Renaissance and Religious Figures

Engravings and artworks depicting saints and prophets with rich iconography, showcasing detailed human forms and spiritual themes.

H. Simon Zelotes, Anonymous, After Hieronymus Wierix, After Jan Ditmaer, After Maerten de Vos, 1580 - 1613 print Saint Simon Zelotes is, seen on the back, between two columns in an architectural accompaniment. He holds a saw in his hand. In the background you can see how he is sawn in half. In the context at the bottom of a two -way caption in Latin. after print by: Antwerppublisher: Cologne paper engraving the apostle Simon Zelotes (or Simon the Canaanite); possible attributes: book, saw, scroll. column, pillar ~ architecture. martyrdom and death of Simon Zelotes: he is sawn in two, or beaten to death

Assets in this Story

St. Thomas ca. 1435-1491 Martin Schongauer German. St. Thomas 367009

"Woodcut by Lucas Cranach the Elder circa 1515 depicting the apostle Peter, featuring detailed figures, gestures, and religious iconography with architectural elements."

Copper engraving by Meister der Propheten und Sibyllen showing the prophet Isaiah, created around 1470.

SaintPhilip. Artist: Albrecht Dürer, German, 1471-1528

. Winter (Hyems) Personified by an old man leaning on a stick and a fire pot in his hand, with a landscape in the background with figures on the ice. Presentation in an ornamental oval cartouche. At the top of the signs of the zodiac belonging to the winter: fish, Capricorn and watermans.

St. James the Less ca. 1435-1491 Martin Schongauer German. St. James the Less 367010

Saint Paul. Engraving after Raphael ().

Saint Martin. Dated: c. 1480/1490. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Israhel van Meckenem after Martin Schongauer.

H. Simon Zelotes, Anonymous, After Hieronymus Wierix, After Jan Ditmaer, After Maerten de Vos, 1580 - 1613 print Saint Simon Zelotes is, seen on the back, between two columns in an architectural accompaniment. He holds a saw in his hand. In the background you can see how he is sawn in half. In the context at the bottom of a two -way caption in Latin. after print by: Antwerppublisher: Cologne paper engraving the apostle Simon Zelotes (or Simon the Canaanite); possible attributes: book, saw, scroll. column, pillar ~ architecture. martyrdom and death of Simon Zelotes: he is sawn in two, or beaten to death

Woodcut by Lucas Cranach the Elder around 1515 depicting the apostle Bartholomew, showing figure, halo, traditional clothing, and early 16th-century German religious iconography.

Cologne, Passe, Crispijn van de (I), XII. Apostolos., The twelve apostles, S. Simon, Apostle Simon, verso lower left - stamped, The apostle Simon, full-length, a book in his left hand, with his right hand resting on a saw. In the background he is being sawn in half. In the margin a caption in Latin. Print from a series with the twelve apostles., print, prent, prints, prenten, height 86 mm, width 55 mm, 1564 - 1637, print maker, printmaker, 1574 - 1637, paper, papier, engraving, engraving (printing process)

St. James Major. Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: sheet: 21 5/8 x 15 3/4 in. (55 x 40 cm)plate: 20 1/2 x 14 5/8 in. (52 x 37.2 cm). Publisher: Nicolaus van Aelst (Flemish, Brussels 1526-1613 Rome). Series/Portfolio: Christ, Mary, and the Apostles. Date: late 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Konrad III., King.

Jacques Callot, Saint Paul, 1608 1611 Saint Paul

Martin Schongauer, Saint Simon, c 1480 Saint Simon

Frygische Sibille, Raffaello Schiambinossi, 1606 - 1609 print The Frygic Sibille standing and leaning on a writing tablet with the left hand. She points up with the right hand. Title and a Latin text in the end margin. Numbered bottom left: 9. Italy paper etching sibyls. writing tablets

A copper engraving by Meister der Berliner Passion depicts Simon the Apostle, created between 1450 and 1470. The print emphasizes detailed facial expression and drapery characteristic of the period.

The Young Drinker, anonymous, after Hendrick Goltzius, 1590 - 1610 print A young man sits on a bench by a vine, a glass on the lips and a second glass in his hand, a book, an hourglass and a torn money grant on the ground by his feet. Under the performance four lines of Dutch text, in which people warn about the consequences of excessive drinking: you lose time, money and health. Pendant of a print of an old man in poor conditions. Netherlands (possibly) paper engraving drinking. drunkard. hourglass

Copper engraving by Meister E.S. from the second third of the 15th century depicting Matthias, showing the figure in detailed composition.

St. Judas Thaddaeus from Christ and the Apostles. Artist: Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd () 1484/85-1545 Strasbourg (Strassburg)). Dimensions: Sheet: 8 5/16 in. × 5 in. (21.1 × 12.7 cm). Date: 1519. Museum: Metropolitan Museum of Art, New York, USA.

Depicts 'Jasobus is Acortor' by Israhel van Meckenem, created as a copper engraving print in the last third of the 15th century, showing figure and composition details.

Dancing Suppose, walking to the left, Cornelis Bos, After Anonymous, 1546 - 1548 print Print from a series of 12 prints with dancing couples in the open air. Neurenberg (possibly) paper engraving dancing at wedding feast - DD - out of doors

Rome, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Christ, Mary and the apostles, Et vitam aeternam amen, Saint Matthias, verso - stamped, Saint Matthias with book and halberd. In the background on the right, Matthias is killed by a soldier with a halberd. In the background on the left Mattias stands with figures in the fire., print, prints, height 524 mm, width 378 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher, uitgever

St. John. 1501 - 1534. Raimondi, Marcantonio, approximately 1480-approximately 1534. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Pen drawing with gray wash by Sébastien Le Clerc depicting a Calabrian man, mounted on paper with a pierced decorative strip, created between 1650 and 1664.

Jacques Callot, Beggar with Dog, c 1622 Beggar with Dog

Copper engraving by Wenzel von Olmütz from the late 15th century depicting Peter, showing figure, gesture, and symbolic religious elements.

A copper engraving from around 1470 by the Master of the Prophets and Sibyls depicting the prophet Elisha, showing symbolic figures and detailed composition in 15th-century European print style.

Depicts 'Juddas Thaddaeus' by Israhel van Meckenem, created as a copper engraving print in the last third of the 15th century, showing figure and composition.

Anton, holy.

A 1520 copper engraving by Sebald Beham showing the Holy Hieronymus positioned on an archway, including detailed robes and architectural elements.

Saint Job, wearing a cloak, from the series 'Piccoli Santi' (Small Saints). Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: 3 1/4 x 1 15/16 in. (8.2 x 4.9 cm). Date: ca. 1500-1527. Museum: Metropolitan Museum of Art, New York, USA.

Antwerp, Aertssens, Hendrik, Netherlands, Bolswert, Boëtius Adamsz., Bloemaert, Abraham, Amsterdam, Sacra eremvs ascetarvm, Hermits, Sanctus Helenus, Saint Helen as a hermit, verso lower right - stamped, Saint Helen as a hermit reading from the Bible. On the verso is a fragment of French text., print, book illustration, prints, height 145 mm, width 90 mm, South Netherlands, 1580 - 1633-03-25, print maker, printmaker, 1590 - 1612, fourth quarter 16th century, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, North Netherlands, 1566-12-25 - 1651-01-27, after a design by, Publication (Event), Publication, publisher, 1622 - 1663

Antwerp, Collaert, Adriaen, Christ and the Apostles, S. Iacobvs Major, Saint James the Greater, verso middle - stamped, The apostle James the Greater in an oval medallion. He holds a pilgrim's staff. In the background his martyrdom by beheading., print, prints, width 65 mm, height, 92 mm, Southern Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1570 - 1618, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

H. Jakobus De Minerere; S. Iacobvs minor; Christ and the twelve apostles, and H. Paulus. The Holy James The lesser state between two columns in an architectural frame. He reads in a book that he holds in his hand. With his other hand he leans against a full-time knife. In the background a face on a hilly landscape. In the box at the bottom of a two-legged caption in Latin.

Sebald Beham, Jacobus the Elder Jacobus the Elder

Master of the E Series Tarocchi, Aritmetricha (Arithmetic), c 1465 Aritmetricha (Arithmetic)

Fleischmann, Albrecht.

Theodo I, Duke of Bayern.

The Angel of the Annunciation. Dated: 1480s. Dimensions: overall: 19.4 x 13 cm (7 5/8 x 5 1/8 in.). Medium: pen and brown ink over traces of black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Swabian School.

Salomon, King of Hungary.

Copper engraving by Tarocchimeister depicting Jupiter, showing planetary symbol, crown, and decorative motifs, created before 1467.

Lech I, Duke of Poland.

. .

St James Minor, from Apostles Artist's working dates 1450-1491 Germany. Engraving on paper . Martin Schongauer

Saturn, standing in a niche, a scythe in his left hand. Below the depiction a three-line Latin caption. This print is part of a series of eight prints of classical gods, based on paintings by Polidoro da Caravaggio on the facade of a Roman house, seen and copied by Goltzius in Rome., Saturn Saturn (title on object) Eight classical gods (series title), print maker: Hendrick Goltzius, (mentioned on object), Hendrick Goltzius, (mentioned on object), after: Polidoro da Caravaggio, (mentioned on object), print maker: Haarlem, publisher: Netherlands, 1592 and/or 1628 - 1709, paper, engraving, h 355 mm × w 212 mm

Portret van Mathieu Molé of Pierre de Seguier, Michel Lasne (Awarded to), 1600 - 1667 print paper engraving historical persons. armorial bearing, heraldry

Portrait of Baccio Bandinelli with Lion 1548 Anonymous, 16th century. Portrait of Baccio Bandinelli with Lion. Anonymous, 16th century. 1548. Engraving. Antonio Salamanca (Salamanca 1478-1562 Rome). Prints

Saint Peter. Dated: 1589. Dimensions: plate: 30.4 x 21 cm (11 15/16 x 8 1/4 in.) sheet: 30.5 x 21.1 cm (12 x 8 5/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Hendrik Goltzius Attributed to Jacques de Gheyn II.

St John the Baptist Artist's working dates 1450-1491 Germany. Engraving on paper . Martin Schongauer

Portrait of Baccio Bandinelli with Lion. Artist: Anonymous, 16th century; After Baccio Bandinelli (Italian, Gaiole in Chianti 1493-1560 Florence). Dimensions: Sheet: 16 5/16 × 12 1/8 in. (41.5 × 30.8 cm). Former Attribution: Niccolò della Casa (French, active Italy, ca. 1543-48). Publisher: Antonio Salamanca (Salamanca 1478-1562 Rome). Date: 1548. Museum: Metropolitan Museum of Art, New York, USA.

Saint Matthew. Engraving by S. Bianchi after G. Petrini after Raphael.

Copper engraving by Meister E.S. titled 'Bartholomäus,' created in the second third of the 15th century, depicting Saint Bartholomew.

Rudolf II of Habsburg (German Emperor), Matham, Jacob, Mander, Karel van (I), Haarlem, Moses, Miriam and Aaron, Aaron, verso lower left - stamped, Aaron in priestly robes, with a flowering staff and a censer. Third print from a series of three., print, prints, height 310 mm, width 218 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1600 - 1604, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1548-05 - 1606-09-11, after a design by, Publication (Event), Publication, publisher, 1552-07-18 - 1612-01-20, granter of privilege

Johann Heinrich, Markgrave of Moravia.

Philipp III. The good, Duke of Burgundy 1601/1750

Sebald Beham, Simon Simon

Hieronymus, holy.

H. Jacobus Greater.

Saint Bartholomew. Line engraving by L. Kilian, 1623, after J.M. Kager.

Ancient Genoese; Ancient habits, modern et all over the world .....

Dancing Couple. Aldegrever, Heinrich (1502-1555/1561), graphic artist

Colleoni, Bartolomeo Stecher: Custos, Dominicusverleger: Custos, Dominicuszeichner: Fontana, Giovanni Battista

Sebald Beham (German, 1500 - 1550), Philip, 1545, engraving

Martin Schonguer (around 1450-1495). The twelve apostles: Saint Simon (Bartsch 43). Engraving (chisel), 1480-1485. Museum of Fine Arts of the City of Paris, Petit Palais. 76854-14 Art medieval, Christianity, engraving in chisel, Christian iconography, religious iconography, Middle Ages, New Testament, biblical character, 15th XV 15th 15th 15th century, engraving

Rinck, Melchior .

Paris, Breton, Richard, Desprez, François, Recueil de la diversité des habits, Series of different costumes, Le More, Man from Africa, recto - stamped, print, prints, height 147 mm, width 85 mm, French, print maker, printmaker, 1562 - 1562, paper, papier, woodcut, Publication (Event), Publication, 1524 - 1571, publisher

Copper engraving by Tarocchimeister 'S' around 1485 depicting the Genius of Time, part of the 'S' series, showing figure, symbolic hourglass, and late 15th-century European iconography.

Antwerp, Wierix, Hieronymus, Schongauer, Martin, Saint Anthony, verso lower left - stamped, Saint Anthony with a staff, a cross and a bell in his hand and a pig at his feet. At the bottom of the representation is 'AE * 14'., print, prent, prints, prenten, height 89 mm, width 60 mm, Work conception, German, 1430 - 1491-02-02, after print by, 1564 - 1564, third quarter 16th century, paper, engraving, engraving (printing process), South Netherlandish, 1553 - 1619-11-01, print maker, printmaker

Giovanni Pico della Mirandola Johannes Picus Mirandulanus. Woodcut by T. Stimmer, 1589.

Bliżej Kultury unknown

The Promenade. Dated: 1520. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: LUCAS VAN LEYDEN.

Historical illustration from the 19th Century, portrait of Erasmus Desiderius von Rotterdam, 1465 - 1536, a Dutch humanist, theologian, philosopher, scholar and author

Lucas Cranach the Elder's woodcut depicts John the Baptist, emphasizing figure, gesture, and traditional religious iconography.

St. Andrew, from the cycle: The Twelve Apostles. Beham, Sebald (1500-1550), graphic artist

Bliżej Kultury Eichler, Gottfried (1715 1770), Motz, Johann Michael (ca 1694 1758)

Heilige Achilles, Frederick Bloemaert, After Abraham Bloemaert, after 1636 - c. 1670 print Saint Achilles sitting in a cell, with a rosary in hand. To his left, the devil will open his mouth. Print from a series of 80 prints and a title print with hermits from the 2nd to the 6th century. paper engraving male saints (ACHILLES)

Writing man; Paintings in the Sistine Chapel.Figure from Michelangelo's Ceiling Painting. Numbered at the bottom right: 38.

Woodcut and type print by Lucas Cranach the Elder from around 1515 depicting the apostle Bartholomäus, showing figure, gesture, and traditional attire.

Antwerp, Galle, Theodoor, Teniers, David (I), Southern Netherlands, Cornelis (I), H. Ambrosius, verso - stamped, Saint Ambrose, standing in a landscape. He is reading a book, in his left hand a bishop's staff. Next to him is a beehive, his attribute., print, prints, height 317 mm, width 240 mm, 1576 - 1650-03-29, print maker, printmaker, 1610 - 1633, paper, papier, engraving, engraving (printing process), Work conception, 1582 - 1649, after a design by, Publication (Event), Publication, 1571 - 1633, publisher

Peter I, King of Portugal.

Hans Baldung Grien, Saint Matthew, 1519 Saint Matthew

Israhel van Meckenem after Master E.S. (German, c. 1445-1503), Saint Bartholomew, c. 1470-1480, engraving

Old man with roll paper, Pieter Serwouters, 1601 - 1657 print Old man with beard and fur collar with a rolled out scroll in hand. He points with his finger at the unwritten writing surface. Amsterdam paper engraving old man. scroll - LL - scroll unfolded

Hispana rustica mul, in or before 1558 Vrouw Naar Rechts, Met Rol Stof en Plankje in the Armen. Prent shipped album "different nations age. Venice paper engraving Vrouw Naar Rechts, Met Rol Stof en Plankje in the Armen. Prent shipped album "different nations age. Venice paper engraving

Antwerp, Huys, Frans, Dukes of Brabant, Portrait of Philip the Fair, verso - stamped, Portrait of Philip the Fair in full length, dressed in the clothes of the Order of the Golden Fleece, a pair of gloves in his right hand. His coat of arms at the top right. The four-line caption in Latin is engraved on a separate plate., print, prent, prints, prenten, verso bottom center - stamped, height 293 mm, width 178 mm, height 34 mm, 1522 - 1562, print maker, printmaker, 1546 - 1562, paper, papier, engraving, engraving (printing process)

Staininger, Hans .

Henry VI, dynasty of the Hohenstaufen, 1165-1197, from 1169 Roman-German King and from 1191 Holy Roman Emperor, Historical, digitally restored reprodu...

Saint Barbara. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master S.

St. Paul ca. 1435-1491 Martin Schongauer German. St. Paul 367038

Hans Sebald Beham (1500-1550). "The four Evangelists: Saint Luke. (Hollstein (volume 3, page 36); Bartsch 57)". Chisel. 1540. Museum of Fine Arts of the City of Paris, Petit Palais. 123048-31 Chisel, 16th 16th XVI 16th 16th 16 Center

Publius Horatius; Romeinse helden.The Held Publius Horatius for feet, raised a sword in the right hand. In the background you can see how he occupies it within a fence on his own against three opponents. Under the show twice two fresh rules in Latin.

Saturn; Eight classic gods. Saturn, standing in a niche, a zeis in his left hand. Under the show a three-legged Latin caption. This print is part of a series of eight prints of classical gods, based on POLIDORO DA CARAVAGIO paintings on the facade of a Roman house, seen and named by Goltzius in Rome.

Vulcan, Raffaello Guidi, after Hendrick Goltzius, after Polidoro give Caravaggio, 1613 print Vulcanus, standing in a niche, a hammer in his right hand, a helmet in his left hand. Rome paper engraving (story of) Vulcan (Hephaestus)

Saint Dominic Reading. Bartholomaeus Spranger; Flemish, 1546-1611. Date: 1568-1578. Dimensions: 306 × 186 mm. Pen and brown ink and brush and brown wash with touches of opaque white watercolor over traces of black chalk on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

Grammar (from the Tarocchi, series C: Liberal Arts, #21), before 1467. Master of the E-Series Tarocchi (Italian, 15th century). Engraving;

Saint Theonas as a hermit Sanctus Theonas , print maker: Christoffel van Sichem (II), (mentioned on object), Abraham Bloemaert, publisher: Pieter Jacobsz. Paets, Amsterdam, 1644, paper, letterpress printing, h 153 mm × w 106 mm

Saint John the Evangelist. Artist: Upper Rhine (Switzerland). Culture: Upper Rhine (Switzerland). Dimensions: 10 7/16 x 6 5/8 in. (26.5 x 16.8 cm). Date: ca. 1480.According to the Golden Legend, the idolatrous priest Aristodemus challenged John theEvangelist: "I will give you poison to drink. If it does you no harm, it will be clear that your master is the true God.'...The apostle took the cup, armed himself with the sign of the cross, drained the drink, and suffered no harm; and all present began to praise God." Christ's favorite disciple is seated here in a Gothic chair, his right hand blessing the cup of poison. The drawing presents a figure type found in paintings of the Upper Rhine. Trimmed to form a rectangle, the originally round sheet was probably used as a design for a stained glass roundel. Museum: Metropolitan Museum of Art, New York, USA.

Claude Vignon's red chalk drawing circa 1650 depicts Christ and the twelve apostles, highlighting individual apostles including Matthew or Judas Thaddäus, composition, and gesture.

Saint Agnes. Dated: c. 1475. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.

Antwerp, Vos, Maerten de, unknown, Sadeler, Raphael (I), Christ, Mary and the twelve apostles, Apostle Thomas, verso lower left - stamped, The apostle Thomas, with a spear as attribute. The print has a Latin underscore with a line from the Credo. The ninth print in a series of fourteen of which the prints with an apostle are numbered from 1 to 12., print, prints, height 97 mm, width 65 mm, South Netherlands, 1560, print maker, printmaker, 1570 - 1600, paper, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04

This copper engraving by Tarocchimeister, created before 1467, depicts Mars, the Roman god of war, illustrating martial power and classical iconography.

H. Tomas, Johannes Wierix (attributed to), after Johannes Wierix, 1609 print Landscape with the Apostle Tomas. He holds a book in one hand, a rocket in the other. print maker: Antwerppublisher: Delft paper engraving / letterpress printing the apostle Thomas; possible attributes: book, chalice, girdle, heart, lance or spear, scroll, square, stones

Tuscany Siena Montalcino Farmacia dell'Ospedale8. Hutzel, Max 1960-1990 Post-medieval: Frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Seated Oriental man, Gerbrand van den Eeckhout (copy after), after Gerbrand van den Eeckhout, c. 1631 - c. 1674, draughtsman: Gerbrand van den Eeckhout, (copy after), draughtsman: Ferdinand Bol, (rejected attribution), intermediary draughtsman: Gerbrand van den Eeckhout, Amsterdam, c. 1631 - c. 1674, paper, h 382 mm × w 258 mm

Anthonis van Dycks portrait shows a young nobleman in full figure with Spanish costume, executed in brush and washes of brown and gray over graphite, with damage in the upper corner.

Portrait of Melchior Rinck, Christoffel van Sichem (I), 1677 print Portrait of the theologian and humanist Melchior Rinck. He points to a book that lies in front of him. Behind him a window in which a bird runs. Middelburg paper engraving

Jacques Callot, Saint Bartholomew, published 1631 Saint Bartholomew

Woodcut by Lucas Cranach the Elder from 1509 titled 'St. Peter', from the Wittenberg Healing Book, depicting Saint Peter in a religious scene.

Saint Jerome (recto); Soldier with a Spear (verso) 1460-1525 Vittore Carpaccio Italian Carpaccio was among the first to explore the possibilities of drawing on blue paper. This study of an old man was made for the figure of Saint Jerome in the altarpiece of the cathedral of Zadar (Croatia), painted about 1493. The artist built up the forms through straight lines that correspond to his stiff conception of the figure, but his choice of media suffuses the drawing with a sense of atmosphere and light. The drawing of a soldier with a spear on the back of the sheet is likely a preparatory study as well.. Saint Jerome (recto); Soldier with a Spear (verso) 334692

Saint Erasmus. Dated: c. 1500. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Albrecht Dürer.

Erasmus of Rotterdam, 1538, Woodcuts, approx. 11 1/4 x 5 7/8 in. (28.5 x 15 cm) each, Paper/Sheet approx. 17 1/16 x 10 3/16 in. (43.4 x 25.8 cm) each

Tuscany Grosseto Seggiano S. Rocco5. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Eleazar, study for a fresco in the Sixtine Chapel, Santa Maria Maggiore,Rome. Artist: Cesare Nebbia, Italian, ca.1536-1614 Artist, formerly attributed to: Girolamo Muziano, Italian, 1528/32-1592

Martin Schongauer, Saint Christopher, c 1475 1480 Saint Christopher

Old man in a hooded cape leaning on a stick, 17th century. Copperplate engraving by David Deuchar from A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, Edinburgh, 1803.

A brown and gray lavated pen drawing by Sébastien Le Clerc from 1650-1664 depicting an African figure, mounted on a leaf with a pierced decorative floral strip.

King David, Johann Sadeler (I), After Chrispijn van den Broeck, 1577 print King David in a landscape. A winch in his hands. Antwerp paper engraving / letterpress printing David (not in biblical context); possible attributes: crown, harp

Ferdinand I. Dated: 1546. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Augustin Hirschvogel.

Woodcut and type print by Lucas Cranach the Elder around 1515 depicting the apostle Peter, showing figure, halo, keys, and early 16th-century German religious iconography.

Bliżej Kultury Unknown, Eljasz Radzikowski, Walery (1841 1905)

Saint James the Greater. Hendrik Goltzius (Netherlands, Mülbracht now Bracht-am-Niederrhein, 1558-1617). Holland, 1589. Prints; engravings. Engraving

Round depiction of Joseph with a basket with carpenter's tools in his arms and a big hat on. Behind his back stands a donkey. The counterpart to this print is a print of Mary with the Christ Child, Joseph with carpenter's tools Mary with Christ Child and Joseph with carpenter's tools (series title)., print maker: Jacob de Gheyn (II), (workshop of), Abraham Bloemaert, (possibly), Netherlands, 1590 - 1595, paper, engraving, d 183 mm

Vatican City, Michelangelo, Italy, Scultori, Adamo, Paintings in the Sistine Chapel, Zacharias, Prophet Zacharia, verso - stamped, The prophet Zacharias seated with a book in his hands. Behind the prophet two small figures. One of the prophets from Michelangelo's ceiling painting. Title in bottom margin and numbered lower right: 27., print, prent, prints, prenten, height 144 mm, width 105 mm, Italian, 1530 - 1585, print maker, printmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), plaattoon, 1475-03-06 - 1564-02-18, after a painting by

Half-length portrait to the right of Pieter Bruegel Below the portrait his name and eleven lines in Latin Print from part 1 of the series Pictorum Aliquot Celebrium Praecipuae Germaniae Inferioris Effigies Series of 72 artist portraits produced by Hendrick Hondius I, Simon Frisius, Andries Jacobsz Stock and Robert de Baudous, Portrait of Pieter Bruegel Petro Bruegel, Pictori Portraits of famous painters from the Low Countries Pictorum aliquot celebrium praecipuae Germaniae Inferioris effigies , print maker: Hendrick Hondius (I), publisher: Hendrick Hondius (I), (mentioned on object), The Hague, 1610, paper, engraving, h 201 mm × w 123 mm

Xenophon still image. Portraits. unknown. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Historians, Greeks , To 499, Soldiers , Greek , To 499, Xenophon, Robes

Prophet Ezekiel; Ezekiel; Paintings in the Sistine Chapel. The prophet Ezekiel sitting with a scroll and two bare figures. One of the prophets of Michelangelo's ceiling painting. Title in undermarge and numbered at the bottom right: 30.

Sebald Beham (German, 1500 - 1550), Matthew, 1546, engraving

Jesus Christ. Artist: After Laurent de La Hyre (French, Paris 1606-1656 Paris); Jean Lenfant (French, 1615-1674). Dimensions: sheet: 16 15/16 x 10 11/16 in. (43 x 27.1 cm). Publisher: Published by Herman Weyen (Flemish, died Paris, 1672). Museum: Metropolitan Museum of Art, New York, USA.

Study for Saint Francis that the Stigmata receives, Domenico Ghirlandaio, 1460 - 1494 drawing prepared paper pen / brush

Antwerp, Jode, Gerard de, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Persian kings, King Cyrus, King Cyrus of Persia standing with a scepter in his hand. In the background Cyrus is seen as a baby being handed over to a shepherd by Harpagus. Above the image is a two-line text in Latin. This print is part of an album., print, prent, albumblad, prints, prenten, height 260 mm, width 204 mm, print maker, prentmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, Noord-Nederlands, 1509 - 1591-02-05, publisher

Ludwig I. Gonzaga, Prince of Mantua.

SAN JOAQUIN - SIGLO XVII - DIBUJO - 138x57 - INV: 2119 - BARROCO ESPAÑOL. Author: ALONZO CANO. Location: ACADEMIA DE SAN FERNANDO-DIBUJO. MADRID. SPAIN.

Study for Saint Francis receiving the stigmata, draughtsman: Domenico Ghirlandaio, 1460 - 1494, prepared paper, pen, brush, h 208 mm × w 153 mm

Confucius Stecher: Nolin, Jean-Baptiste (The Elder) Dating: 1687/1725 Sport: Paris

Selim I (1467 - 1520) called YAVUZ (The Grim) Sultan of Turkey (1512-20) Date: 1553

Boulanger Sunnique you Cor (Bartsch 7) Adriaen van Ostade (1610-1685). Picart-Gole publishers (18th century). Sound baker of the COR (Bartsch 7). Floor, red ink draw, circa 1648

December: And Old Man Seated by a Hearth with a Young Man Blowing on the Fire late 16th-mid 17th century Crispijn de Passe the Elder Netherlandish. December: And Old Man Seated by a Hearth with a Young Man Blowing on the Fire 343418

Sculpture of a caught king; Parthoru Rex Captivis E Nigro Lapide Romae in Aedib Cesys; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin on the basis of the image. Print is part of an album.

Copper engraving by Israhel van Meckenem from the last third of the 15th century depicting Saint Quirin and Saint Antonius, showing figures and composition.

Saint Christopher. Dated: c. 1475/1480. Dimensions: sheet (trimmed to plate mark): 15.9 x 11.3 cm (6 1/4 x 4 7/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.

Venice, Bertelli, Orazio, Italy, Carracci, Agostino, Christ, Mary, John the Baptist and the Apostles, Apostle James the Greater with a Staff, print, prints, height 108 mm, width 64 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1583 - 1583, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, publisher, uitgever

Christ with the Cross ca. 1605-15 () Joachim Wtewael Netherlandish. Christ with the Cross. Joachim Wtewael (Netherlandish, Utrecht 1566-1638 Utrecht). ca. 1605-15 (). Pen and brown ink, brush and brown wash. Drawings

Verrière project representing David Jean Gaspard Jules or Johann Caspar Julius Gsell (1814-1904). Verrière project representing David. Pencil, watercolor.

Italy, Vanni, Francesco, Saint Lawrence with gridiron, verso - stamped, Saint Lawrence with a book, palm branch and the gridiron on which he was burned alive. Coat of arms and dedication in lower margin., print, prints, height 302 mm, width 214 mm, print maker, printmaker, 1573 - 1660, paper, engraving, engraving (printing process), Work conception, Italian, 1563 - 1610-10-26

Thor, 1883-84 Sir Edward Burne-Jones (d.1898), Thor holding his mallet, Mjolnir. At his feet the goat Tanngniostr, the Tooth-gnasher. Design for Vinland, Newport, Rhode Island, USA, 19th Century, Drawing, Chalk, Paper, Frame, Hammer, Seated, Works on Paper, Norse Mythology

Umbria Terni Narni S. Giovenale, Cathedral12. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Lazio Roma Subiaco S. Francesco3. Hutzel, Max 1960-1990 Exterior views of 14th c. church portals, facade and cloister. Interior views of simple francescan nave, altars, chapels, and refectory, with comprehensive coverage of panel paintings and frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

St. Gregory (copy). Artist: After Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd () 1484/85-1545 Strasbourg (Strassburg)). Dimensions: Sheet: 2 7/16 × 1 15/16 in. (6.2 × 5 cm). Date: after 1511. Museum: Metropolitan Museum of Art, New York, USA.

James Howel Standing in a Forest 1641 Claude Mellan French. James Howel Standing in a Forest 393276

After Hendrick Goltzius, Saint Matthew, engraving.

Buste van Rodomonte, Anonymous, 1550 - 1599 print Buste van Rodomonte, a character from Ludovico Ariosto's epic 'Orlando Furioso'. On his head he wears a helmet decorated with leaves and a dragon. At the top right the title and eight Italian verses from the epic. paper engraving / etching male characters from 'Orlando Furioso' : Use 82A(...). helmet. ornament derived from animal forms. dragon

Penitent Peter H, Willem Isaacsz. van Swanenburg, Petrus Scriverius, 1609 - 1611

Jan Sadeler I after Crispen van den Broecke, Aser, c 1585 Aser

Portrait of S. Paulus

The Pope, plate ten from The Ranks and Conditions of Men 1460-1470 Italy. The deck of fifty so-called Tarocchi are not tarots in the modern, fortune-telling sense, nor were they intended as playing cards. No cut-out impressions mounted for play are known, and they lack the suits and numbers of a regular deck. Instead, these delicately engraved didactic allegories are grouped in five numbered ranks describing the workings of the spheres of man, the muses, the liberal arts, the cosmos, and the heavens in order of increasing significance, and offer a didactic sequence to educate courtly youths or possibly university students, who could have used them as flashcards or a pamphlet.. Engraving on paper . Master of the E-Series Tarocchi

A real imagination ! W.O. Leonardo from the port of S. Maurycy of the Order of S.O. Fran. Ciszkanów reformat of the Roman provinces Capistran (Kabistran), Franz (Fl. Ok. 1751)

A sketch sheet by Rudolf Weyr created using brown ink pen, emphasizing line precision and detailed pen strokes on paper.

Saint Jerome, Giuseppe Longhi, Italian, 1766-1831, Daniele Crespi, Italian, ca. 1597 - 1630, Engraving on paper, Half-length figure seen looking up, left, holding a cross in his right hand. A trumpet, upper left, signifies the voice of God., Milan, Italy, ca. 1800, Print, Print

French crown, Paris, Surugue, Louis, Chéreau, widow François (I), Watteau, Jean Antoine, France, Audran, Benoît (II), Le docteur, Caricature of a doctor, verso - stamped, print, prints, height 290 mm, width 207 mm, 1698 - 1772-01-09, print maker, printmaker, 1708 - 1755, paper, papier, etching, etchings, French, 1684-10-10 - 1721-07-18, after, after a painting by, Publication (Event), Publication, - 1755-04-17, publisher, uitgever, 1686 - 1762-10-08, granter of privilege

Saint Mark 16th century possibly German. Saint Mark 207635

Bliżej Kultury unknown

Andreas Vesalius. Line engraving after J. Wandelaar.

Sculpture of a captured king, Anonymous, 1584 print Caption in Latin on the basis of the image. Print is part of an album. paper engraving piece of sculpture, reproduction of a piece of sculpture. ruler, sovereign

Vincenzo Foppa (1430-1516). Italian painter. St. John the Baptist, ca. 1488-1489. Detached fresco. Pinacoteca Castello Sforzesco, Milan, Italy.

Crying Heraclitus, Jacob Gole, After Cornelis Dusart, 1670 - 1724 print The Greek philosopher Heraclitus is in a globe and cries. Amsterdam paper engraving (story of) Heraclitus, the philosopher. globe. crying, shouting

Lastman, Pieter, Bust of a praying man, verso - stamped, Bust to the right of a man with folded hands in prayer., print, prent, prints, prenten, height 113 mm, width 93 mm, 1583 - 1633-04-04, print maker, prentmaker, 1593 - 1633, paper, papier, etching, etchings

Saint John and Saint Jerome (fragment from a Crucifixion). Artist: Francesco Rosselli (Florence 1448-1508/27 Venice ()); Possibly after a design by Filippino Lippi (Italian, Prato ca. 1457-1504 Florence). Dimensions: Sheet: 5 11/16 × 2 7/8 in. (14.5 × 7.3 cm) trimmed around the figures. Date: ca. 1490s. Museum: Metropolitan Museum of Art, New York, USA.

Effigy of St. Jerome. Dated: 1619. Medium: etching and engraving on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Chalk drawing by Federico Zuccari depicting a front view of a bearded man wearing a hat with feathers, executed in reddish chalk.

Umbria Terni Ferentillo Abbazia di S. Pietro in Valle. Hutzel, Max 1960-1990 The abbey was founded on the location where two hermits, Lazzaro and Giovanni, lived during the sixth century. It was founded by the Duke of Spoleto Faroaldo II. The nave of the church is unique in that it is oriented to the east. The church was reconstructed in the tenth and eleventh centuries, and it was completely restored in 1931. Photographs include exterior views, courtyard views, frescoes, sarcophagi and relief sculpture. Iconography includes Madonna and Child with Sts. Peter and Paul, Christ in a mandorla, S. Benedetto, S. Sabina, S. Lucina, S. Cristina, S. Caterina, S. Sebastiano with Madonna and child, and the Creation of Adam and Eve Antiquities: Roman sarcophagi; Roman sculptural and architectural fragments. Object Notes: Hutzel photo campaign date: October 7, 1982. General Notes: Description from TCI 1978 and Hutzel notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in

Picart, Bernard, Amsterdam, Christ points to heaven, Landscape with Christ. With his right hand he points up to heaven. In the margin a Bible quotation from Mat. 4:17 in French., print, prent, prints, prenten, height 134 mm, width 75 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1729 - 1729, second quarter 18th century, tweede kwart 18e eeuw, paper, papier, etching, engraving, graveren (drukprocedé), intermediary draughtsman

Print made by Elias Nessenthaler, 1664-1714, S. Jacobus, undated. Mezzotint on moderately thick, moderately textured, cream laid paper.

Boulanger Sunnique you Cor (Bartsch 7) Adriaen van Ostade (1610-1685). Sound baker of the COR (Bartsch 7). Forte, circa 1648. Museum of Fine Arts in the city of Paris, small palace.

Felix of Cantalice, saint.

Germany. knight. Engraving. 19th century.

Vesalius, Andreas Form Cutter: Calcar, Jan Stephan of

portrait of Ramon Llull, 17th century, paintings of the corridor on the ground floor, gray techniqueSan Buenaventura Cloister, Llucmajor, Mallorca, Balearic Islands, Spain.

Portraits of Mieczysy (Mieszko I) and Boles of the Brave; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Bolesław Chrobry (Polish King - CA 967-1025), Bolesław Chrobry (Polish King - Ca 967-1025) - iconography, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Mieszko I (Polish Prince - Ca 935-992), Mieszko I (Polish Prince - Ca 935-992) - iconography, gift (provenance), kings, personalities, Polish personalities, portraits, men's portraits, rulers

Lazio Viterbo Viterbo S. Maria della Verita, Cloister44. Hutzel, Max 1960-1990 Extensive coverage of 12th c. church, renovated between 14th and 15th c. Exterior views of facade, flank and portal. Interior views of altar, gothic transept, ciborium. Views of Cappella Mazzatosta, its ceramic floor and frescoes by Lorenzo da Viterbo. Comprehensive coverage of gothic structure, including views of garden, well, and portico where antiquities are stored. Single print stored in Hutzel a duplicate of one in Medieval. Antiquities: Sarcophagi; sculpture; architectural fragments General Notes: Two sets of prints fused into single numerical sequence. Cloister has separate numerical sequence and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of t

Saint Paul; Giuseppe Maria Crespi, Italian (Bolognese), 1665 - 1747; about 1720 - 1730; Red chalk over traces of black chalk. The figure's right hand drawn by the artist on a separate piece of paper and made up; 28.1 x 21.1 cm (11 1/16 x 8 5/16 in.)

Saint Roch. Giovanni Francesco Barbieri, called Il Guercino; Italian, 1591-1666. Date: 1611-1666. Dimensions: 268 x 272 mm (primary support, sight); 290 x 290 mm (secondary support, sight). Pen and brown iron gall ink with brush and brown wash on cream laid paper, tipped to brown wove paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Saint Benedetto dellAntella seated and writing in a book ca. 1850-1890 Anonymous, Italian, 19th century. Saint Benedetto dellAntella seated and writing in a book. Anonymous, Italian, 19th century (?). ca. 1850-1890. Pen and gray ink, gray wash, over red chalk; framing lines in pen and gray ink. Drawings

Christophle Colomb Christopher Columbus. Prints. 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Columbus, Christopher

Apostel Simon, 1589 print Saint Simon Halven, a saw behind his right shoulder. In margin under the print a rule of Latin. Print from a series of fourteen. paper engraving the apostle Simon Zelotes (or Simon the Canaanite); possible attributes: book, saw, scroll

Bliżej Kultury Klauber, Johann Baptist (1712 1787), Klauber, Joseph Sebastian (1710 1768), Klauber

H. von Mamolocon, a character with a grotesque face. Line engraving.

Head of a Man 1756-1773 France. Pen and black ink, over black chalk, on ivory laid paper, laid down on cream laid paper . Hubert François Gravelot

Print, Portrait of Olivier de Clisson (1336-1407); After Claude Guy Hallé (French, 1652 - 1736); Engraved by Alexis Loir; France; engraving on white laid paper

Sculpture by N. Young. 1863. Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Peru

Saint Francis of Assisi. Draughtsman: Lionello Spada (attributed to). Dating: 1586 - 1622. Measurements: h 230 mm × w 169 mm. Museum: Rijksmuseum, Amsterdam.

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra3. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Azulejo, nobleman with slouch hat, painted wall tiles by Valentim de Almeida, 18th century, cloister terrace, Se do Porto Cathedral, Porto, Portugal, Europe

Anonymous of the Flemish school (16th century). "Saint John in Patmos". Oil on parquet wood. Museum of Fine Arts of the City of Paris, Petit Palais. 24276-14 Eagle, apotre, Catholicism, Catholic, Christianity, Christianity, Cup, Flemish School, Wood Park Wood, Saint

Chalk drawing by Jacopo Amigoni depicting Jacobus Major, executed with white highlights on gray paper.

S. Philippus, Print made by Johann Jacobus Haid, 1704-1767, after Johann Kupezky, 1667-1740, Hungarian, undated, Mezzotint on moderately thick, moderately textured, cream wove paper, Sheet: 21 3/8 x 14 13/16 inches (54.3 x 37.7 cm), Plate: 15 15/16 x 10 13/16 inches (40.5 x 27.5 cm), and Image: 14 1/2 x 10 13/16 inches (36.9 x 27.5 cm), apostle, beard, cane, Christianity, cloak, cross (motif), gaze, gesturing, historical subject, leaning, man, religious and mythological subject, solemn, thoughtful

The Jupiter. Thoma, Hans (1839-1924), draughtsman, cartoonist

The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books - an incunabulum (printed, not hand-written) - and one of the first to successfully integrate illustrations and text.

Walther von der Vogelweide is the most famous of the Middle High German lyric poets, Historical, digitally restored reproduction of an original from the 19th century, exact date unknown

St. Thomas, from Christ, the Apostles and St. Paul with the Creed ca. 1589 Hendrick Goltzius Netherlandish. St. Thomas, from Christ, the Apostles and St. Paul with the Creed 398403

Jan Sadeler I after Crispen van den Broecke, Dan, c 1585 Dan

Ast-chi, Cuisinier du Grand Seigneur 1714-15 After Jean Baptiste Vanmour. Ast-chi, Cuisinier du Grand Seigneur. Plate 12; from "Recueil de cent estampes représentent differentes nations du Levant". After Jean Baptiste Vanmour (French, Valenciennes 1671-1737 Istanbul (Constantinople)). 1714-15. Etching and engraving. Jacques le Hay. Prints

A black chalk drawing by Cornelis van Dalen depicting the half-figure of Peter, wiped and highlighted with white chalk, with traces of horizontal folding.

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)12. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Bernard Palissy (1510) (1590) was a French scientist, famous enamel artist and co-founder of the Protestant congregation of Saintes, Historical, digitally restored reproduction of a 19th century original

Hans Sebald Beham (German, 1500-1550). The Head of Christ Crowned with Thorns, ca. 1520-1530. Woodcut. Image: 419 mm x 314 mm (16.5 in. x 12.36 in.). Second state.

Jupiter; Thoma, Hans (1839-1924); 1902 (1902-00-00-1902-00-00);Jupiter (iconogr.), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, astrology, illustrations, calendars, German drawings

Andreas Vesalius. Watercolour.

Bliżej Kultury Hohneck, W. (fl. 1832 1835), Leopolski, Wilhelm (1828 1892)

Arnulf, Roman-Eastern Franconian Emperor.

'St Anthony', c1618-1664. Artist: Francisco de Zurbaran

St Michael the Archangel, 1472-1473, by Ercole de' Roberti (ca 1455-1496), panel 26.5 x11 cm.

Juba I of Numidia, c.85-46 BC, King of Numidia (modern day Algeria). Son and successor to Hiempsal II. Iuba Rex. Copperplate engraving after an illustration by Joachim von Sandrart from his LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

Lazio Frosinone Alatri S. Francesco4. Hutzel, Max 1960-1990 Medieval: late 13th c. architecture. 13th century with a facade articulated by a gothic-arched doorway and a rose window. Post-medieval: Sculpture, fresco, painting, stucco decoration, redecorated in the 18th century, 14th, 15th c. frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books. It is classified as an incunabulum - that is, a book, pamphlet, or broadside that was printed (not handwritten) before the year 1501 in Europe. It is also one of the first to successfully integrate illustrations and text. Latin scholars refer to it as Liber Chronicarum (Book of Chronicles) as this phrase appears in the index introduction of the Latin edition. English speakers have long referred to it as the Nuremberg Chronicle after the city in which it was published. German speakers refer to it as Die Schedelsche Weltchronik (Schedel's World History) in honour of its author. The illustrations in many copies were hand-coloured aft

Louverture, Toussaint.

Portret van, StadtB Quinten Massijs (1); Portretten van schilders; Several pre-eminent painters Celebrium Germany Effigies.In the lower margin of eighty caption in Latin.

An Albanian Sailor, Jean Baptiste Vanmour (workshop of), 1700 - 1737 painting An Albanian sailor. Standing, in front of a window with bars. Istanbul canvas. oil paint (paint) seaman. folk costume, regional costume Turkey

'Homme de l'Isle de Pques' (a man from Easter Island).Work by Bernard Direx, Paris, circa 1801. Engraving.

Two Men in a Landscape, anonymous, c. 1500 painting Two men standing, in full, in a landscape. The left man points with his right hand. In the background a lake with a castle and a ship. Fragment of a larger panel. Venice panel. oil paint (paint) standing figure. saints

Antwerp, Cock, Hieronymus, Heemskerck, Maarten van, Galle, Philips, The four evangelists, Lucas the evangelist writes his gospel, The evangelist Lucas is dressed as a physician and sits with a urinal in his hand by his gospel. On the left is the ox. Below the representation is an explanatory text in Latin. This print is part of an album., print, album sheet, prints, height 165 mm, width 224 mm, Southern Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1562 - 1562, paper, engraving, engraving (printing process), letterpress printing, Northern Netherlands, 1498 - 1574, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1518 - 1570-03-10, publisher

Albrecht Durer (1471-1528). German Painter. Portrait. Engraving.

James the Less from Christ, the Apostles, and Saint Paul, 1563/64. Lucas Cranach the Elder, After (German, 1472-1553). Woodcut with letterpress text, hand colored; image and sheet: 20.1 x 11.2 cm (7 15/16 x 4 7/16 in.).

Saint John the Baptist by Cranach, Lucas, the Elder (1472-1553) / Museo Poldi Pezzoli, Milan / 1550-1552 / Germany / Oil on wood / Bible / 183x125 / Renaissance

Poland. Sculpture of Nicolaus Copernicus (1473-1543) in Warsaw. Polish astronomer of the Renaissance who formulated the heliocentric theory of the solar system, holding an astrolabe. Etching 1850.

Benjamin. Dated: c. 1585. Dimensions: overall (cut within platemark): 21.8 x 14.5 cm (8 9/16 x 5 11/16 in.). Medium: hand-colored engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jan Sadeler I after Crispen van den Broecke.

Hermann of Reichenau, Anonymous

Johannes de Doper in de Wildernis, Simon de la Vallée, After Rafaël, 1690 - 1730 print Numbered in the bottom right: 14. This print is part of an album. paper etching / engraving John the Baptist in the wilderness, usually accompanied by a lamb

A reaper rests on a stone. On the ground lies a scythe, the reaper is leaning with his arm on a threshing-flail, Title page for Abraham Bloemaert, Fondamenten der Teecken-konst, Frederick Bloemaert, intermediary draughtsman: Abraham Bloemaert, print maker: anonymous, Amsterdam, c. 1679 - in or before 1701, paper, engraving, h 210 mm × w 157 mm