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Figurative Etchings and Graphics

A collection of etchings showcasing various subjects, including intimate indoor scenes, symbolic imagery, and abstract compositions by notable artists.

La Mise Au Sépulcre; Jasi Ski, Feliks Stanis AW (1862-1901), Mantegna, Andrea (Ca 1431-1506), Porcabeuf, Alfred (1867-Ca 1946); 1928 (print); 1900 (p Yta) (1900-00-00-1928-00-00);Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, folding to the grave (iconogr.), Polish graphics, Poland (culture), purchase (provenance)
La Mise Au Sépulcre; Jasi Ski, Feliks Stanis AW (1862-1901), Mantegna, Andrea (Ca 1431-1506), Porcabeuf, Alfred (1867-Ca 1946); 1928 (print); 1900 (p Yta) (1900-00-00-1928-00-00);Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, folding to the grave (iconogr.), Polish graphics, Poland (culture), purchase (provenance)
258 assets in this story
Outkin, Nicolai Ivanovitch (N.1780-05-19-D.1868-03-17), Rosenzweig after Pauline Balabine (main title), 1835. Churin on applied China. Petit Palais, Museum of Fine Arts of the City of Paris.Painted Bronze, from 1st Etchings, 2nd State. Jasper Johns (American, born 1930); printed by Donn Stewart (American, 1921-1986); published by Universal Limited Art Editions (American, founded 1955). Date: 1967-1969. Dimensions: 89 x 87 mm (plate); 665 x 503 mm (sheet). Etching over photoengraving in black on handmade ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.Plaster model for decoration of the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. ParisStudy for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book. Thomas Stothard; English, 1755-1834. Date: 1790-1800. Dimensions: 25 × 50 mm. Ink wash on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.Visit to Madame Germaine's in Méricourt, from War. Otto Dix (German, 1891-1969); published by Verlag Karl Nierendorf/Galerie Nierendorf (German). Date: 1924. Dimensions: 263 x 197 mm (plate); 475 x 353 mm (sheet). Drypoint and aquatint on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, USA.Letter to Ninon, Théophile Alexandre Steinlen, 1897 print A woman with a hat box on her arm, left in the foreground, walks on the street at night and, while walking, reads a letter. In the background, on the corner of the street, a lamppost and a omnibus, pulled by two horses. Under the show, in the left corner of the leaf, in blue, the drawing of a running man and woman. Japanese paper (handmade paper). chalk female sex; woman. fashion, clothing. letter, envelope. head-gearLiechtenstein, Karl Prince of and too.La ferme des Bordes , Farms, Farmers, Alphonse Legros (1837-1911)The Charger Made 1894 France. Lithograph in black on cream wove paper . Odilon RedonPutti with fire, birds and the harvest, Louis le nain, 1861 - 1911 print The putti depict several months from the year and the accompanying activities, including harvesting grain and wine. paper etching seasons of the year represented by scenes showing human activities, usually in a landscape. cupids: 'amores', 'amoretti', 'putti'Le premier vendeur de Jourdan et Brown , Stores & shops. Henri de Toulouse-Lautrec (1864-1901). Prints and DrawingsKleine Prelaat, Odilon Redon, 1922 print The prelate, a little man with a hat on. Put his hand in his jacket. print maker: Franceprinter: Paris paper drypoint prelates, e.g. archdeacon, canon (Roman Catholic)Juliette Dodu Made 1904 France. Lithograph in sanguine on gray-green China paper laid down on ivory wove paper . Odilon Redon"Etching executed by Joseph Fischer after 1822 depicting Nicolas Paui. The print emphasizes the subject's figure, posture, and artistic representation."Henri Rousseau: Krajina.. Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , CzechoslovakiaBeethoven, Ludwig from.Description: Cyprus Antiquities Location: Cyprus Date: 1876-1942 mediterranean, mediterraneanthroughalensThe Cow Pasture 1871 France. Transfer lithograph printed in brown on light gray China paper laid down on white wove paper . Jean Baptiste Camille CorotDay, plate 6 from Dreams Made 1891 France. Lithograph in black on ivory China paper laid down on white wove paper . Odilon RedonDeraisme, Pierre -Georges (n.1859 - D.1932), Putti and Aries brooch (main title), 1900. Graphite, ink and gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.Edelfelt, Albert, work, Sketch book, drawing, 12.5 cm x 20.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in FinlandBeneath the Wing of Shadow the Black Creature was Biting Energetically, plate 4 of 6 Made 1891 France. Lithograph in black on ivory China paper laid down on ivory wove paper . Odilon RedonOdalisque sleeping , Sleeping, LeisureSievers Carl (1834-1891), New Museum on the Museum Island in Berlin. Wall and ceiling paintings (without dat.): Ceiling painting circular and pendant. Pencil watercolored on paper, 39.6 x 25.8 cm (including scan edges) Sievers Carl (1834-1891): Neues Museum auf der Museumsinsel, Berlin. Wand- und DeckenmalereienPortretten van Crébillon, Béranger, Gouffé, Clairville, Désaugiers, Laujon en Bernard, Louis Le Nain, 1861 - 1911 print Two crossed springs under the portraits. paper etching historical persons. writer, poet, author. adult manCave with figures, Moses de Vries, 1817 - 1883 print A group of figures with torches, wheelbarrows and a horse in a cave. Amsterdam paper cave, grottoDrapery Study for Soldier (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 19th century Isidore Pils French. Drapery Study for Soldier (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 339610A Glove Action Made 1881 Germany. Etching and aquatint on ivory chine collÈ on off-white wove paper . Max KlingerPhoto production of a painting of a portrait of Thomas Killigrew and Thomas Carew by Anthony Van Dyck, Leonida Caldesi, After Anthony Van Dyck, c. 1853 - in or before c. 1858 photograph photographic support albumen print historical personsThe Vulture, from Histoire naturelle. Pablo Picasso (Spanish, 1881-1973); written by Georges-Louis Leclerc, comte de Buffon (French, 1707-1788); published by Martin Fabiani (French). Date: 1936. Dimensions: 315 x 205 mm (image); 372 x 283 mm (sheet). Aquatint and sugar lift etching with drypoint on copper in black on off-white laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.De Waard, Richard Nicolaüs Roland Holst, 1931 print A man with a headgear. paper inn, coffee-house, public house, etc. (+ innkeeper, host). head (human) North BrabantSketch. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1898. Dimensions: 157 × 121 mm (image/plate); 378 × 230 mm (sheet). Drypoint from a zinc plate on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, USA.Grave of molière in wreath of olive branches; Le Tombeau de Molière (au pee-lachaise); Eaux-Fortes sur Paris. Tomb of Molière on four columns seen from aside. On top of it is a urn from which flames take off. A setting sun is shown as a sign of the discontinued life behind the grave. Two olive branches form a wreath around the grave. Below the monument a reference to the city of Paris is recognizable in the form of a galleon with oars.Hélène of Septeuil Made 1890 United States. Etching in dark brown ink on ivory wove paper . Mary CassattSwift-Sailing Proa, Mulgrave Archipelago, Oceania 1866 France. Etching with drypoint in warm black with monogram printed la poupÈe in red on ivory laid paper . Charles MeryonCover/Frontispiece for Les Fleurs du Mal, plate 1 of 9. Odilon Redon; French, 1840-1916. Date: 1890. Dimensions: 44 × 40 mm (image, back cover); 256 × 164 (plate, front cover); 463 × 327 mm (sheet). Bi-fold portfolio cover printed in black by photogravure from an original drawing, on blue-gray wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.The wingless Chimera , Gargoyles, Roofs, Cities & towns, Streets, Cathédrale d'Amiens. Sir David Young Cameron (1865-1945). PrintsPortrait of Toulouse-Lautrec, from the first album of L'Estampe originale 1893 France. Aquatint and etching in brown on ivory wove paper . Charles MaurinOdalisque sleeping , Sleeping, LeisureRebus Béranger was not Really Strong, for he Never had the Key of the Fields 1863 France. Etching on ivory laid paper . Charles MeryonEdward Alfred Goodall, 1819-1908, British, St. Anne's Hill, No. I, 1834. Line engraving, engraver's proof.Photo production from a print to a painting, representing an officer writes a letter and a trumpeter, anonymous, after Gerard ter Borch (II), c. 1859 - in or before 1869 photomechanical print paper officer. handwriting, writing as activity. interior ~ representation of a buildingAn etching and aquatint by Rudolf Jettmar titled 'Night and Dreams' on gray paper, created in 1904, showing nocturnal imagery.Deraisme, Pierre -Georges (n.1859 - D.1932), floral box (main title), 1913. Graphite, watercolor on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.Interior with Sculptures. Edvard Munch; Norwegian, 1863-1944. Date: 1902. Dimensions: 125 x 180 mm (image); 136 x 190 mm (plate); 265 x 328 mm (sheet). Etching and aquatint on cream wove paper. Origin: Norway. Museum: The Chicago Art Institute, Chicago, USA.Rand of arms of a map of the Alblasserwaard and the Vijfheerenlanden (Deel), Anonymous, 1716 print Coat of arms of Balthasar Repelaar, Kwartierschout van het Knifier van Peelland in the Meierij of 's-Hertogenbosch and Water Council of the Water Board of the Alblasserwaard and the Vijfheerenlanden. Part of the edge of the weapons of the second edition of 'Den Alblasser Waard and Vyf Heeren Landen, together Groot 33110. Mergen / Nieuwe Caerte showing the whole Alblasserwaert'. paper engraving armorial bearing, heraldry Alblasserwaard. VijfheerenlandenGnome, plate six from In Dreams Made 1879 France. Lithograph on mounted ivory China paper . Odilon RedonBoat-ockest renée print Proefprint of stone in color gray-green for lithography with hat maker Renée Vert which was used as a support color in addition to the key stone with the presentation in lines. In addition to the interpretation of surfaces, experimentation was also made with splashing. paper hatterAn etching and aquatint from 1882 by Max Klinger titled 'Pyramus and Thisbe IV' (Work 2, Blatt 5), printed on rolled French China paper, depicting mythological figures and story composition.Deraisme, Pierre -Georges (n.1859 - D.1932), Chérubin brooch (main title), 1900. Graphite, ink and gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.Sprengel, Kurt.La rue des Mauvais Garçons 1854 France. Etching in warm black with roulette (plate is scraped and burnished) on cream laid paper . Charles MeryonSiège du colosse monolithe d'Aménophis III, à Thèbes (Détails des sculptures) 1849-50 Maxime Du Camp French Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy foTrooster, Richard Bong, after Rddn, 1800 - 1899 print A man with an umbrella and a woman are sitting in a departure with a fireplace, nice crockery on the fireplace and a hanging clock on the wall. The woman cries with her face in a cloth. The man comfortably puts a hand on her knee. Netherlands paper open fire, fire-place, stove (in kitchen). umbrella. clock. weepingProvoost, anonymous, after Hendrick Goltzius, after Jacques de Gheyn (II), 1587 - 1596 print A man with a staff in the right hand (a provost), back, a sword on his belt. A soldier is fascinated in the background. In the lower margin a two -line Latin text. Reconstructed from three fragments. Northern Netherlands paper engraving military police, provostMolière's Tomb, Père-Lachaise Cemetery, Paris 1854 France. Etching in warm black on ivory laid paper . Charles MeryonLe voyageur à l'abri , Travelers, Alphonse Legros (1837-1911)The Monk In The Cornfield, Anonymous, Rembrandt van Rijn, After 1646 print paper etching / engraving man and woman cohabiting. monk(s), friar(s)Limbo, plate four from In Dreams. Odilon Redon; French, 1840-1916. Date: 1879. Dimensions: 307 × 223 mm. Lithograph on mounted ivory China paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.Captive Pegasus. Odilon Redon; French, 1840-1916. Date: 1889. Dimensions: 339 × 296 mm (image). Transfer lithograph on mounted ivory China paper. Origin: France. Museum: The Chicago Art Institute, USA.Gilded Moor. Jean Dubuffet; French, 1901-1985. Date: 1953. Dimensions: 215 × 235 mm (image); 285 × 385 mm (sheet). Lithograph in orange, brown and black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.Silhouette van Hendrik van Maarseveen, Reinier Vinkeles (I), 1793 print Silhouette of the artist Hendrik van Maarseveen. In addition to the portrait, a extinguished torch. Bazuinen at the top and a caduceus, the attribute of Mercury. At the bottom a horn of the overlood and paintings, drawings and a Prentalbum. Amsterdam paper etching palette. caduceus (staff with two snakes, attribute of Mercury). 'Cornucopia', Horn of Plenty. frame of painting, etc.. drawing, sketchDancer in SPAGAAT, Louis Legrand, 1892 print print maker: Francepublisher: Paris paper etching / drypoint female dancerAnd in the Very Disk of the Sun Lights the Face of Jesus Christ, plate 10 from The Temptation of Saint Anthony (1st series). Odilon Redon; French, 1840-1916. Date: 1888. Dimensions: 285 × 230 mm (chine); 443 × 316 mm (sheet). Lithograph in black on ivory China paper, laid down on ivory wove paper (chine collé). Origin: France. Museum: The Chicago Art Institute, USA.Des Esseintes, Odilon Redon, 1888 print Des Esseintes, the main character from the book "A Rebours", sitting in a chair. print maker: Franceprinter: ParisParis . male literary characters (DES ESSEINTES)Reading the Newspaper, No 2 Made 1883 United States. Soft ground etching and aquatint on cream laid paper . Mary CassattMrs Granberg Made 1903 Sweden. Etching on ivory laid paper . Anders ZornCopper engraving print by Karl Rahl between 1794-1843 depicting Maria, showing her figure, clothing, and devotional context in detailed composition.Two comic figures of terracotta, Stephen Thompson, c. 1869 - in or before 1874 photograph photographic support albumen print piece of sculpture, reproduction of a piece of sculpture. comedyComposition with five heads of men of different ages, André Blay (Possible), Jean Jacques de Boissieu (Rejected Attribution), 1750 - 1799 print France paper. etching / drypoint head (human)Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (N.1855-08-02-D.1922-01-18), Aphrodite (Venus) (main title), 1915. Gypsography, brown and pink draw. Petit Palais, Museum of Fine Arts of the City of Paris.Maria Christina grave monument, Aartshertogin of Austria: woman with torch and flowersGuirlande. Maria Christina grave monument, Archshertogin of Austria. A woman with loose hanging hair wears a burning torch and a flower garland.Putti on clouds with flowers and arrows, François de Meersman, 1882 print paper etching cupids: 'amores', 'amoretti', 'putti'. attributes of Cupid: arrow(s)Etching and aquatint by Max Klinger from 1884, sheet 4 of the 'A Life' cycle, depicting human figures in allegorical representation of seduction.The May Apple Leaf. Eva L. Watson-Schutze (American, 1867 - 1935)Finale du Vaisseau-Fantôme (2e planche) , Fictitious characters, Wagner, Richard, 1813-1883. Fliegende Holländer. Henri Fantin-Latour (1836-1904). Lithographs and Other PrintsCentaur Taking Aim at the Clouds. Odilon Redon; French, 1840-1916. Date: 1895. Dimensions: 208 × 236 mm (image); 428 × 300 mm (irregular sheet). Lithograph in black on light gray wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.Plate 9, from The Pocket Size Tlingit Coffin. Gérard Titus-Carmel; French, b. 1942. Date: 1976. Dimensions: 267 x 210 mm (image); 505 x 380 mm (sheet). Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!". Date/Period: 1826. Print. Etching and line engraving on cream-colored paper (Etching and line engraving on moderately thick, slightly textured, cream wove paper). Height: 349 mm (13.74 in); Width: 238 mm (9.37 in). Author: William Blake.Lazio Roma Rome SS. Giovanni e Paolo, Museum71. Hutzel, Max 1960-1990 Medieval: Ceramic fragments, sculptural fragments, fresco fragments, inscribed tomb markers. Houses one of the best collections of Malagan medieval ceramics for casting wall monuments, copies of which are housed in campanile. Specific Location: Museum Antiquities: Ceramic fragments, sculptural fragments, architectural fragments Object Notes: Basilica has separate record and is filed separately. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Title page for: A.C. Slicher, 'De Vriendschap in Vyf Zangen', 1787, Reinier Vinkeles (I), 1787 print Amsterdam paper etching fruits: pomegranateRelief depicting a man and a goat, drawing by Eugene Flandin from Monuments of Nineveh by Paul-Emile Botta, 1849. Assyrian civilisation.Flower still life with poppies and anemones, Louise Elsen, 1880 print Among other things, two large poppies left and three anemones in the middle. paper etching still life of plants, flowers and fruit. flowers: anemone. flowers: roseThen a strange being appeared with a head of a man and a body of a fish; Ensuite, parait un être singular, ayant une tête d'homme sur un corps de poisson; Tentation de Saint-Antoine (1); Temptation of Saint Antonius. A being with the head of a man, the body of a fish and a hairy back. Fifth print of ten from the first series of illustrations for Gustave Flauberts The temptation of Saint Antonius.Hegrad, Friedrich.Young man with a lute, William Unger, after Frans Hals, 1847 - 1932 print print maker: Germanypublisher: Amsterdam paper. etching lute, and special forms of lute, e.g.: theorbo. youth, adolescent. head-gear: hatSailors. Richard Artschwager; American, 1923-2013. Date: 1971-1972. Dimensions: 377 x 334 mm (image); 629 x 451 mm (sheet). Screenprint in gray, with heavy overprint varnish, on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.Lantaarn, Henri Charles Guérard, 1876 print paper etching lanternKalebassen, Kees Stoop, 1944 - c. 1990 print Gourds against partially dark background. paper etching fruits: gourdDécor d'assiette : un coq de profil, tourné à droite.. 1866 - 1878. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Decorative arts , France, Porcelain, French, Porcelain, European , Japanese influences, RoostersPaul Gauguin's 1889 Zinkography on yellow paper, titled 'Joys of Brittany', depicts rural life and leisure scenes in Brittany, focusing on human activity and environment.Seated Old Woman Made 1899 Germany. Etching, aquatint, and soft ground in dark brown on cream wove paper . Paula Modersohn-BeckerThe corridor , after the , iron hammer, Ballad, Issue, Plate , Caricature on Carl Vogt, Adam Ernst Schalck -, lithographic, Reinhold Baist, publisherLe Gray, Gustave. Murale paintings by Henri Lehmann, from the Hall of the Town Hall, 4th arrondissement, Paris. "Child loaded with flowers and fruit". Salted paper. in 1853-1853. Paris, Carnavalet museum. 156934-19Blanche Square from the entrance to Moulin Rouge; remarka: carried out the skull on a plate, wine bottle and glass; Willette, Adolphe Léon (1857-1926), Société d'EDition et de publications (Paris 1908 (1908-00-00-1908-00-00);Blanche (Paris - Square), Moulin Rouge (Paris), Paris (France), Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, skulls, cabarets, remark, roses (bot.), Wiatraki, rose wreath ( attribute), wineJuan Gris: Kniha. (Fot. Kahnweiler, Paříž.). Gris, Juan, 1887-1927. Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , CzechoslovakiaDromio, Adriana and Luciana (Shakespeare, Comedy of Errors, Act 4, Scene 2) 1827 Charles Pye. Dromio, Adriana and Luciana (Shakespeare, Comedy of Errors, Act 4, Scene 2). After Henry Perronet Briggs (British, London 1791-1844 London). 1827. Engraving and etching on chine collé. Hurst, Robinson & Co. (London). Charles Pye (British, Birmingham 1777-1870). PrintsHe Recoiled Unmarked, plate ten from Uruguayan Torture Series. Luis Camnitzer; American, born Germany, 1937. Date: 1983. Dimensions: 238 x 295 mm (image); 246 x 300 mm (plate); 750 x 555 mm (sheet). Color photo-etching from five plates on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.Roberta Spicer, Flip, c 1940 FlipMidnight Alarm. Grant Wood (American, 1892-1942); published by Associated American Artists. Date: 1939. Dimensions: 303 x 177 mm (image); 405 x 300 mm (sheet). Lithograph on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.