterdam.Rural Face of the Zoom of a Dorp, Hippolyte Emmanuel Boulenger, 1869 print paper etching prospect of village, silhouette of villageL'Avalanche: Frontispiece du 'Triomphe de la Mort' , Trees, Rocks, Scythes, Alphonse Legros (1837-1911)The Good Samaritan. Artist: Hanns Lautensack (German, Bamberg () ca. 1520-1564/66 Vienna). Dimensions: Sheet: 7 7/8 x 11 3/4 in. (20 x 29.8 cm). Museum: Metropolitan Museum of Art, New York, USA. Author: Hanns Lautensack.Use, Charles Rochussen, 1842 print Masonry diver bridge, with wooden handrails, over a ditch. There are flowers at the ditch. The Hague paper etching / drypoint bridge. small canal, ditchSunday Walk Made 1913 France. Etching on cream laid paper . Louis Auguste LepèreLandscape with Three Gabled Cottages Beside a Road. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: sheet: 6 9/16 x 8 3/16 in. (16.7 x 20.8 cm). Date: 1650. Museum: Metropolitan Museum of Art, New York, USA.Scotch Fir, from The Park and the Forest. James Duffield Harding (English, 1798-1863); printed by Charles Joseph Hullmandel (English, 1789-1850); published by Thomas McLean (English, 1788-1875). Date: 1841. Dimensions: 395 × 293 mm (image); 541 × 369 mm (sheet). Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé). Origin: England. Museum: The Chicago Art Institute, Chicago, USA.Stage decor: the forest; Theater decors of the new Amsterdam Theater, 1775-1777. The Coulis Decor Het Bosch, with a scene from: Don Quixote. Part of a series of six stage deposits of plays raised in the new Amsterdam Theater from the years 1775-1777.Johann Heinrich Roos illustrates a shepherd couple with their herd near a fountain, executed in brown ink with graulavings around 1672.Scene from the play Don Quixote on the Wedding of Camacho. Draughtsman: Reinier Vinkeles (I) (mentioned on object). Dating: 1751 - 1816. Measurements: h 305 mm × w 380 mm. Museum: Rijksmuseum, Amsterdam.Oscar Bluemner, Flushing Road, Laurel Hill, 1877-1938, pencil on wove paper.unknown, France, Langlois, François, Bella, Stefano della, Paysages et ruines de Rome, Landscapes and ruins in Rome, Frontispiece with fragments from antiquity, verso - stamped, A landscape with fragments of monuments from antiquity in the foreground. On the left, an empty coat of arms of a cardinal. In the background on the right a ruin., print, engraving, title print, prints, engravings, height 125 mm, width 132 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever van privilegeSummer Morning. David Lucas (English, 1802-1881); after John Constable (English, 1776-1837). Date: 1831. Dimensions: 140 × 217 mm (image); 175 × 252 mm (plate); 292 × 432 mm (sheet). Mezzotint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), dragon at the foot of a tree. (Dutuit 139 bis) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk. David Lucas (English, 1802-1881); after John Constable (English, 1776-1837). Date: 1830. Dimensions: 139 × 180 mm (image); 235 × 242 mm (plate); 293 × 431 mm (sheet). Mezzotint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.Etching by Rembrandt from around 1650 depicting a landscape with a milkman, showing figures and rural scenery in composition.The memorial to Witte van Haemstede, erected in 1817 by David Jacob van Lennep at the Huis te Manpad in Heemstede, Gerrit Lamberts, 1817 - 1850, The memorial to Witte van Haemstede, erected in 1817 by David Jacob van Lennep at the Huis te Manpad in Heemstede, commemorating the battles at the Manpad in Heemstede: The victory over and expulsion of the Flemings on 26 April 1304 and an episode from the Siege of Haarlem on 8 July 1573, draughtsman: Gerrit Lamberts, 1817 - 1850, paper, brush, h 256 mm × w 370 mmErnst Christian Johann Friedrich Preller the Elders 1829 pencil drawing 'Roma Vecchia' shows remains of medieval castles on the Via Latina with small staffage figures and sketchy edging lines.Brown ink over pencil drawing by Max Haider depicting a Dach hunt, one of 13 illustrations on a leaf from the 19th century.Landscape with Figure. Artist: George Morland (British, London 1763-1804 London). Dimensions: Sheet: 9 1/8 x 7 1/4 in. (23.2 x 18.4 cm). Former Attribution: John Constable (British, East Bergholt 1776-1837 Hampstead). Date: 1763-1804. Museum: Metropolitan Museum of Art, New York, USA."Historia lisa", projekt ilustracji do bajki. Piotrowski, Antoni (1853-1924), draughtsman, cartoonistMan for a wooden gate, Arnoud Schaepkens, 1831 - 1904 print paper. etching / drypoint gate, entranceThe Little Ford. Jean Jacques de Boissieu; French, 1736-1810. Date: 1803. Dimensions: 146 × 188 mm (image); 226 × 320 mm (sheet). Etching on pale pink paper laid down on ivory wove paper (China paper collé). Origin: France. Museum: The Chicago Art Institute, Chicago, USA.Jan Martense Schenck George T. Plowman (American, 1860-1932). Jan Martense Schenck, n.d. Etching, Image: 6 15/16 x 9 1/16 in. (17.6 x 23 cm). American Art n.d.Artist: Gustave Adolphe Hoffmann, German, 1869-1945, Passing ofDay, Etching, sheet: 19.1 × 29.2 cm (7 1/2 × 11 1/2in.), Made in Germany, German, 19thcentury, Works on Paper -PrintsChen Hongshou (1598-1652), courtesy name Zhanghou and pseudonym Laolian, was a Chinese painter from Zhuji who lived during the late Ming Dynasty era. Chen trained under the famed artist Lan Ying, and developed a plump and profound brushwork style that lent itself to illustrations and tapestry portraits.Tivoli, Showing Rome in the Distance. Towne, Francis; English, 1739/40-1816. Date: 1776-1786. Dimensions: 343 x 248 mm. Pen and black ink and watercolor, with brush and black wash and touches of graphite, on ivory laid paper. Origin: Unknown Place. Museum: The Chicago Art Institute, Chicago, USA.Boat Building. Date/Period: Ca. 1799. Drawing. Graphite on medium, slightly textured, beige, wove paper. Height: 135 mm (5.31 in); Width: 210 mm (8.26 in). Author: Thomas Girtin.Two figures on a bridge near a ruin, draughtsman: Paulus van Liender, 1741 - 1797, paper, pen, brush, h 240 mm × w 303 mmTree with Two Spiral Stai, Stefano della Bella, Italian, 1610-1664, Etching Support: White laid paper, Florence, Italy, Italy, ca. 1653, landscapes, Print, PrintOn the Test, 1859. Francis Seymour Haden (British, 1818-1910). Etching and drypoint;Two Cottages Made 1910 France. Etching on cream laid paper . Louis Auguste Lepère