Rococo and Baroque Engravings

Elegant etchings with romantic themes, featuring lovers, allegories, and historical narratives, characterized by ornate borders and detailed settings.

Hare Majesty / Frederica Louisa / Wilhelmina, / Queen of the Netherlands, Jan Oortman (Sr.) (Possible), 1831 - 1854 print Portrait of Wilhelmina van Pruisen and her daughter Paulina, Princess of the Netherlands, caught in a decorative frame of ranks, draped cloths and weapon. print maker: Netherlandspublisher: Amsterdam paper letterpress printing

Call letter with decorative frame. Greeting letter with unwritten cartouche inside a decorative framework with representations of a rarecy, a couple with children and a fair charm. On verso a grid in pencil.

Calendrier Perpétual, Brush and watercolor over engraving on light blue laid paper, Engraving of a perpetual calendar in the form of a monument within a decorative border. The calendar is hand colored with shades of beige, gold, blue. 'Calendrier Perpétual' is printed in the plinth, the base is a scene of Cronos (Father Time) rowing a boat with a scythe. Two columns rise from the base. The left column shows seven empty oblongs for the days of the week and is topped by a figure of Athene. 'Jours/de la Semaine' is written in the base of the statue. The right column shows the dates of the equinoxes and solstices and is topped by a figure of Hope. 'EPOQUES/des Saisons' is engraved on the base. The columns are connected by a tablet with squares containing figures. Upon the tablet stands an hour glass on a triple base with the words 'QUANTIEME DU MOIS'. A trophy on top contains a scheme for 'COUCHER/du/SOLEIL'., France, 1790-1800, ephemera, Calendar, Calendar

Allegory on the Peace of Crépy, 1670 - 1680 print Allegory on the Peace of Crépy, closed on September 18, 1544 in Crépy between Frans I of France and Charles V of the Holy Roman Empire. A coat of arms is covered with the order of the Golden Fleece and is held by a crowned two -headed eagle. In his right leg, the eagle holds a rooster that spits the French lily. Up and below the eagle are bander rolls with Latin text. Entirely at the bottom of the print a representation of a landscape. paper etching double-headed eagle. armorial bearing, heraldry. knighthood order of the Golden Fleece. symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). fowl (cock, hen, chicken, etc.)

Frankendaal, Nicolaas van, Emblematic representation of a beehive, Emblematic representation on which a beehive is surrounded by an elegant frame, adorned with the Amsterdam city coat of arms. On either side of the beehive, old age and youth are depicted with the images of an old man (left) and a young couple (right). In the background sits Apollo, surrounded by his Muses. A motto is written on a cartouche below the beehive., print, prints, height 74 mm, width 66 mm, 1720-09-15 - 1791-07-11, print maker, printmaker, 1762 - 1762, paper, papier, engraving, engraving (printing process)

Memorial to George Higginson from Mrs. Martha Higginson from East Ham Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4 × 10 3/4 inches (37.5 × 27.3 cm), architectural subject, church, memorial, East Ham, England, Greater London, London, St Mary Magdalene Parish Church, United Kingdom

Design for Mirror Frame ca. 1720-40 Giovanni Battista Natali III Italian This beautiful design for a mirror was made by the Italian artist Giovanni Battista Natali III. He has drawn one half of the mirror in full detail, and only suggested certain details for the other half where changes to the design could be considered. The mirror is rendered in a late Baroque style, which places it relatively early in Natalis career. His later designs show the emergence of the new Rococo style which culminates in his involvement in the production of the so-called Salottino di Porcellana (Small Porcelain Room) for the Queen of Naples, Maria Amalia of Saxony. Not much is known about Natalis career, which can partly be credited to the fact that he was active in various art disciplines in different cities throughout Italy, making it difficult to trace his oeuvre. He was, moreover, also involved in the production of artworks of an ephemeral nature, such as set pieces for festivals and the theater which

Vissersplaats, Friedrich Brentel, 1617 print paper etching commercial fishery. ornament ~ cartouche

Man under shelter, Jeanne Deny, After Jean Baptiste Pillement, 1770 print In a landscape there is a man next to a staircase under a parasol -shaped shelter. He holds a stick with round shape in his hand. The serial title at the front. Paris paper etching sitting figure. shed

CARLOS II. TRATADO DEL ORIGEN...S.XVIII Y ARTE DE ESCRIBIR BIEN.. B.U.B. Author: FRAY LUIS DE OLOT.

Atget, Eugène (Jean Eugène Auguste Atget, dit) (n.1857-02-12-D.1927-08-04), decor, hotel of the Austria Embassy (Hotel de Matignon), 57 rue de Varenne, 7th arrondissement, Paris (dummy title), 1885. Draw on albumin paper. Carnavalet museum, history of Paris.

! If I were lost you would find me in the heart of your Roy. Tacite pact, the king, the nation. To the Minister Citizen, by the Third State of the Country Sonnois, Province of Maine (IT)

Commemorate by this print how the dear homeland, / at all tyd her bloey, found by Oranjes Hand, Johannes Donker, 1806 print Graftombe from Willem V, with a rectangular base on which a pyramid stands on which his portrait is depicted in Laurierkrans and his coat of arms. On the base of the tomb, an eight-line, a 32-line verse in four columns under the performance. print maker: Netherlandspublisher: Amsterdam paper letterpress printing grave, tomb. armorial bearing, heraldry

Lithograph by Charles Aubry depicting hunters, showing figures with weapons and animals, produced around 1830, capturing composition, posture, and landscape elements.

Drawing (Italy)

Sepulchral Monument for Poet Orsini of Rome, Pen and brown ink, brush and brown wash, graphite, on blued-white laid paper, lined, Three steps lead to a pedestal flanked by two standing women who hold censers. Two putti hold festoons on the pedestal., Inscription:, GIACE.QUI.IL.LIRICO/ POETA.CHE.SCRISSE/ E.DISSE.IN.ARCHADIA/ BENISSIMO., Two strange animals carry a cinerary box with he inscription 'ORSINI.R(oma)no'. In landscape. Bordered by ink and blue paper stripes., Italy, after 1795, architecture, Drawing, Drawing

Monument of Lord Chancellor Eldon, John T. Wedgwood, active 1839, unknown artist, (Thomas Sharp), 1839

Bookplate of Sámuel Székely de Doba. unknown, graphic artist

Valk op de hand / Landschap met één boom; Majora Cedunt / Semper Eadem; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Above a hand with a falcon. Byond this a seascape with one tree in the foreground. The reserves of King Johan I and King Henry IIII of Castile.

Wish letter with flowers and birds, 1820 print Wish letter with described cartouche within a decorative framework with representations of flowers and birds. Handwritten message in calligraphy (fair price) by C. Visser to his uncle and Peet. Numbered below: 70. Netherlands paper. ink etching / pen birds. flowers

Four Familienwapens, Johanna Dorothea Sysang, after Daniel Nikolaus Chodowiecki, 1774 print paper etching armorial bearing, heraldry

Charlotte Corday destroyed the Anarchische Unheld Marat, the 17 July 1793 SIC (TI)

Crown on a pillow surrounded by an angel, putti, a unicorn, minerva and hercules, Nicolas Dorigny, after Carle van Loo, 1735 - 1741 print Paris paper etching / engraving crown (symbol of sovereignty). (story of) Minerva (Pallas, Athena). unicorn

Project for an Epitaph in High Relief, Vincenzo Gajassi, Italian, 1801 - 1861, Graphite, pen and ink on paper, Aedicule with pilasters decorated with candelabra. At center, an angel with book over a recumbent effigy., Italy, 1850-1860, architecture, Drawing, Drawing

The stairs of the old age, 1795 - 1819 print A staircase of old age: a parentrope. On the steps of the stairs, in the form of a bridge, there are men and women between the ages of 0 and 100. Under the bridge a cartouche with fresh. A curtain on either side of the show. Numbered at the top right: No. 1. Amsterdam paper letterpress printing the ages of man represented by a staircase. human life divided into stages

unknown, Amsterdam, King, Wilhelmus, Engelbrecht, Martin, Northern Netherlands, Folkema, Fopje, Bombario Actionist and the Spirit of Aesop, Le Patrouille Nocturne, qu le vigilant espion des tous les sourbes, Land-patrolius van duisterheim or Nacht broke der Laberlotten, Blaszl Broatgosch Iuramentirter Nachtwachter ündt Rumorwachs Adjunct, in würcklicher function, The dwarf Land-patrolius van duisterheim, 1720, The dwarf Land-patrolius van duisterheim as night watchman. In the caption verses in German, French and Dutch. Numbered right middle: 45. Print within a decorative frame printed from a separate plate with dwarves and a goat at the bottom. Part of part II in the second Dutch bound edition of 1720 (and related to the Windhandel in that year) of a series of caricatures with dwarfs, known as Het Dwergentooneel, partly copied after an older German example., print, engraving, caricature, books, Frederik Muller Historieplaten, height 169 mm, width 105 mm, height 275 mm, width 175 mm, pr

The stairs of old age. A staircase of the age: a parent staircase. On the stairs of the stairs, in the form of a bridge, men and women are aged at the age of 0 to 100 years. Under the bridge a cartouche with fresh. On either side of the show a curtain. Numbered at the top right: No. 1.

Basement of an obelisk with the portrait of Domenico Fontana, Anonymous, 1714 - 1756 print France paper etching historical persons. obelisk, needle

The Hague, Publishers of the Royal Museum of The Hague, Amsterdam, Desguerrois & Co., Netherlands, Meulen, van der, Willem I First constitutional King of Holland, restorer of our National freedom and independence, Allegory of the virtues of King Willem I, 1831, printed, Allegory of the virtues of King Willem I in seven representations for each letter of his name. In the center, the people pay homage to a bust of the monarch. An arched inscription lists the virtues of the king that are illustrated in the representations. On the left the coat of arms of the Netherlands, on the right the seven provinces., print, prints, Frederik Muller Historical plates, verso - stamped, height 407 mm, width 522 mm, intermediary draughtsman, after a drawing by, 1831 - 1831, paper, papier, lithografie (technique), print maker, printmaker, Nederlands, printer, drukker, Publication (Event), Publicatie, publisher

Map of Suriname, Alexander de Lavaux, 1737 Map of Suriname with richly decorated edge in which the weapons of the eleven directors and the secretary of the Society of Suriname, with leaf vines, flowers and fruits. The weapon at the bottom (composed of the weapons of Amsterdam, the WIC and the Sommelsdijck family) with two Surinamese men as shield carriers. Around 400 plantations are indicated on the map. SurinameNetherlands silk printing maps of separate countries or regions. coat of arms (as symbol of the state, etc.). African Americans. slavery; serfs and the enslaved. ornament derived from plant forms Suriname

Amsterdam, Wendel, Jacobus, Nederland, Donker, Johannes, Herdenk by dezet prent hoe 't dierbaar vaderland, Ten tim bloey, vond door Oranjes hand, Netherlands, verso - gestempeld, Tomb of William V, with a rectangular base on which stands a pyramid, on which his portrait in laurel wreath and his coat of arms are depicted. On the base of the tomb an eight-line verse, below the image a 32-line verse in four columns., print, prent, popular print, prints, popular prints, height 412 mm, width 329 mm, 1795-09-13 - 1869-07-27, print maker, printmaker, 1806 - 1806, paper, papier, houtsnede, letterpress printing, boekdruk, Publication (Event), Publicatie, Nederlands, publisher

Their imprudence. Presumption pride and tyranny make humiliated (IT)

Table decoration at the Golden Wedding of Burger Gerrit Hooft, 1757; Table-Sieraed Ter Golden Wedding Van Den Weldelen Stranded Lord Mr. Gerrit Hooft, Civilmaster and Raed der Stad Amsteldam (...) and Mrs. Hester Hinloken; celebrated in Amsteldam den 28 from Zomermaend des Jainen MDCClvii.table Decoration for the Banquet on the occasion of the Golden Wedding or Civilmaster of Amsterdam Gerrit Hooft and His Wife Hester Hinloos, on June 28, 1757. Decoration or Ornament in Cakes in the Form or A Garden With a Temple, Journeys and Allegorical Figures, Made by the Amsterdam Sugar Baker Adriaen Kok.

Langendijk, Dirk, Rotterdam, Roosing, Hendrik, Ballot paper for a citizen in Rotterdam, 1796, verso - stamped, 1796. Cartouche in which the name of the person entitled to vote and the number of the district can be filled in. On either side of the cartouche standing figures of Liberty and Equality, at the bottom two children as Brotherhood. With text and date on the back., print, prints, Frederik Muller Historieplaten, height 120 mm, width 95 mm, Noord-Nederlands, 1763 - 1826-07-07, print maker, printmaker, 1796 - 1796, paper, papier, etching, etchings, engraving, engraving (printing process), 1748-03-08 - 1805-12-15, intermediary draughtsman

Allegorical show about France, Spain, America and England, Anonymous, After Monogrammist GDD, 1700 - 1750 print France paper etching / engraving beasts of prey, predatory animals: tiger. fowl (cock, hen, chicken, etc.). beasts of prey, predatory animals: lion. snakes

Coat of arms with four lions and water waves. On either side of the weapon an allegorical female figure.

William Blake, Job and His Daughters, 1825 Job and His Daughters

Memorial to Rupert and Mary Billingsley from Drayton Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, sligthlty textured, cream wove paper, Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm), architectural subject, church, memorial, England, Greater London, Hillingdon, London, St Martin's Church, United Kingdom, West Drayton

Design for a monument for C. Brunings: a bust in a niche, Bartholomeus Zijnsenis, 1806 drawing Design for a monument for C. Brunings; A bust in a niche with putti, on a column. paper. watercolor (paint) brush other memorial structures. historical persons. piece of sculpture, reproduction of a piece of sculpture

Tennecres, Christian Ehrenfried Seifert of.

The stairs of the old age, 1831 - 1854 print A staircase of old age: a parentrope. On the steps of the stairs, in the form of a bridge, there are men and women between the ages of 0 and 100. Under the bridge a cartouche with fresh. A curtain on either side of the show. Numbered at the top right: No. 1. Amsterdam paper letterpress printing the ages of man represented by a staircase. human life divided into stages

Klingholz Fritz (1861-1921), invitation card to the Festival of the 3rd Reit. Battery Hess. Field Art. Regmts. (1890-1890): Views and text. Pressure on cardboard, 10.9 x 15.1 cm (including scan edges) Klingholz Fritz (1861-1921): Einladungskarte zum Fest der 3. reit. Batterie hess. Feld Art. Regmts.

Vignette with a lion, a crown and the coat of arms of the city of Haarlem. .

Doge Agostino Barbarigo kneeling BC; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. On top a medallion with Doge Agostino Barbarigo on the front kneeling before Christ in the clouds. A memorial is dedicated to Marco and Agostino Barbarigo on the back. The pedestal is flanked by two female personifications. On the left is a woman on a sky globe between the clouds and with a rod in her hand. On the right the personification of the fame: a woman with a gold ring with precious stones such as crown and a pyramid in her hands. The print is part of an album.

Coat of arms of the Overlander family, Pieter Jansz, 1660 - 1672 drawing Possibly a design for a stained glass window. paper. ink. graphite (mineral). chalk pen / brush armorial bearing, heraldry

Paris, Poisson, Parijs, Alliance et Union éternelle entre les Républiques Française et Batave, Medallion on the Alliance between the French and the Batavian Republics, 1795, verso - stamped, Allegorical medallions on the Alliance between the French and Batavian Republics, 1795. On the left an allegory of the new alliance (Frenchman with revolutionary cap and the Dutch maiden with a liberty cap on a stick). On the right the Dutch representatives Blauw and Meyer receive the brotherly kiss from the chairman of the French Convention on 6 Messidor, An 3., print, prent, prints, engravings, Frederik Muller Historieplaten, height 111 mm, width 210 mm, print maker, printmaker, 1795 - 1795, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, publisher

Framed French text with olive branches and telemachus with an urn, Jean-Baptiste Tilliard, 1785 print Thirteen -line French text, entitled 'Livre XXI' with an image of Telemachus underneath that hands over an urn to a kneeling man for him. The whole is framed by a decorative frame with olive branches and a bow at the bottom. print maker: Francepublisher: Parispublisher: Parispublisher: Parispublisher: Parispublisher: Paris paper etching / engraving (FENELON, Telemachus) specific works of literature (with AUTHOR, Title). (story of) Telemachus. ornament ~ festoon, garland

William Blake, 1757-1827, British, Illustrations of the Book of Job in twenty-one plates. Folio of engravings with covers.

Sineprent on the peace of Aachen, 1748; Temple of the Vreedens: Today's Van den Zoo Long Wanted as Zeegen-Ryke Vreede: Fuckery, under the sewnage company of his significant highness, Willem Carel Hendrik Friso (...) Sucoted and signed within Aachen, den 18. October, of the year 1748. Allegory on the Peace of Aachen closed on October 18, 1748 between the Allies (Republic, England and Austria) on the one hand and France, Prussia and Spain on the other. At the gate of the Dutch garden, peace and bravery personifications, for the temple of peace, are the state administration with the Dutch lion. Outside the garden, the reports are defeated as own attention, envy and ignorance. On the leaf under the plate a fresh and the legend 1-38 in a statement in three columns.

Title print with a monument with title, flanked by Faam and Vadertje Tijd, Etienne Dupérac, 1575 Print is part of an album. maker: Italypublisher: RomeVaticaanstadItaly paper engraving Print is part of an album. maker: Italypublisher: RomeVaticaanstadItaly paper engraving

Frontispiece, 'Queenly St. Ursula' (La Regina Sant'Orsola), from a series of prints for the performance of the St. Ursula tragedy, presented in Florence at the beginning of the 17th century ca. 1640-56 Alfonso Parigi Italian. Frontispiece, 'Queenly St. Ursula' (La Regina Sant'Orsola), from a series of prints for the performance of the St. Ursula tragedy, presented in Florence at the beginning of the 17th century 397912

Grafmonument van Anthonius Candidus de Hoensbroeck-Geul en Anna Maria van Berghe, alias Trips; Monumement Funeraire á Oost.Between two pilasters with coats of arms a cartouche with a caption in Latin. Around the cartouche a cherub and a skull. In addition to a ribbon the coat of arms of the deceased.

The stairs of old age. A staircase of the age: a parent staircase. On the stairs of the stairs, in the form of a bridge, men and women are aged at the age of 0 to 100 years. Under the bridge a cartouche with fresh. On either side of the show a curtain. Numbered at the top right: No. 1.

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Robert Diecrowe and Joan Diecrowe his Mother and Robert Wheter his Master from Enfield, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Mirror. Mirror list with rocaille ornaments and putto. Print number 490, publishing number 108.

Protection (unfolded) Vicenza, Teatro Olimpico. Protection for drawings of architectural standards on stage

Portrait of Operazanger Ruzza Todi. .

Rocaille cartouche; Eve Ünd Nach der Neütsen Façon Eingerichete Vassi (...). Rocaille cartouche with series title, in a landscape. Print number 180, publishing number 37.

The shade of Napoleon visiting his tomb ca. 1831 Anonymous. The shade of Napoleon visiting his tomb. Anonymous , British, 19th century. ca. 1831. Lithograph. John McCormick (British, active London, 1829-40). Prints

Lang Leeve Oranje / Willem de VDE. Equestrian portrait of Willem V in an oval ornamental table of orange tree branches. Middle above a coat of arms. Under the show a twelve arrangement fresh in two columns. Numbered at the top right: No. 60.

Bernard Picarts 1734 or earlier pen and brush drawing depicts Juda and Tamar from Genesis 38:25, focusing on figure, gesture, and biblical narrative.

Personalized Design, Henry Swinburne, 1743-1803, British, 1776, Pen and brown ink, over graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 1/4 × 11 inches (41.3 × 27.9 cm) and Sheet: 4 3/4 × 3 inches (12.1 × 7.6 cm)

Deutsche Dichtungen mit Randzeichnungen Deutscher Künstler. I. Band (Lider und Bilder, II) 1843 Wilhelm Camphausen German. Deutsche Dichtungen mit Randzeichnungen Deutscher Künstler. I. Band (Lider und Bilder, II) 346814

Solar Law. Charles Meryon; French, 1821-1868. Date: 1855. Dimensions: 118 × 80 mm (image); 118 × 80 mm (plate); 163 × 242 mm (sheet). Etching, from two plates, one printed in warm black, the other in red ink, on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Lemmens, Lievens.

Maria Theresia, Gottfried Bernhard Goetz , Artist

Brussels, Schouten-Carpentier, Courtois, Militaire costumen van het Koninkryk der Nederlanden, Pedestal with coat of arms trophy, verso - stamped, Coat of arms trophy on pedestal, in the background a standing soldier and a warship., print, engraving, frontispiece, prints, engravings, height 362 mm, width 288 mm, print maker, printmaker, 1820 - 1825, paper, papier, lithografie (technique), handkleuring, printer, drukker, Publication (Event), Publicatie, publisher

Title Page, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print, Print

Vignette with the personification of Charity Virtues and vices (series title), Vignette with the image of personified Charity in a cartouche. At the top of the cartouch list is a pelican that feeds its young with blood from its own chest. Gentleness is veiled, next to her are two small children. The print is part of a series of book illustrations about virtues and vices, Generosity, Liberality, 'Generosità', 'Liberalità' (Ripa), Jacob Folkema (mentioned on object), 1723 - 1767, paper, etching, h 93 mm × w 121 mm

Wish letter with drinking farmers, 1830 print Wish letter with described cartouche within a decorative framework with performances of drinking farmers in a landscape, children playing, a lady with a lute and a man with a winch. Handwritten message in calligraphy (birthday wish) by J. Morel to her mother. Numbered at the top right: No. 2. publisher: Amsterdamprint maker: Netherlands paper. ink etching / pen farmers. human types. characters (human types). drinking

Allegorical show with tomb, Simon Fokke, 1722 - 1784 print Allegorical representation with different personifications around a tomb. A skeleton tries to touch the man lying on the tomb with a spear. Devil's figures fly in the air. A putto is crying at the foot of the tomb. Amsterdam paper etching / engraving / letterpress printing grave, tomb. Death as skeleton. devils in the form of (fabulous) animals

Design for stained glass window 14 donated by the Mayors and Councils of Amsterdam, Pieter Jansz, 1666, Design for stained glass window with arms of Andries de Graeff, Agatha Hasselaers, Gerard Hasselaers, Henrietta van Graft, Simon van Hoorn, Hendrick Hooft, Nicolaas Hooft, Cornelis van Outshoorn, Cornelia Franke, Hendrick Dirck Spiegel, Catharina Opsie, Cornelis Witsen, Duifje van Gerwen, Joan van de Poll, Maria Spiegels, Gerard Schaep, Jacoba Ranst, Gillis Valckenier, Elisabeth Bicker van Swieten, Anna van Hoorn, Nicolaas Tulp, Cornelis van Vlooswijck and Margarita van Outshoorn., draughtsman: Pieter Jansz., draughtsman: Jan de Bray, (rejected attribution), 1666, paper, pen, brush, h 567 mm × w 221 mm

Frontispiece for Peter Heylyn's 'The History of St. George of Cappadocia', published 1631, engraving, Edward Marshall (artist) English, 1578 - 1675

Title Page and Eleven Prints of Flowers, Plants, And Fruit, Crispijn van de Passe (I) (Attributed to), After Crispijn van de Passe (I), 1600 - 1604 Cartouche with frame of rolling work. Used as the title print of the series, entitled: Cognoscite Lilia Agri Quomodo Crescant, Non Laborant, Neque Nent: Attamen Dico Vobis Ne Salomonem Quidem in Universa Gloria Sua Sic Amic et unum ex ex His. That is: see the lilies in the field, see how they grow. They don't work and don't weave. Do not spin the lilies. I tell you: even Solomon was not dressed as one of them in all his listening (Matt. 6). Left and right of the cartouche a vase with flowers. paper engraving title-page. scrollwork, strapwork ~ ornament. vase ~ ornament. botany. flowers

Texts in the presentation of the accident of Count Johan Maurits on the bridge of Franeker, 1665, 1665 print Leaf with a cartouche with two texts belonging to the first album with the presentation of the accident of Count Johan Maurits on the bridge of Franeker, January 6, 1665. Cartouche formed by a festoon of fruits held by two griffins. On the left a verse of six lines in Latin, on the right a verse of 4 lines in Dutch. Northern Netherlands paper etching Franeker

Design for title page of Recueil de Lions. Design for a title page and print.

Wish letter with skating people, 1833 print Wish letter with described cartouche within a decorative framework with a performance of skating people between two clowns. Handwritten message in calligraphy (Christmas letter) by Klaas Duives to his grandmother. Numbered at the top right: No. 24. Print Maker: The bepublisher: Roterdam paper. ink etching / pen skates (winter sports). clown

Crowned coat of arms flanked by two eagles, Stefano della Bella, 1620 - 1664 print Crowned coat of arms flanked by two eagles with a text to glorify Emperor Ferdinand II. print maker: Italypublisher: Florence paper etching coat of arms (symbol of sovereignty)

Barbarigo, Giovanni Francesco, Rome, Audenaerd, Robert van, Numismata virorum illustrium ex Barbadica gente, Console with liturgical attributes, verso - stamped, A console with liturgical attributes, such as dishes, a candlestick, a cross, a candle and a book of prayers. The dish on the right back is decorated with the arms of the Barbarigo family. Above that a cardinal's hat. The print is part of an album., print, album sheet, prints, height 182 mm, width 180 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, engraving, engraving (printing process), Italian, 1658-04-29 - 1730-01-27, patron

Daniel Lysons, 1762-1834, British, Memorial to Carous Scarburgh from Cranford Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Arnhem, Moeleman, Johan Hendrik, Riemsdijk, WCP van, Northern Netherlands, Wit, Izaak Jansz. de, Title page for: Gedagtenis voor Arnhems burgers, 1783, verso - stamped, Title print with an allegorical representation of a monument with the year 1783, with three busts and accompanying family crests of Haersolte, Umbgrove and Gaymans. On the left Liberty, on the right a woman is sacrificing on an altar. In front of the column is a lion with a document on which it says: Arnhems olde Rechten. Following the declaration of their patriotism in the States Assembly in Zutphen in August 1783 by these three men., print, engraving, title page, Frederik Muller Historieplaten, height 215 mm, width 131 mm, Noord-Nederlands, 1744-12-09 - 1809-03-13, print maker, printmaker, 1783 - 1783, paper, papier, etching, etchings, engraving (printing process), Nederlands, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Vignet with the coat of arms of the city of Amsterdam. The coat of arms of the city of Amsterdam with a crown, two lions and three Andrew crosses.

Daniel Lysons, 1762-1834, British, Memorial to a Poet, Richard Tickell from Hampton Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Rotterdam, Scheffers, Johannes, De trap des ouderschaps, verso - gestempeld, Een trap des ouderschaps: een parentap. On the steps of the staircase, in the form of a bridge, are men and women aged 0 to 100. Under the bridge is a representation of the Last Judgement. On either side of the representation is a curtain. Above the image is a verse in three columns, below the image is a verse in four columns. Numbered top right: No. 21., print, prent, volksprent, prints, prenten, volksprenten, height 330 mm, width 420 mm, Publication (Event), Publication, Dutch, publisher, 1789 - 1826, paper, woodcut, colors, letterpress printing, letterpress, print maker, printmaker

Allegorical grave monument for Isaac of Goudoever, 1793-1794, Jacobus Wijsman, 1793 print. calligraphy Allegorical grave monument for Isaac van Goudoever, died on September 11, 1793. On the grave the freedom with her hand resting on the portrait of Goudoever on a broken column. To the left of the tomb is Minerva, on the right an allegorical female figure with rudder and horn of abundance. Under the show the calligraphy title. Pendant of the print with grave monument for Henrik Hooft Danielsz. in 1794. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving grave-building, monumental tomb. Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure). calligraphy Amsterdam

Image of the Banner M. 1802 der Batavian Republic, 18th Battailon

Daniel Lysons, 1762-1834, British, Memorial to Mrs. Mary Gregory, Caroline Gregory, John Gregory, Abigail Gregory, William Gregory, Mary Abigail Gregory, six children: Charlotte, Louisa, Georgina, Michael, Emma and George Gregory and Charles John Gregory from Cranford Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Wish letter with man in rowing boat, 1845 print Wish letter with described cartouche within a decorative framework with a performance of a man in a rowing boat. Handwritten message in calligraphy (New Year's wish) by Jakob D. Zwaag to his grandmother and aunt. Numbered at the top right: No. 4. publisher: Rotterdamprint maker: Netherlands paper. ink etching / pen rowing, canoeing, etc. (sport). rowing facing backward, pulling

Escutcheon with a Landscape. Jacques Bailly (French, 1634 - 1679)

Framed French text with olive branches and Jupiter, Jean-Baptiste Tilliard, 1785 print Thirteen -line French text, entitled 'Livre IX' with an image of Jupiter underneath, sitting on an eagle. The whole is framed by a decorative frame with olive branches and a bow at the bottom. print maker: Francepublisher: Parispublisher: Parispublisher: Parispublisher: Parispublisher: Paris paper etching / engraving (FENELON, Telemachus) specific works of literature (with AUTHOR, Title). (story of) Telemachus. (story of) Jupiter (Zeus). ornament ~ festoon, garland

Print, Memorial to William Earl Cowper; Designed by François Boucher (French, 1703-1770); Print Maker: Nicolas Dauphin Beauvais; France; engraving on cream laid paper; Sheet: 62.3 x 41.6 cm (24 1/2 x 16 3/8 in.)

Folkema, Jacob, Scholar in his library, verso - stamped, A scholar sits in his library behind a desk, through the window a view of a nearby town. The representation is set in an elegant frame and crowned with a coat of arms decorated with olive branches., print, prints, height 82 mm, width 123 mm, Dutch, 1692 - 1767, print maker, printmaker, 1702 - 1767, paper, papier, etching, etsen

Parts of an Ionian capital, 1755 print The various literate parts that can occur in an Ionian capital. Among them parts from the Ionian building order stacked on top of each other and decorated with flowers and plants. France paper etching / engraving architectural detail. ornaments ~ art

Design for title page of Receuil de Lions. Artist: Bernard Picart. Draughtsman: Jacques Kuyper. Dating: 1774. Measurements: h 141 mm × w 186 mm. Museum: Rijksmuseum, Amsterdam.

Portrait of Lord Byron and nine performances from his poems, Victor Adam, 1834 print print maker: Parisafter own design by: Parisprinter: Parispublisher: Parispublisher: London paper portrait of a writer. (scenes from) specific works of literature (with AUTHOR, Title). historical persons

Boom for a base of a pilaster, M. Schaep, After Bartholomeus Breenbergh, 1648 print In the middle a pilaster with inscription. Of this pilaster, only the basement and the lower part are still standing. Left front a tree. Print Maker: Northern Netherlands Figter Design by: Amsterdam paper etching half-column, pilaster ~ architecture. trees

De Held van Waterloo / Herdacht op 18 Junij 1865.Memorial plaque for the late King Willem II, nicknamed the Held van Waterloo, in the celebration of the fifties-year anniversary of the battle on June 18, 1865. Central a portrait of Willem II, in a frame with weapons and banners in which three scenes of the battle and the battle and the Return from the Prins in Amsterdam and The Hague.

Monument to Benjamin Stillingfleet. Line engraving by J. Roffe, 1824, after E. H. Locker after J. Bacon.

Cartouche with stater and two women, 1592 Rectangular cartouche with two torches in the middle of a saat. Left and right two naked women with a branch. The Cartouche is a fragment of a map of East Friesland. The print is part of an album. Antwerp paper engraving Rectangular cartouche with two torches in the middle of a saat. Left and right two naked women with a branch. The Cartouche is a fragment of a map of East Friesland. The print is part of an album. Antwerp paper engraving

Diploma of the Warsaw Artistic Society giving honorary community to Józef Chesty; Care, Ignacy (1865-1941); 1910-1911 (1910-00-00-1911-00-00);Chełmoński, Józef (1849-1914), Young Poland (Style), Partage Plus, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance), diplomas, branch Laurowa (attribute), Polish graphics, painting pallets, Poland (culture), brushes

Allegory at the first major meeting, 1651; The greatest power, the Eendracht / daer Dechekracht Heert, 't Rijck Haest is. Allegory at Eendracht reaches the first major meeting of the States General, held in the Ridderzaal from 18 to 21 January 1651. Meeting invested after the death of Prince Willem II on November 6, 1650. On an altar, two soldiers bind seven arrows to one Bundle. Here the virgins of the eight provinces: Gelderland, Friesland, Utrecht, Holland, Overijssel, Zeeland, Zutphen and Groningen. In the air putti with wreaths and bazuin with peace. In the foreground the discord is locked up in a dungeon. A verse of 2 columns is pressed on the plate on the plate.

of 4