Marine Engravings

Detailed prints of historical ships and seascapes, showcasing naval vessels and maritime life from various eras.

Two figures near peat barges along a quay. Third print in a series of four, Peat barges along a wharf Landscapes (series title), print maker: Jan van de Velde (II), Northern Netherlands, 1603 - 1641, paper, etching, h 195 mm × w 320 mm

Assets in this Story

War ship 'The Praying Peter' designed by Peter de Grote, 1700; Navi Bellicae Sub Sti, Petri Orantis Nomine (...). The warship 'The Praying Petrus' designed by Tsar Peter the Great and walked from Stapel on 28 April 1700. On the mirror a text in Russian with the year 1698 and 1700, on the left in the foreground a sloop and a yacht. On the right the cartouche with the title in Latin, a triton, river god and dragon.

Seascape with two- and three-masters, print maker: Adam Silo, Adam Silo, 1689 - 1760, paper, etching, h 148 mm × w 204 mm

Title page of a series of eight copies. Two state sloops, used to transport high-ranking figures, with canopy and flag. A number of sailing ships and the bowsprit of a larger sailing ship with a sail with text, three men on the yard, State sloop and sailing ships on calm water 8 Difft Sea Pieces, Drawn from Nature on the Coast of Holland By, Zeeman (series title on object) Huit différentes Marines, dessinées par Zeeman (series title on object) Eight seascapes (series title), print maker: anonymous, Reinier Nooms, publisher: Chéreau, (mentioned on object), Paris, 1700 - 1799, paper, etching, h 146 mm × w 210 mm

Sailing ships on the water, Anthonij van der Haer, after Pieter Coopse, c. 1745 - 1785 print Sailing ships on the water with a rowing boat on the right. Northern Netherlands paper etching rowing-boat, canoe, etc.. landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage). sailing-ship, sailing-boat

Renier Zeeman (around 1623-1667). Several vessels and marchands ship n ° 4: two large flutes with dex pavilions (Hollstein 91). Eat, 1652. Museum of Fine Arts of the City of Paris, Petit Palais. Eat, XVIIth XVIIth XVII 17th 17th 17th century, engraving

Two figures near peat barges along a quay. Third print in a series of four, Peat barges along a wharf Landscapes (series title), print maker: Jan van de Velde (II), Northern Netherlands, 1603 - 1641, paper, etching, h 195 mm × w 320 mm

Seascape with two- and three-masters, Adam Silo, 1689-1760

A three-master with Dutch flags lies in the middle of the sea. Two fishing boats in the foreground are leaning against the wind. In the background several more ships, Turbulent sea with a three-master., print maker: Adam Silo, Amsterdam, 1689 - 1760, paper, etching, h 150 mm × w 232 mm

Ships at sea, Ludolf Bakhuysen, 1701

Eight sailing ships on Ruig Water, Gerrit Groenewegen, 1786 print Eight sailing ships on a rugged sea. On the right -hand side in the sea is a piece of a fence. The large ship is carrying three different flags. This print is part of a series of six prints with different sailing ships at sea. At the bottom of the margin on the right: 2. Rotterdam paper etching / engraving ships (in general)

Beurtschip passes Molen, Jan van de Velde (II), After Cornelis Claesz van Wieringen, 1603 - 1641 print A turn ship with full sails sailing along a mill. Two moored sailing ships on Wal. Print from a series of eight with Marines. Northern Netherlands paper etching / engraving landscapes with waters, waterscapes, seascapes (in the temperate zone). sailing-ship, sailing-boat

Large sailing ship accompanied by sailing ships with rowers, Anonymous, After Pieter Bruegel (I), 1600 - 1625 print A large sailing ship with flags in the middle. Left smaller sailing ships with rowing pans. On the right another sailing ship. paper engraving sailing-ship, sailing-boat

. Various sailing ships on turbulent water. On the right a house with a tower where two figures are adjacent. Left in the background The contours of a church tower and other buildings. This print is part of a series of six prints with various ships.

Harbor with ships, in the air the fall of Icarus, Robert de Baudous, 1591 - 1623 print A port with two large ships. A group of fishermen hangs their nets to dry and counts their catch. A city in the background. In the air the fall of Icarus, and Daedalus that is indignant. Under the print a verse in Latin and a poem in Dutch about moderation. paper engraving harbour. fisherman. death i.e. the fall of Icarus (Daedalus present)

Amsterdam, Danckerts, Justus, Nooms, Reinier, Netherlands, Various embarkations and the like, Divers Embarquements et autre Faicts, Bay with a hooker and a man-of-war, verso top left - pencil, Bay with a man-of-war and on the quay some men loading a hooker., print, engraving, prints, engravings, verso bottom left - stamped, verso bottom middle - stamped, two interlocking C's, height 80 mm, width 177 mm, Noord-Nederlands, 1624 - 1664, print maker, printmaker, 1651 - 1652, third quarter 17th century, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1635-11-11 - 1701-07-16, publisher

Plate 1: seaport with ships, from 'Seascapes' (Paysages maritimes) ca. 1644 Stefano della Bella Italian. Plate 1: seaport with ships, from 'Seascapes' (Paysages maritimes) 377305

Hondius, Hendrick (I), Cock, Hieronymus, Southern Netherlands, Doetechum, Lucas van, Joannes van (I), Funeral procession of Emperor Charles V, 1558, The ship Victoria, no. 5, Float with the ship Victoria. On the ship female personifications of Hope, Faith and Love, flags of the provinces of the Netherlands, banners with Christian allegories. In front of the ship two seahorses, behind them two sea elephants. At the back the two columns of Hercules. The sides of the ship decorated with representations of victories of Charles V. Part of the print series of the Funeral procession of Emperor Charles V on 29 December 1558 in Brussels. Print consists of two parts glued together., print, prints, Frederik Muller Historieplaten, height 429 mm, width 617 mm, Northern Netherlands, 1530 - 1605, print maker, printmaker, 1559 - 1559, third quarter 16th century, first quarter 17th century, paper, etching, etchings, engraving, engraving (printing process), - 1589, 1518 - 1570-03-10, intermediary draugh

unknown, Amsterdam, Schenk, Pieter (I), Northern Netherlands, Meulen, Sieuwert van der, Navigiorum Aedificatio, The construction and fortunes of a ship in 16 plates, ca. 1700, The ship on the high seas, having left the shipyard, The ship on the high seas, plate no. 12, The ship sailing on the high seas. No. 12 from a series of 16 prints depicting the construction and fortunes of a ship. With captions in Dutch and Latin., print, prent, prints, Frederik Muller Historieplaten, height 164 mm, width 192 mm, Noord-Nederlands, 1683 - 1730-06-18, print maker, printmaker, 1690 - 1710, paper, papier, etching, etchings, Publication (Event), Publicatie, 1660-12-26 - 1711, publisher, uitgever van privilege

Whalevangst, 1781, Mathias de Sallieth, After Hendrik Kobell, 1781 print Hunting whales in the Northern Ice Sea, 1781. In the foreground, hunters shoot at polar bears. paper etching / engraving whale fishery, whaling. beasts of prey, predatory animals: polar bear

. In a harbor there are various sailing ships and one large sailing ship, which leads a flag with three French lilies. Print from a series of Italian landscapes.

Wieringen, Cornelis Claesz. van, Northern Netherlands, Velde, Jan van de (II), Seascapes, Barge sailing with full sails to the left, verso - stamped, Barge sailing with full sails to the left; on the shore on the right a farm. Print from a series of eight with seascapes., print, prints, height 126 mm, width 207 mm, 1593 - 1641-11-04, print maker, printmaker, 1603 - 1641, paper, papier, etching, etchings, 1577 - 1633-12-29, intermediary draughtsman

Jacques Callot, The Attack, 1617 The Attack

Four warships at sea, monogrammist Abk, c. 1640 - c. 1660 print Four sailing ships at sea. The right ship fires a cannon. Northern Netherlands paper etching sailing-ship, sailing-boat. sea

View of the IJ, Adam Silo, 1689 - 1760 print On a calm sea, fishermen look at their catch in their boat. A three -master is anchor. On the right the coastline with a mill. In the background on the left a house with a tower. Amsterdam paper etching / engraving sea and coastal fishery

Amsterdam, Allard, Carel, Ship battle on the IJ, verso middle - stamped, Ship battle on the IJ in Amsterdam in honor of the visit of Peter I the Great. On the right in the background the Admiralty shipyard., print, historical print, prints, height 225 mm, width 278 mm, Dutch, 1648-01-19 - 1709-02-01, print maker, printmaker, 1697 - 1699, fourth quarter 17th century, paper, etching, etchings, Publication (Event), Publication, publisher

Copy in mirror image. Men standing on a raft at work around the hull of a ship, Repairs to the Hull of a Ship, print maker: anonymous, Reinier Nooms, Netherlands, 1652 - 1714, paper, etching, h 128 mm × w 207 mm

. .

Haring tube sails home, ca. 1725, 1720 - 1730 A herring tube sails on the sea to fish, ca. 1725. Part of the series about the herring catch. Printed on the same leaf as No. 10. print maker: Northern Netherlandspublisher: Amsterdam paper etching A herring tube sails on the sea to fish, ca. 1725. Part of the series about the herring catch. Printed on the same leaf as No. 10. print maker: Northern Netherlandspublisher: Amsterdam paper etching

Merchant Ships 1643-1668 Netherlands. Reinier Nooms was a painter and etcher who harbored a great love of the sea. He spent many years as a sailor on Dutch merchant vessels traveling between his native Amsterdam and ports in France, Italy, and North Africa. As a reflection of his nautical background, he frequently signed his name as ìZeeman,î or, ìSeaman.î This signature appears among the clouds at the top of the etching seen here, one of 170 he produced. Noomsís realistic detail comes directly from his seafaring experience, whether in his depiction of ships, ports, or naval battles. His etchings of ships and views of Paris would inspire later artists such as the 19th-century French etcher Charles Meryon.. Etching in black on ivory laid paper . Reinier Zeeman, (Reinier Nooms)

Renier Zeeman (1623-1667). Several vessels and marchands ship n ° 8: a calf marchand ship (Hollstein 95). Eat, 1652. Museum of Fine Arts of the City of Paris, Petit Palais. Eat, XVIIth XVIIth XVII 17th 17th 17th century, engraving

Inland water with a whistle, Reinier Nooms, 1650 - Before 1705 print Inland water with a large whistle ship from the side, a rowing boat and a number of other sailing ships. print maker: Netherlandspublisher: Amsterdampublisher: London paper etching sailing-ship, sailing-boat (with NAME)

Northern Netherlands, Ung gallion de malacca brise desenu les aux Rochiers a nostre veue, Encounter with a stranded Portuguese ship, 1601, Encounter with a stranded and battered Portuguese ship from Makassar, 5 February 1601. Part of the illustrations in the account of the voyage around the world by Olivier van Noort in 1598-1601. No. 25., print, picture, news print, prints, pictures, Frederik Muller History plates, height 145 mm, width 225 mm, print maker, printmaker, 1601 - 1602, first quarter 17th century, second quarter 17th century, paper, engraving, engraving (printing process)

Harbour Scene, Claude Lorrain, French, 1604 - 1682, Etching on laid paper, France, 1634, Print, Print

Equipping and supplying a Hoeker for the herring catch. Fits, or missiles from A Hoeker to the Herring catch / The preparing, or equiping of a Hoy for Herring Catching. ), At a wharf, a hooker is made ready for sailing and supplied for herring catch. The print is part of a 32-part series of prints with representations about the herring catch, sea and coastal fishery, bony fishes: herring, Adolf van der Laan, Amsterdam, 1728 - 1761, paper, etching, h 178 mm × w 207 mm

Plate 1: seaport with ships, from 'Seascapes' (Paysages maritimes). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet (trimmed to plate): 2 15/16 × 5 1/8 in. (7.5 × 13 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: 'Sescapes' (Paysages maritimes). Date: ca. 1644. Museum: Metropolitan Museum of Art, New York, USA.

Seascape with sailing ships, Ludwig von Siegen (Possible), 1642 - 1680 print paper etching sea (seascape). sailing-ship, sailing-boat

Italy, Bella, Stefano della, Views of the port of Livorne, Port of Livorno, Galley ship with covered bridge in the port of Livorno, verso - stamped, View of the port of Livorno with a galley ship with a covered back on the left. In the foreground on the left a group of men and a mountain of cannons. On the right dock workers and merchants on the pier. In the background on the right a second galley and a fort on the coast., print, prent, prints, height 249 mm, width 365 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1655 - 1655, paper, papier, etching, etchings, Work conception, after own design by

Transfer by Napoleon of the Bellorophon to the Northumberland Transf, print maker: Edme Bovinet, (mentioned on object), intermediary draughtsman: Jean Jérôme Baugean, (mentioned on object), publisher: Jacques-Louis Bance, (mentioned on object), Paris, in or after 1815 - in or before 1832, paper, etching, engraving, h 351 mm × w 453 mm

Haringvissers, Adolf van der Laan, 1716 - 1742 print Five fishing boats sail at sea. The ship at the front gets a net with pegs on board. In the background a ruin on a rock. Under the show a six -line, Dutch poem about herring fishing. Amsterdam paper etching / engraving sea and coastal fishery. ships (in general). bony fishes: herring

East Indies and Sea viewing with Rots, Hendrick Cornelisz Vroom, 1576 - 1640 drawing paper. ink pen

Fireworks shot on the water in front of the Louvre four days after the entrance of their Majestic Dasn Paris (IT)

Spiegelfecht in honor of the visit of the Russian envoy to Amsterdam, August 1697, Jan Luyken, 1697 print Mirror fight on the IJ organized by the city council in honor of the visit of the Russian envoy with Tsar Peter the Great to Amsterdam, September 1, 1697. From yachts the visitors view the simulated fight. Amsterdam paper etching theatre, theatrical performance. battle (+ naval force) IJ

Haring tube on the Nering, ca. 1725, 1720 - 1730 A herring tube fishes at sea to Haring, ca. 1725. Part of the series about the Haringvangst. Printed on the same leaf as No. 6. print maker: Northern Netherlandspublisher: Amsterdam paper etching A herring tube fishes at sea to Haring, ca. 1725. Part of the series about the Haringvangst. Printed on the same leaf as No. 6. print maker: Northern Netherlandspublisher: Amsterdam paper etching

Sailing ship on wild waves, anonymous, after Pieter Bruegel (I), 1600 - 1625 print A sailing ship on wild waves. In the foreground a sea monster. paper engraving sailing-ship, sailing-boat. monsters ~ swimming mammals

Two sailing ships and a rowing boat in stormy weather, draughtsman: anonymous, Netherlands, c. 1650 - c. 1799, paper, pen, brush, h 171 mm × w 127 mm

Seascape with two three -masters and a turner, Reinier Nooms, 1633 - 1667 drawing Two three -masters and various smaller fishing vessels on a calm sea off the Dutch coast, on which a tower is rising in the distance. Design for the opposite etching with the names of the ships: De Love, a Noorts-Vaerder and 't Geele Fortuijn, an Ooster-Vaerder. Design for a print. paper. chalk brush names of artefacts and man-made objects (buildings excluded). sea (seascape). sailing-ship, sailing-boat

Flight from King Jacobus II to France, 1688; The king of Englant, Jacobus d'II, quickly at Naght Uijt Rochester, after Vranckrijck. The flight of the English King Jacobus II from Rochester to France, January 2, 1689. The king sailed with a sloop to the ship that will bring him to France.

Renier Zeeman (around 1623-1667). Some river ports n ° 4: View of an estuary with fishermen (Hollstein 107). Eat, 1656. Museum of Fine Arts of the City of Paris, Petit Palais. Eat, XVIIth XVIIth XVII 17th 17th 17th century, engraving

Flight from King Jacobus II to France, 1688, 1689 print The flight of the English king Jacobus II from Rochester to France, January 2, 1689. The king sails with a sloop to the ship that will bring him to France. Northern Netherlands paper etching flight of ruler from adversary Rochester

Group of Ships. Dated: 1644. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

Netherlands, Seascape with a sloop in the foreground, Seascape with a sloop in the foreground. Five figures are sitting in the sloop., print, prints, height 72 mm, width 94 mm, print maker, printmaker, 1600 - 1700, paper, papier, etching, etchings, aquatint

Face on the IJ with rowing boat; Seascapes. View of the IJ in Amsterdam. In the foreground a rowing boat with six men, in the background larger ships. Print from a series of ten seascapes.

Ship in a rugged sea, Ludolf Bakhuysen, 1701 print Ship in a rugged sea. On the right on a rock a tower. Print from a series with ten seascapes. paper etching sea (seascape). storm at sea

View of the town of Naarden. In the foreground, outside the city walls, fishermen are sailing in boats across the Zuiderzee and a sailor is helping two milkmaids into a boat. Above the townscape a cartouche with the name of the town, Gezicht op Naarden Steden en vestigingen in de Republiek der Nederlanden Thooneel der Steden ende Sterckten van 't Vereenight Nederlandt met d'aengrensende Plaetsen , print maker: Gaspar Bouttats, intermediary draughtsman: Jan Peeters, publisher: Gaspar Bouttats, Antwerp, 1679, paper, etching, h 135 mm × w 237 mm

Three sailing ships in a storm for a rocky coast, Adam Silo, 1689 - 1760 print Amsterdam paper etching / engraving storm at sea

Le grand rocher (The Huge Rock), from Landscapes for Giovanni deMedici. Artist: Jacques Callot, French, 1592-1635

View across the water to Dokkum, Bonaventura Peeters (I), 1624 - 1690, draughtsman: Bonaventura Peeters (I), draughtsman: Jan Peeters (I), 1624 - 1690, paper, brush, h 195 mm × w 318 mm

Dish of ships on the Cape of Good Hope, 1693, 1691 - 1693 print Dish of ships on the Cape of Good Hope, 1693. Sailors try to pull shipwrecked on a raft. Northern Netherlands paper etching shipwreck Cape of Good Hope

Lingelbach, Johannes, Amsterdam, Gronsveld, Aliqui Portus, Italian ports, Port with merchants with cargo, verso lower left - stamped, Port with two merchants in the foreground, a dog to their left. To their right four foreign merchants at a fountain busy with barrels. In the background a lookout tower on a hill. Ninth print from a series of twelve with Italian ports., print, prent, prints, prenten, height 157 mm, width 242 mm, 1645 - 1728-03-17, print maker, printmaker, 1679 - 1728, paper, papier, etching, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1622 - 1674

Seascape with round stronghold.

Rotterdam, Leeuw, Jan de (publisher), Kobell, Jan (I), Northern Netherlands, Sallieth, Mathias de, Roosing, Hendrik, The Conquest and Towing Away of a Convoyed English Sloop by Capt: Le Turc on 7 February 1782, Conquest of a English Sloop, 1782, verso - stamped, The capture and towing away of an English sloop from a covoy by the privateer captain Pierre le Turcq with the ship Vlissinger, 7 February 1782. Part of a group of five illustrations of the conquests by Pierre le Turcq in 1782. In the margin the title with the coat of arms of Zeeland in the middle., print, prent, prints, Frederik Muller Historieplaten, height 164 mm, width 257 mm, Noord-Nederlands, 1763 - 1826-07-07, print maker, printmaker, 1782 - 1784, paper, papier, etching, engraving, engraving (printing process), Czech, 1749 - 1791-11-29, supervision, 1757 - 1833-07-16, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Two ships are ready for repair; Thirteen scenes with ships. Two sailing ships behind a breakwater, the rear ship is told and men are working on the hull to make it waterproof.

Print made by Elisha Kirkall, ca. 1682-1742, British, Ships, 1720-1730. Mezzotint, printed in blue-green colored ink on medium, moderately textured, cream laid paper.

View of Naples (sheet 1), Jan van de Velde (II), 1618.

Visscher, Claes Jansz. (II), Haarlem, Kleynhens, Bernardus, Porcellis, Jan, Northern Netherlands, Baudous, Robert de, Diverse Navires Don ton se sert dans les Provinces Unies, Icones Variarum Navium Hollandicarum quarum usus maximè in aquis interioribus regionis, Dutch ship types, 1627, A Wyt ship or Lichter large about 30 Last, Lichter de 30 Tonneaux, Wide ship or lighter, A wide ship or lighter on the water. Print no. 12 in a series of prints of Dutch ship types, 1627. ., print, prints, Frederik Muller Historieplaten, height 172 mm, width 247 mm, 1574 - 1659, print maker, printmaker, 1627 - 1627, second quarter 17th century, second quarter 17e eeuw, second quarter 18th century, third quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1584 - 1632-01-29, after a design by, Publication (Event), Publicatie, 1702-12 - 1779-09-21, publisher, uitgever, 1586 - 1652-06-19

Seascape with Several Vessels. Draughtsman: Simon de Vlieger. Dating: 1610 - 1653. Measurements: h 157 mm × w 266 mm. Museum: Rijksmuseum, Amsterdam.

The lighthouse, Matthieu van Plattenberg, unknown, 1617 - 1660

Renier Zeeman (around 1623-1667). Some river ports n ° 8: estuary with two gallions on the right, and a marchand ship on the left (Hollstein 111). Eat, 1656. Museum of Fine Arts of the City of Paris, Petit Palais. Eat, XVIIth XVIIth XVII 17th 17th 17th century, engraving

De Storm, Claude Lorrain, 1630 - 1631 print Storm at sea, with a number of ships near the coast. In the foreground three men in a sloop. Rome paper etching storm at sea

Harbor with ruin of a tower, Anthony van Zijlvelt, after Johannes Lingelbach, 1650 - 1695 print Several sailors around a barrel and around a fire on the waterfront. In the background the ruin of a tower and different ships. paper etching harbour. accessories ~ fire-place. wooden container: barrel, cask, bucket. landscape with ruins

A Japanese vessel, 1600; UNG Batteau de Iapan Dict Champing. A Japanese vessel called a Champan, December 3, 1600. Part of the illustrations in the journey report to the world through Olivier van Noort in 1598-1601. No 17.

Figures in a boat during a flood. Figures in a boat during a flood. On the background other figures on a roof, protruding above the water.

Frans Huys after Pieter Bruegel the Elder, A Dutch Hulk and a Boeier, 1565 A Dutch Hulk and a Boeier

unknown, Amsterdam, Schenk, Pieter (I), Northern Netherlands, Meulen, Sieuwert van der, Navigiorum Aedificatio, The construction and fortunes of a ship in 16 plates, ca. 1700, The ship receives its masts, The fitting of the masts on the ship, plate no. 6, The fitting of the masts on the ship with the aid of a crane. No. 6 from a series of 16 prints depicting the construction and fortunes of a ship. With captions in Dutch and Latin., print, prent, prints, Frederik Muller Historieplaten, height 165 mm, width 193 mm, Noord-Nederlands, 1683 - 1730-06-18, print maker, printmaker, 1690 - 1710, paper, papier, etching, etchings, Publication (Event), Publicatie, 1660-12-26 - 1711, publisher, uitgever van privilege

Zeegezicht met driemaster en parelvissers; Venationis, Piscationis, et Aucupii Typi; Jagen, vissen en vogeljacht.View of a sea with several ships including a three-master. On the right a boat with pearl fishermen. A line of Latin text in undermarge. Numbered bottom left: 46.

Flat barge with cattle, Johannes Huibert Prins, in or before 1776 print There are two men on a flat barge with hoisted sail. The skipper is on the back of the boat with a push tree. On the barge there are also three cows and a rider with his horse, which bends forward to the water. paper etching ferry. cattle

American hijacker Cunningham takes an English ship, 1777, Simon Fokke, After Hendrik Kobell, 1783 - 1784 print The American Kaperk captain Cunningham is conquering an English package boat in the channel, May 2, 1777. Northern Netherlands paper etching / engraving piracy English Channel

Small sloop with men sails to Galeischip, Stefano della Bella, 1634 print Seasing view with a group of men on the quay on the left. A small sloop full of men sails from the quay towards a large sailing ship on the right. Italy paper etching ships (in general). pier, quay, wharf

Sea face with three -masters and pearl fishermen (left part), Adriaen Collaert, After Hans Bol, 1582 print View of a sea with several ships. In the foreground a three -mast. On the left, a figure is pulled on the three -mast. A rule of Latin text in the lower margin. Numbered bottom left: 46. South of the Netherlands paper engraving ships (in general)

Silent sea with ships and a rowing boat left, draughtsman: Simon de Vlieger, 1610 - 1653, paper, pen, h 97 mm × w 192 mm

Italian 15th Century, Carrack, Heading to the Right, c 1480 1500 Carrack, Heading to the Right

The Fishermen with their Lines ca. 1770 Joseph Vernet. The Fishermen with their Lines. Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1770. Engraving; first state of two. Bertaud (French). Prints

Amsterdam, Jonghe, Clement de, Savery, Salomon, Sailing ships, Battle between three sailing ships, verso - stamped, With two-line caption in Dutch. The print is part of a six-part series with representations of various sailing ships., print, prent, prints, prenten, width 160 mm, height, 121 mm, Noord-Nederlands, 1594 - 1683-10-16, print maker, printmaker, 1640 - 1670, paper, papier, etching, etsen, engraving, engraving (printing process), Publication (Event), Publicatie, 1624 - 1677, publisher

Jacques Callot (1592-1635). "The life of Ferdinand I of Medici, the first naval fight. Twelfth number of a series of 16 pieces finished and 2 supernumerary pieces" (Lieure 157, Meaume 545). Chisel. 1619-1620. Museum of Fine Arts of the City of Paris, Petit Palais. 99598-8 Burin, Gravure

Warship and a spouting whale. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 4 15/16 × 10 11/16 in. (12.5 × 27.1 cm). Date: 1665.Warships and a spouting whale; warship scudding to left, with seamen clewing up the main topsail and spritsail, in rough sea under stormy sky; six ships on left and right and whale in the foreground swimming to right; first state. Museum: Metropolitan Museum of Art, New York, USA.

IJ with ships, Ludolf Bakhuysen, 1701 print The IJ with ships, in the background Amsterdam. In the foreground, Neptunus and the Stedensmaag van Amsterdam drive through the water with a carriage drawn by a horse and a unicorn. Print from a series with ten seascapes. Under this print a poem by L. Bakhuysen of six lines, printed from a second album. paper etching sea (seascape)

Warship in the Trough of a Wave. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 4 1/2 × 10 1/2 in. (11.5 × 26.6 cm)publishers address cut off below image. Series/Portfolio: Sea Storms four plates (NH 1839-1842). Date: 1665.A warship tossed by waves of the stormy sea in foreground at right, another in middle ground at left, and two more ships in background. Museum: Metropolitan Museum of Art, New York, USA.

Balthasar Moncornet after Remigio Cantagallina, Idinone ea Mopso Argonoti guidati da Apollo Idinone ea Mopso Argonoti guidati da Apollo

The fleet of Otaheite assembled at Oparee prints, engravings, works on paper

The hatched whale turns and woels while being inserted, ca. 1725; The whale turned and woolen, the Wyl Men is on 'Lens / Der Wallfisch Wendet Sich, und Wühlet in Dessen Man Ihn Mit Einem Spies Sticht, Oder Die Seiten Durch Bohret / The Whale is Troubled und Turns Her Self Whilst People Are Sticking Her; Whaling. The hatched whale turns and woels while putting into several places, ca. 1725. Part of the series about whaling. Printed on the same sheet as no. 5.

La Rache.. Ogilby, John (1600-1676). Illustrations, Prints. 1670. General Research Division. South Africa, Islands of the Indian Ocean, Islands of the Atlantic, Africa , Description and travel, Sailing ships

Departure of Maria Stuart from Holland, Johannes Jacobsz van den Aveele (attributed to), 1689 - 1691 print View of the fleet that will bring Maria Stuart to England. Den Briel can be seen in the background. On the right in the foreground, the ship sails with Maria Stuart who has just said goodbye to her deputies. With legend of 1-8 in the lower margin. paper etching Brielle

Amsterdam, Danckerts, Justus, Jonghe, Clement de, Lingelbach, Johannes, Zijlvelt, Anthony van, Havens van Genoa, Harbor with several people around a fountain, verso - stamped, Harbor view with on the left a fountain with the statue of a triton, where people fill barrels and jugs with water. In the background a ship., print, prints, height 233 mm, width 376 mm, Northern Netherlands, 1643 - 1715, print maker, printmaker, 1650 - 1695, paper, papier, etching, etchings, 1622 - 1674, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1624 - 1677, publisher, uitgever, Publicatie, 1635-11-11 - 1701-07-16

Rotterdam, Kobell, Hendrik, Ships at sea near a fortress, recto - written, On the right a fortress, surrounded by trees, and on the left several ships on a rough sea., print, prints, verso - stamped, Langendyk van Badhuize, height 158 mm, width 216 mm, 1751-09-13 - 1779-08-03, print maker, printmaker, 1761 - 1779, paper, papier, etching, etsen

Robinson Crusoe salvages goods from the wrecked ship. Date: First published: 1719

Picnic aan Zee, Ludolf Bakhuysen, 1701 print A company consisting of a woman, two men, a child and a dog picnic by the sea. Print from a series with ten seascapes. paper etching SEA (Seascape). Picnic, Alfresco, 'Lunch on the grass'

Breton Port with an Approaching Storm. Dated: 1869. Dimensions: overall: 24.2 x 40.1 cm (9 1/2 x 15 13/16 in.). Medium: charcoal heightened with white gouache on laid paper. Museum: National Gallery of Art, Washington DC. Author: JULES NOEL.

Arrival of Maria de 'Medici in Gorinchem; Le des Embarquement de la Reyne a Gorcom; Histoire de l'Entrance de la Reye Mere du Roy Tres-Chrestien, Dance Les Provinces Unies des Pays-Bas .. Port face of Gorinchem. Maria de 'Medici arrives by ship and is received by the magistrates of the city at a gate. Her carriage is ready on the quay. The print is part of a book about Maria de 'Medici to the Netherlands's visit.

Decker, Coenraet, River view with sailing ships, verso - stamped, River view with sailing ships and water birds. In bottom margin Dutch text from Gen 1., print, book illustration, prints, height 122 mm, width 138 mm, Dutch, 1650 - 1685-03-02, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, Work conception, after own design by

Dutch West Indies, Wencslaus Hollar, 1647 print paper etching sailing-ship, sailing-boat (WESTINDIAMAN)

Francis Seymour Haden, Breaking Up of the Agamemnon, 1870 Breaking Up of the Agamemnon

Storm on the IJ in Amsterdam near the Blaauwhoofd bulwark, November 21, 1776. Part of a group of illustrations depicting the flood of 1776, Storm on the IJ, 1776 View from the Y onto the Blaauw Hoofd in Amsterdam, in the storm, den 21sten Novemb. 1776 , print maker: Noach van der Meer (II), (attributed to), intermediary draughtsman: Hendrik Kobell, (attributed to), publisher: Petrus Conradi, (mentioned on object), Northern Netherlands, 1776 - 1778 and/or 1787, paper, etching, engraving, h 220 mm × w 307 mm

Populated port quay; Seascapes. Popular harbor quay with face on the water and landed ships. Print from a series of ten seascapes.

A Ship in Distress, Print made by Pierre Charles Canot, ca. 1710-1777, French, active in Britain, after Peter Monamy, 1681-1749, British, Published by John Bowles, 1701-1779, British, 1745, Line engraving and etching on moderately thick, slightly textured, blued white laid paper, Sheet: 14 7/8 x 21 13/16 inches (37.8 x 55.4 cm), Plate: 11 3/4 x 15 13/16 inches (29.9 x 40.2 cm), and Image: 10 9/16 x 14 15/16 inches (26.8 x 37.9 cm), channel (water body component), clouds, death, flags, galleons, light, marine art, masts, men-of-war, meteorology, rocks (landforms), sails, science, sea, ships, shipwreck, sky, storm, waves (natural events), Alderney Race, Europe

Sea face with ships: Dageraad, Jan van de Velde (II), 1603 - 1641 print View of a sea on which several sailing ships in the early morning represent the dawn. Front left three figures and a child by a fire. Print from a series of four. Northern Netherlands paper etching / engraving morning ~ landscape (sometimes titled 'Aurora'). ships (in general)

John Thomas Serres, Marine Fishing Boats on Shore, Man with Oars, Ship in Distance, 1803 Marine: Fishing Boats on Shore, Man with Oars, Ship in Distance

View of the harbor in Caudebec at the mouth of the River Seine; 83. Vue d'Optique Representant Le Port de Caudebec sur l'Embouchure de la Seine. There are ships and boats on the water. Groups figures on the waterfront are right. Numbered in the title: 83.

Galjoot of Jan de Vyl, Reinier Nooms, 1650 print The sailing ship, a Galjoot, by Jan de Vyl from Rotterdam on a rugged sea with several ships and a rowing boat. paper etching sea (seascape). sailing-ship, sailing-boat (with NAME)

View of Goeree-Overflakkee, Gaspar Bouttats, After Jan Peeters (1624-1678), 1679 print View of the island of Goeree-Overflakkee and a port. In the foreground the North Sea with a sailing ship and two galleons. Above the cityscape a cartouche with the name of the city and the coat of arms. Antwerp paper etching prospect of city, town panorama, silhouette of city Goeree-Overflakkee

Seven ships for Jakarta, 1607, 1644 - 1646 print Seven ships of the fleet lying in front of Jakarta, 12 February 1607. Part of the illustrations in the report of the tour by Cornelis Matelief de Jonge for the VOC to the East Indies and China, 1605-1608, No. 4. Northern Netherlands paper etching exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions Jakarta

Northern Netherlands, Wright, Benjamin, Description de Manille avecq la prise de nostre brigantine, The Mauritius meets a Spanish ship with the captured Dutch yacht, 1600, The Mauritius meets a Spanish ship with the captured Dutch yacht near Manila, 15 December 1600. In the water a large fish and a giant squid. Part of the illustrations in the account of the voyage around the world by Olivier van Noort in 1598-1601. No. 21., print, prent, news print, prints, Frederik Muller Historieplaten, height 145 mm, width 225 mm, English, 1575, print maker, printmaker, 1601 - 1602, first quarter 17th century, second quarter 17th century, paper, engraving, engraving (printing process)

Atalanta. Parigi, Giulio, 1571-1635. 1608. Cantagallina, Remigio, approximately 1582-1656. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

. Decoration arranged at the Joan van der Souw's house in the Warmoesstraat in Amsterdam. Presentation of the prince standing at the helm of a ship that the Dutch State symbolizes. The alloying eye can be found from heaven. On the occasion of the majority of Prince Willem v on March 8, 1766. At the bottom of the margin a four-line verse. Numbered at the top: XII.

The ship at cocos island, 1616; Cocos Insula; Image of cocos and traitors eylandt. Ship the Eendracht at Cocos Island, May 1616. Screenings with the locals climbing on the ship. Part of the illustrations of the Australian navigation of Jacob Le Maire included in Joris Journey Report of Spilbergen to the world, 1614-1617, No. 24.

Francis Place, 1647-1728, British, On the River Chatham by Shireness.

'The Marina of Brest', c1750-1810. Artist: Nicolas Marie Ozanne

Ship with Castor, Pollux and Leda and the Zwaan, Anonymous, After Giulio Parigi, c. 1635 print Nummered in the bottom left: 6. Paris paper etching ships (in general). (story of) the Dioscuri: Castor (the horse-tamer) and Pollux (the boxer). Jupiter, in the shape of a swan, and Leda

Entry of M. le Comte de Brionne, Grand Chamberlain of His Highness,Representing Jason. Dated: 1627. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Staten-Generaal, Leiden, Haestens, Henrick Lodewijcxsoon van, Sichem, Christoffel van (I), Gheyn, Jacob de (II), Swanenburg, Willem Isaacsz. van, Currus veliferi illustrissimi principis Mauritii volitantes duabus horis Scheverina Pettemum ad quatuordecim milliaria Hollandica, quae singula iustae horae iter excedunt, The sailing carriage of Simon Stevin (right plate), 1602, verso - stamped, 1602. Prince Maurits and a group of friends take a trip across the beach from Scheveningen to Petten in the sailing carriage built by Simon Stevin, April-May 1602. A small sailing carriage, probably a prototype, with a few people on board. On the beach elegant spectators and a few fishermen. In front of the large cartouche at the top. Right plate of a large representation consisting of three parts., print, news print, prints, Frederik Muller Historieplaten, height 552 mm, width 422 mm, Noord-Nederlands, 1580-01-29 - 1612-05-31, print maker, printmaker, 1603 - 1603, first quarter 17th century, paper,

Turkish Galei is launched, Jan Luyken, 1681 print Print at the top right numbered: 125. Amsterdam paper etching launching a ship

Figures in a barge, Anonymous, After Adriaen Pietersz van de Venne, 1625 - 1635 print Figures in a barge on a river, on the towpath a man on horseback. A church tower in the background. Middelburg paper engraving / letterpress printing tow-boat, towing-barge. towing path

On the beach two men are having a conversation on an overturned sloop. In the background the sea with several sailing ships. Two men in conversation on an overturned sloop, print maker: Reinier Vinkeles (I), (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), Amsterdam, 1751 - 1816, paper, etching, engraving, h 203 mm × w 145 mm

The soul fishing: Allegory on the aftertaste of the various religions during the twelve -year file between the Dutch Republic and Spain, Johannes Arnoldus Boland, After Adriaen Pietersz van de Venne, c. 1860 - c. 1900 print Amsterdam paper. etching Netherlands. Spain

The Siege of La Rochelle plate 11 of 16; set comprises 1952.8.97-112. Dated: 1628/1631. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Barcha del Hercole. Dimensions: plate: 9 x 13.2 cm (3 9/16 x 5 3/16 in.) sheet: 9 x 13.5 cm (3 9/16 x 5 5/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Balthasar Moncornet after Remigio Cantagallina.

No. 14. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

The Naval Battle, from Various Scenes Designed in Florence. Jacques Callot; French, 1592-1635. Date: 1618-1620. Dimensions: 110 × 245 mm (image). Etching on paper. Origin: France. Museum: The Chicago Art Institute, USA.

Etching by Remigio Cantagallina depicting the royal fleet of the Argonauts and figures Peleus and Talamon, created in 1608.

Oosterhuis, Haatje Pieters, Netherlands, Sluyter, Dirk, Arrival of the Prince of Orange at Scheveningen, 1813, verso - stamped, The arrival of Prince Willem Frederik as sovereign prince on the beach of Scheveningen on 30 November 1813., print, prints, Frederik Muller History plates, height 75 mm, width 120 mm, Dutch, 1790-01-19 - 1852-06-17, print maker, printmaker, 1813 - 1850, paper, papier, etching, engraving, engraving (printing process), 1784-11-28 - 1854-12-14, intermediary draughtsman

Sailwagen from Simon Stevin (left plate), 1602, Willem Isaacsz. van Swanenburg, after Jacques de Gheyn (II), 1652 print Simon Stevin's sailing wagon (left plate), 1602. Prince Maurits, together with a group of friends, makes a trip on the beach from Scheveningen to Petten in the sail car built by Simon Stevin, April-May 1602. The large cartouche filled in with text in the Latin . Spectators, fishermen and two riders on the beach. Left plate (numbered a) of a large performance consisting of three parts. print maker: Leidenpublisher: Amsterdam paper engraving sailing-car

Meulen, Sieuwert van der, Laan, Adolf van der, Germany, Augsburg, Probst, Georg Balthasar, Das Seeglen auf dem Eis, View of the sailing of ships on the icy sea, A number of ships are sailing on the water between the ice floes. In the foreground on the left are two polar bears. Numbered at top right: 59., print, prent, opticaprent, prints, prenten, opticaprenten, height 304 mm, width 445 mm, Publication (Event), Publication, German, 1732 - 1801, publisher, uitgever, 1742 - 1801, paper, papier, cardboard, karton, prepared paper, geprepareerd papier, watercolor (paint), waterverf, deck paint, dekverf, etching, etchings, brush, schilder, cutting, haken, perforating, perforateren, print maker, printmaker, Work conception, 1690 - 1742-05-09, after print by, Noord-Nederlands, 1683 - 1730-06-18, intermediary draughtsman

Military Figures in a Boat, 1825, Théodore Rousseau, French, 1812 - 1867, 6 9/16 x 8 3/8 in. (16.67 x 21.27 cm), Brown ink and graphite on white wove paper, France, 19th century

Workers place posts in a river, 1696 print Workers place posts in a river. With this they want to expose a piece in the river to build a wall (possibly a pillar for a bridge). Numbered in the top left and top right: 9. print maker: Romeprint maker: Italyafter design by: Italypublisher: Rome paper etching working class, labourers. river

Marine: Fishing Boats on Shore, Man with Oars, Ship in Distance. Dated: 1803. Medium: pen-and-tusche lithograph. Museum: National Gallery of Art, Washington DC. Author: John Thomas Serres.

Sailing ship with two figures, Gerrit Groenewegen, 1790 print Sailing ship with two figures and a flag, slanted from behind. This print is part of a series of twelve prints with different sailing ships. Rotterdam paper etching ships (in general)

Fishing with figers; Yacht and fishing; VENATIONES, PISCATIONES ET AUCUPII TYPI. Fishermen empty fights and collect the caught fish into a boat. The print has a Latin caption and is part of a series of 54 prints.

Francis Jukes, 1747-1812, British, The Essex East Indiaman in the Morning after the Storm with Her Signal of Distress to a Ship in Sight, 1785. Colored aquatint.

Illustration of 'The Aeneid' by Virgil. French edition published in Paris in 1729. Engraving.

Milton J. Burns, Blue-Fishing, 1885, wood engraving on paper.

Silence.

Ships for a coast, 1605 - 1620 print A large ship for a coast. On the right in the foreground, three people row to the beach in a small sloop. A number of sailing ships in the background. The sun breaks through the clouds at the top right. Print Maker: Haarlemprint Maker: Haarlem Publisher: Amsterdam paper. deck paint sea (seascape)

Rolwerkcartouche with Ark van Noach, 1640 print From series of 38 cartouches, decorated with masks, garlands of fruit and flowers, shells and animals. paper engraving the building of the ark, and the embarkation (Genesis 7:5-9)

Bucentaurus surrounded by fourteen gondolas, Caspar Luyken, Pieter Mortier, 1695

Duin landscape with a waving man, basket on the arm, Gillis van Scheyndel (I), after Jan Porcellis, 1645 print North Netherlands paper etching dune coast. carrying something in basket, bag, rucksack, etc.. waving farewell ~ departure on a journey

Allegorical Presentation of Winter, Jean Audran, After Nicolas Poussin, 1677 - 1756 print France paper etching / engraving winter, 'Hyems'; 'Inverno' (Ripa). drowning, shipwrecked person. saving a person from drowning

Flood in Groningen, 1686, print maker: Jan Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 110 mm × w 155 mm

Feather. Group of people in a rowing boat. Possibly a design for a print.

Ledden Hulsebosch, J. van, Kok, Willem, Netherlands, Marcus, Jacob Ernst, Allegory of prosperity, 1806, verso - stamped, Allegorical representation with a ship in which a woman sits, surrounded by naiads and angels who sprinkle her with flowers, in the water tritons and other sea creatures. Allegory of man and society, 1806. In the caption two four-line verses in Dutch and French, on either side of the vignette 'Kunst zy ons Doel'. See also the pendant with the Adversity., print, prints, Frederik Muller Historieplaten, height 340 mm, width 385 mm, Noord-Nederlands, 1774-03-19 - 1826-10-02, print maker, printmaker, 1806 - 1806, first quarter 19th century, paper, papier, etching, etchings, engraving, engraving (printing process), 1761 - 1807-03-29, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Dutch, publisher

Rollerwork cartouche with Noah's ark; Image of D'Esvere Der Societeit IESV for Ooghen Ghestelt by the Duyts-Dutch province of Selver Societeyt .. from series of 38 cartouches, decorated with masks, garlands of fruit and flowers, shells and animals.

Sailing ship for anchor, Gerrit Groenewegen, 1790 print A sailing ship for anchor on quiet water. A number of figures are depicted on the deck of the sailing ship and a man is sitting in the mast. There are two sloops at the ship. There are four figures on the right sloop. The contours of a landscape can be seen in the background. This print is part of a series of twelve prints with different sailing ships. Rotterdam paper etching ships (in general)

Scholschuit, Gerrit Groenewegen, 1787 print A sailing ship with a number of figures, one of which is at the helm. Two other sailing ships in the background. This print is part of a series of twelve prints with boats. Rotterdam paper etching ships (in general)

A Lord (Moses) Is seduced by a devil who fishes for a woman, 1664 Allegory of the life of Moses ter Borch. Zwolle paper. watercolor (paint) brush Allegory of the life of Moses ter Borch. Zwolle paper. watercolor (paint) brush

View on the Orwell, 1831, by David Lucas, John Constable. Gift of Sir John Ilott, 1968.

Fixed car with burning fortress by the sea, surrounded by ships. Detail 30th Part, Sheet 82 Off: Abstract and directory of all the inventions and elevators, which at Fastnachten Anno 1609 in the Kurfürstl. Castle to Dresden were listed. Cover; approx. 289 x 527 mm. Dresden: Slub mscr.dresd.j.18

A lighter, 1642, Dirk Eversen Lons, 1642 print A lighter without a mast, in oval, to the left, 1642. With two -way Dutch verse. Page No. 3 in a series of ten different Dutch types of inland vessels. Northern Netherlands paper engraving sailing-ship, sailing-boat

Richard Bridgens, active 1838, British, Crossing the Tropic, Oct. 15, 1826, 1826. Graphite on medium, slightly textured, cream wove paper.

View of Port Ercole ca. 1750-1800 After Joseph Vernet. View of Port Ercole. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1750-1800. Engraving. Pietro Antonio Martini (Italian, Trescali 1738-1797 Parma). Prints

Shipwreck of the Frigate Medusa. Revolt of Some of the Crew on the Raft. Hippolyte Lecomte (French, 1781-1857); printed by Comte Charles Philibert de Lasteyrie (French, 1759-1849). Date: 1818. Dimensions: 247 × 410 mm (image); 336 × 472 mm (sheet). Lithograph in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Hippolyte Lecomte.

Sadeler, Raphael (I), Johann (I), Vos, Maerten de, Antwerp, Solitudo Sive Vitae Patrum Eremicolarum, Male hermits, Piamon Diocles as a hermit, verso lower left - stamped, St. Piamon Diocles as a hermit. He rings a bell by a river. Behind him a small church with an angel. In the background other hermits., print, prints, height 168 mm, width 197 mm, South Netherlandish, 1550 - 1600-08, print maker, printmaker, 1583 - 1588, paper, papier, engraving, engraving (printing process), 1560, 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, uitgever, Publicatie

Maisaka, Katsushika, Hokusai, 1760-1849, artist, 1804., 1 print : woodcut, color ; 11.2 x 16.5 cm., Print shows two ships headed out to sea.

Woman with a calf in a rowing boat, Pieter Serwouters (Copy After), After Adriaen Pietersz van de Venne, 1642 print A woman rows in a boat, which lies a calf. A richly dressed man and woman watch from the side. In an ornamental edge decoration. Amsterdam paper engraving / letterpress printing rowing-boat, canoe, etc.. cow

Jacques Callot, Noah's Ark Noah's Ark

Netherlands, Amsterdam, Putte, Abraham van der, 't Zijn alle geen beven die men zo naam, Die ter gallije zijn doodomt, Sheet with a large representation of a galley (sailing ship) with forty oars. The representation is set in a decorative frame. Numbered at top right: No. 129., print, prent, volksprent, prints, prenten, volksprenten, height 310 mm, width 416 mm, Publication (Event), Publicatie, Nederlands, publisher, uitgever, 1748 - 1761, paper, papier, houtsnede, letterpress printing, boekdruk, kleuren, print maker, prentmaker

tile manufacturer Schiedamsedijk, Aalmis, Tile picture with the ship Rotterdam sailing on the Meuse at the height of the ferry at Katendrecht, tile picture material ceramic earthenware glaze tin glaze, baked 2x glazed painted Five high Seven wide Yellow shard Rotterdam (painted and baked mirror ship) Rotterdam Aalmis Aelmis

Galleons and other spanish sailing ships of the 17th century. Painting. SPAIN. CATALONIA. Barcelona. Sant Jordi Catalan Royal Academy of Fine Arts.

Abel Janszoon Tasman (1603 - 10 October 1659), Dutch seafarer, explorer, and merchant, known for his voyages of 1642 and 1644 in the service of the VOC (United East India Company). His was the first known European expedition to reach the islands of Van Diemens Land (now Tasmania) and New Zealand and to sight the Fiji islands, which he did in 1643. Tasman, his navigator Visscher, and his Merchant Gilsemans also mapped substantial portions of Australia, New Zealand and the Pacific Islands. A view of the Murderers Bay, as you are at anchor here in 15 fathom, a drawing made by Abel Tasmans artist on the occasion of a skirmish between the Dutch explorers and Maori people at what is now called Golden Bay, New Zealand. This is the first European impression of Maori people.

The Mauritius meets a Spanish ship with the Buitakten Dutch yacht, 1600; Description The Manille Avecq La Prise de Nostre Brigantine. At Manila, Mauritius meets a Spanish ship with the Buitakten Dutch yacht, December 15, 1600. A greeting fish and a giant arrow in the water. Part of the illustrations in the report of the journey to the world through Olivier van Noort in 1598-1601. No 21.

Reproduction of a tapestry over the Spanish Armada (25-26 July). English and Spanish fleet in the canal at the Isle of Wight, with at the top of the arm of the English Queen Elizabeth I. Ships firing their guns. The performance (numbered VII) is caught in an ornament edge with eight portraits of commanders of the English fleet. In the middle above the portrait of Charles Howard, Lord High Admiral and Charging Commander of the English fleet against the Spanish Armada. Up and down between the portraits shipbags with spears and banners and flanked by Putti. They blow on a bazing or shell, drumming, writing etc. Left and right are four putti with a triumph or memorial column. Two putti decorate the column with garlands. A third putti writes the events on one in book; The fourth has a sword and ouroboros in hand. The Ouroboros is a snake that bites in its own tail and is therefore a symbol of eternity. Furthermore, two eagles with lightning bolts, the four winds and two lions with column or

Sea Scene. Dated: 1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

Schip de Gelderland, Willem van de Velde (I), 1683 - 1707 drawing paper. chalk sailing-ship, sailing-boat. navy (+ sailing-ships). names of artefacts and man-made objects (buildings excluded)

The Rock in Gayette, Rocher de Gayette. Etching by I. Silvestre.

Put with Haalboom, Anthonie van den Bos, 1778 - 1838 print paper etching utilitarian, public pump or water fountain

On the left the warship De Vrijheid, firing two guns, and on the right the merchant ship De Hazewind. On the horizon two more ships, the ships De Vrijheid and De Hazewind De Vrÿheÿt a warship, De Hasewint a Spanish sailor Verscheyde Schepen en Gesichten van Amstelredam (series title) Various ships and city views of Amsterdam, second part, print maker: Reinier Nooms, Reinier Nooms, publisher: Cornelis Danckerts (I), (possibly), Netherlands, 1652 - 1654, paper, etching, drypoint, h 135 mm × w 250 mm

Anglos Saxon ship with sail from the era before the Norman invasion, 11th century, and a boat used by Harold Earl of Kent similar to one used by King Alfred. Handcoloured copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages," Chez Collignon, Metz, 1810.

Plate 1: Ship of Hercules (Barcha del Hercole), with dragon-headed prow and Hercules on platform behind oarsmen and standing soldiers, from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608 1664 Anonymous. Plate 1: Ship of Hercules (Barcha del Hercole), with dragon-headed prow and Hercules on platform behind oarsmen and standing soldiers, from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608 412660

Drachenfels and Lowenburg 1652-77 Wenceslaus Hollar Bohemian. Drachenfels and Lowenburg 360667

L'Arrive du Prince Quillaume Henry a Nouvelle York. Eno, Amos F., 1836-1915. Prints. 1785 - 1800. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Harbors , New York (State) , New York, Sailing ships , British , New York (State), William IV, King of Great Britain, 1765-1837

Comte, Adolf le, Sailing ships on the water, verso - handwritten, print, prints, verso - stamped, for the cover, height 172 mm, width 295 mm, Dutch, 1850-08-30 - 1921-01-03, print maker, printmaker, 1860 - 1921, paper, papier, lithografie (technique)

Gezicht op het fort van Negombo. Het Fortje Nigombo soo als 't sig aan de kant der rivier vertoont: 1753 (title on object). Draughtsman: anonymous. Dating: 1753. Place: Negombo. Measurements: h 301 mm × w 533 mm. Museum: Rijksmuseum, Amsterdam.

Richard de Beauchamp, 13th Earl of Warwick, 1382 1439 and his crew pray for salvation while sailing near rocks. Rous Roll Manuscript 1480

Leaf G: Eleventh float, 1767. Leaf g with the eleventh floar, the three-master and the tenth and eleventh animal. Eleventh triumphar with the allegorical imagination of the water element. Tenth animal: sea horse. The ship, a three-master. Eleventh animal: crocodile. Signature: g / 20-23. Part of the procession at the celebration on May 30, 1767 of the 700-year anniversary of the Saint Macarius, pattern of the city of Ghent and patron saint against the plague.

Bucintoro and other ships in Venice; Il nobilissimo et gra vascelo bucintoro. Several ships on the water including the Bucintoro, the galei of the Doge. Title in undermarge. The print is part of an album.

Ships on turbulent water, Hendrik Kobell, 1777 print River face with three sailing ships on turbulent water. On the left the contours of a city with the church and the harbor head and a rowing boat with two figures in it. Rotterdam paper etching rowing-boat, canoe, etc.. sailing-ship, sailing-boat. church (exterior)

Naval odometer, wheeled instrument for measuring the length of sea routes, engraving from Architecture ou art de bien bastir (Architecture or the art of building well), Volume X, by Marcus Vitruvius Pollio, 1547, Paris.

Drowning of Prince Johan Willem Friso, 1711; Jean Guillaume Friso Prince d'Orange et de Nassau & c. Neie and Passant Le Moerdyk, LE 14th Juilet 1711. Johan Willem Friso, Prince of Oranje-Nassau, drowned during the crossing of the Moerdijk during heavy weather on July 14, 1711. The boat on which the carriage of the prince stands capsist and several people hit to water.

Scene tile, boat with prisoners and soldiers with Paul off the coast of Malta, corner motif ox's head, wall tile tile sculpture ceramics pottery glaze, baked 2x glazed painted Yellow shard square. Purple on White Long Distance Bible Religion Peter suffers shipwreck from Malta

Ship de Gelderland, Willem van de Velde (I), 1683 - 1707, draughtsman: Willem van de Velde (I), draughtsman: Willem van de Velde (II), 1683 - 1707, paper, h 653 mm × w 483 mm

The Royal Prack of the King of Borneo, 1601; La Nef Ou Prau Royale de Borneo. The royal praug or galei of the king of Borneo, January 1, 1601. Part of the illustrations in the world's report to the world by Olivier van Noort in 1598-1601. No 23.

On the beach, W. Lichtenheld, 1843 - c. 1920 print Leaf with 9 performances of beach and fishing scenes, including a Windas, a fish saleswoman, fishing vessels and a drowning person on the beach. Numbered in the middle: NRO. 106. Numbered at the top right: 106. Maker: Germany field publisher: Munich Printer: Munich paper letterpress printing coast. drowning, shipwrecked person. fisherman. ships (in general)

EMBARCACIONES HOLANDESAS DEL SIGLO XVII - ACUARELA SIGLO XIX. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Haarlem, Berendrecht, Johannes Pietersz., Porcellis, Jan, Northern Netherlands, Scheyndel, Gillis van (I), Various beaches and water views done by Jan Percelles, Dune landscape with a seated man by a basket, verso lower left - stamped, print, prints, height 73 mm, width 93 mm, 1595 - 1660-12-24, print maker, printmaker, 1618 - 1645, paper, papier, etching, etchings, 1584 - 1632-01-29, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Netherlands, 1590 - 1645, publisher

Stage study: The Flying Dutchman, Munich: View Segelschiff, ship of the Daland

Atalata condoti da Diana. Dimensions: plate: 9 x 13.2 cm (3 9/16 x 5 3/16 in.) sheet: 9 x 13.4 cm (3 9/16 x 5 1/4 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Balthasar Moncornet after Remigio Cantagallina.

The ship of state, 1620; Allegory on the lucky state of the country after the synod of Dordrecht; IDEA Belgicarum ProvinciaRum Confaederatarum. The ship of state. Allegory on the lucky state of the country after the Synod of Dordrecht, 1620. The ship of State Saves in quiet water, with the seven province layers and personifications of virtues on board. Prince Maurits and Justitia are at the helm. In the water, the Catholics and Personifications are frightening. In heaven, Indians, Africans and Turks are blinded by the radiant light of the naked truth with a Bible. At the top of the title, left and right Dutch verses, at the bottom of a Latin fresh.

Indians building boats under the supervision of the Spanish, illustration taken from the History of the Indies, 1579, by Diego Duran, manuscript. Mexico, 16th century.

Perry's Victory. Dimensions: 11 1/2 x 16 1/4 in. (29.2 x 41.3 cm). Date: 1813-30. Museum: Metropolitan Museum of Art, New York, USA.

Rufus Fairchild Zogbaum, Throwing Letters to the Pilot, 1888, wood engraving on paper.

Writer William Dampier in a small open prau on a journey to Aceh, print maker: Caspar Luyken, (mentioned on object), publisher: Abraham de Hondt, print maker: Amsterdam, publisher: The Hague, 1698, paper, etching, h 168 mm × w 130 mm

Reinier Nooms, called Zeeman, A Boeier and a Galliot, c 1652 1654 A Boeier and a Galliot

Oosterhuis, Haatje Pieters, Netherlands, Nieuwhoff, Walraad, Sad death of Woltemade amidst his humanitarian efforts, Heroic death of Woltemade at the Cape of Good Hope, 1773, center bottom - stamped, Heroic death of the South African cattle overseer Wolraad Woltemade during the rescue with his horse of fourteen shipwrecked people from the wreck of the ship De Jonge Thomas in the surf off the coast of the Cape of Good Hope, June 1, 1773. Marked bottom right: III. D. bl. 266., print, prints, Frederik Muller Historical Plates, height 155 mm, width 93 mm, 1790 - 1837-04-01, print maker, printmaker, 1830 - 1833, paper, papier, etching, etchings, engraving, engraving (printing process), Dutch, 1784-11-28 - 1854-12-14, intermediary draughtsman

Schepen op zee; Titelpagina voor: Henry C. Pitot, La theorie de la Manoeuvre des vaisseaux, 1731.For a tower on the coast boil ships at sea. In the background a coast with houses, a bridge and towers. A wind god with the title at the top.

Balthasar Moncornet after Remigio Cantagallina, French (c. 1600-1668), Barcha del Hercole, etching on laid paper

Building boxes in the water, 1696 print Workers build boxes in the water. Numbered at the top right: 55 (with pen is made 58 of it). print maker: Italyafter design by: Italypublisher: Rome paper etching river

Hulk and a booth; Sailing ships. A hulk and a booth at sea, in the distance the coast with the city of Enkhuizen (). In the foreground the body drives into the water in the water. On the ship the year 1564.

Hoorn seen from the harbor, Hendrik Cornelisz. Pot, 1654 - 1657 print View of Hoorn from a busy sea. Three praises on Hoorn and a legend under the cityscape. Above the cloud party the weapons of Hoorn and Westfriesland. With inscription 'Encomium Hornarum, Hoorn, by anagramma, Honor'. paper etching harbour. sailing-ship, sailing-boat Hoorn (North Holland)

. The female personification of the smell lets the man smelling her a flower

Netherlands, Rotterdam, Masier, PJ, The siege of Antwerp and the heroic death of JCJ Van Speijk, on 5 February 1831, verso - stamped, Sheet with 8 images about the Belgian Revolution, including the siege of Antwerp and the self-sacrifice of JCJ Van Speijk. A two-line verse below each image. Numbered top right: No. 45., print, volksprent, prints, volksprenten, height 408 mm, width 335 mm, Publication (Event), Publication, Dutch, publisher, 1827 - 1860, paper, woodcut, colors, letterpress printing, letterpress, print maker, printmaker

Admiral vessel of Philopater Ptolemy. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages," Metz, 1810.

Joshua Cristall, 1768-1847, British, Coast of Sussex, Pushing Off a Boat to a Vessel in Distress, ca. 1808. Watercolor and graphite on moderately thick, slightly textured, cream wove paper.

Vessel in a shipyard ready for launch, 1800s. French frigate with one row of gun ports, blue ensign, supported by scaffolding and decorated with garlands and bouquets. Vaisseau sur le chantier pret a etre lance a l'eau. Handcoloured copperplate engraving from Carl Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1815. A 12-volume encyclopedia for children illustrated with almost 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Print (France)

A Ship of the 16th Century, Illustration from the Book, "John Cassels Illustrated History of England, Volume II", text by William Howitt, Cassell, Petter, and Galpin, London, 1858

Amsterdam, Koene, Barend (III), Die gegen is om te vaaren, Moet hem komen hier verklaaren, verso - stamped, Sheet with 6 representations of Dutch warships. A caption under each image., print, prent, volksprent, prints, prenten, volksprenten, height 330 mm, width 405 mm, Publication (Event), Publicatie, Nederlands, publisher, uitgever, 1814 - 1830, paper, papier, houtcut, kleuren, letterpress printing, boekdruk, print maker, prentmaker

Allegory of astronomy and geography, Bernard Picart, 1729 print Putti in conversation with a globe. Another putto draws with a passer on a map. Two putti in the background at a stargazer. Amsterdam paper etching / engraving astronomy (and cosmography). geography

Modern era. 16th century. Gallery. Engraving, 19th century.

MTI1 - CANTIGA DE SANTA MARIA Nº36 - F54V - LA VIRGEN SE APARECE EN EL MASTIL DE LA NAVE QUE IBA A BRETAÑA - SIGLO XIII -. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

S.S. "De Grasse" Compagnie Générale Transatlantique. 1937. Buttolph, Frank, 1850-1924. Menus. Rare Book Division

. .

Excidium Troiæ et captivi Troes In patriam Danai post Troiae incendia tendunt, Coelum Hecube miseris questibus omne replet Baur, Joh. Wilhelm (Johann Wilhelm), 1600-1642. still image. Book illustrations. 1641. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Trojan War, Troy (Extinct city), Hecuba (Legendary character), War destruction & pillage , To 499, Sailing ships , Greece , To 499, Galleys (Ships) , Greece , To 499, Ovid, 43 B.C.-17 or 18 A.D. Metamorphoses

ARTE DE NAVEGAR-DIVERSOS BARCOS DE VELA. Author: PEDRO DE MEDINA (1493-1567). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Sailing ships in storm at sea, Gillis van Scheyndel (I), 1605 - 1653 print Netherlands paper etching storm

The 'Duyfken' in the Gulf of Carpentaria, Australia, 1606 (1886).Artist: W Mollier

Commerce and marine, decoration on the Nieuwmarkt, 1795; Commerce and marine, on the Nieuwmarkt. The commerce and nautical, allegorical decoration established at the Nieuwmarkt in Amsterdam. The booklet with images of the decorations established in the city in the celebration of the installation of the representatives and the alliance closed between the French and the Batavian Republic, 19 June 1795. At the print, a separate sheet with explanation.

The ship of state, 1691; The ship of state, all the hazardous sea attacks, from Willem de III. King of Great Britain, & c. And pre-emptive the happy handling now last Uyt England in Holland, landed. PHON 31. JANUARY 1691. The ship believes as a symbol of the hazardous companies of King Willem III and in particular the crossing of England to the Netherlands on January 31, 1691. The ship of State Savings in quiet water, with the seven province layers on board and personifications of virtues. Central Willem III between the Dutch and British virgins. In the water and chained various personnifications associated with war. There are two admirals on the bow of the ship. Liberum Mare is now on the flag at the top of the mast. In heaven, Indians, Africans and Turks are blinded by the radiant light of the naked truth with a Bible. At the bottom is a leaf stuck with the title and a verse in four columns.

Stadswather van Hoorn, awarded with unicorn; Groote Vissery. Stadswae van Hoorn awarded a unicorn, on a pedestal. On the ground herring tonnes and nets, in the background fishing boats at sea. Title print for a 32-part series of prints with performances about herring catch.

Entre les deux mon coeur balance prints, etchings, drypoints, works on paper

The South Sea with on the right a rowing boat, on the left a fishing boat and behind that the harbor and some sailing ships, Fishing boats on the South Sea Pescheurs de la Mer de Sud (title on object) Rece, print maker: Reinier Nooms, (mentioned on object), Reinier Nooms, Netherlands, 1650, paper, etching, h 67 mm × w 122 mm

King Christian's Entry into Stockholm, Sweden, on 7 September 1520, Historic, digitally restored 19th century reproduction, exact date unknown, Europe

BARCO PIRATA MALAYO. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

GRABADO-CABO DE BUENA ESPERANZA. Location: PRIVATE COLLECTION. France.

Netherlands, The Eighth Air Trip of Mr. Augustin, on Wednesday 3 June 1807 in Amsterdam, Eighth Balloon Flight of Augustin, 1807, verso - stamped, The eighth balloon trip of Mr. Augustin or Augustijn on 3 June 1807. View of the balloon above the IJ in Amsterdam. Augustin throws flags down from the balloon, in the distance a second balloon., print, engraving, prints, engravings, Frederik Muller Historieplaten, height 225 mm, width 150 mm, print maker, printmaker, 1807 - 1807, paper, papier, etching, etchings

Ulysses Defying the Cyclops 1887 Louis-Frederic Schutzenberger

Conquest of Mexico. 16th century. Cuauhtemoc was captured by Garcia Holguin while fleeing in a canoe with her family after the defeat in the Battle of Tenochtitlan. The Truthful History of Conquest of New Spain by Bernal Diaz del Castillo. Colored engraving, 1807.

Four red Mullen on the beach, Albert Flamen, 1664 print print maker: Parisafter own design by: Parispublisher: ParisFrance paper etching bony fishes: mullet

De Prauw of the Stopkeeper, Jan Brandes, 1779 drawing Color drawing of the prew of the poster off the coast at Carnation. Sketches of fruits and pajong or rowing. With inscription. Part of Jan Brandes' sketchbook, dl. 2 (1808), p. 92 and see pp. 90-91. New paper. pencil. watercolor (paint) brush sailing-ship, sailing-boat. rowing-boat, canoe, etc. New

Scene tile, three-master with reefed sails, corner motif of ox's head, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted Yellow shard square two nail holes. Cobalt blue on white long distance Rotterdam education Academy of Fine Arts and Technical Sciences Cool Coolvest Dijkzigt G.J. de Jonghweg City Triangle Blaak Academy of Fine Arts and Technical Sciences Rotterdam.

Scholschuiten; Schol-Schuievies or Pinckies; Different ships and cityscapes from Amsterdam, third part; Third part. Different ships and sights of Amsterdam, Naer T Leven scored and opt Cooper, by Reinier Nooms, Alias Zeeman. Downtown Sea with three school shuffles in the foreground and a fourth on the horizon. On the left the coast.

Netherlands, Doggersbanklint, Allegory of the victory in the naval battle at Doggersbank on 5 August 1781 between the Dutch and English fleets. A triton with the Dutch flag on which Zoutman's name is blowing on a horn, in the background the naval battle. Representation on a silk ribbon that was worn as decoration on the hat., print, ribbon (material), ribbon, propaganda ribbon, hat ribbon, prints, Frederik Muller Historieplaten, height 62 mm, width 190 mm, print maker, printmaker, 1781 - 1781, fourth quarter 18th century, silk, etching, engraving, engraving (printing process), hand colouring

Mary Hoare, 1753-1820, British, The Three Witches from Macbeth: Though the Bark Cannot be Lost.., ca. 1781. Watercolor and graphite, with scraping on moderately thick, slightly textured, cream laid paper.

Two fishermen on the beach at their catch. They look at the sea and arriving ships., Emblem: harbor and beach Two fishermen on the beach, print maker: Caspar Luyken, intermediary draughtsman: Jan Luyken, publisher: Christoph Weigel, Neurenberg, c. 1700, paper, etching, h 110 mm × w 124 mm

Allegory on the victory in the naval battle at Doggersbank on August 5, 1781 between the Dutch and the English fleet. A triton with the Dutch flag that blows the name of saltman on a horn, in the background the sea battle. Presentation on a silk ribbon that was worn on the hat when decoration.

The New World by unknown artist, USA, Pennsylvania, Philadelphia, David David Gallery

Spring ships between Calais and Vlissingen, Reinier Nooms, 1650 print Two spring ships and a rowing boat in reason, a natural anchorage, from Calais. Two men standing on a rock near the coast. paper etching sailing-ship, sailing-boat. ferry Calais