← Artworks

Intimate Interior Scenes

Dark, atmospheric prints portraying humble domestic life. Features figures engaged in everyday activities within intimate settings.

Rijn, Rembrandt van, The onion woman, Old woman, sitting in a hut, with a string of onions on the wall, verso lower left - stamped, print, prints, height 127 mm, width 85 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1631 - 1631, second quarter 17th century, paper, etching, etchings, Work conception, after own design by
Rijn, Rembrandt van, The onion woman, Old woman, sitting in a hut, with a string of onions on the wall, verso lower left - stamped, print, prints, height 127 mm, width 85 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1631 - 1631, second quarter 17th century, paper, etching, etchings, Work conception, after own design by
284 assets in this story
Stilleven, Léopold Flameng, After Abraham van Beyeren, 1841 - 1887 print paper etching foodstuffs; still life of foodstuffsThe Entombment ca. 1654 Rembrandt (Rembrandt van Rijn) Dutch The startling difference between this impression and the impression of the first state (20.46.17) has less to do with the many hatched lines Rembrandt added to the composition in the second state than with the veil of ink he left on the copperplate as it was printed. This ink turns the previously brightly lit scene into a dark one in which only the faces and hands of the central figures are illuminated. By initially leaving this tone on the copperplate and wiping away the ink only where he wanted to leave touches of light, Rembrandt printed both the etched lines and the layer of ink left on the surface. As a result of this exceptional painting of the plate before printing, each impression Rembrandt pulled was unique.. The Entombment. Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). ca. 1654. Etching, drypoint, and engraving; second of four states. PrintsLittleShop. Artist: Auguste Brouet, French, 1872-1941Man defends himself with a sword opposite a man with lantern and dog, Jos Ratinckx, 1870 - 1913 print paper ETCHING / ROUCH being attacked; defence. dog. lantern. hacking and thrusting weapons: swordPuis je vis, dans la main droite de celui quietait assis sur le trone, un livre ecritdedans et dehors, scelle de sept sceaux (And I saw in the right hand of him that sat on the throne a book written within and on the backside, sealed with seven seals ). Dated: 1899. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Odilon Redon.The Dancer of Tanjore (La bayadère de Tanjore). Dated: 1914. Dimensions: plate: 29.8 x 24 cm (11 3/4 x 9 7/16 in.) sheet: 44.4 x 29.3 cm (17 1/2 x 11 9/16 in.). Medium: etching in brown-red with plate tone on wove paper. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.Painting by the famous Dutch artist Vincent Van Gogh (30th March 1853 - 29th July 1890), work titled Woman sitting on basket with head in hands. Painted in 1883.A lithograph by Käthe Kollwitz titled 'Advice,' depicting figures giving and receiving guidance during a weaving uprising, showing gestures, postures, and industrial interior, printed on light gray rolled china paper, 1898.Le Viol(Rape). Artist: Albert Besnard, French, 1849-1934Tannhaeuser. Acte III. L'Étoile du Soir , Composers, Wagner, Richard, 1813-1883. Henri Fantin-Latour (1836-1904). Lithographs and Other PrintsChild Drawing (Jean Buhot). Félix Hilaire Buhot; French, 1847-1898. Date: 1892. Dimensions: 313 × 256 mm (image/stone); 329 × 258 mm (sheet). Lithograph in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.Intérieur de l'église à Milan (Interior of a Church in Milan sic. Dated: c. 1874. Dimensions: plate: 21.1 × 14 cm (8 5/16 × 5 1/2 in.) sheet: 47.9 × 36.9 cm (18 7/8 × 14 1/2 in.). Medium: etching with drypoint and aquatint on chine collé. Museum: National Gallery of Art, Washington DC. Author: MOSE BIANCHI.Jean Louis Forain, The Corridors of the Palace of Justice, 1908 The Corridors of the Palace of JusticeReading by Lamplight 1859 United States. Long before Whistler conceived of the portrait of his mother, his most important early models were his half-sister, Deborah Haden, and her family. Deborah was married to the physician, print collector, and amateur artist Francis Seymour Haden, and they had three children, Annie, Seymour, and Arthur. During one visit in 1859, Whistler created ambitious but personal depictions of the family, including the multifigure The Music Room (1917.444), which portrays the couple along with Hadenís medical partner, James Traer, as deeply absorbed in their respective activities. Meanwhile, the severe profile of Deborah in Reading by Lamplight anticipates Arrangement in Grey and Black No. 1.. Etching and drypoint, with foul biting, in black on cream laid paper . James McNeill WhistlerHenri Fantin Latour, Le Mage Balthazar et Fatime Le Mage Balthazar et FatimeMadonna (A Mother). Anders Zorn; Swedish, 1860-1920. Date: 1900. Dimensions: 250 x 198 mm (image/plate); 413 x 325 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA.Frederik van Eeden shifting with Mrs. Veth-German. .Woman leaning over lower door, Nicolaes Maes (possibly), 1644 - 1693, draughtsman: Nicolaes Maes, (possibly), 1644 - 1693, paper, pen, brush, h 154 mm × w 149 mmCiseleur at work in a workshop, Charles Mertens, 1875 - 1913 print paper etching artist at work, in his workshopFrancisco de Goya y Lucientes, The beds of death., 1810-1820, etching and aquatint.1893 Art Work - Portrait of Aristide Bruant; from Le Cafe-Concert Henri de Toulouse-Lautrec.Rijn, Rembrandt van, Maria met kind, met kat en slang, The Holy Family with the Cat and Snake, verso bottom left - stamped, print, prints, Rembrandt.f.1654, bottom center, height 94 mm, width 143 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1654 - 1654, third quarter 17th century, paper, papier, etching, etchings, plate tone, Work conception, after own design byL'archéologue , Alphonse Legros (1837-1911)Princess Maleine (The Little Madonna). Odilon Redon; French, 1840-1916. Date: 1892. Dimensions: 120 × 66 mm (plate); 290 × 178 mm (sheet, appro×.). Etching and drypoint on ivory Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.Woman passes a kiosk at night, draughtsman: Joan Berg, 1861 - 1935, paper, h 408 mm × w 275 mmGustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "Darreniers iers and end Desplourable of the sire de Croix fed up with this daughter of hell." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101787-25 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engravingLe déjeuner du chat. Théodule Ribot (French, 1823-1891). Etching;Woman with child on a bench against a facade, print maker: Charles Emile Jacque, (attributed to), France, 1843, paper, etching, drypoint, engraving, h 66 mm, w 79 mmMisery, plate nine from Woman Artist's working dates 1886 France. Etching and aquatint in black on cream Japanese paper . Albert Besnard'Angel of the Annunciation', c1565, (1937). Artist: TitianThe Master-Smith Made 1907 Sweden. Etching on ivory laid paper . Anders ZornReading lady in Chaise Longue in an interior, Charles Albert Waltner, 1856 - 1925 print France paper etching / drypoint adult woman (+ sitting). reading. interior of the houseStudy of a Seated Man's Legs. Dated: 1816. Dimensions: overall: 11.3 x 18 cm (4 7/16 x 7 1/16 in.). Medium: black chalk with stumping, heightened with white, on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: Henry Wyatt.The Raven on the Bust of Pallas ( Perched upon a bust of Pallas.. ), from The Raven (Le Corbeau) Made 1875 France. Transfer lithograph in black on gray China paper . Édouard ManetThe Music Room 1859 James McNeill Whistler American Whistler moved to London from Paris lin 1859. After publishing the "French Set" the previous November he continued to use etching to explore new visual effects. Here, a lamp-lit interior is occupied by his half-sister Deborah, brother-in-law Seymour Haden at left, and Haden's medical partner James Traer, all shown reading. They are in the Haden home on 62 Sloane Street in Chelsea. Comparing this first state of the etching to the second (MMA 17.3.26) demonstrates how Whistler began with forms almost swallowed by darkness, then lightened the overall effect.. The Music Room 372651Le tocsin ,. Henri de Toulouse-Lautrec (1864-1901). Prints and DrawingsAnd the Researcher Was Looking for Infinite / Researchers lasted endlessly pl. 6 from portfolio: La Nuit Six Lithographic Drawings, Paris 1886, print. Lemertcier & Cie Redon, Odilon (1840 1916), Lemercier & CieA student at candlelight table.Bonnard, Pierre, Portrait of the artist Edouard Vuillard, verso lower right - stamped, probably working in his studio. The artist is bent over a table, holding something on the table top in one hand. In his other hand he holds a pen or something similar ready for drawing or writing., print, prints, verso bottom center - stamped, height 197 mm, width 120 mm, height 293 mm, width 233 mm, French, 1867-10-03 - 1947-01-23, print maker, printmaker, 1877 - 1947, fourth quarter 19th century, first quarter 20st century, first quarter 20th century, second quarter 20st century, second quarter 20th century, paper, etching, etchings, plate tone, Work conception, after own design byInterior of a cave, Bartholomeus Breenbergh, 1639 - 1640 print paper etching cave, grottoOdilon Redon, Lueur precaire, une tete a l'infini suspendue (Precarious glimmering, a head suspended), 1891 Lueur precaire, une tete a l'infini suspendue(Precarious glimmering, a head suspendedFemme assise, muraille au fond, enfant la tête dans son giron , Alphonse Legros (1837-1911). .Young Girl with a White Collar. Théophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1898. Dimensions: 290 × 143 mm (image/plate); 365 × 250 mm (sheet). Etching and drypoint from a zinc plate in black on blue-green laid paper (accounting paper from a book). Origin: France. Museum: The Chicago Art Institute, Chicago, USA.Factory boy at work. Draughtsman: Anthon Gerhard Alexander van Rappard. Dating: 1868 - 1892. Measurements: h 560 mm × w 387 mm. Museum: Rijksmuseum, Amsterdam.Smoking farmer in a window opening; Caprice. Farmer or man with pipe and drinking cup in a window opening with an outward loop. Print from a series of eight prints to performances by A. van Ostade.In a studio a boy is standing opposite a bust, Willem Linnig (II), 1852 - 1890 print paper etching / drypoint drawing. artist at work, in his workshopThe Spanish Gypsy 'Preciosa', Rembrandt van Rijn, c. 1642 print paper etching Preciosa. wandering communities: Romani or RomaHenri de Toulouse Lautrec, Sleepless Night (Nuit blanche), 1893 Sleepless Night (Nuit blanche)Interior of a living room, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1902 print A room with a view to a second room, possibly in the house of the artist in Wiesbaden. At the front is a table with a tablecloth. In the background, paintings hang on the wall. paper communal rooms. picture, painting WiesbadenIrené,1862. John Everett Millais (d.1896) and Joseph Swain (d.1909) .Portrait of Paul Rajon 1867 Emile Boilvin French In this small, sketch-like portrait, Boilvin shows Rajon working intently over an etching plate. The two printmakers were friends since their student days in Metz. Boilvin is gently satirical in his portrayal, making a childlike drawing the product of Rajon's intense concentration. Following Rajon's untimely death in 1888, the portrait acquired an added poignancy and greater public exposure in the 1890s. It was included in the large exhibition of contemporary etching at the Ecole des Beaux-Arts in 1896 and two years later, the French monthly journal "L'Estampe et L'Affiche" offered impressoins to its readers.. Portrait of Paul Rajon 433441Recess of the Hearing. Dated: 1914. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.Julian Fałat, Old mans head. Julian Fałat (1853-1929), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, Styfi, Jan (1839-1921), woodcutterO Lune!... inspire-moi ce soir quelque petite pensée... Dated: 1844. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.Elephants and figures at a temple, Marius Bauer, c. 1877 - c. 1932 print paper etching Trunked Animals: Elephant. Sitting Figure. Non-Christian religions (including institutions, customs and antiquities)Two women in a dark alley with a lantern in the rain, Félix Hilaire Buhot, 1872 print paper etching / drypoint village lane, alley. lantern. rain. adult woman. nightCellist, Willem Linnig (II), 1852 - 1890 print paper. etching viola, violoncello; double bass. musicianHelfond Jackson, Evening at Home, 1940 Evening at HomeAristide Bruant , Singers, Bruant, Aristide, 1851-1925. Henri de Toulouse-Lautrec (1864-1901). Prints and DrawingsWoman with Kalf, Willem van der Vliet, 1866 - 1924 print Netherlands paper etching farmers - AA - female farmer, farmer's wife. calf. farm (building)Gallen-Kallela, Akseli, Karhunpeijaiset (From the Seven Brothers), holder: Kansallisgalleria / Ateneum art museum, 1907, line etching, graphics, plate width 11 cm, plate height 17.2 cm, leaf width 22.4 cm, leaf height 35.1 cm, image width 9.9 cm, image height 16.4 cm, Akseli Gallen-Kallela 1865 - 1931, a Finnish painter who is best known for his illustrations of the Kalevala, the national epic of Finland.Nocturne: Furnace. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 165 x 227 mm (image, trimmed within plate mark); 174 x 227 mm (sheet). Etching and drypoint with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.An 1886 drawing by James Ensor depicting a fireplace with a candlestick, highlighting architectural structure and decorative objects.A sickbed. Draughtsman: Christoffel Bisschop. Dating: 1838 - 1904. Measurements: h 107 mm × w 135 mm. Museum: Rijksmuseum, Amsterdam.Francisco de Goya (1746-1828), Den Skamloese, 1797-1798Face in a shed with farm wagon in Kalevoet, Pol Craps, 1897 print Japanese paper (handmade paper) etching / drypoint barn. (farm) wagon, freight wagon, cartThe Adoration of the Shepherds A Night Piece 1652-1662 Holland. Etching on paper . Rembrandt van RijnPaul Verlaine II Made 1895 Sweden. Etching on cream wove paper . Anders ZornThe Smith, Passage du Dragon. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 9 15/16 × 6 3/8 in. (25.3 × 16.2 cm)Sheet: 13 1/2 × 9 15/16 in. (34.3 × 25.2 cm). Date: 1894. Museum: Metropolitan Museum of Art, New York, USA.Bust of a bald man. Bare old man looking down.The Visitor (verso), c. 1881. Mary Cassatt (American, 1844-1926). Soft ground lines transferred from etching plate; sheet: 40 x 30.9 cm (15 3/4 x 12 3/16 in.).Gallen-Kallela, Akseli, Oppitunti (Mary and Jorma Gallen), 1909, drypoint, graphics, plate width 5.6 cm, plate height 7.3 cm, leaf width 18 cm, leaf height 20.5 cm, image width 5.1 cm, image height 7 cm, Akseli Gallen-Kallela 1865 - 1931, a Finnish painter who is best known for his illustrations of the Kalevala, the national epic of Finland..Rosita Mauri, 1889. Anders Zorn (Swedish, 1860-1920). Etching;Henri de Toulouse-Lautrec (French, 1864-1901), Aristide Bruant, 1893, lithograph in black on velin paperAlphonse Legros, Desperate Man (Le desespere) Desperate Man (Le desespere)1893 Art Work - Reading (Mr. and Mrs. Ch. Deering) - Anders Zorn.Netherlands, Kruseman, Jan Diederikus, Interior of a liturgical building, verso - stamped, A man in a robe walks through a room. There is a picture on the wall and in the corner is a piece of furniture, possibly a cupboard., print, prints, height 96 mm, width 61 mm, 1828-08-15 - 1918-06-08, print maker, printmaker, 1838 - 1918, paper, papier, etching, etsenGuitar player on a chair, François Bonvin, 1887 print paper etching cithern, mandolin, guitar, balalaika. one person playing string instrument (plucked)Girl with cat at the table. .Francisco de Goya y Lucientes / 'Que sacrificio. Album C, 76'. 1808 - 1814. Wash, Brush, Iron gall ink on laid paper. Museum: Museo del Prado, Madrid, España.La nourrice.. 1843. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Infants, Wet-nursesAlbert asleep , Sleeping. Charles H. Woodbury (1864-1940). PrintsThe Passing of Venus - Study of a seated Woman, 1877. Artist: Edward Burne-JonesWoman at a table. Graetzer, Alfred (1875-1911), draughtsman, cartoonistLas camas de la muerte (The Beds of Death), Plate 62 from Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828Auguste Lepère, Departure for Greenwich (Depart pour Greenwich), 1891 Departure for Greenwich (Depart pour Greenwich)The white kimono , Fireplaces, Mantels, Kimonos, Dining rooms. Childe Hassam (1859-1935). Prints and DrawingsBuste d'homme ; Chien couché.. 1843. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print CollectionMary Cassatt at the Louvre: The Paintings Gallery (Mary Cassatt au Louvre: La Peinture) Edgar Degas (French, 1834-1917). , 1879-1880. Etching, drypoint, and aquatint on wove paper, image: 11 7/8 × 4 15/16 in. (30.2 × 12.5 cm). European Art 1879-1880Artist: Alphonse Legros, French, 1837-1911, Job, Drypoint, platemark: 11.5 × 9 cm (4 1/2 × 3 9/16 in.), French, 19thcentury, Works on Paper -PrintsPortrait Mme Simon, Pan I, 2 (1895). Zorn, Anders Leonard (1860-1920), graphic artist, Pan-Verlag (Berlin ; wydawnictwo ; 1895-1900), publishing house, Bierbaum, Otto Julius (1865-1910), publisher, Meier-Graefe, Julius (1867-1935), publisherLe savant endormi , Artists, Scientists, Sleeping, Legros, Alphonse, 1837-1911, Alphonse Legros (1837-1911)Paris, Basan, Henry Louis, Rhine, Rembrandt van, Recueil de quatre-vingt-cinq estampes originales, Hieronymus in a dark study, The print is part of an album., print, album sheet, prints, height 151 mm, width 173 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1642 - 1642, second quarter 17th century, first quarter 19th century, paper, papier, etching, etchings, engraving, engraving (printing process), drypoint, dry needle, Publication (Event), Publication, publisher, 1807 - 1808Male and female are awakened, Willem Steelink (II), 1866 - 1928 print A man and woman are awakened by a woman on the back, possibly Minerva, with a medal in her hand. Two children on the left are in a cradle. Netherlands paper waking up. (story of) Minerva (Pallas, Athena). cradle, cribRobert W Weir, Group of Figures, early 19th century Group of FiguresPassageway, Rouen Made 1899 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlanFrench 19th Century after A B, Les Honnêtes femmes; Conférence, Poésies inédites d'Henry Becque; La Parisienne, 1904 Les Honnêtes femmes; Conférence, Poésies inédites d'Henry Becque; La ParisienneJames McNeill Whistler, The Kitchen, 1858, Etching on chine collé on paper.