Mythological Allegory of Nature

A classical painting depicting a harmonious union of earth and water, featuring nude figures, flowing water, and rich floral elements, conveying a sense of vitality and abundance.

Paolo and Francesca, Doré, Gustave (1832-1883)

Assets in this Story

'Union of Earth and Water (Antwerp and the Scheldt)'. Flanders, Circa 1618. Dimensions: 222,5x180,5 cm. Museum: State Hermitage, St. Petersburg. Author: FRANS SNYDERS. Peter Paul Rubens (Pietro Pauolo).

Jupiter and Danae', 17th century by Peter Paul Rubens. From a private collection.

Adriaen van der Werff, The dance class, painting footage wood oil, Oil on panel rectangular portrait size signed: Chevr vr Werff fe 1718 (knight van der Werff made this 1718) Rotterdam Kralingen

Auguste Renoir, Diana, 1867 Diana

The Dying Cleopatra, Jan van Scorel (attributed to), c. 1520 - c. 1524 painting The dying Egyptian queen Cleopatra. Cleopatra is naked in the foreground in a landscape with the adder in the right hand at her chest. panel. oil paint (paint) death of Cleopatra: she commits suicide by holding to her breast an asp, which she has taken from a basket of figs

SILENO BORRACHO - 1626 - BARROCO ESPAÑOL. Author: JUSEPE DE RIBERA. Location: MUSEO DI CAPODIMONTE. NEAPEL. ITALIA.

Man on Horseback Carrying Weapons, James Bruce, 1730-1794, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 8 3/4 × 13 1/2 inches (22.2 × 34.3 cm), animal art

Paolo and Francesca, Doré, Gustave (1832-1883)

Portrait of Narcissus by Karl Pavlovich Briullov, oil on canvas, 1819, 1799-1852, Russia, St Petersburg, State Russian Museum, 162x209, 5

Correggio / Jupiter and Io / c.1531

Mars and Venus, Allegory of Peace, by Louis Jean Francois Lagrenee, 1770, French painting, oil on canvas. Allegory of peace, in which Mars, the Roman god of War, gazes lovingly at the sleeping Venus, the goddess of love. His shield and sword lie abandoned (BSLOC_2016_6_204)

Evening Mood, Bouguereau, Adolphe-William, 1882.

Adam and Eve, by Francesco Furini (1603-1646).

Amor Kissing Venus, Adriaen van der Werff (Manner of), 1700 - 1725 painting Venus kissed by Amor. Venus lies naked on a bed. Amor stands on her lap and kisses her on the cheek. panel. oil paint (paint) Venus and Cupid (Cupid not being mere attribute). lying figure - AA - female human figure

Fortune by Rubens, Pieter Paul (1577-1640) / Museo del Prado, Madrid / 1636-1638 / Flanders / Oil on canvas / Mythology, Allegory and Literature / 182,3x101 / Baroque

Anonymous / 'The Air', 1675-1700, Spanish School, Oil on canvas, 196,5 cm x 78 cm, P00191. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

'La Causerie', c1878, (1938). Artist: Henri Fantin-Latour.

Selene and Endymion.The chaste goddess of the moon, Selene (or Diana), is in love with the shepherd Endymion. Only at night when he is asleep does she quietly creep down to him, accompanied by Cupid, whose torch symbolizes burning love. This painting was (appropriately) hung in Mary Stuarts bedchamber in Soestdijk Palace, for Lairesse felt that the function and decoration of a room should correspond.

Bather Sleeping by a Brook; 1845 Oil on canvas Gustave Courbet; French; 1819 - 77

The Fall of Man, Coxcie (Coxie), Michiel (1499-1592)

Venus & the Organ Player Titian (ca.1485-1576 Italian) Oil on canvas Staatliche Museen Preussischer Kulturbesitz (Gemaldegalerie) Berlin, Germany

Lucretia by Jacopo Palma il Giovane, oil on canvas, 1544-1628, Russia, State Hermitage, St. Petersburg 130x175

Venus toilet (without frame); French painter (fled of the 19th century); CA 1800-1840 (1795-00-00-1845-00-00);Venus (Mitol.), Cupids, mirror, French painting

Francesco Albani / 'The Judgement of Paris', 1620-1630, Italian School, Oil on canvas, 113 cm x 171 cm, P00002. Museum: MUSEO DEL PRADO, MADRID, SPAIN. APHRODITE. PARIS (MYTHOLOGY). MINERVA (ATENEA). JUNO (HERA).

Venus and Cupid (Sleeping Venus) by Artemisia Gentileschi, circa 1625

Diana and Her Dog; Sebastiano Ricci, Italian, 1659 - 1734; 1717 - 1720; Oil on canvas; Unframed: 74 x 55.6 cm (29 1/8 x 21 7/8 in.), Framed outer dim: 82.9 x 65.4 x 3.5 cm (32 5/8 x 25 3/4 x 1 3/8 in.)

Susanna and the Two Old Men, denoting the biblical narrative of Susanna's rescue by the prophet Daniel, painting by Jacopo Tintoretto (1518-1594), Historic, digitally restored reproduction of an original 19th century original, exact original date unknown

Amnon and Tamar. Dated: 1649-1650. Dimensions: overall: 123 x 158.5 cm (48 7/16 x 62 3/8 in.) framed: 148.1 x 186.4 x 10.2 cm (58 5/16 x 73 3/8 x 4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Giovanni Francesco Barbieri, called Guercino.

Jean-Baptiste-Camille Corot (Paris, 1796-1875). Diana Bathing (The Fountain) (ca. 1869 - 1870). Oil on canvas. 72.1 x 41 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Susanna. Dated: c. 1575. Dimensions: overall: 150.2 x 102.6 cm (59 1/8 x 40 3/8 in.) framed: 185.7 x 137.8 x 10.8 cm (73 1/8 x 54 1/4 x 4 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Jacopo Tintoretto.

Cleopatra, by De Ferrari Giovanni Andrea, 17th Century, 1598-1669, oil on canvas, cm 136 x 97

Susanna and the old men, painting by Alessandro Allori, Historical, digitally restored reproduction from a 19th century original..

fine arts, Hohenn_gg, Joseph, ""Zwei M_dchen am Bach"", (""two girls at the brook""), 1853, oil on canvas, private collection, historic, historical, Europe, 19th century, Germany, naked, nakedness, nudde, frog, veil,

Venus or Vanitas, by Jan Gossaert (ca 1472-1532), oil on panel, 59x29.9 cm.

Raphael, Pellegrini, Giovanni Antonio, France, Janinet, Jean François, Les Trois Graces, The Three Graces, verso bottom center - stamped, The Three Graces Standing Nude in a Landscape., print, prints, height 437 mm, width 318 mm, French, 1752 - 1814-11-01, print maker, printmaker, 1786 - 1787, fourth quarter 18th century, paper, aquatint, color printing, Italian, 1675-04-29 - 1741-11-05, after, after painting by, 1483-04-07 - 1520-04-07

Bordeaux, France The Table "Elegy" by Charles Cousin, from Philippe Parrot, Museum of Fine Arts , 1920-1921 - Charente, Gironde, Basse -Pyrénées, Hautes Pyrénées - Fernand Cuville (French - Bordeaux , France Le tableau «Elégie» de Charles Cousin , d' après Philippe Parrot , musée des Beaux-Arts). Museum, painting, Art, France, Bordeaux, Museum: Elegy (Parrot)

Allegory of Patience, by Girolamo Siciolante da Sermoneta (1521-1580), previously attributed to Giorgio Vasari (1511-1574), 177x101 cm.

William-Adolphe Bouguereau, Nymphs and Satyr, 1873, oil on canvas.

Reclining Nymph Surprised by Satyr, by Andrea Celesti, oil on canvas, (1637-1706), England, London, Christie's Images

The Sleeping Danaë Being Prepared to Receive Jupiter. Hendrik Goltzius (Netherlands, Mülbracht now Bracht-am-Niederrhein, 1558-1617). Holland, 1603. Paintings. Oil on canvas

Sáenz Sáenz, Pedro/ Crisálida, 1897. Óleo sobre lienzo, 84 x 129 cm. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Venus and Cupid 1520s Lorenzo Lotto Italian In his inimitable fashion, in this unique masterpiece Lorenzo Lotto takes one of the most popular subjects of Venetian painting and gives it a witty and humorous twist. Naughty Cupid urinates on his mother through a laurel wreathan act meant to symbolize fertility. Because this is a marriage picture, it is inspired by ancient marriage poems. It is possible that Venus’s features may be taken from the bride’s. The beautifully observed details relate to the goddess and marriage. The ivy is symbolic of fidelity; brides wore a myrtle wreath; incense perfumes the bower; a snake warns against jealousy. Listen to experts illuminate this artwork's story Listen Play or pause #5079. Venus and Cupid Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Venus and Cupid 436918

James Ward, 1769-1859, British, Diana at the Bath, 1830. Oil on panel.

The Toilet of Bathsheba 1643 Rembrandt (Rembrandt van Rijn) Dutch Rembrandt shows the biblical figure Bathsheba completely nude, lost in a moment of contemplation and unaware that she is being observed by King David in the distant tower in the background. Classicist critics particularly objected to Rembrandts realistic representation of the female body, declaring that the marks of garters could be seen on the legs of his figures from history or myth—see Bathshebas left calf here. Like much of the picture, the attendant arranging Bathshebas hair is badly abraded from past cleaning, but she may have been intended to represent a woman of African origin. Listen to experts illuminate this artwork's story Listen Play or pause #5252. The Toilet of Bathsheba Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. The Toilet of Bathsheba. Rembrandt (Rembrandt van Rijn) (Dut

Gabriel Joseph Marie Augustin Ferrier, . Scènes de l'inquisition en Espagne,1879,Museo de Orsay, Ministerio de Cultura y Comunicación Francés, Paris, France,Western Europe.

Kunisada, Actor Iwai Kumesaburo in the role of Onoe-no-mae, c. 1815, colored woodcut, graphics

The Nymph of the spring, Watteau, Jean Antoine (1684-1721)

In the barn, 1904 c. Oil on canvas. 155 x 192 cm. Private collection. Author: JUAN BRULL.

Tintoretto / 'Susanna in her Bath', c. 1550, Oil on canvas, 167 x 238 cm. Museum: MUSEE DU LOUVRE, BUDAPEST, France.

Leda, 1530-1531, by Antonio Allegri, known as Correggio (1489-ca 1534), oil on canvas, 152x191 cm.

The Three Graces, after the Antique Marble Group in the Galleria Borghese, Rome. Copying antique statues was a standard way for artists to learn their craft during the 18th century and beyond. Here Liotard takes the process a step further, bringing this famous white marble group to life by depicting the Graces in colour and placing them in a landscape.

RENOIR, Pierre-Auguste (1841-1919). Bather with long hair. ca. 1895. Impressionism. Oil on canvas. FRANCE. ëLE-DE-FRANCE. Paris. Orangerie Museum.

Gabriel Joseph Marie Augustin Ferrier, . Scènes de l'inquisition en Espagne,1879,Orsay Museum, Paris, France,Western Europe.

Pastoral Concert Giorgione (1477/8-1510 Italian) Musee du Louvre, Paris

The Education of the Princess. (The Marie de' Medici Cycle) by Rubens, Pieter Paul (1577-1640) / Louvre, Paris / 1622-1625 / Flanders / Oil on canvas / Mythology, Allegory and Literature / 394x295 / Baroque

Cupid and Psyche, Henry Fuseli, 1810,

TheBather. Artist: Jean-François Millet, French, 1814-1875

Lucretia. Artemisia Gentileschi (Italian, 1593 - after 1654) about 1627 Lucretia emerges from the shadows and grasps a dagger, aiming it at her chest. The beauty of her translucent skin, the pearls in her hair, the luxurious fabricsall contrast with the horror of what is about to happen. The main source for the story of Lucretia is the History of Rome (Book I, 57 - 59) by ancient Roman historian Titus Livius. The legendary Lucretia was the virtuous wife of the nobleman Lucius Tarquinius Collatinus. After her rape by Sextus Tarquinius, the son of the King of Rome, she called on her father and her husband for vengeance and then, while proclaiming her innocence, stabbed herself to death. Anger and grief over Lucretias death led to a rebellion that brought down the corrupted monarchy and made her a martyr for freedom. Lucretia became an enduring symbol of female strength, and her story likely had personal resonance for the artist: like Lucretia, Artemisia Gentileschi had experienced sexual

Venus and the Lute Player' by Titian, c1565-1570. From the Metropolitan Museum of Art, New York, USA.

Venus Rising from the Sea (Venus Anadyomene), Titian (1488-1576)

Garden of Eden by William Strang, Oil on canvas, 1899, 1859-1921, Great Britain, London, Tate Britain, 122x137,2

Lot and his Daughters. Loth and his Daughters. Dating: 1616. Measurements: h 140 cm × w 204 cm. Museum: Rijksmuseum, Amsterdam. Author: Hendrick Goltzius (mentioned on object).

Anonymous / 'Saint Sebastian', 17th century, Italian School, Canvas, 120 cm x 55 cm, P03293. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Francesco Hayez (1791-1882). Italian painter. The Penitent Magdalene, 1833. Oil on canvas, 118 x 151 cm. Modern Art Gallery. Milan. Italy.

Nude Study, 1858-1860, by Edgar Degas (1834-1917), oil on canvas, 53x62 cm.

Charon going to the underworld

Painting titled 'A Pair of Lovers' by Paris Bordone (1500-1571) Italian painter of the Venetian Renaissance. Dated 16th Century

The Temptation. Date/Period: 1899. Painting. Oil on canvas. Height: 122 cm (48 in); Width: 137.2 cm (54 in). Author: William Strang.

Venus of Poetry by Julio Romero de Torres. Circa 1913, oil on canvas. The Spanish painter lived between 1874-1930.

Adam and Eve', c1566-1611. Artist: Bartholomeus Spranger. Bartholomeus Spranger (1546-1611) was a Flemish Mannerist painter, draughtsman, sculptor and designer of prints.

Venus Resting, After Francois Boucher; Le Repos de Venus, After Francois Boucher. Louis-Marin Bonnet (1736-1793). Chalk-manner etching with engraving printed in colours (black, blue, red and white). Dated 1774. 37.7 x 48.8cm.

Fortuna. 1636/38. (Peter Paul Rubens 1577 Siegen-1640 Antwerp)

Giulio Cesare Procaccini (1574-1625), the Holy Family. The rest on the escape of aegy, 1613-1615

Bow-carving Amor, post 1603. By Joseph Heintz (or Heinz) the Elder (11 June 1564 - 15 October 1609) who was a Swiss painter, draftsman and architect

Painting titled 'Woman at the Fountain' by Pierre-Auguste Renoir (1841-1919) a French artist. Dated 20th Century

Biblis, Fine Art

SPRANGER, Bartholomaeus (1546-1611). Glaucus and Scylla. 1581. Flemish art. Oil on wood. AUSTRIA. VIENNA. Vienna. Kunsthistorisches Museum Vienna (Museum of Art History).

Italy, Rome, Portrait of Saint Sebastian

Joseph and Potiphar's Wife. Dated: 1649. Dimensions: overall: 123.2 x 158 cm (48 1/2 x 62 3/16 in.) framed: 148.3 x 185.1 x 10.2 cm (58 3/8 x 72 7/8 x 4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Giovanni Francesco Barbieri, called Guercino.

Victorian Nudes, Nudes

Three Lovers. Théodore Géricault (French, 1791 - 1824)

Russia, Saint Petersburg, Hermitage State Museum, Saint Sebastian, Titian, Circa 1570

Paris is let into the bedchamber of Helen, figures of Greek mythology, Historical, digitally restored reproduction from an 18th or 19th century original.

Love Triumphant, Victorious Cupid, Caravaggio, 1601-1602, Gemaldegalerie, Berlin, Germany, Europe

LAS TENTACIONES DE SAN JERONIMO - SIGLO XX. Author: ROMERO BALDOMERO RESSENDI (1922-1977). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Fable , Fine Art

Leda and the Swan, Tintoretto, Jacopo Robusti, 1555.

Death of LUCRETIA, who took her own life with a dagger after rape by Sextus

The languorous, sensuous pose of this woman is strongly reminiscent of Jean Auguste Dominique Ingres' popular paintings of odalisques, female slaves and concubines in Turkish harems. A 'harem' is not a bordello, seraglio or brothel, but refers to the women's quarters, usually in a polygynous household, which are forbidden to men. It originated in the Near East and is typically associated in the Western world with the Ottoman Empire. Female seclusion in Islam is emphasized to the extent that any unlawful breaking into that privacy is haram ie, 'forbidden'. A Muslim harem does not necessarily consist solely of women with whom the head of the household has sexual relations (wives and concubines), but also their young offspring, other female relatives or odalisques, which are the concubines' servants. The harem may either be a palatial complex, as in Romantic tales, in which case it includes staff (women and eunuchs), or simply their quarters, in the Ottoman tradition separated from the me

The Drunken Silenus. Charles-Antoine Coypel (1694-1752). Oil on canvas. 99 x 81.3cm.

Lucas (the Elder) Cranach (Kronach, 1472 - Weimar, 1553). The Nymph at the Fountain (ca. 1530 - 1534). Oil on panel. 75 x 120 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Bathsheba at Her Winder, Cornelis Cornelisz. van Haarlem, 1594 painting Bathseba's toilet. Bathseba bathed with two servants, one of which is a black woman. On the left a fountain in the form of a naked woman. canvas. oil paint (paint) Bathsheba attended by servant(s). garden fountain. taking a bath. Africans

Nymph and Satyr, by Luteri Giovanni know as Dosso Dossi, 16th Century, canvas. Italy, Tuscany, Florence, Palazzo Pitti, Palatine Gallery. Whole artwork. Nymph nude breast Satyr teeth necklace chain torso face visage.

Nudes Bathing by Yakovlev, Alexander Yevgenyevich (1887-1938) Private Collection 1929 Tempera on canvas 155x92 Russia Russian Painting, End of 19th - Early 20th cen. Genre Painting

Venus on Paphos / Ingres / 1852/53

Ignace Henri Fantin Latour, Sarah la bañista, 1887, óleo sobre tela,Museo Nacional de Bellas Artes (MNBA) ,Buenos Aires, republica Argentina, cono sur, South America.

Venus with Cupid and Mirror Peter Paul Rubens (1577-1640/Flemish)

Germán Hernández Amores/ Eva, 1854. Oil on canvas. 201 x 138cm. Museum: REAL ACADEMIA DE BELLAS ARTES DE SAN FERNANDO, MADRID, SPAIN.

Fortune being restrained by Love, 1623, by Guido Reni (1575-1642), oil on canvas.

Lagren_e, Louis-Jean-Franois (1725-1805) © J. Paul Getty Museum, Los Angeles Painting Mythology, Allegory and Literature Mars and Venus (Allegory of Peace)

Bather with a Griffon dog, 1870, by Pierre-Auguste Renoir (1841-1919), oil on canvas, 184x115 cm.

Venus with a cupid. Leyden, Lucas van (1494-1533), painter

Titian (1489/1490-1576). Italian painter. Venus with an Organist and Cupid, ca.1555. Prado Museum. Madrid, Spain.

BACANTE RECOSTADA - SIGLO XIX. Author: FEDERICO GONZALEZ Y TAVE (1823-1867). Location: MUSEO DE CADIZ-BELLAS ARTES. Cadiz. SPAIN.

Imprisoned Butterfly, Bouguereau, Adolphe-William, 1891.

The Nymph of the Fountain. Date/Period: 1534. Oil on wood panel. Oil on panel. Height: 50.8 cm (20 in); Width: 76.2 cm (30 in). Author: Lucas Cranach the Elder.

Sir Edward Poynter 1836-1919, English artist. Andromeda 1869, Oil on canvas.

Repose. William Merritt Chase (1849-1916). Pastel on paper laid down on canvas. 74 x 61.2cm.

(SIN IDENTIFICAR). Location: PRIVATE COLLECTION, MADRID, SPAIN.

Titian / 'Penitent Madalene', c. 1533, Oil on wood, 85 × 68 cm. Museum: GALLERIA DEGLI UFFIZI, FLORENCIA, ITALIA. MARY MAGDALENE.

Venus Consoling Love, François Boucher, 1751 Painting; oil on canvas; overall: 107 x 84.8 cm (42 1/8 x 33 3/8 in.) framed: 132.1 x 110.2 x 7.6 cm (52 x 43 3/8 x 3 in.);

The Pearl and the Wave - Paul-Jacques-Aimé Baudry, 1862

Art History museum, Kunsthistorisches Museum. Lucas Cranach the Elder. The fall of man. After 1537. Vienna. Austria.

Abraham Praying before the Three Angels, by Tiepolo Giambattista, 1731 - 1732, 18th Century, oil on canvas. Italy, Veneto, Venice, Scuola Grande di San Rocco. Detail of angels. Drapery folds wings drape: cloth pink white black dark: brown shades: tones: hues red gray.

'Diana'. Hungary, 1796. Dimensions: 166x150 cm. Museum: State Hermitage, St. Petersburg. Author: Martin Ferdinand Quadal.

Mier Cleopatra; Unknown Flemish painter; 1600-1610 (1600-00-00-1610-00-00);Cleopatra VII (69 B.C.-30 BC), Queen of Egypt, Kolasiński, Wojciech (1852-1916), Kolasiński, Wojciech (1852-1916)-collection, Flemish painting, suicide, figural scenes, snakes, purchase (provenance)

Diana and Actaeon 1556 - 1559 by Titian

Celadon and Amelia; 1793; Oil on canvas William Hamilton; English; 1751-1801

The Three Graces - Hans Baldung, circa 1541

Sir Edward Poynter 1836-1919, English artist. Andromeda 1869, Oil on canvas. Andromeda daughter of an Ethiopian king, described in an ancient Greek tale by Ovid. She is depicted chained to a rock to be sacrificed to a sea monster.

The Temptation. Attributed Pieter Coecke van Aelst (1502-1550). Oil on panel. 112.5 x 87.5cm.

Hero and Leander, William Hamilton, 1751-1801, British, 1801, Watercolor, with pen in brown ink, black inkk, gouache and graphite on thin, slightly textured, cream wove paper, Sheet: 16 5/8 × 11 inches (42.2 × 27.9 cm), cloak, gown, longing, love, man, nude, ocean, priestess, religious and mythological subject, steps, sunset, woman

Jacques-Louis David (30 August 1748 29 December 1825) was a highly influential French painter in the Neoclassical style, Patroclus, 1780

Fortune and the Beggar, by Aleksei Tararsovich Markov or Aleksej Zarasovic Markov (1802-1878).

Marcantonio Pasqualini (1614-1691) Crowned by Apollo. Artist: Andrea Sacchi (Italian, Rome () ca. 1599-1661 Rome). Dimensions: 96 x 76 1/2 in. (243.8 x 194.3 cm). Date: 1641.A celebrated male soprano, Pasqualini is crowned by Apollo, who had been victorious in a musical contest with the satyr Marsyas (shown in the background, defeated and tied to a tree with his bagpipes beside him). Pasqualini joined the choir of the Sistine Chapel in 1630, and from 1632 was a protagonist in many operas produced at the Palazzo Barberini. Sacchi designed sets for some of these. The singer plays an upright harpsichord decorated with the figures of Daphne and a bound satyr; Apollo is loosely based on the famous ancient sculpture known as the Apollo Belvedere. Museum: Metropolitan Museum of Art, New York, USA.

Hygeia; Goddess of Health; about 1615; Oil on oak panel Peter Paul Rubens; Flemish; 1577-1640

The Gorgon and the Heroes, 1897, by Giulio Aristide Sartorio (1860-1932), part of a diptych, oil on canvas, 305x420 cm.

Fresco depicting a Bacchian rite. Bacchus is the Roman title for Dionysus, the god of wine and intoxication. Dated 1st Century B.C.

Detail of Triumph of Galatea, by Raphael,1512, Villa Farnesina, Rome, Italy, Europe

The Little Bather in the Harem - 1828 - 35x27 cm - oil on canvas - French Neoclassicism. Author: JEAN AUGUSTE DOMINIQUE INGRES. Location: LOUVRE MUSEUM-PAINTINGS. France.

Mary Magdalene or Mary of Magdala, sometimes The Magdalene. Saint. Repentant Mary Magdalene. Engraving by Perez at "La Ilustracion Espanola y Americana", 1885. Colored.

CEZANNE, Paul (1839-1906). The Temptation of St. 1875. Right central detail. Post-Impressionism. Oil on canvas. FRANCE. ëLE-DE-FRANCE. Paris. MusŽe d'Orsay (Orsay Museum).

Lying naked woman, Henri Fantin-Latour, 1874

Anonymous / 'The Water', 1675-1700, Spanish School, Canvas, 245 cm x 105,5 cm, P03197. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Adam; Eve Giuliano di Piero di Simone Bugiardini Italian These two paintings depicting the biblical story of the temptation of Eve were probably made to be set within the wall paneling of a Florentine bedroom around 1520. Bugiardini painted several comparable oblong nude figures for similar settings but more typically the figures are taken from classical history or myth. Bugiardini and his contemporary Francesco Granacci, whose works are displayed nearby, both knew Michelangelo well, and were part of the group of talented painters who studied with Domenico Ghirlandaio.. Adam; Eve. Giuliano di Piero di Simone Bugiardini (Italian, Florence 1475-1554 Florence). Oil on canvas. Paintings

Europe, Germany, Berlin, Charlottenburg Palace

Plenty. oil on canvas. Date: 1910. Museum: Smithsonian American Art Museum.

Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection

Painting depicting the Flight into Egypt by Josep Maria Tamburini (1856-1932) Catalan painter and art critic. Dated 1911

Nude with pillows or Large nude, 1907, by Pierre-Auguste Renoir (1841-1919), oil on canvas, 70x155 cm.

Baldung / The Seven Ages of Woman / 1544

'St Sebastian'. Italy, 1590s. Dimensions: 260x135 cm. Museum: State Hermitage, St. Petersburg. Author: Palma, Jacopo, il Giovane.

Boudoir, Nudes

Temperance, Haarlem, Cornelis-Cornelisz va, 1600.

Bathsheba at her Toilet, Cornelis Cornelisz. van Haarlem, 1594

THE BATH Nicolas-Ren� Jollain (1732-1804). "The bath". Oil on copper, circa 1780. Paris, Cognacq-Jay Museum.

Danae, 1636. Oil on canvas. Rembrandt van Rijn (16061669) Dutch painter. Danae welcoming Zeus who impregnated here with a shower of gold, thus creating Perseus. Greek Mythology Nude Female

The Fisherman and the Siren, Frederic Leighton, 1857,

The Rescue. Le Sauvetage. Emile Munier (1810-1895). Oil On Canvas, 1894.

Susannah and the Elders. Jan Massys (1509-1575). Oil on panel. Painted circa 1556. 131.2 x 111.2cm

Bacchante on a Panther, 1855. William Adolphe Bouguereau (French, 1825-1905). Oil on fabric; framed: 87.3 x 127 x 5.4 cm (34 3/8 x 50 x 2 1/8 in.); unframed: 71.4 x 111.3 cm (28 1/8 x 43 13/16 in.).

The Sirens, by John Macallan Swan, 1870-1910, British painting, oil on canvas. In Greek mythology, Sirens lured ships with their enchanting voices to shipwreck on the rocky coast of their island (BSLOC_2016_2_162)

Pierre-Auguste Renoir (1841-1919). French painter. Impressionist style. Woman arranging her hair, 1887. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia.

CONJURO - ALEGORIA DE LA NOCHE - 1818/9 - PINTURA SIMBOLISTA - DECORACION DEL SALON REAL DEL CASINO DE MADRID. Author: JULIO ROMERO DE TORRES. Location: CASINO. MADRID. SPAIN. HERNANDEZ HEREDIA AMALIA.

El Cid's Daughters. Date/Period: 1889. Painting. Oil on canvas. Height: 2,060 mm (81.10 in); Width: 1,530 mm (60.23 in). Author: IGNACIO PINAZO CAMARLENCH.

Adam 1525-1542 Germany. For most of his long career, Lucas Cranach the Elder was court painter to the Elector of Saxony. Although the general placement of Adam and Eve in these paintings reflects the influence of Albrecht D¸rerís renowned classicizing treatment of the same subject in paintings and prints, Cranachís slender, undulating figures conform to the contemporary courtly ideals of beauty. This pair is one of the finest of the many versions of the subject made by Cranach and his workshop.. Oil on panel . Lucas Cranach, the Elder

The Nude Maja, Duchess of Alba, by Francisco de Goya as shown in the Museum de Prado, Prado Museum, Madrid, Spain

Echo and Narcissus, John William Waterhouse, 1903,

The Perseus Series - The Rock of Doom,1900. After: Sir Edward Burne-Jones (d.1898). Publisher: Berlin Photographic Company

'St Sebastian'. Italy. Dimensions: 196x106 cm. Museum: State Hermitage, St. Petersburg. Author: BERNARDINO LUINI.

'Le Bain', (The Bath), c1770-1810, (1913). Artist: Nicolas-Francois Regnault.

Leda und der Schwan ist eine Geschichte und ein Thema in der Kunst aus der griechischen Mythologie, in der der Gott Zeus in Gestalt eines Schwans Leda, eine spartanische Königin, verführt, Gemälde von Jean-Baptiste Cariven 1843 bis 1904, französischer Maler, Reproduktion eines Gemäldes aus dem 19. Jahrhundert, digital restauriert, historisch

Venus with Amor; Leyden, Lucas Van (1489 cars 1494-1533); 16th century (1501-00-00-1600-00-00);Amor (mitol.), Venus (Mitol.), Banderole, Dutch painting, imitation, putto, mythological scenes

Hermitage Museum. The Loggia Of Raphael. Adam And Eve Saint Petersburg. Russia.

Anonymous (Copy after: Ribera, Jusepe de, lo Spagnoletto) / 'Saint John the Baptist'. XVII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Adam and Eve in Paradise. Artist: David Teniers the Younger (Flemish, Antwerp 1610-1690 Brussels). Dimensions: 8 3/4 x 6 1/2 in. (22.3 x 16.5 cm). Date: 1650s. Museum: Metropolitan Museum of Art, New York, USA.

Pygmalion with his statue of a woman that comes to life. Engraving by J.N. Laugier, 1824, after A.L. Girodet-Trioson, 1819.

Sassocorvaro (Italia, Marche, provincia di Pesaro-Urbino), interno Rocca Ubaldinesca. Marcantonio Franceschini (copia da), Maddalena Penitente, olio su tela

Pablo Ruiz Picasso (1881-1973). Spanish painter. Standing Woman, 1921. National Gallery. Prague. Czech Republic.

The Turkish Bath by Ingres, Jean Auguste Dominique (1780-1867)/ Louvre, Paris/ 1862/ France/ Oil on canvas/ Classicism/ 108110/ Genre,Nude painting

Diana the Huntress. Gaston Casimir Saint-Pierre (1833-1916). Oil on canvas. 196 x 129.5cm.

Three Graces, Morandini, Francesco, 1572.

DESNUDO CON MANTILLA. Author: Jose Maria Rodriguez Acosta. Location: MUSEUM OF FINE ARTS. GRANADA. SPAIN.

Édouard Manet, La ninfa sorprendida, 1861, óleo sobre tela,Museo Nacional de Bellas Artes (MNBA) ,Buenos Aires, republica Argentina, cono sur, South America.

Venus and Amor - Hans Baldung, circa 1525

Floréal Floréal, 1888, oil on canvas, Louis Joseph Raphael Collin, Museo Nacional de Bellas Artes MNBA, Buenos Aires, republica Argentina, Copyright: xZoonar.com/Tolox 21818340

Apollo and Marsyas 1888 . Along with Arnold Bˆcklin, Hans Thoma was a leading Northern European figure in the shift from Realism and history painting to art inspired by classical myths and legends. Taken from Ovidís epic poem Metamorphoses, Thoma showed the satyr Marsyas challenging Apollo, the master of the lyre, to a musical contest. Although he avoided depicting the cruel outcome of the match (the satyr lost and was flayed alive by Apollo), the artistís treatment of Apollo, whose idealized body and luminous skin set him apart from the shadowy halftones of his challenger, hints at the winner. Thomaís painted frame may also have been inspired by a tale from Ovidís Metamorphoses.. Oil on board . Hans Thoma

Jacqueline Marval, The Odalisques, 1902-1903, oil on canvas, Grenoble museum.

'Venus with an Organist and a Dog' (detail), ca. 1550, Oil on canvas, P00420. Author: TIZIANO VECELLIO DE GREGORIO-TICIANO-. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. VENUS DIOSA ROMANA.

Les Noeuds Violets - De Purpere Strkken. Paul Delvaux (1897-1994). Watercolour, pen, black ink and pencil on paper. Executed in 1948. 58.5 x 78.8cm.

Venetian 16th Century, Orpheus, c 1515 Orpheus

'The Three Witches Appearing to Macbeth and Banquo', late 18th century. Artist: Henry Fuseli

Diane from Poitiers, Allegory of Peace, 1568-70, by Giovanni Capassini (1555-1577).

Evil Sought Ernest Normand (1857-1923 British) Private Collection

Gaston Bussière / 'Salambô' by Gustave Flaubert, Scene with the snake.

Susanna at her Bath, by Francesco Hayez, 1850, National Gallery, London, England, UK, GB, Europe

Sleep and His Half Brother Death John William Waterhouse (1849-1917 British)

A drawing by François Boucher showing Venus with Amor and pigeons, executed in black chalk and pastel around 1750.

Maid; Weiss, Wojciech (1875-1950); around 1925-1935 (1925-00-00-1935-00-00);State Art collections (Warsaw - 1922-1939) - collections, acts, female acts, women, message (provenance), curtains

Lucas Cranach d.J., Eva - -

Frenzy, sketch. Podkowiński, Władysław (1866-1895), painter

Olympia by Manet, Edouard (1832-1883) Musee d'Orsay, Paris 1863 Oil on canvas 130,5x190 France Impressionism Genre,Nude painting Painting

Adam, Eve, Lucas Cranach the Elder, 1533, 1537, Art Institute of Chicago, Chicago, Illinois, USA, North America,

Przeszo Przyszoci Kwiatkowski, Teofil (1809 1891)

Painting titled 'Spartan Archery' depicts three Spartan boys practicing archery. Painted by Christopffer Wilhelm Eckersberg (1783-1853) Danish neoclassical painter. Dated 1812

Aurora. Henri Fantin-Latour (1836-1904). Oil on canvas. 42 x 33.7cm.

SATIRO Y HERMAFRODITO - PINTURA POMPEYANA - SIGLO I. Location: NATIONAL MUSEUM OF ARCHAEOLOGY. NEAPEL. ITALIA.

St John the Baptist, by Luca Ferrari (1605-1654), oil on canvas, 107.5x87.5 cm.

Workshop of Albrecht Altdorfer, The Fall of Man middle panel, c. 1535, oil on hardboard transferred from panel

Erotic illustration from the Victorian period, around 1880, in England, three woman having sex, Historic, digitally restored reproduction of an original 19th century artwork, exact original date not known

fine arts, Piero di Cosimo (1462 - 1521), painting, ""The Death of Procris"", circa 1510, oil on panel, 65 x 183 cm, National Gallery, London,

The Ivory Flute: La Flute d'Ivoire. Edouard Marie Guillaume Dubufe (1853-1909). Pencil and watercolour on paper laid on board. Executed in 1876. 63 x 47cm.

Self-portrait as St John the Baptist. Zelfportret als Johannes. Dating: 1937 - 1938. Place: Netherlands. Measurements: h 90 cm × w 68 cm; d 7.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Carel Willink (signed by artist).

Samsom & Delilah Albert Alexander Paul Rouffio (1855-1911French) Musee des Beaux-Arts, Marseille, France

Frightened; Skramda. Anders Leonard Zorn (1860-1920). Oil on canvas. Dated 1912. 101.7 x 66cm

JIMENEZ ARANDA, JosŽ (1837-1903). Young slave. Romanticism. Oil on canvas. SPAIN. ANDALUSIA. MALAGA. Malaga. Fine Arts Museum.

Cupid with a quiver. nieznany malarz polski, painter

Annunciation, by Lotto Lorenzo, 16th Century, 1535, oil on canvas, cm 166 x 114

José Jiménez Aranda / 'A Slave for Sale', After 1892, Spanish School, Oil on canvas, 100 cm x 82 cm, P06450. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

TRISTE HERENCIA - 1899 - OLEO/LIENZO - 210X285 CM. Author: JOAQUIN SOROLLA BASTIDA (1863-1923). Location: CAJA AHORROS (BANCAIXA). Valencia. SPAIN.

Jan Gossaert (Jean Gossart, Mabuse) / 'The Holy Infants Embracing'. XVI century. Oil on panel. Museum: Museo del Prado, Madrid, España. Author: JAN GOSSAERT. GOSSAERT, JAN (JEAN GOSSART, ALSO CALLED MABUSE).

Daily life in the Netherlands.Vie quotidienne aux Pays-Bas.

Temptation, Bouguereau, Adolphe-William, 1880

Red Angel, Mediz, Karl (1868-1945)

Bacchus, Caravaggio, Michelangelo M., 1597.

Springtime, Pierre-Auguste Cot, 1873, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

Half-clothed Tilottama flying in the sky playing with a red ball - Raja Ravi Varma, 1896