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Landscape Etchings

A series of historical etchings depicting pastoral landscapes, ruins, and architectural decay, showcasing rural life and artistic interpretations over the centuries.

Copper engraving and etching by L. Garreau from 1770-1821 depicting a rural dance scene and fass binding, showing figures, gestures, and rural architecture.
Copper engraving and etching by L. Garreau from 1770-1821 depicting a rural dance scene and fass binding, showing figures, gestures, and rural architecture.
316 assets in this story
'Het Huys in het Bos', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld n.d. Carel Allard Depiction of the royal estate in the woods (known as Huis Ten Bosch). Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century.. 'Het Huys in het Bos', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld. n.d.. Color engraving (à la poupée). Carel Allard (Dutch, Amsterdam 1648-ca. 1709 Amsterdam)Landscape with ruins of a church, Jan van de Kerkhove, after Frédéric van de Kerkhove, 1874 print paper etching / drypoint landscape with ruins. ruin of church, monastery, etc.Ludwig Richter, Osteria, c 1831 OsteriaCattle at Ruin van Antique Temple, Stefano della Bella, 1620 - 1664 print A landscape with a group of cattle and a sleeping shepherd in the foreground. In the background a ruin of an antique temple and a man on horseback. France paper etching ruin of a building ~ architecture. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. herd, flock RomeTwo walkers with lantern, Charles-François Daubigny, 1867 print print maker: Franceprinter: Parispublisher: Paris paper etching / drypoint walking. night. lanternPutto next to antique vase, Bernard Picart (Possibly), 1729 print A putto points with an orange in the hand on an orange tree and a palace. The performance is decorated with trees and plants and is crowned by an empty banderole. paper etching / engraving Cupids: 'Amores', 'Amoretti', 'Putti'. Fruits: OrangeRobert Wallis, 1794-1878, British, Lancaster from the Aqueduct Bridge, 1827-1838. Open etching.Etching by Johann Christian Brand, 1740-1795, depicting a water landscape with fishing boats, illustrating natural scenery and human activity.Winter landscape with ice entertainment, Leendert Brasser, after Pieter de Molijn, 1727 - 1793 print paper etching winter sportsAquatint in point animal manner by Maria Catharina Prestel depicting a port with a defense tower, showing ships, water, buildings, and late 18th-century composition.Vertical Landscape 1774-1804 France. Etching on ivory wove paper . Louis Gabriel MoreauPerugia, Print made by Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1830, Etching and line engraving on medium, slightly textured, cream wove paperEtching and steel engraving by Karl Rahl (The Older) from 1809-1843 depicting the farewell of the Landwehrman, illustrating historical events with detailed composition and figures.Arriva zu Neapoli an der Seiten dess Könige Pallazz. Küsel, Melchior I (1626-1683), graphic artist, Baur, Johann Wilhelm (1607-1642), graphic artistThe Field of Waterloo from Hougoumont, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Etching and engraving, third state on medium, slightly textured, beige, wove paper, with cream, chine colle, Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm), Plate: 9 3/16 × 7 inches (23.3 × 17.8 cm), Chine collé: 8 3/4 × 6 3/8 inches (22.2 × 16.2 cm), and Image: 2 1/4 × 3 3/4 inches (5.7 × 9.5 cm)Buckland, Near Dorking, from Picturesque Selections. James Duffield Harding, (English, 1798-1863); Published by W. Kent and Co. Date: 1859-1860. Dimensions: 276 × 383 mm (image, primary support); 430 × 560 mm (secondary support). Lithograph on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.St. Herberts Chapel, Henry Le Keux, 1787-1868, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Open etchingJohn Cousen, 1804-1880, British, Babylon, 1835-1836. Line engraving, engraver's proof.Barth Erwin (1880-1933), Volkspark Rehberge in Berlin-Wedding (1927-1927): Perspective view in the avenue to Rodelberg (view through the Rathenauhain on the Brunnen), stamp. Light break on the cardboard, 45.7 x 67.6 cm (including scan edges) Barth Erwin (1880-1933): Volkspark Rehberge, Berlin-WeddingBarrierWaterkant and Rede in Paramaribo, Jonkheer Jacob Eduard van Heemskerck van Beest, 1860 - 1862 print Face from the Suriname River on the Jewishavanna and the Military Post Gelderland. A few vessels on the river. Print is part of a cover with seventeen magazines. print maker: Netherlandsafter drawing by: Amsterdamprinter: Utrechtpublisher: Amsterdam paper river. rowing-boat, canoe, etc.. grasslands, savanna, prairie Suriname. Suriname River. JewVersailles Historical Gallery / Jargeau / June 1429. (IT)Photo production of the print or pen drawing Neu Dillenburg, Anonymous, c. 1890 - c. 1920 photograph paper. cardboard print, e.g.: engraving, etching, lithograph. drawing, sketch DillenburgMonument erected to Prince Józef Poniatowski in Leipzig. Arldt, Carl Wilhelm (1809-1868), graphic artist, Vecchio del Pietro, Leipzig, publisher, Braunsdorf, J. (fl. ca 1840-1910), publisherThree scenes from the life of Maria and three passion scenes: worship by the shepherds, visitation, worship by the kings, descent into the pre -bored, Pentecost, burial, Jacques Callot, 1635 - 1661 print Three oval representations of scenes from the life of Maria and three round representations of scenes from the suffering story. The Mariaascènes, at the top, from left to right: worship by the shepherds, visitation, worship by the kings. The passion scenes, below, from left to right: descent into the pre -bored, Pentecost, burial. This print is part of (the second state of) a series of 13 ovale and 7 round performances with scenes from the suffering story and scenes from the life of Maria, spread over 5 (first state: 3) copper plates. This second condition of the series also includes a title print (RP-P-1909-2814). print maker: France (possibly)publisher: Paris paper etching / engraving adoration of the Christ-child by the shepherds; Mary and Joseph present. Mary's arrival in Judah. adUmbria Perugia Gubbio S. Secondo0. Hutzel, Max 1960-1990 Exterior views of the polygonal apse of trefoiled arches and cloister portals. Interior views include frescoes of the Life of St. Sebastian in the Cappella di Sebastiano o Panfili (15th century); votive frescoes of the Madonna and Child; paintings of the Death of St. Joseph and the Martyrdom of S. Secondo; a painted crucifix; and stucco work and paintings in the Salone Zucchari (which are missing their negatives). In the Medieval core collection are details of an 8th-century altar--the sole remains of the abbey church S. Donato di Pulpiano. Object Notes: Hutzel photo campaign date: 1982. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Stone near Urycz in Stryjsk Circuit; Der Stein bei Urycz im Steyer Kreise. Piller, Piotr (Lwów ; zakład litograficzny ; fl. 1826-1848), lithography atelier, Auer, Karol (ca 1818- non ante 1858), graphic artist, Lange, Antoni (1774-1842), draughtsman, cartoonistEtruscan burial chamber in Tarquinia with left a draftsman who is highlighted with a torch, c. 1762 - c. 1770 print Etruscan burial chamber Tomba del Cardinale in the Necropolis of Monterozzi at Tarquinia, on the left a draftsman who is highlighted with a torch. paper engraving / etching historical grave forms. draughtsman studying classical remains. draughtsman at work - CC - out of doors TarquiniaMemory of New Alexandra; Nich, Edward (1851-1916), Gierymski, Aleksander (1850-1901); 1883 (1883-00-00-1883-00-00);Kłosy (Warsaw - magazine - 1865-1890) - Illustration, Méyet, Leopold (1850-1912) - collection, Puławy (Lubelskie Voivodeship), Dar (provenance), fishermenView in an Italian Garden (Villa Borghese), Jan Blom, c. 1652 drawing Face in the avenues of the Villa Borghese in Rome, on the left a statue of a god with a shepherd's whistle. Rome (possibly) paper. ink. chalk pen / brush statues, sculptures in garden. piece of sculpture, reproduction of a piece of sculpture Villa BorgheseUnknown, The Lady of Shalott, steel engraving on paper.Bliżej Kultury Dubois de Montpéreux, Frédéric (1798 1850), Jäger, Charles (Fl. 1843), lithography of H. Nicolet (Neuchtel)Ludwig Richter, Das Tännengebirge bei Salzburg (The Tännengebirge near Salzburg), 1830 Das Tännengebirge bei Salzburg (The Tännengebirge near Salzburg)The Watering Hole 1848 Charles Jacque. The Watering Hole. Charles Jacque (French, Paris 1813-1894 Paris). 1848. Drypoint on chine collé. PrintsThe Fighting Téméraire, from Old English Masters. Timothy Cole (American, born England, 1852-1931); after Joseph Mallord William Turner (English, 1775-1851). Date: 1899. Dimensions: 435 x 345 mm (sheet). Wood engraving on chine paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.Amsterdam sea allegory; Backhuysen, Ludolf (1630-1708); 1701 (1701-00-00-1701-00-00);Amsterdam (Netherlands), Magdalenaea (collection), Neptune (mitol.), Apotheosis (iconogr.), Trade, Herby, Unicorn (mitol.The Castle of St. Angelo, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof on thick, slightlly textured, beige, wove paper, with beige, chine colle, Sheet: 17 3/8 × 11 11/16 inches (44.1 × 29.7 cm), Plate: 8 15/16 × 6 inches (22.7 × 15.2 cm), Chine collé: 8 1/4 × 5 1/2 inches (21 × 14 cm), and Image: 2 3/4 × 3 1/2 inches (7 × 8.9 cm)Prospect an der Tijber wa die Wölffin den Romulum und Remum solle gesäugt haben. Küsel, Melchior I (1626-1683), graphic artist, Baur, Johann Wilhelm (1607-1642), graphic artistView from the Railway Railway Bridge in Warsaw; Róż Ski, M. (Fl. 1882-1889), Bojarski, W Adys AW (1843-1912), Gierymski, Aleksander (1850-1901); 1885 (1885-00-00-1885-00-00);Tygodnik Powszechny (Warsaw - magazine - 1877-1885) - Illustration, Warsaw (Masovian Voivodeship), Wisła (River), Witke -Jeżewski, Dominik (1862-1944) - collection, gift (provenance)Bolton Abbey, Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Etching and engraving, 1st state on moderately thick, slightlyt textured, cream, wove paper, Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm) and Image: 3 × 3 1/2 inches (7.6 × 8.9 cm)Photo production of a fresco in the Santa Maria Novella in Florence by Domenico Ghirlandaio and others, representing passages from the life of Johannes de Boper, c. 1875 - c. 1900 photograph Santa Maria Novella cardboard. photographic support albumen print painting (including book-illumination, miniature-painting) (+ plaster ~ arts). series of scenes from the life of John the Baptist Santa Maria NovellaSaffo kneeling for Temple of Venus, François Joseph Pfeiffer (II), in Or Before 1845 print In a garden with gods of gods, Saffo sits kneeling in front of a temple with an image of Venus. Figures spied on the left and right behind the images. Part of a cover with a series of seven lithographs of operas cènes staged in the Stadsschouwburg in Amsterdam. Amsterdam paper (story of) Sappho, the poetess. group of actors, troupe; actors on the stagePaardenmarkt, Léopold Flameng, 1873 print paper. etching market. horse ParisThomas Stothard, 1755-1834, British, July 1st: She Sat Beneath an Awning (Vol. 2, p. 50) July 2nd: Here Sussex is My Hand (Vol. 2, p. 85), undated. Gray wash with pen and black ink on thin, smooth, cream wove paper.Memorial in memory of the battles at the manpad in 1304. Memorial founded in 1817 In memory of the fighting at the manpad in Heemstede: the victory and the expulsion of the Flemish on 26 April 1304 and an episode from the Siege of Haarlem at 8 July 1573. Monument around which a fence stands, a man and a boy next door.Without title man in the background of the city, Karl Wiener -, artistRobert Brandard, 1805-1862, British, Orford, Suffolk, 1827-1838. Open etching.Sehring Bernhard (1855-1941), the main game of the southern driveway. (From: Ideal project for a German artist home and workshop in Rome, Berlin 1886.) (1886-1886): View. Photo on paper, 32.2 x 24.5 cm (including scan edges)Plate XLI from Theatrum instrumentorum et machinarum, Julio Paschale, Woodcut on paper, Two towers shown on a cheateau. They are used for wind, sun's ray's, to disperse smoke; two methods. Description in Latin on verso of 1949-152-238., Lyon, France, 1582, Print, PrintMan and his job, The farmer, Jakob Matthias Schmuzer Schmuzer -, Drawer, Burchard Edinger, Lithographer, Matthias Rudolph Toma -, Printer, PublisherTitian, France, Caylus, Anne Claude Philippe, Cabinet du Roy, Landscape with houses and a goat in the foreground, River landscape with a bridge on which a rider and a walker, Landscape with a sleeping nymph seen from the back, verso - stamped, Three etchings on an uncut sheet. Numbered from top to bottom top right: 145; 133; 107., print, prent, prints, prenten, height 146 mm, width 205 mm, height 70 mm, width 123 mm, height 159 mm, width 223 mm, 1692 - 1765-09-05, print maker, prentmaker, 1702 - 1765, paper, papier, etching, etchings, Italian, 1488 - 1576-08-27, intermediary draughtsmanDifferent performances, Erve Wijsmuller, c. 1828 - c. 1913 print Leaf with 6 performances of various nature, including landscapes and buildings. A caption under each image. Under the first image the caption: No matter how dangerous this fish are ... Numbered at the top right: No. 11. publisher: Amsterdamprint maker: Netherlands paper letterpress printing whale fishery, whaling. city-view in general; 'veduta'. housing. monkeys, apesLandscape in an Oval. Lameau (French, active 1803-1822); printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849). Date: 1817-1821. Dimensions: 145 × 170 mm (image); 215 × 263 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.Copper engraving by Schelte Adamsz. Bolswert (1650-1706) depicting a landscape with pastoral scenes, showing fields, livestock, trees, and rural terrain in 17th-century Europe.Winter landscape with skaters and a cookie-en-zopie, c. 1825 - c. 1829 There is a tower along the frozen speed. A mill in the background. Page 59 Recto from a sketchbook with 95 sheets. paper. pencil. watercolor (paint) brush frost, freezing weather. skates (winter sports)Figures in a walled garden with breeding bins, Izaak Jansz. de Wit, after Jacob Cats (1741-1799), 1807 print View visitors in a garden or nursery. In the foreground a wheelbarrow with a watering can and a kick. Haarlem paper etching April and its 'labours' (+ with scenes showing human occupations ~ seasons and months). gardening-tools. forcing bedNumbered bottom left: No 7.Ubiel. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist1. Le Sphinx près des Pyramides (top); 2. Entrée de la grande Pyramide de Memphis (bottom).. Rigo, Michel. Denon, Vivant, 1747-1825. Prints, Illustrations. 1829. Rare Book Division. Egypt , Description and travel, Great Sphinx (Egypt), Pyramids of Giza (Egypt), Great Pyramid (Egypt)Explosion in the church of Amersfoort, 1787, Reinier Vinkeles (I), After Jacobus Buys, 1787 - 1795 print Buskruit explosion and fire in the Lieve-Vrouwekapel in Amersfoort, 2 August 1787. The church is destroyed, only the tower, the Onze-Lieve-Vrouwetoren or Lange Jan, remains standing. Northern Netherlands paper etching / engraving gunpowder disaster Onze-Lieve-VrouwetorenFrontispiece to Stations of the Cross Made 1748 Italy. Etching on paper . Giovanni Domenico TiepoloBurning Houses, Johann Friedrich Gottlieb Unger, 1763 - 1804 print paper human types. open fire (in general)Landscape with canal, anglers and milkman; Recueil De Quatre-Vingt-Cinq Estampes Originales.The Print is part of an al album.Design for a board with a garden view, Carel Adolph Lion Cachet, 1874 - 1945 drawing Design for pottery. paper brush dish, plate, saucerOx wagon in a village at the foot of a mountain, Fortuné Férogio, 1848 - 1850 print printer: Parispublisher: Parispublisher: London paper mountain-range, snow peaks (+ landscape with figures, staffage). two-wheeled vehicle drawn by two animals. village streetMilan, John Horsburgh, 1791-1869, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Line engraving, first published stateOutlines of figures, landscape, & cattle, etched by T. Rowlandson, for the use of learners, no. 9 , Horses, Carriages & coaches, Ships, Windmills, Fuelwood. Thomas Rowlandson (1756-1827). Prints and DrawingsImage of one of the nine wall paintings in the Regentenkamer of the Diaconie orphanage of the Nederduitsch Reformed municipality on the Breedstraat in Utrecht.An etching and aquatint from 1882 by Max Klinger titled 'Pyramus and Thisbe III' (Work 2, Blatt 4), printed on rolled French China paper, depicting mythological figures and story scene.The French Army Landing at Civita-Vecchia, April 25, 1849, from Souvenirs d'Italie: Expédition de Rome. Denis Auguste Marie Raffet (French, 1804-1860); printed by Auguste Bry (French, 19th century); published by Chez Gihaut Frères (French, 19th century). Date: 1851. Dimensions: 164 × 351 mm (image); 242 × 402 mm (primary support); 402 × 569 mm (secondary support. Lithograph in black on buff wove China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.The Ramasseum, Thebes. Alphonse-Eugene-Jules Itier (French, 1802 - 1877)Hans Jörgel and Consorten use the free press to educate the people through increased pressure, Caricature against the anti -Semitic press, Bachmann, LithographSouth Sea Fishers; Ewe with Two Lambs 1850 Charles Meryon French. South Sea Fishers; Ewe with Two Lambs. L'Artiste. Charles Meryon (French, 1821-1868). 1850. Etchings on wove paper; Published in L'Artiste (1861). PrintsPrint by Edvard Munch titled 'The Bleach' from 1904, executed on a copper plate in black ink on yellowish paper, depicting a figure and composition with detail.Dinner of Marseillais at Champs Elysees / July 30, 1792Visser, Etienne Cournault, 1935 print paper engraving fisherman showing catch. landscapesSection through the Tomb of Cecilia Metella or the Capo di Bovi, Via Appia, outside Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.Grave of Marion.. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Marion, Francis, 1732-1795 , Tomb, Tombs & sepulchral monuments , South CarolinaReproduction of drawing: Juliusz Kossak (1824-1899), Emissaries of the Austrian Emperor beg king John III Sobieski, at Wilanów, for help; excerpt from a magazine. unknown, publisherChretienne Kuslen engraved a rural festival scene in 1677 using etching techniques, capturing village life and traditional festivities.Chalets, Mürren (from "Splendid Mountain Watercolours" Sketchbook). Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 8 3/8 x 11 3/4 in. (21.3 x 29.8 cm). Date: 1870. Museum: Metropolitan Museum of Art, New York, USA.King Louis Napoleon in Leiden after the gunpowder disaster, January 12, 1807. After the gunpowder disaster in 1807. In the foreground King Louis Napoleon on the Nieuwsteeg bridge, between the ruins and those affected.. Etching and aquatint on ivory laid paperPainting reproductions: Juliusz Kossak (1824-1899), 1. Brony in Krakow; 2. Godfather; 3. Cracow four; Husnik & häusler (Praga; Reprographic Zak 1888-1936), Zorza (Kraków; Photographic Zak AD), early 20th century (1900-00-00-1920-00-00);Ships on the ocean, 1882 Drawing in a double frame. Leaf 24 Recto from a sketchbook with 54 sheets. paper. pencil. chalk ocean. sailing-ship, sailing-boatEtching - Beaver hunting in Canada. Engraved for Middleton's Complete System of GeographyHospitality, Nicolas Toussaint Charlet, 1835 print A hospitable farmer offers a long -moving soldier shelter in the winter. Paris paper good reception. snow. Hospitality; 'Hospitalità' (Ripa). farm or solitary house in landscapeunknown artist, nineteenth century, Abberley Hall, Worcestershire, undated. Reproduction.Julian Fałat, Elks. Borucki, H., graphic artist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, Tygodnik Ilustrowany (Warszawa ; drzeworytnia), woodcut atelierPlate 22 from 'The Disasters of War' (Los Desastres de la Guerra): 'Even worse.' (Tanto y mas.) 1810 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 22 from 'The Disasters of War' (Los Desastres de la Guerra): 'Even worse.' (Tanto y mas.) 381301 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 22 from 'The Disasters of War' (Los Desastres de la Guerra): 'Even worse.' (Tanto y mas), 1810 (published 1863), Etching, lavis and burin, Plate: 6 5/16 9 15/16 in. (16 25.3 cm) Sheet: 9 15/16 13 1/2 in. (25.2 34.3 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(22))Bliżej Kultury Wyspiański, Stanisław (1869 1907)Prince Józef Poniatowski jumping to the Elster. unknown, graphic artistManáos. Albert Frisch (German, 1840 - 1918)Bookplates. Artist: Heinrich Vogeler, German, 1872-1942Two performances for Langbeins Schwaenke, Daniel Nikolaus Chodowiecki, 1791 print print maker: Berlinafter own design by: Berlinpublisher: Dresden paper etching / letterpress printing Literature. birds. hunting dogs. flight, running away; pursuing. adultery. adolescent, young woman, maiden. rowing-boat, canoe, etc.. full moon. monk(s), friar(s)Copper engraving and etching by Aegidius Sadeler d. J., circa 1606, depicting Roman ruins with figures, architectural features, and landscape in detailed composition.Lock of the Canal Saint-Martin, plate six from Le Long de la Seine et des Boulevards 1890 France. Wood engraving in black on cream Japanese tissue . Louis Auguste LepèreCartoon with the harvesting of trees with faces of ministers, 1868, 1867 print Cartoon with the harvesting of trees with faces of ministers. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 14, 4 April 1868. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper clearing ~ forestTomb of Cecilia Metella, Rome, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Etching and engraving, first published state on moderately thick, slightly textured, beige, wove paper, with gray chine colle, Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm), Plate: 6 15/16 × 9 1/4 inches (17.6 × 23.5 cm), Chine collé: 6 11/16 × 9 inches (17 × 22.9 cm), and Image: 3 1/8 × 5 1/4 inches (7.9 × 13.3 cm)Invitation to attend an exhibition of the Rotterdamsche Kunstclub, 1893, Jan Vrolijk, 1893 print Invitation to attend an exhibition by the Rotterdamsche Kunstclub in the building of the Rotterdamsche Kunstclub on Gevers Deynootplein. At the top a face on a Dutch migration. On the shore a tow horse on which a barge hunter. Under the show an eighthritious text in French. The Hague paper etching windmill in landscape. riding a horse, ass, or mule; rider, horseman Scheveningen