Figurative Etchings

Intricate etchings capturing human figures in various domestic and social settings, displaying movement and emotion in monochrome tones.

Girl sitting, seen from behind, print maker: Gerard Jan Bos, (mentioned on object), Antwerp, 1883, paper, etching, h 265 mm × w 200 mm

James McNeill Whistler, The Music Room, 1859 The Music Room

Still Life with Candle; Albert Lebourg (French, 1849 - 1928); France; about 1867 - 1870; Charcoal with stumping and white opaque watercolor; 30.5 × 23 cm (12 × 9 1,16 in.)

Panic

Un Pouilleux (Flea Seeker). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Mariano Fortuny Y Carbo.

The Proverbs: God Creates Them and They Join Up Together, 1864. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Henry Somm, Woman at Her Toilette, etching and drypoint on laid paper.

Schande, pl. 9, Eine Liebe, Op.X. Angerer, Ludwig (Londyn, Berlin, Wiedeń ; wydawnictwo ; fl. 1849-1930), printing house, Klinger, Max (1857-1920), graphic artist

Scattered garments. Title unknown. Print maker: Peter van Straaten (signed by artist). Dating: c. 1984 - in or before 1987. Place: Amsterdam. Measurements: h 200 mm × w 264 mm. Museum: Rijksmuseum, Amsterdam.

A cow is milked in the stable.

Reading Hermit. .

Shows a male figure seated on the ground, created by Rembrandt in 1646 using etching and copper engraving. The work examines posture, anatomy, and spatial positioning in a realistic manner.

Night scene in a cave with an old woman holding burning coals in a pot, a boy blowing into the fire at left. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Intermediary draftsman Charles Hutin (French, Paris 1715-1776 Dresden); Christian Friedrich Boetius (German, Leipzig 1706-1782 Dresden). Dimensions: Sheet (Trimmed): 16 15/16 × 12 5/8 in. (43 × 32 cm). Date: ca. 1750-57. Museum: Metropolitan Museum of Art, New York, USA.

Soissons, aux Gares, from Les Evacués. Artist: Louis-Robert Antral (French, Chlon-sur-Marne 1895-1939 Paris). Dimensions: Sheet: 12 1/2 × 9 1/2 in. (31.7 × 24.2 cm). Date: 1917. Museum: Metropolitan Museum of Art, New York, USA.

Madonna, 1900, Sweden, by Anders Zorn. Gift of Sir John Ilott, 1967.

The War of 1914. First Series. Emperor William in Anger, 1915. Auguste Louis Lepère (French, 1849-1918), Edward Sagot, Paris (drystamp, lower right: Ed Sagot Editeur Paris). Woodcut; sheet: 27.6 x 20.8 cm (10 7/8 x 8 3/16 in.); platemark: 20.3 x 15.9 cm (8 x 6 1/4 in.).

Italian woman with tambourine in hand, Willem Steelink (II), after Ernst Witkamp, 1888 print paper. etching tambourine. standing figure - AA - female human figure

The Little Velvet Dress. Dated: 1873. Dimensions: plate: 16.51 x 12.07 cm (6 1/2 x 4 3/4 in.) sheet: 21.59 x 15.4 cm (8 1/2 x 6 1/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Sir John Everett Millais, 1829-1896, British, Accepted, 1853. Pen and brown ink; verso: graphite on medium, slightly textured, cream wove paper.

Boer and farmer's wife as a love couple in door opening, Anonymous, After Adriaen van Ostade, 1650 - 1745 print Copy to print Boer and farmer's wife as a love couple in the doorway of Adriaen van Ostade, show Spiegelverende Haarlem paper etching couple of lovers

Squated man in front of a mirror. In a landscape a man hurts to a mirror, his need. There is an owl on its back.

Suicide, plate eleven from Woman. Albert Besnard; French, 1849-1934. Date: 1886. Dimensions: 318 × 247 mm (plate); 339 × 247 mm (sheet). Etching and aquatint on cream Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Francisco de Goya y Lucientes / 'Time will tell. Album C, 107'. 1810 - 1811. Wash, Brush, Bistre, Grey-brown ink, Iron gall ink on laid paper. Museum: Museo del Prado, Madrid, España.

A gunsmith sits on a chair in front of an anvil, working with a hammer on an object he holds in pliers. Next to the anvil are parts of a suit of armor. Behind him is a fireplace. On the right, his wife is seated with a child in her arms.', Armsmith at Work, print maker: Reinier Craeyvanger, Reinier Craeyvanger, Amsterdam, 1822 - 1880, paper, etching, h 203 mm × w 168 mm

Mary Magdalene at the Door of Simon the Pharisee - Compositional Study, 1858. Artist: Dante Gabriel Rossetti.. Charles Fairfax Murray had claimed that this work was a later one than the finished pen drawing. Virginia Surtees (Rossetti Catalogue Raisonne), however (vol. 1, p63), claims that this is an early work... More recently Christopher Newall has pointed out that this drawing stands on its own and was then re-worked as the finished composition in the Fitzwilliam Museum. Mary Magdalene may well be based on Fanny Cornforth.

What a Golden Beak!, plate 53 from Los Caprichos. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 193 x 136 mm (image); 216 x 151 mm (plate); 301 x 207 mm (sheet). Etching and aquatint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, USA.

Waiting Made 1879-1880 United States. Soft ground etching and aquatint on buff wove paper . Mary Cassatt

Au Louvre: La Peinture (Mary Cassatt) At the Louvre: Painting (Mary Cassatt). Artist: Edgar Degas, French, 1834-1917

Verdunois at the Gare de l'Est Station 1915-1917 France. Lithograph in black over a fawn tint on off-white wove paper . Théophile-Alexandre Pierre Steinlen

Sitting child, print maker: Charles Emile Jacque, (mentioned on object), France, 1843, paper, etching, drypoint, h 37 mm - w 38 mm

Crossing. .

Reducing, small, third stone , Sleeping, Physical fitness. George Bellows (1882-1925). Prints and Drawings

Keying Up. William Merritt Chase; American, 1849-1916. Date: 1879-1890. Dimensions: 154 x 94 mm (image); 170 x 115 mm (plate); 234 x 160 mm (sheet). Etching on cream China paper. Origin: United States. Museum: The Chicago Art Institute, USA.

The Haunted House 1855 England. Etching on ivory wove paper, laid down on ivory wove paper . Simeon Solomon

Cruel lástima! (Cruel Tale of Woe!), Plate 48 from Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Charles West Cope, Milton's Dream of his Deceased Wife, 1850 1857 Milton's Dream of his Deceased Wife

Goose Plucker. Fritz Mackensen; German, 1866-1953. Date: 1895. Dimensions: 390 × 265 mm (plate); 510 × 350 mm (sheet). Etching on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

La Mort bercant unEnfant. Artist: Charles-Émile Jacque, French, 1813-1894

Dante Dante Gabriel Rossetti (British, 1828-1882). Dante, ca. 1879. Charcoal on wove paper, 17 1/2 x 14 1/2 in. (44.5 x 36.8 cm). European Art ca. 1879

Girl with Poes Aan Table, Arnoud Schaepkens, 1831 - 1904 print paper. etching / drypoint girl (child between toddler and youth). cat

Omnibus interior, 1893 (dummy title)

Duo des Troyens (5e planche) , Queens, Heroes, Romances, Dido Legendary character, Aeneas Legendary character, Berlioz, Hector, 1803-1869. Troyens à Carthage. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Mother andChild. Artist: Jerome Myers, American, 1867-1940

Seated man with hat, seen from behind. Draughtsman: Jac van Looij. Dating: 1865 - 1930. Measurements: h 127 mm × w 77 mm. Museum: Rijksmuseum, Amsterdam.

The Wine Farm North Italian Set: No. 24, Sir David Young Cameron, 1865-1945, British, 1896, Etching on wove paper, Plate: 8 1/16 x 9 15/16in. (20.5 x 25.2cm) and Sheet: 9 1/2 x 11 1/4in. (24.1 x 28.6cm)

La Pucelle, from King Henry VI, Part I, act 3, scene2. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

In the cotton dyeing, Anthon Gerhard Alexander van Rappard, 1868 - 1892 drawing Appreating cotton. paper. cotton (material ~ textile industry). dyeing of cloth

Beggar Man and Woman Behind A Bank, Rembrandt van Rijn, c. 1630 print paper etching / drypoint Begin

Fighting the dragon; Rembowski, Jan (1879-1923); 1909 (1909-00-00-1909-00-00);Tatra Museum Dr. Tytus Chałubiński (Zakopane - Museum - 1889-) - collection, young Poland (style), gift (provenance), Polish graphics, Poland (culture), symbolic scenes, dragons (fantast.), Symbolism (style), daggers, fight

Lydia and Her Mother at Tea, c. 1880. Mary Cassatt (American, 1844-1926). Aquatint and etching, unique impression between fourth and fifth states; sheet: 27.5 x 36 cm (10 13/16 x 14 3/16 in.); platemark: 18 x 28 cm (7 1/16 x 11 in.).

The Cup of Tea. Dated: 1883. Dimensions: plate: 17.8 x 25.1 cm (7 x 9 7/8 in.) sheet: 25.4 x 32.8 cm (10 x 12 15/16 in.). Medium: etching with aquatint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.

Augustus Saint Gaudens II (Saint Gaudens and his model). Anders Zorn; Swedish, 1860-1920. Date: 1897. Dimensions: 137 x 198 mm (image/plate); 300 x 400 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA. Author: Anders Zorn.

Nanny's Boy. Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, 1799. Prints; etchings. Etching, aquatint, drypoint, and burin

Etching with drypoint by Rembrandt van Rijn from 1658 depicting Christ speaking to the Samaritan, showing figures, gestures, and composition.

Le Corbeau, from "L'Artiste" February 6, 1859 Félix Bracquemond French This ominous image of ravens and gallows was published in the periodical "LArtiste" on February 6, 1859. The first state of this print, without the text, had appeared in 1854, when Bracquemond began producing prints of birds filled with enigmatic symbolism, and often, social critique. In this etching, the raven, confrontationally engaging the viewer, symbolizes the black-robed lawyer. The shadow cast by the bird on the side of the gallows appears to be spewing Bracquemonds poem, which in English reads: "Deaths cry, black plumage / I am the ravenous raven / Do you want to see what Im like? / Ask a cop, or a crook." Bracquemond further amplified this menacing tone visually, through the stark contrasts between the heavy blacks and the minimal patches of white reserve, and through the dangling noose and cluster of squabbling birds.. Le Corbeau, from "L'Artiste" 384656

Sleeping child, Salomon Koninck (attributed to), 1630 - 1656 print Head of a sleeping child on a pillow. Netherlands paper etching child (+ lying)

The Silk Gown (La Robe de Soie). Dated: 1887. Dimensions: plate: 36.9 x 23.6 cm (14 1/2 x 9 5/16 in.) sheet: 44.2 x 30.6 cm (17 3/8 x 12 1/16 in.). Medium: etching and aquatint with roulette work in brown on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.

Poor Man (Pauvre homme). Medium: drypoint and (etching). Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Lying woman, Willem de Zwart, c. 1886 print paper etching / drypoint adult woman (+ lying)

Burden , Containers, Lifting & carrying. Charles H. Woodbury (1864-1940). Prints

Pensive Boy Watching a Sleeping Woman by Candlelight, from the Suite Vollard. Pablo Picasso (Spanish, 1881-1973); printed by Roger Lacourière (French, 1892-1966); published by Ambroise Vollard (French, 1867-1939). Date: 1934. Dimensions: 238 x 297 mm (image/plate); 338 x 446 mm (sheet). Etching, aquatint and engraving with scraping and burnishing on copper in black on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

A monk with a candle examining a sleeping woman, 18th century. The woman wears bodice and petticoats with her breasts and sex exposed on the bed. Copperplate engraving heliogravure by Francois Rolland Elluinafter Antoine Borel from Jean-Charles Gervaise de Latouches Memoiren des Saturnin, von ihm selbst Niedergeschreiben, Privatdruck, Liepzig, 1911. Also known as Le Portier des Chartreux, it was one of several erotic novels written by Latouche, 1715-1782, a lawyer at the Paris Parliament.

Reading woman, Pierre Prud'Hon, 1768 - 1823 drawing A reading woman lying on a couch in an interior. paper. chalk brush reading

Illustration with standing man by Francisco de Goya, pencil on paper, between 1824 and 1828, 1746-1828, Russia, St. Petersburg, State Hermitage, 19, 3x13, 5

Student. Kowalski, Leon (1870-1937), graphic artist

Sheet of Sketches 1826 France. Lithograph in black on white wove paper . Eugène Delacroix

The Little Student. Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: Julian Alden Weir.

Albert Besnard, Leda Bathing (Léda au bain), French, 1849 - 1934, 1913, etching in black on laid paper

LE REVENANT.. Artist: Paul Gavarni, French, 1804-1866

Femme de Chagrin. Théophile Alexandre Steinlen (Switzerland, Lausanne, active France, 1859-1923). France, 1894. Prints; lithographs. Lithograph

Demon, Dominique V., work, Interior: two women and a sleeping child, (1000 - 2000), line etching, graphics, sheet width 42.5 cm, plate height 32.7 cm, leaf width 42.5 cm, leaf height 32.7 cm

Ernst Barlach, The Fugitives, 1916 1917 The Fugitives

Albert Besnard, The Rape (Le Viol), c 1886 The Rape (Le Viol)

No quiren sic (They Don’t Like It), pl. 9 from the series Los desastres de la guerra (The Disasters of War). Artist: Francisco Goya, Spanish, 1746-1828

Old begging with gourd, Rembrandt van Rijn, 1807 - 1808 The print is part of an album. Paris paper etching The print is part of an album. Paris paper etching

Suffer!, plate fourteen from A Life. Max Klinger (German, 1857-1920); printed by Otto Felsing (German, 19th century). Date: 1883-1884. Dimensions: 272 x 164 mm (image); 295 x 205 mm (plate); 285 x 200 mm (primary support); 628 x 458 mm (secondary support). Etching, aquatint and drypoint in black ink on grayish ivory wove paper, laid down on cream laid plate paper (chine collé). Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Interior: On the Sofa. Dated: c. 1883. Dimensions: plate: 14 x 21.4 cm (5 1/2 x 8 7/16 in.) sheet: 17.2 x 27 cm (6 3/4 x 10 5/8 in.). Medium: softground etching in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Mary Cassatt.

Sitting woman looks up diagonally, Auguste Danse, After Charles de Groux, 1864 print paper. etching / drypoint adult woman

Omnibus. Artist: Anders Zorn, Swedish, 1860-1920

Augustus Saint Gaudens II (Saint Gaudens and his model) , Sculptors, Artists' models, Saint-Gaudens, Augustus, 1848-1907

Reading man with glasses on ..

Netherlands, Wijs, Kornelis Jzn de, Woman opens door, verso - stamped, print, prints, height 105 mm, width 67 mm, Dutch, 1832-02-27 - 1896-02-04, print maker, printmaker, 1842 - 1896, paper, papier, chine collé, etching

Netherlands, Oldewelt, Ferdinand, At work, Spinster at work, verso - stamped, print, prints, height 230 mm, width 172 mm, Dutch, 1857-08-19 - 1935-04-22, print maker, printmaker, 1872 - 1935, paper, papier, chine collé, etching, etchings, drypoint, dry needle

An Irish Girl. Dated: 1894. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Anders Zorn.

Francisco de Goya (1746-1828), wake them not, the sowing is perhaps their only believer, 1797-1798

An old man delousing a boy accompanied by three figures, a cat in the foreground; page 40 from the 'Images of Spain Album (F) ca. 1812-20 Goya (Francisco de Goya y Lucientes) Spanish. An old man delousing a boy accompanied by three figures, a cat in the foreground; page 40 from the 'Images of Spain Album (F) 334027

GOYA Y LUCIENTES, Francisco de (1746-1828). For not having written for fools. 1803-1824. Drawing from the 'Album C'. Criticism at the Inquisition. Drawing. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Saint Andrew 15th-16th Century Hans Baldung (called Hans Baldung Grien) German. Saint Andrew 399775

Tristes presentimientos de lo que ha de acontecer (Sad Forebodings of What Is Going to Happen), pl. 1 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Reading man with glasses in a study relief, Jan Gillisz. van Vliet, 1634 print In an interior there is a reading old man with glasses with the light of a candle, hidden behind a globe. Also a bookcase in the interior and a wall card on the back wall. Leiden paper etching / engraving sight, looking (one of the five senses). study; 'studiolo'; library. eyeglasses, spectacles. book. book - MM - book open. globe. old man

Caltnadel etching by Emil Orlik from 1898 depicting a toy, emphasizing craftsmanship and material detail.

Hush. Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, 1799. Prints; etchings. Etching, aquatint and burin

Alphonse Legros, Old man, Old Tree (Vieil homme, vieil arbre) Old man, Old Tree (Vieil homme, vieil arbre)

La Robe Rouge. Dated: 1894. Dimensions: image: 18.8 × 15.5 cm (7 3/8 × 6 1/8 in.) sheet: 24.5 × 18.4 cm (9 5/8 × 7 1/4 in.). Medium: lithograph in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Jacob's Ladder, Salomon Italia, After Rembrandt van Rijn, in or after 1655 - c. 1665 print paper engraving the dream of Jacob: while sleeping on the ground with a stone for pillow Jacob sees a ladder reaching from earth to heaven with angels going up and down; usually with God at the top of the ladder

Cadieux - Petit Casino , Singers. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Edgar Degas (1834-1917), Washing Teams (Lights), About 1880

Still Life with Candle. Date/Period: Ca. 1867 - 1870. Drawing. Charcoal heightened with white gouache. Height: 305 mm (12 in); Width: 230 mm (9.05 in). Author: Albert Lebourg.

No se puede mirar. (One Cant Look.), pl. 26 from the series Los desastres de la guerra (The Disasters of War). Artist: Francisco Goya, Spanish, 1746-1828

Happiness (from the series A Love) 1887-1903 Max Klinger German. Happiness (from the series A Love). Max Klinger (German, Leipzig 1857-1920 Großjena). 1887-1903. Etching, engraving, and aquatint; third edition; state seven of seven. Wilhelm Felsing. Prints

Christ and the woman of Samaria: an arched print, Rembrandt van Rijn, 1657 - 1658 print Japanese paper (handmade paper) etching / drypoint the woman of Samaria (John 4:4-42)

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