Madonna and Child Artworks

Classic Renaissance paintings featuring the Virgin Mary with the Christ child, highlighting maternal themes and intricate backgrounds from various European artists.

Madonna Franz Pforr (1788-1812 German) Ciurlionis State Art Museum, Lithuania

Assets in this Story

Virgin and Child Sandro Botticelli (1444-1510 Italian) Musée du Petit Palais, Avignon, France

Madonna of the Goldfinch, 1506. Raphael, Raffaello S.

Madonna Franz Pforr (1788-1812 German) Ciurlionis State Art Museum, Lithuania

Vivarini, Alvise (ca. 1446-ca. 1505) National Gallery, London Painting 69,2x53,3 Bible The Virgin and Child

The Madonna of the Book (Virgin and Child). Sandro Boticelli (1445-1510) Italian painter. Oil on wood.

Madonna and Child. Date/Period: 15th century. Painting. Oil on poplar wood. Height: 75.8 cm (29.8 in); Width: 54.6 cm (21.4 in). Author: Andrea del Verrocchio.

Przeszo Przyszoci Gozzoli, Benozzo (ca 1421 1497)

Madonna and Child E 000025 20160301 Sandro Botticelli (Florentine, 1446 - 1510 ), Madonna and Child, c. 1470, tempera on panel, Andrew W. Mellon Collection 1937.1.21

Madonna and Child. Dated: c. 1490. Dimensions: overall: 56.2 x 45.7 cm (22 1/8 x 18 in.) framed: 75.3 x 65.7 cm (29 5/8 x 25 7/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Bartolomeo Montagna.

Pietro Perugino (Pietro di Cristoforo di Pietro di Vannunccio) (ca.1448-1523). Italian painter. Virgin with child, ca.1502. Bourbon Collection. National Museum of Capodimonte. Naples. Italy.

The Virgin and Child, Cleve, Joos van, Circle of

Madonna and Child. Artist: Francesco Francia (Italian, Bologna ca. 1447-1517 Bologna). Dimensions: 24 x 18 1/8 in. (61 x 46 cm).The perfection of Francia's technique, the serenity of his landscapes, and the sweet delicacy of his Madonnas earned him universal admiration: we are told that the citizens of Bologna "thought of him as a god." This exceptionally well-preserved work dates from the 1490s, when he was at the peak of his career.The Venetian frame is not original to the picture but is of the period and, like the painting, in beautiful condition. Museum: Metropolitan Museum of Art, New York, USA. Author: FRANCESCO FRANCIA.

Anonymous (Copy Leonardo da Vinci) / 'The Virgin and Child with Saint Anne', Early 16th century, Italian School, Panel, 105 cm x 74 cm, P00349. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Raffaello Madonna Cowper Painting; oil on panel; overall: 59.5 x 44 cm (23 7/16 x 17 5/16 in.) framed: 86.2 x 71.4 x 8.3 cm (33 15/16 x 28 1/8 x 3 1/4 in.);

Madonna with Child, by Antonio of Fabriano (active 1451-1489).

fine arts, Crivelli, Carlo, (circa 1435 - before 1500), painting, ""Madonna with child"", circa 1480, tempera on panel, 48,5 cm x 33,6 cm, Victorica and Albert Museum, London,

The Madonna and Child with Saint John the Baptist. Date/Period: 1522-1524 (Renaissance). Panel paintings; oil paintings. Oil on panel. Height: 125.70 mm (4.94 in); Width: 85.40 mm (3.36 in). Author: GIULIO ROMANO.

The Holy Family with the Infant John the Baptist, ca 1518, by Antonio Allegri, known as Correggio (1489-ca 1534), oil on wood, 61x53 cm.

Bartolomeo Montagna, Madonna and Child, Italian, c. 1450-1454-1523, c. 1490, oil on panel

Madonna and Child, Garofalo, 1515 - 1540 painting Madonna with child. Maria, halfway, behind a balustrade where the Christ child is on an elevation. On the left through a window view of a landscape. panel. oil paint (paint) Madonna: Mary standing (or half-length), Christ-child close to her bosom

Accademia carrara art gallery: polyptych by bartolomeo vivarini, 1488, bergamo, Italy

Virgin and Child in a Landscape by Jan Gossaert, 1531

Mannerism art. Oil on canvas. SPAIN. CASTILE-LA MANCHA. Toledo. Holy Cross Museum.

The Virgin and Child (The Madonna of the Rose). Date/Period: 1480. Panel. Height: 45.50 mm (1.79 in); Width: 35.60 mm (1.40 in). Author: GIOVANNI ANTONIO BOLTRAFFIO.

Virgin and Child with the Young Saint John the Baptist. Correggio (Antonio Allegri); Italian, 1489-1534. Date: 1510-1520. Dimensions: 25 1/4 × 19 3/4 in. (64.2 × 50.2 cm). Oil on panel. Origin: Italy. Museum: The Chicago Art Institute, USA.

Grande madonna cowper Raphael (Italian, 1483 - 1520 ), The Niccolini-Cowper Madonna, 1508, oil on panel, Andrew W. Mellon Collection

Madonna and Child with a Pomegranate. Dated: 1475/1480. Dimensions: overall: 16.5 x 13.4 cm (6 1/2 x 5 1/4 in.) framed: 44.1 x 24.5 x 3.8 cm (17 3/8 x 9 5/8 x 1 1/2 in.). Medium: oil on poplar panel. Museum: National Gallery of Art, Washington DC. Author: Lorenzo di Credi.

The Virgin and Child with Saint John and an Angel', c1490. Artist: Sandro Botticelli. Sandro Botticelli was an Italian painter of the Early Renaissance. He belonged to the Florentine School under the patronage of Lorenzo de' Medici.

Madonna with Child, Madonna and Child, Painting by Sandro Botticelli (1 March 1445, 1510), one of the most important Italian painters and draughtsmen of the early Renaissance, Historic, digitally restored reproduction from an original, Record date not stated

Leonardo da Vinci (1452-1519). Italian polymath. High Renaissance. Florentine School. Madonna and the Child (The Litta Madonna), middle of the 1490s. Tempera on canvas transferred from panel. The State Hermitage Museum. Saint Petersburg. Russia.

Lippi, Filippo, Reproduction of a painting of Mary with Christ as a child, flanked by an angel, by Filippo Lippi, photomechanical print, reproduction, page, photographs, photographically illustrated books, height 173 mm, width 113 mm, maker, producer, 1878 - 1883, paper, papier, Woodburytypie, Italian, 1406 - 1469-10-08

San Ginesio (Italia, Marche, provincia di Macerata), Pinacoteca Comunale Gentili. Ridolfo del Ghirlandaio, Matromonio mistico di Santa Caterina d'Alessandria, olio su tavola, 1480 circa

Julius Schnorr von Carolsfeld (1794-1872). German painter. Mary and the Child, 1820. Wallraf-Richartz Museum. Cologne. Germany.

'Madonna and Child'. Italy, Second half of the 15th - early 16th century. Dimensions: 65x49 cm. Museum: State Hermitage, St. Petersburg. Author: Master of the Scandicci Lamentation.

Palma Vecchio (Serina, 1479/80 - Venice, 1528). The Virgin and Child with Saints and a Donor (ca. 1518 - 1520). Oil on panel transferred to canvas. 105 x 136 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Author: Palma Vecchio (Jacopo Nigretti).

Artist: Benvenuto di Giovanni, Italian, 1436-ca. 1518, Virgin andChild, ca.1468-70, Tempera on panel, framed ((engaged)): 46.4 × 36.2 cm(18 1/4 × 14 1/4in.), Made in Siena, Italy, Italian,Siena, 15th-16thcentury, Paintings

Sandro Botticelli (1445-1510). Italian painter. Virgin Mary with Child and angels singing, 1477. Gemaldegalerie. Berlin. Germany.

Paintings by Stefan Lochner * around 1400 to 1410 in Meersburg on Lake Constance 1451 in Cologne, probably at the Pest, Master Stefan, the most important painter of the Cologne painting school, the Madonna in Rosenhag, historically, digitally restored reproduction of a template from the 19th century, Record Date Not Stated

Solly Madonna, 1501. Raphael, Raffaello S.

Madonna Adoring the Sleeping Child. Artist: Giovanni Bellini (Italian, Venice, active by 1459-died 1516 Venice). Dimensions: 28 1/2 x 18 1/4 in. (72.4 x 46.4 cm). Date: early 1460s.This is an important early work by Giovanni Bellini, the greatest painter of fifteenth-century Venice and one of the key figures of European painting. Datable to the mid-1460s, its hard, linear quality is indebted to the example of Bellini's brother-in-law, Andrea Mantegna, as well as to the sculpture of Donatello, which Bellini studied in Padua. The sleeping child is a reminder of Christ's death and sacrifice. The picture has suffered from a strong, abrasive cleaning. Museum: Metropolitan Museum of Art, New York, USA.

The Holy Family with the Young Saint John the Baptist ca. 1528 Andrea del Sarto (Andrea d'Agnolo) Italian With this grandly solemn composition, Sarto demonstrated that he was, indeed, "the painter without defects," as Giorgio Vasari had deemed him. His figures are masterfully drawn, beautifully colored, and composed with an air of nobility. Giovanni Borgherini commissioned the picture at a time when Florence, having freed itself of Medici dominance, declared itself a republic. The young John the Baptistpatron saint of Florencepasses the orb to Christ, indicating him as sole ruler of the city. But in 1532 the Medici family was reinstated violently and permanently as its rulers. Listen to experts illuminate this artwork's story Listen Play or pause #5076. The Holy Family with the Young Saint John the Baptist Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. The

Maerten van Heemskerck, The Rest on the Flight into Egypt, c 1530 The Rest on the Flight into Egypt

The Madonna and Child with Saint Joseph (Winged Altar, central panel), Cleve, Joos van (ca. 1485-1540)

'Madonna and Child with Two Angels'. Italy, Between 1465 and 1486. Dimensions: 49x35 cm. Museum: State Hermitage, St. Petersburg. Author: Lo Scheggia (Giovanni di Ser Giovanni).

Palazzo Chiericati, Vicenza Pinacoteca, a major work by Andrea Palladios, with Venetian painting art from the Middle Ages to Mannerism, Veneto, Italy, Vicenza, Veneto, Italy, Europe

Francesco de Tatti (1470-1532). Italian painter, active in Varese between 1512 and 1527. Bosto Polyptych, 1517. Panel depicting the Virgin and Child. Oil on wooden panel. Pinacoteca Castello Sforzesco, Milan, Italy. Author: Francesco de Tatti (1470-1532). Italian painter.

Study for the stained glass in the Chapelle Saint Ferdinand, 1833, Jean Auguste Dominique Ingres (1780-1867 French)

Madonna and Child with Saints. Artist: Giovanni Bellini (Italian, Venice, active by 1459-died 1516 Venice) and Workshop. Dimensions: 38 1/4 x 60 1/2 in. (97.2 x 153.7 cm). Museum: Metropolitan Museum of Art, New York, USA.

Copy after Botticelli Julian Alden Weir American Weir likely made this watercolor copy after Botticellis painting of the same name　(ca. 1470-75; Musée du Louvre, Paris) when he was studying in Paris in the 1870s. As a student of the École des Beaux-Arts, he would have been encouraged to study the works of the old masters at the Louvre. Much celebrated today, Botticellis reputation was undergoing a revival in the mid-nineteenth century when he was "rediscovered" by British critic and painter John Ruskin (1819-1900) and the Pre-Raphaelites. Critic Walter Pater (1839-1894) wrote a glowing essay about Botticelli in 1870, describing him as "a poetical painter" who blends "the charm of story and sentiment."

Virgin and Child. Lippi-Pesellino Imitator; Italian, active c. 1450-1500. Date: 1445-1455. Dimensions: panel: 36 5/8 x 23 5/8 in. (93 x 60.5 cm); image: 27 1/8 x 14 5/16 in. (68.9 x 36.3 cm). Oil and tempera on panel. Origin: Italy. Museum: The Chicago Art Institute, FLORENCIA, USA. Author: Lippi-Pesellino Imitator.

'The Holy Family', 16th century, 84,5 x 73,5 cm, Inv. 359. Author: BERNARD VAN ORLEY (1487/1491-1541)-TALLER. Location: MUSEOS REALES DE BELLAS ARTES. Brüssel. Belgien.

Alvise Vivarini, (1442/1453Äì1503/05). Italian painter. Madonna and Child, with Sts Mary Magdalene, Catherine and Two Saints, 1490s. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia.

Circle of Andrea Mantegna (Possibly Correggio), Madonna and Child, c 1505 1510 Madonna and Child

The Rest on the Flight into Egypt ca. 1512-15 Gerard David Netherlandish This composition presents the Flight into Egypt as a continuous narrative. In a tiny background scene the Holy Family emerges from the forest, en route to the contemporary Netherlandish town at the left. In the foreground Mary nurses the Child in a moment of repose on their arduous journey, which the viewer is visually meant to follow. David achieved in this painting a remarkable balance of color and a serene sense of light and atmosphere. His awareness of Italian Renaissance conventions is evident in the pyramidal motif of the Virgin and Child and his use of chiaroscuro to convey the volume of the figures.. The Rest on the Flight into Egypt. Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). ca. 1512-15. Oil on wood. Paintings

Madonna and Child with Young Saint John the Baptist, Madonna and Child with Young Saint John the Baptist, Painting by Sandro Botticelli (1 March 1445, 1510), one of the most important Italian painters and draughtsmen of the early Renaissance, Historic, digitally restored reproduction from an original, Record date not stated

Virgin And Child Under An Apple Tree #1 Cranach, Lucas, the Elder(1472-1553 German) State Hermitage Museum, St. Petersburg, Russia

Madonna della Seggiola, Madonna della sedia, Madonna of the Chair, Raphael, 1514, Palatine Gallery, Pitti Palace, Palazzo Pitti, Florence, Tuscany, Italy, Europe

Detail from the 'Mary Triptych' by Hugo Van Der Goes (1440-1482) a Flemish painter. Dated 15th Century

fine arts, Duerer, Albrecht (1471 - 1528), painting, ""Virgin Mary with Child"", Museo de la Fundation Lazaro Galdiano, Madrid,

Rest on the Flight into Egypt, by Giovanni Battista Gaulli known as Il Baciccia (1639-1709), oil on canvas.

Rest on the Flight into Egypt by Veronese (de' Pitati), Bonifacio (1487-1553) / Art Gallery of South Australia / 1520s / Italy, School of Verona / Oil on canvas / Bible / 110,8x171 / Renaissance

Foligno (Italy, Umbria, province of Perugia), Oratory of the Nunziatella. Perugino, Baptism and the Eternal Adored by two angels, fresco. Detail

Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe

The Dream of Saint Catherine of Alexandria. Dated: c. 1593. Dimensions: overall: 138.8 x 110.5 cm (54 5/8 x 43 1/2 in.) framed: 181 x 149.9 x 11.4 cm (71 1/4 x 59 x 4 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: LODOVICO CARRACCI.

Accademia carrara art gallery: madonna between saints, palma il vecchio, 1516, bergamo, Italy

Giovanni Battista Tiepolo, Madonna of the Goldfinch, c 1767 1770 Madonna of the Goldfinch

'Mary Virgin and Child with Wreath of Flowers and Fruits', 1617-1620, Oil on panel, 79,7 cm x 63,7 cm, P01418. Author: PEDRO PABLO RUBENS y JAN BRUEGHEL DE VELOURS. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Angelo Trevisani / 'The Virgin and Child', Late 17th century - First half 18th century, Italian School, Canvas, 76 cm x 68 cm, P00458. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Bernard van Orley / 'The Virgin of Louvain', 1520, Flemish School, Oil on panel, 45 cm x 39 cm, P01536. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Piero di Cosimo, The Nativity with the Infant Saint John, Italian, 1462-1521, c. 1500, oil on canvas

Fra Bartolommeo (Florence, 1472-1517). The Holy Family with the Infant Saint John the Baptist (ca. 1506 - 1507). Oil on panel. 62 x 47 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Detail from 'The Virgin of the Rocks' (Madonna of the Rocks), one of two versions painted by Leonardo da Vinci, of the same subject, and of a composition which is identical except for several significant details. This is the version in the Louvre in Paris. originally painted on wooden panel, but transferred to canvas. Both paintings show the Madonna and child Jesus with the infant John the Baptist and an angel, in a rocky setting which gives the paintings their usual name.

Wife of Hasdrubal and Her Children Ercole de' Roberti(ca.1450-1496) Italian National Gallery of Art, Washington D.C.

The Madonna and Child (The Mackintosh Madonna). circa 1509-1511; oil painting transferred to canvass from wood. By the Italian High Renaissance artist (Raphael), Raffaello Sanzio da Urbino (1483-1520). Also known as the 'Madonna of the Tower' the work is representative of the early years of Raphael's Roman period.

Virgin and Child in a Landscape, c. 1492-98, possibly Master of the Madonna Grog; Artist: possibly Aert van den Bossche; Artist: formerly Master of the Embroidered Foliage, Netherlandish, active 1480-1500, 41 1/4 x 34 1/4 in. (104.78 x 87 cm) (panel)53 1/2 x 34 3/16 in. (135.89 x 86.84 cm) (outer frame), Oil on panel, Netherlands, 15th-16th century, This painting is an altarpiece, a devotional image used in a Christian church, and many of the details are religious symbols. The walled garden, for instance, refers to the garden in the Bibles Song of Songs and is associated with the Virgin Mary, the mother of Jesus Christ. The flowering plants also refer to Mary: the blue iris to her sorrows, the violets to her humility, and the strawberry plant to her righteousness. The peacock on the gate may signify paradise while the stags represent the human soul and piety.

'The Virgin and the Child in a Landscape'. Italy, Circa 1503. Dimensions: 44x36,5 cm. Museum: State Hermitage, St. Petersburg. Author: Giorgione (Giorgio Barbarelli da Castelfranco).

Young woman presented by Venus to the seven liberal arts by Sandro Botticelli, 1484, France, Paris, Musee du Louvre

Madonna and Child with Angels. Artist: Bernardino da Genoa (Italian, Genoese, active in 1515). Dimensions: 29 3/8 x 22 5/8 in. (74.6 x 57.5 cm). Date: 1515.Although the picture is signed and dated, the identity of the artist is not known. In the fifteenth and early sixteenth centuries a number of Lombard artists moved to Genoa. One such artist was Bernardino Fasola, and it is possible that he is the author of this picture. The audaciously foreshortened figure of the Christ Child recalls the work of the Milanese Bramantino. The goldfinch is a common symbol of Christ's Passion. Museum: Metropolitan Museum of Art, New York, USA.

Virgin and Child. Artist: Copy after Jan Gossart (called Mabuse) (Netherlandish, ca. 1522). Dimensions: Overall 17 7/8 x 13 5/8 in. (45.4 x 34.6 cm); painted surface 17 1/4 x 13 in. (43.8 x 33 cm).In his <i>Schilder-Boeck</i> (Book on Picturing) of 1604 Karel van Mander wrote about Jan Gossart: " . when in the service of the marquis de Veere, Mabuse Gossart painted an image of Mary in which the face was painted after the marquis' wife and the little child after her child . " This painting may be a replica of Gossart's lost original portrait of Anna van Bergen, the wife of Adolf of Burgundy, marquis de Veere, and their son, Hendrik, in the guise of the Virgin and Child. As such, Anna aspired to emulate the standard of ideal virtue and motherhood exemplified by the Virgin. Museum: Metropolitan Museum of Art, New York, USA.

Artist: Bernardino di Betto, called Pinturicchio, Italian, Perugia, active in Siena ca.1452-1513, Virgin and Child with Saints Jerome and Francis ofAssisi, ca.1485-90, Tempera on panel, 29.4 × 21.4 cm (11 9/16 × 8 7/16 in.), Onview, Italian,Perugia, 15thcentury, Paintings

Lazio Roma Frascati S. Maria in Vivario2. Hutzel, Max 1960-1990 Exterior views, including facade, bell tower, fountain, and a fresco (damaged).; interior views of nave, apse fresco, altar (sarcophagus), crucifix, cupola, and baptismal font. Antiquities: One sarcophagus that serves as an altar. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Goes, Hugo van der, (School) National Gallery, London Painting 32,3x21,4 Bible Virgin and Child

Copy after Botticelli. Artist: Julian Alden Weir (American, West Point, New York 1852-1919 New York). Dimensions: 9 9/16 x 6 3/8 in. (24.3 x 16.2 cm).Weir likely made this watercolor copy after Botticelli's painting of the same name (ca. 1470-75; Musée du Louvre, Paris) when he was studying in Paris in the 1870s. As a student of the École des Beaux-Arts, he would have been encouraged to study the works of the old masters at the Louvre. Much celebrated today, Botticelli's reputation was undergoing a revival in the mid-nineteenth century when he was "rediscovered" by British critic and painter John Ruskin (1819-1900) and the Pre-Raphaelites. Critic Walter Pater (1839-1894) wrote a glowing essay about Botticelli in 1870, describing him as "a poetical painter" who blends "the charm of story and sentiment.". Museum: Metropolitan Museum of Art, New York, USA.

Emilia-Romagna Ferrara Argenta S. Domenico31. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, frescoes. Works in museum include 15th century terracotta statues and painting, sculpture Owner: Pinacoteca Comunale Object Notes: Two sets of prints and negatives General Notes: Successivamente alla realizzazione di questo servizio, risalente al l'anno 1978, al Pinacoteca e stato aggiunto. Per questo motivo e in prepazione da parte un servizio aggiornato sulla Pinacoteca di Argenta. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province

Madonna and Child, 1495-1499. Painting by a Venetian painter. Tempera on canvas. Pinacoteca Castello Sforzesco, Milan, Italy.

Rafael Tegeo (1798-1856). Spanish painter. Virgin of the goldfinch, 1825-1828. Museum of Romanticism. Madrid. Spain.

Saint John on Patmos by Hans Baldung Grien (1484/85 - 1545); Oil on Wood; circa 1511

La Visitación. Date/Period: Ca. 1654. Painting. Oil on canvas. Height: 234 cm (92.1 in); Width: 110 cm (43.3 in). Author: Antonio de Pereda.

'The Ansidei Madonna', 1505, (c1912). Artist: Raphael.

Rest on Flight into Egypt, by Gerard David, circa 1515, Groeningemuseum, Bruges, West Flanders, Belgium, Europe

Motherhood - Sketch for fresco panel, William Dyce (Aberdeen, Scotland, 1806 - 1864)

The Wife of Hasdrubal and Her Children. Dated: c. 1490/1493. Dimensions: overall: 47.3 x 30.6 cm (18 5/8 x 12 1/16 in.) framed: 67 x 50.2 x 4.4 cm (26 3/8 x 19 3/4 x 1 3/4 in.). Medium: tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: ERCOLE DE' ROBERTI.

Unknown Aragonese Artist. The Adoration of the Kings, ca.1490. National Gallery. Oslo. Norway.

The Virgin and Child with the Magdalen and Saint John the Baptist probably 1490-1505 Andrea Mantegna (1431-1506/Italian) Egg tempera on canvas National Gallery, London

Virgin and Child, by Quentin Massijs, circa 1520, Boijmans van Beuningen Museum, Rotterdam, Netherlands, Europe

Jerónimo Vicente Vallejo Cósida / 'Noli me tangere', ca. 1570, Spanish School, Oil on panel, 61 cm x 47 cm, P00523. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Tintoretto (Venice, 1519 -1594). The Annunciation to Manoah's Wife (ca. 1555 - 1559). Oil on canvas. 150 x 155 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Virgin and Child ca. 1620 Anthony van Dyck Flemish At least eight versions of this tender image came out of Van Dycks workshop, and this one is at once the finest and least finished example. The deftly fluid brushstrokes loosely follow an incised underdrawing, which must have been traced from a preparatory drawing. Van Dyck would have kept this panel in his studio as a model for more finished paintings by himself and by assistants.. Virgin and Child. Anthony van Dyck (Flemish, Antwerp 1599-1641 London). ca. 1620. Oil on wood. Paintings

Virgin and Child with Two Saints (recto); Fragmentary Design of a Pietà (verso) 1515-20 Domenico Puligo Italian Dating from 1515-20, this rare, recently rediscovered work is one of the most accomplished surviving drawings by this artist. Less than 30 extant drawings by Puligo are known today, and this the only surviving study that can be securely connected to the design of one of Puligo's paintings. Born in Florence, Puligo formed part of the first generation of Florentine Mannerist painters, being closely influenced by Andrea del Sarto, his intimate friend and elder by six years, as well as by the young Jacopo Pontormo. As is seen here, Puligo used a stick of hard red chalk to draw with a dazzling confidence and boldness of mark. He quickly traced the contours of the figures, working them over with great movement and angular breaks. In the areas of intermediate shadows, he used patches of parallel-hatching and cross-hatching, almost using the red chalk as if it were a pen, explointing

Madonna with St George, by copy from Allegri Antonio detto Correggio, 16th Century, oil on canvas. Italy, Lombardy, Milan, Brera Fine Art Academy. Whole artwork. Madonna with Child between saints on the right foreground St George in arms on the left background St Jerome angels naked putti: cherubs.

Evora Museum. Nativity. The adoration of the shepherds. Oil on Panel. Portugg-uese school. 16 th century. Portugal.

Crivelli, Carlo (c. 1435-c. 1495) National Gallery, London Painting 150,5x107 Bible La Madonna della Rondine (The Madonna of the Swallow)

Lazio Viterbo Viterbo S. Francesco7. Hutzel, Max 1960-1990 Interior views only of gothic church largely reconstructed after WWII bombing. No general views of interior, but many views of stained glass windows, frescoes, tombs, mosaic work, capitals. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rafael Santi Madonna Pod Baldachimem; Palazzo Pitti, Florencja. Karta No. 348 W: The galleries of Europe. Painting of old masters in the colors of the originals. Volume 6, publisher of E. A. Seemann, Leipzig 1911. Publisher by A.E. Seemann in Leipzig, Santi, Raffaello (1483 1520)

The Dream of St. Catherine of Alexandria by Lodovico Carracci

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Painting titled 'Virgin and Child' by Tiziano Vecellio (1489-1567) also known as Titan, an Italian painter, the most important member of the 16th-century Venetian school. Dated 16th Century

Bliej Kultury Publisher by A.E. Seemann in Leipzig, Theotokopuli (El Greco), Domenico (1547 1614)

Basilicata Matera Matera S. Francesco d'Assisi6. Hutzel, Max 1960-1990 Post-medieval: Built 1218, remodelled 1670. Architecture, architectural sculpture, painting, sculptured German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Adam and Eve with Cain and Abel c. 1516-18 Oil on panel Bacchiacca Italian active Florence and Rome Born 1494; died 1557

Rectangular plaque. unknown, painter

Virgin and Child, 1450, detail from the Melun diptych, by Jean Fouquet (1420-1480).

Unknown, Ducale Showing a Man, His Wife, and Two Daughters, c. 1570, tempera on vellum.

Madonna and Child, Giovanni Battista Salvi (called Il Sassoferrato), Italian, 1609-1685, 17th century, Oil on canvas, Made in Italy, Europe, Paintings, 29 13/16 x 24 11/16 in. (75.8 x 62.7 cm)

Virgin and Child with Angels ca. 1518 Bernard van Orley Netherlandish Van Orley probably painted this refined and intimate picture of the Virgin and Child about the time of his appointment in 1518 as official painter to Margaret of Austria, regent of the Netherlands. A courtly Madonna of Humility, the Virgin wears a luxurious fur-trimmed dress and is seated on the ground in the enclosed but spacious garden of her palace. She is accompanied by two singing angels, who are echoed by grisaille angels in heaven. The distant background testifies to the painters awareness of the developing landscape genre, and the elaborately ornamented fountain incorporates Italian Renaissance decorative motifs.. Virgin and Child with Angels. Bernard van Orley (Netherlandish, Brussels ca. 1492-1541/42 Brussels). ca. 1518. Oil on wood. Paintings

Moulins Triptych, by the Master of Moulins, in the Cathedral of Notre-Dame, Moulins, France, ca 1498-1502.

Madonna and Child. Dated: c. 1430. Dimensions: overall (w/out tabernacle): 66.7 x 45.7 cm (26 1/4 x 18 in.) framed: 130.8 x 86 x 13 cm (51 1/2 x 33 7/8 x 5 1/8 in.) accessory size: 130.8 x 85.1 cm (51 1/2 x 33 1/2 in.). Medium: painted and gilded terracotta. Museum: National Gallery of Art, Washington DC. Author: Tuscan 15th Century.

Campania Napoli Naples S. Lorenzo Maggiore073. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Framed painting on a wall, Bran Castle, Bran, near Brasov, Transylvania, Romania

Sandro Botticelli and Studio, Virgin and Child with Saint John the Baptist, c. 1490, tempera, oil, and gold on panel.

Cupid with a bow by Luini, Aurelio (1530-1593) Wilanow Palace Museum before 1593 Oil on canvas 68x49 Italy, School of Lombardy Mannerism Mythology, Allegory and Literature Painting

The Deposition from the Cross. Il Bronzino (Angolo di Cosimi di Mariano) 1502-1572, Italian Mannerist painter.

Maria Met Kind ,, 1425 - 1475 Maria with child on her left arm, halfway, in polychromed and gilded stucco in high relief. Florence stucco Maria with child on her left arm, halfway, in polychromed and gilded stucco in high relief. Florence stucco

'The Agony in the Garden'. France, 17th century. Dimensions: diam. 42,5 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES LE BRUN.

Lazio Viterbo Tuscania Cathedral2. Hutzel, Max 1960-1990 Post-medieval: Architecture, 16th century (largely restored in the 18th century); paintings on canvas and panel; fresco; sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Maria met kind.

Madonna and Child before a Fireplace', 1430s, by Robert Campin. Mary is depicted as a Netherlandish woman seated in front of the hearth. From the collection of the State Heritage Museum, St Petersburg, Russia.

Lazio Roma Velletri Museo Capitolare4. Hutzel, Max 1960-1990 Medieval: Breviaries (two, 14-15th century); "The Passion" on vellum (French school, late 13th century); reliquaries. Post-medieval: Paintings, frescoes, vestments, sculpture, metalwork, panel painting Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign dates: one undated, another November 9, 1985. It is likely that notes for the Pinacoteca Cattedrale (no separate Hutzel entry) describe items under this heading. TCI seems to indicate that the Museo Capitolare is adjacent to the cathedral. As well, some prints are missing; the initial Hutzel entry indicates that there are 422 prints. At this count, I can find 142. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, inclu

Salvator Mundi. Dated: c. 1515. Dimensions: overall: 42.6 x 33.3 cm (16 3/4 x 13 1/8 in.) framed: 70.6 x 61.4 x 7.3 cm (27 13/16 x 24 3/16 x 2 7/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: CORREGGIO.

Rest on the Flight into Egypt, 1590. Werff, Adriaan van der.

SCHONGAUER, Martin (1450-1491). Holy Family (Die Heilige Familie). 1480s. Renaissance art. Oil on wood. AUSTRIA. VIENNA. Vienna. Kunsthistorisches Museum Vienna (Museum of Art History).

An Allegory of Painting: Pictura Making a Drawing After the Antique. Circle of Maarten de Vos (1532-1603). Oil on panel. 91.4 x 119cm.

Lazio Roma Subiaco S. Francesco2. Hutzel, Max 1960-1990 Exterior views of 14th c. church portals, facade and cloister. Interior views of simple francescan nave, altars, chapels, and refectory, with comprehensive coverage of panel paintings and frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

2013.0027.. Madonna with Child piercing the Head of the Serpent ('Madonna della Serpe'), 1697-98. Giovanni Battista Gaulli

Anonymous German Artist active in Swabia ca. 1515 (Active in Swabia ca. 1515). Saint Anne with Virgin and Child and a Donor (Exterior left wing) (ca. 1515). Oil on panel. 159 x 65 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Author: Anonymous German Artist active in Swabia ca. 1515.

Alonso González de Berruguete 1486/89-1561 Salome by Alonso Berruguete (1512 - 16), Uffizi Gallery in Florence. de Berruguete was a Spanish painter, sculptor and architect. He is considered to be the most important sculptor of the Spanish Renaissance

Gaspar Dias (). Portuguese painter, active ca. 1550-1591. The Martyrdom of St. Catherine, ca. 1560-1570. Oil on oak panel. National Museum of Ancient Art. Lisbon, Portugal. Author: Gaspar Dias. Portuguese painter. Active ca. 1550-1591.

Rest on the Flight into Egypt, by Farinati Paolo, 16th Century, oil on canvas,

Virgin and Child with FourAngels. Artist: Agostino di Duccio, Italian, 1418-after 1481

Fra Beato Angelico, (c. 1395-1455). Early Italian Renaissance painter. Florentine school. Madonna and Child with Four _ngels, early 1420s. Tempera on panel. The State Hermitage Museum. Saint Petersburg. Russia.

Holy Family by Michelangelo Buonarroti, Tempera on panel, 1475-1564, Italy, Florence, Galleria degli Uffizi, D 120

Dead Christ Supported by Two Angels. Date/Period: Ca. 1472. Painting. Tempera and tooled gold on panel Tempera and tooled gold on panel. Height: 711.71 mm (28.02 in); Width: 473.46 mm (18.64 in). Author: Carlo Crivelli.

Saints John the Evangelist and Mary Magdalene ca. 1335-45 Italian, Neapolitan Follower of Giotto This painting, together with a panel portraying the Virgin and the Dead Christ (National Gallery, London), originally formed a diptych (two panels hinged together that could be opened and closed). The painting illustrates the formative influence that the Florentine master Giotto, a pivotal figure in Western art, had in Naples during his activity there from 1328 to 1332. The diptych was likely painted by a member of Giottos workshop in Naples, who was active on the frescoes in the Church of Santa Chiara. Giotto's Neapolitan workshop may have continued to operate after he returned to Florence in 1333. The monumentality of the figures, which protrude outside the painted framework, together with their expressive gestures of grief, intensify the dramatic quality of this work, which was probably made for private devotion. The diptych may have been commissioned by Queen Sancia of Naples (1286-134

Madonna and Child, with the Man of Sorrows middle panel. Dated: c. 1360. Dimensions: painted surface (middle panel): 45.1 × 26 cm (17 3/4 × 10 1/4 in.) overall (middle panel): 75.6 × 30.2 cm (29 3/4 × 11 7/8 in.) overall (entire triptych): 76 x 66.4 cm (29 15/16 x 26 1/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: NARDO DI CIONE.

Religious illustration with Virgin Mary by Carlo Crivelli, Tempera on panel, 1492, circa 1435-circa 1495, Great Britain, London, National Gallery, 194,3x93,3

Ghirlandaio /Adoration of Shepherds/1485

Virgin and Child, 1400s. Byzantine (Dalmatian), 15th century. Tempera and gold on wood; framed: 63.5 x 50.8 x 10.2 cm (25 x 20 x 4 in.); unframed: 38.5 x 29.3 cm (15 3/16 x 11 9/16 in.).

Madonna of the Candle, 1490, by Carlo Crivelli (ca 1430- ca 1495), oil on canvas, 218x75 cm.

Abruzzo, L'Aquila, L'Aquila, S. Pietro di Coppito, Italy, 20th century, photo, photography, Europe

Claudio Coello / 'Saint Rose of Lima', 1683, Spanish School, Oil on canvas, 240 cm x 160 cm, P00663. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Virgin and Child, Print made by Richard Purcell, active 1746-1766, Irish, after Sir Anthony Van Dyck, 1599-1641, Flemish, active in Britain (1620-21; 1632-34; 1635-41), undated, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 14 × 10 1/16 inches (35.6 × 25.6 cm) and Image: 12 11/16 × 9 7/8 inches (32.2 × 25.1 cm), baby, child, Christianity, halo, holding, mother, religious and mythological subject, sleeping, veils, virgin, woman

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo20. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

The Madonna appearing to St Anthony of Padua and St Francis of Paula 1802. Giovanni Domenico Tiepolo

Painting titled 'Madonna and Child' by Robert Campin, artist known as the Master of Flémalle. Dated 15th Century

fine arts, Verona, Stefano da (1375 - 1438), painting, ""Madonna del Roseto"", Castelvecchio Museum, Verona, Italy,

Madonna & Child Luca Della Robbia (1400-1482/Italian) National Gallery of Art, Washington D.C.

Garland of Flowers by Mignon, Abraham (1640-1679) Museo de Bellas Artes de Bilbao ca 1675 Holland Oil on canvas Painting Still Life,Bible

Madonna and Child ca. 1425-40 Probably after Lorenzo Ghiberti Italian This composition is apparently a variant of another Madonna relief which Ghiberti designed specifically to be molded and reproduced in painted stucco. See 08.22.3 for a painted stucco version of that composition. The type of base derives from the niche of the Parte Guelfa on Or San Michele by Donatello, finished in 1423. See 07.120.3 for a terracotta version of this composition.. Madonna and Child 194520

Painting by Matthias Grünewald (born around 1480. around 1530), important painter and graphic artist of the Renaissance, Mary with the Child, Historical, digitally restored reproduction from a 19th century original, Record date not stated

The Mystic Marriage Of St. Catherine Anthony van Dyck (1599-1641 Flemish) Museo del Prado, Madrid, Spain

The Assumption of the Virgin. Dated: c. 1500. Dimensions: painted surface: 21.1 x 16.2 cm (8 5/16 x 6 3/8 in.) overall (panel): 21.3 x 16.7 cm (8 3/8 x 6 9/16 in.) framed: 35.5 x 31.1 cm (14 x 12 1/4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Michel Sittow.

Lady with Daughter by Barthel Bruyn the Elder , oil on canvas, 1530s-1540s, 1493-1555, Russia, St. Petersburg , State Hermitage, 76, 5x46

Christ and John the Baptist as Children by Cranach, Lucas, the Elder (1472-1553) / Museo Lazaro Galdiano, Madrid / c.1535 / Germany / Oil on wood / Bible / 56x36

Allegory of France, farming family, detail from the Screen of Nations, by an unknown 18th century artist.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche9. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Charity, by Crespi Giovan Battista known as il Cerano, 17th Century, 1610, tempera, cm 240 x 130

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani"9. Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Madonna and Child. Carlo Francesco Nuvolone (1608-c.1661). Red and black chalk, 177 x 208mm.

Estr_es, Gabrielle dÇ, Duchesse de Beaufort, Duchesse dÇÄtampes (1573-1599). French mistress of King Henry IV of France, she gave birth to three children, creating the Bourbon-Vendªme family, a senior line of the House of Bourbon. Gabrielle d'Estr_es having a bath. French school. Renaissance art. Painting. FRANCE. PICARDY. OISE. Chantilly. Mus_e Cond_ (Cond_ Museum).

Greco, DomŽnikos Theotokpoulos, called El (1541-1614). Mary Magdalen in Penitence. 1585-1590. Mannerism art. Oil on canvas. SPAIN. CATALONIA. BARCELONA. Sitges. Cau Ferrat Museum.

Decoration of the Camera degli Sposi (Camera Picta), by Mantegna Andrea, 1465 - 1474, 15th Century, fresco and dry tempera. Italy. Lombardy. Mantua. Ducal Palace. West wall. The meeting between Ludovico Gonzaga and his sons Francesco and Federico. Central episode. Detail of putto holding a plate with butterfly wings gold light blue/azure

Maternity, Jean-Paul Nude 1895 Maurice Denis (1870-1943 French) Oil on canvas Private Collection, Alencon, France

Germany, Bavaria, Munich, The New Pinakothek Museum (Neue Pinakothek), Painting titled "Italia and Germania" (Italia und Germania) by Friedrich Overbeck dated 1828

Gustave Doré, The Vagabonds, 1868, oil on canvas

Image of the left part of a painting by Elisabeth and Barbara (left), which recommends the cartus Jan Vos, Profess and from 1450 Prior of the Karthuizerklooster Nieuwlicht in Utrecht, at Maria.

Figurine: Maria with children Urbino (ceramic family; 1550-1600), Patanazzi, Alfonso; 16th century (1600-00-00-1700-00-00);

Girl making a garland, the cat sitting next to her, ca 1508, painting by Hans Suess of Kulmbach, Historic, digitally restored reproduction from a 19th century original

Darmstädter Madonna, mit Stifterporträts, auf einem Holbein-Teppich. 1525-26 und 1528. Öl und Tempera auf Lindenholz, von Hans Holbein dem Jüngeren, d...

Tile image on a wall, St. Anthony, Lisbon, Portugal, Europe

Rosa Mystica, c. 1923. Augustus Vincent Tack (American, 1870-1949). Oil on canvas, on wood; unframed: 151.8 x 122 cm (59 3/4 x 48 1/16 in.).

Madonna and Child by Domenico Morone, (circa 1442-after 1517) from Widener Collection

Petrograd Madonna 1918 by Kuzma Sergeyevich Petrov-Vodkin, (1878 - 1939) Russian and Soviet painter and writer.

'Female Musicians'. Netherlands, First half of the 16th century. Dimensions: 53,2x37,5 cm. Museum: State Hermitage, St. Petersburg. Author: Master of the Female Half-Lengths.

Virgin and Child, Master of the tricky children (attributed to), Gianfrancesco Rustici (attributed to), c. 1500 - c. 1525 On an apparently chopped plinth with ditto elevation, Maria is slightly tilted backwards and turned to the right with the upper body. With one hand she holds it over her left leg struggling naked child while holding a book with the judge, from which she reads. Her head is used to the book. The child, with the right leg forward and the left backwards, grabs the right hand to Mary's right breast, who comes through a split in her robe. His smiling face with a somewhat playful naughty expression is focused on this. Maria's wavy hair, on the head by two tires and held together on the back of the head through a canvas, is tied together in the neck and then falls apart loosely over the back. She wears a robe that is deposited on the neck with a wide tire and is held together around the waist by a belt. Her cloak falls over the left shoulder, runs on her right side in a lar