Equestrian Sports Scenes

Dynamic illustrations of horse riding and racing, showcasing action and excitement. The colors are vibrant, reflecting the thrill of equestrian pursuits.

Russia. Droschki, small Russian carriage. Engraving by Lemaitre, Vernier and Chaillot. History of Russia by Jean Marie Chopin (1796-1870). Panorama Universal, Spanish edition, 1839.

Assets in this Story

Racing set of six: 3.Mounting, Thomas Rowlandson, 1756-1827, British, after Thomas Rowlandson, 1756-1827, British, 1799, Hand colored etching, Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)

The Liverpool Grand National Steeplechase, by Edward Hester, John Sturgess. Gift of Mr and Mrs G.G Gibbes Watson, 1961.

Henry Thomas Alken, 1785-1851, British, Foxhunting: The Death, ca. 1830. Graphite and watercolor on medium, moderately textured, cream, wove paper.

Scene from `Don Quixote`: Don Quixote meet Dulcinea. Andrieux, Clément-Auguste (1829-1881), draughtsman, cartoonist

Russia. Droschki, small Russian carriage. Engraving by Lemaitre, Vernier and Chaillot. History of Russia by Jean Marie Chopin (1796-1870). Panorama Universal, Spanish edition, 1839.

Death of the great, immortal enjoymentist and benefactor of , humanity on March , Caricature on the escape of Mayor Ignaz Czapka, Unknown

Depiction of riders and dogs before a park fountain, executed with brush in gray wash and white heightening.

Robots in the field in Miechowskie - Autumn (under the sketch of K. Tesson); z: "K Osy" 1869, No. 218 (2 September), p. 125 (title page); Kossak, Juliusz (1824-1899), Holewi Ski, Józef (1848-1917), K Osy (Warsaw; magazine; 1865-1890); 1869 (1850-00-00-1875-00-00);

Thomas Rowlandson, 1756-1827, British, Racing set of six: 1. Racing, 1799. Hand colored etching.

Print made by Frederick Rosenberg, active 1816-1832, The Mail Coach in a Flood, 1827. Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper.

Harddraverij in The Hague, Willem de Famars Testas, 1851 drawing paper. ink. pencil brush / pen horse-racing The Hague

Chinese travelers, 1727 - 1775 print Landscape with three Chinese travelers. Two go on foot, one travels on horseback. Print is part of an album. paper etching Chinese. 'en route', traveller under way. riding a horse, ass, or mule; rider, horseman. landscapes in the temperate zone

Entry of Maria de Médicis in Amsterdam (plate 5), 1638, 1638 - 1639 print Entry of the French Queen Maria de Médicis in Amsterdam, August 31, 1638. Fifth album in an unassaged ensemble consisting of a title page, a portrait and seven magazines of the procession. Part of the procession with riders and on the right the outrider of the first span horses. Northern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Amsterdam

The Canterbury-Dover Coach Passing Vanbrugh Castle, Thomas Rowlandson, 1756-1827, British, between 1795 and 1800, Watercolor, in pen with brown ink and gray ink, over graphite on medium, slightly textured, blued white, wove paper, Sheet: 11 1/2 x 17 15/16 inches (29.2 x 45.6 cm), boats, buildings, carriages, castle, dog (animal), fence, genre subject, grass, hills, horses (animals), landscape, men, shore (landform), stage coaches, trees, water, wheels, windows, women, England, Europe, Greenwich, London, Thames, United Kingdom, Vanbrugh castle

Hunting set of four: 1.Going to Cover (titles are also inscribed in French), Thomas Burford, ca. 1710-after 1774, British, after James Seymour, 1702-1752, British, 1766, Hand colored mezzotint, Sheet: 10 x 13 7/8in. (25.4 x 35.2cm)

T. J. Rawlins, active 1837-1840, Jorrock's Sporting Lecture. Plate 1. Warranted just the thing, no date. Hand colored lithograph.

Various Figure Studies, Jan Weissenbruch, After Fortuné Férogio, 1832 - 1880 drawing paper. pencil brush

Polowanie na antylopy w okolicach Bharatpur. Kretzschmer, Hermann (1811-1890), draughtsman, cartoonist, Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Print made by Henry William Bunbury, 1750-1811, British, Love and Wind, undated. Hand-colored etching on thick beige card.

'Sporting Notions': 'It's My Notion That This is the Only Way to Get Her Along', Henry Thomas Alken, 1785-1851, British, between 1831 and 1832, Graphite and red chalk on thin, smooth, blued white, wove paper, Sheet: 6 3/8 × 8 1/8 inches (16.2 × 20.6 cm), driver, driving, fields, horse (animal), horseback riders, horseback riding, men, pulling, road, shovel, sporting art, wagon, wheels, whip

Possibly Henry Thomas Alken, 1785-1851, British, The Death, undated. Graphite and watercolor on medium, slightly textured, blued white, wove paper.

Bliżej Kultury Michałowski, Piotr (1800 1855)

The Check, Samuel Howitt, 1756-1822, British, undated, Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, beige, laid paper, Mount: 9 1/4 × 11 13/16 inches (23.5 × 30 cm) and Sheet: 7 1/16 × 9 7/16 inches (17.9 × 24 cm), dogs (animals), horseback riders, horseback riding, horses (animals), hounds (dogs), hunt, hunters, hunting, landscape, men, sporting art

The Chase. Julius von Blaas (1845-1923). Oil on canvas. Dated 1870. 94.5 x 157.5cm.

Mounted Warrior with a Baton Giving Orders to His Troops. Artist: Belisario Corenzio (Italian (born Greece), Achaea 1558-1646 Esperia, Lazio). Dimensions: 10-9/16 x 15-7/16 in. (26.9 x 39.2 cm). Date: 1590-1646.The present drawing and a second one in the Museum's collection (acc. no. 68.203) were part of a group of eleven sold with an attribution to Belisario Corenzio in London in 1936. At that time, the whole series was purchased by Sir Robert Witt (1872-1952) who, after later dispersals of his collection, retained only three drawings, now in the Witt Collection at the Courtauld Institute Galleries, London (nos. 2789A, 2789B, 2789C.)After the Witt sale, of the remaining eight, two drawings found their way to the Metropolitan Museum of Art (nos. 68.203 and 66.127), one is in the National Gallery of Art, Washington, D.C. (inv. 2010.93.17, formerly in the collection of Joseph McCrindle, New York; and The Sir Anthony Blunt Collection, exhibition catalogue, Courtauld Institute Galleries,

Tillage in Ukraine. Drukarnia "Czasu" (Kraków ; drukarnia ; 1849-1934), printing house, Wyczółkowski, Leon (1852-1936), graphic artist

Samuel Howitt, 1756-1822, British, Hunting, Shooting, etc. set of six: 1. "Grow ye Britons then", 1794. Aquatint, hand-coloreds with aquatinted border.

Plate III, from the series Colección de las principales suertes de una corrida de toros (Collection of the Main Actions in aBullfight). Artist: Antonio Carnicero, Spanish, 1748-1814

Malino Honey (According to Juliusz Kossak's Watercolor) Kossak, Juliusz (1824 1899)

Thomas Rowlandson (British, 1756 1827 ), The High-mettled Racer, 1789, hand colored etching

Henry Thomas Alken, 1785-1851, British, "Doing the Thing: and the Thing Done:" Doing it Somehow, 1818. Watercolor, pen and black ink, brown ink and graphite on medium, moderately textured, blued white, wove paper.

Thomas Rowlandson, 1756-1827, British, The Vicar of Wakefield: The Vicar's Family on the Road to Church, ca. 1817. Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, blued white wove paper.

Hunting Scenes: Full Cry. Henry Thomas Alken (1785-1851). Pencil and watercolour on paper, 23.5 x 34.3cm.

The First Ten Minutes, plate two from The Leicestershire Hunt. John Dean Paul (English, 1775-1852); published by Thomas McLean (English, 1788-1875). Date: 1825. Dimensions: 225 × 561 mm (image); 329 × 633 mm (plate); 425 × 729 mm (sheet). Hand-colored aquatint on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Embassy of Hyderbeck to Calcutta, Richard Earlom, 1743-1822, British, after Johan Joseph Zoffany RA, 1733-1810, German, active in Britain (from 1760), 1800, Stipple engraving and mezzotint on medium, slightly textured, cream laid paper, Sheet: 19 7/8 x 26 1/4 inches (50.5 x 66.7 cm), Plate: 19 7/8 x 26 1/4 inches (50.5 x 66.7 cm), and Image: 18 7/8 x 26 inches (47.9 x 66 cm), baskets, caravan, carrying, chair, children, embassy, flag, grain elevator, historical subject, horse (animal), howdah, ladder, landscape, men, natives, ruins, soldier, spears, travel, walking, women, Asia, India, Patna, West Bengal

Six performances of noblemen, knights and riders, Victor Adam, 1852 print Paris paper knight. riding a horse, ass, or mule; rider, horseman. nobility and patriciate; chivalry, knighthood. galloping horse

Abergavenny Steeple Chase: 'Taking the Brook' / Dearest Mae, The Nun, Pontiff, General, Physician, Thurgarton, Ploughboy, Charles Denton, active 1853, British, 1853, Lithograph, Sheet: 15 7/8 x 20 1/2in. (40.3 x 52.1cm)

Masquerade of Leiden students, 1855 (plate 11); Coated adaptives by the members of the Leidsche Student-Corps den 12th Junij 1855, for celebration of the 280ths birthday of the Leidsche Hoogeschool, presenting the introduction of Charles V within Dordrecht on the 3nd Junij 1515, upon the occasion of his honor to Count of Holland. Historical costumed procession of the students of the Hogeschool van Leiden on 12 June 1855 on the occasion of the 280th anniversary of the university. The procession represents the arrival of Emperor Charles V in Dordrecht on 3 June 1515 at his honoring to Count of Holland. Eleventh plate with the groups numbered 86-98. Part of a series of fourteen to be grasped blades.

Rural Sports or a Cricket Match Extraordinary October 10, 1811 Thomas Rowlandson Women play cricket on a field at center, while spectators watch. Two girls seated at right record the runs by cutting notches into a stick.. Rural Sports or a Cricket Match Extraordinary. Thomas Rowlandson (British, London 1757-1827 London). October 10, 1811. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

A Check Keep your distance!”. Artist: Nathaniel Currier, American, 1813-1888 After: Arthur Fitzwilliam Tait, American, 1819-1905

Loading a Stage-Coach. Genre subject. Watercolor with pen and gray and red-brown ink over graphite on medium, slightly textured, beige, wove paper. Height: 143 mm (5.62 in); Width: 227 mm (8.93 in). Author: Thomas Rowlandson.

Four Diverse Subjects: Wagoner Climbing a Hill, 1823. Théodore Géricault (French, 1791-1824). Lithograph;

Ancient Age. The Barbarians before Rome. Chromolithography. "Historia Universal", by César Cantú. Volume III, 1882.

Thomas Rowlandson, Preparing to Start, 1811 Preparing to Start

Thomas Rowlandson (British, 1756 1827 ), Going Out in the Morning, published 1786, hand colored etching and aquatint

Beef Gras, Paris, 1846. (Title Title) | Gras beef. Remembrance of Paris. 1846 (Title awarded)

Het Pontveer, Jan Frans Soolmaker, 1645 - 1690 drawing paper. ink pen / brush ferry

A Race on the Knavesmire at York. Sporting art. Watercolor with pen and brown and gray ink on thick, slightly textured, brown, wove paper. Height: 216 mm (8.50 in); Width: 356 mm (14.01 in). Author: Thomas Rowlandson.

Thomas Rowlandson, 1756-1827, British, Dr. Syntax Sketching the Lake, 1812. Watercolor with pen and red ink over graphite on medium, slightly textured, cream wove paper.

Veertiende slede. Sledevaart van het Leidse genootschap Veniam Pro Laude in 1776 (series title). Plegtige Sledevaert, Betrekkelijk de beide tweede Eeuwfeesten der Stad Leyden, en de Stichtinge van 's Lands Hooge Schoole aldaer, door het Tooneelgenootschap onder de spreuk: Veniam Pro Laude, Gehouden op den XXIV van Louwmaand 1776 (series title on object). Draughtsman: Abraham Delfos. Dating: 1776. Place: Northern Netherlands. Measurements: h 313 mm × w 515 mm. Museum: Rijksmuseum, Amsterdam.

Urbania (Marche - PU), Palazzo Ducale, Hall of Honor. Nicolaus Hogenberg, Triumphal procession of Emperor Charles V, etching. 1530

Engraving depicting the sport of Falconry during the 15th Century

Outlines of Figures, Landscapes and Cattle. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 11 1/8 × 17 1/4 in. (28.2 × 43.8 cm)Plate: 9 3/4 × 13 11/16 in. (24.7 × 34.8 cm). Publisher: Samuel William Fores (British, 1761-1838). Series/Portfolio: Outlines. Date: March 8, 1790. Museum: Metropolitan Museum of Art, New York, USA.

Rendon puts his lance in a bull; El Esforzado Rendon Picando Un Toro, the Cuya Suerte Murió and La Plaza de Madrid; La Tauromaquia; Bullfighting. A bull piercador's horse (seek) rendón. This lights his lance in the head of the animal. Bystanders watch.

Samuel Howitt, 1756-1822, British, Hunting, Shooting, etc. set of six: 4. "Into the perilous flood", 1794. Aquatint.

Cartoon on Dutch poets, Gerhard Thomas Mohrman, 1841 print Cartoon on a number of Dutch poets from the first half of the nineteenth century, by W.A. Hecker Hekkelde in his 'Hippokreen-Disjustment' of 1838. PROCESS OF NINE POTSISTER DEPTED POOSS REMORTS ON MOOULY DARIOUS DIRECTORS TO THE TOP OF THE MOUSE HELIKON. At the top of the 'Dichters-Welvaren' inn they are welcomed by Johannes Immerzeel. The poets are, from top to bottom: Jan van 's Gravenweert or Adriaan van der Hoop Jr. On a Dromedaris, Willem Hendrik Warnsinck on a donkey, Christianus Robidé van der Aa on a long -haired goat, Abraham Nicolaas van Pellecom on a roaring cow, Jacob van Oosterwijk Bruyn as a dar on a bear, Jan Brester Albertuszoo on a cow, Johannes Wap On an old horse, Jacob Wybrand IJntema on a long -haired goat and finally Alexander François Sifflé on a pig. Utrecht paper writer, poet, author. Helicon, sacred to the Muses

The Devonport Mail coach near Amesbury, going post through an avalanche of snow, 1837. Six-horse coach with six guards and concerned passengers looking out of the window. Color print after an engraving by R. Havell from an illustration by Henry Alken in Ralph Nevills Old Sporting Prints, The Connoisseur Magazine, London, 1908.

Design for illustration for the Colossus of the nineteenth century by P.J. Andriessen (Textill., Page 76); scene from the life of Napoleon, George Lodewijk de Wetstein Pfister, 1877 - 1942 drawing Design for a print. paper. ink. pencil pen / brush historical events and situations. (ANDRIESSEN, De Kolossus der Negentiende Eeuw) specific works of literature (with AUTHOR, Title). illustration ~ printed matter, book. historical persons

Houel, Jean Pierre Louis Laurent, France, Janinet, Jean François, Paysage, Travelers at a gate, verso lower right - stamped, A group of travellers on horseback and with a cart arrive at a city gate., print, engraving, prints, engravings, verso lower middle - stamped, school for graphic arts in utrecht, height 251 mm, width 376 mm, French, 1752 - 1814-11-01, print maker, printmaker, 1774 - 1774, third quarter 18th century, paper, aquatint, colour printing, 1735-06 - 1813-11-14, intermediary draughtsman

Honoré Daumier, Progrès de l'équitation, 19th century Progrès de l'équitation

Henry Thomas Alken, 1785-1851, British, "Some Do and Some Don't: It is All a Notion:" Getting a Fall, between 1848 and 1851. Graphite and watercolor on medium, slightly textured, beige, wove paper.

Left a carriage. On the right two riders. Bottom left a man with a loaded handcart. In the middle figures in seventeenth century clothing. Sheet 36 from a sketchbook with 91 pages, Coach and figures in seventeenth century clothing., draughtsman: Cornelis Springer, after: Jacob van der Ulft, (mentioned on object), Netherlands, c. 1846 - c. 1882, paper

Arrival of William III at the Oranjepolder in a rowboat, 1691, print maker: Jan Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 111 mm × w 154 mm

Hard crossing; Z: "Tygodnik Powszechny", 1883 (I) 201; Chełmoński, Józef (1849-1914), unknown, PUC, Bronisław (Warsaw; Artistic and Department of Department; Fl. Ca 1878-Ca 1885), Tygodnik Powszechny (Warsaw; magazine; 1877-1885); 1882/1883 (1882-00-00-1883-00-00);

Predatory Attack by Russian master / State Art Museum of the Dagestan Republic, Makhatchkala/ Russia/ Oil on canvas/ Russian Painting of 19th cen./ 95x133/ Genre

At the incomparable Don Quixote Prussian Anonymous. "At the incomparable Don Quixote Prussian". Coloried water, 1806.

Doctor Syntax at a Review, from The Tour of Doctor Syntax 1808-1813 England. Hand-colored etching and acquaint on ivory wove paper . Thomas Rowlandson

One of a set of four: The Liverpool Great National Steeple-Chase, John Harris, 1811-1865, British, after Francis Calcraft Turner, active 1782-1846, British, 1839, Color printed aquatint, Sheet: 19 3/8 x 25 3/4in. (49.2 x 65.4cm)

John Churchill, Duke of Marlborough (1650-1722) English soldier, at Battle of Blenheim (1704). Detail from tapestry at Blenheim Palace, Woodstock, Oxfordshire.

geography/travel Germany Munich Oktoberfest Central Agriculture Festival presentation of prizes by King Maximilian I. colour lithograph circa 1820,

Gerard de Nevers finds Euriant's ring, Flanders, 15th century. Gentlemen wearing plumed caps, doublet, hose and spurs. Taken from the Roman de Girart de Nevers, Bibliotheque Imperiale, MS 22, Fonds de Lavalliere. Girart retrouve l'anneau d'Euriant. Flandre, XVe siecle. Chromolithograph by the Thurwanger brothers from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Haarlem, Wüppermann, WEA, Emrik & Binger, Procession held in Haarlem, 1 April 1872., Procession in Haarlem, 1872 (plate 4), Festive procession held in Haarlem during the April festivities on 1 April 1872 on the occasion of the 300th anniversary of the independence of the Netherlands. Fourth plate with the groups numbered 17-32. Part of the series of twelve sheets pasted together., print, books, Frederik Muller Historieplaten, height 280 mm, width 670 mm, printer, drukker, 1872 - 1872, paper, papier, chromolithografie, Nederlands, intermediary draughtsman

Going In and Out Clever, plate four from Insidspensable Accomplishments Published 1811 England. Hand-colored etching on paper . Sir Robert Frankland

An Artist Travelling in Wales February 10, 1799 After Thomas Rowlandson British The protracted Anglo-French conflict between 1792 and 1815 prevented British artists from exploring the Continent. Instead, many sought vistas at home, encouraged by William Gilpins influential book Observations relative chiefly to Picturesque Beauty (1786). Rowlandsons image parodies a strenuous tour made through Wales in August 1797 with the caricaturist Henry Wigstead. A published account describes constant fog and rain, rough roads, poor lodgings, spartan food and wild country folk. In this image, a tall, thin, figure-possibly intended for Wigstead-balances on a small pony. Man and beast are laden with artistic paraphernalia, all inadequately shielded from the downpour. A rustic family watches in amazement; for them the artist presents a much more interesting spectacle than the scenery.. An Artist Travelling in Wales 377646

Hunting in Touraine. (Dummy title) | Everywhere or ridiculous life. 3rd delivery 2e year. (Title of the whole)

Artist traveling through Wales, Henri Merke, After Thomas Rowlandson, 1799 print In a rainy landscape there is a man with an umbrella on a horse loaded with painters tools. The man has a pipe in his hat and there is a drop on his nose. In the background a woman with children. paper etching tools, implements of painter. riding a horse, ass, or mule; rider, horseman. rain Wales

The Royal Hunt, -, .

Millais, Rossetti and Hunt ride a donkey monogrammed JR (Ruskin) - a mischievous parody of Millais' painting Sir Isumbras at the ford. Date: 1857

GRABADO - NIVELADOR PRIMITIVO PARA HACER CARRETERAS.

The Winning Post, from The Grand Steeplechase over Leicestershire. Charles Bentley (English, 1806-1854); after Henry Alken (English, 1785-1851); published by R.A. Ackermann (English, 1764-1834). Date: 1830. Dimensions: 257 × 367 mm (image); 365 × 453 mm (plate); 405 × 500 mm (sheet). Color aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Racing set of four: The High Mettled Racer. 2. The Hunter, John Hassell, 1767-1825, British, after Thomas Rowlandson, 1756-1827, British, 1789, Aquatint, hand-colored, with engraved titles and verses with aquatinted border, Sheet: 13 3/4 x 17 1/2in. (34.9 x 44.5cm)

Artist: Eugène Ciceri & Lafosse, French, After: Salathiel Ellis, American, 1803-1879, A Winter Scene / County of St. Lawrence State of NewYork, Lithograph in colors, sheet: 39.5 × 57 cm (15 9/16 × 22 7/16in.), French, 19thcentury, Works on Paper -Prints

Carter Filling his Pipe, Henry William Bunbury, 1750-1811, British, undated, Watercolor and crayon on medium, slightly textured, cream wove paper, Sheet: 11 1/2 × 15 1/4 inches (29.2 × 38.7 cm), animal art, cart, genre subject, horse (animal), pipe, trees, wheel

Jeźdźcy na koniach. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Uebergabe der Feste Bergedorf, woodcut from the yearbook Moderne Kunst in Meisterholzschnitten, Modern Art in Master Woodcuts, 1900

The dey spun. (IT)

Masquerade of Leiden students, 1870 (plate 1); Coated adaptives held by the members of the Leidsche Studentencorps den 7den Junij 1870, for celebration of the 295th birthday of the Leidsche Hoogeschool, representing visit to Leiden in 1586, by Robert Lord Dudley, Baron van Denbigh, Count of Leicester, etc. etc. .Historical Costumed Procession of the Students of Leiden Hogeschool Held on June 7, 1870 on the occasion of the 295th Anniversary of the University. The Procession Represents The Arrival of the Count of Leicester in Leiden in 1586. First Plate with the Groups Numbered 1-14. Part of the Series or 18 Cleaned Sheets.

Cavalry officers at a bridge in a town, Graphite and brush and watercolors on paper, Three mounted cavalry officers are seen on a bridge in an Austrian town. On the bridge is a statue of St. Wolfgang, and beyond, a church. Before the church are other mounted troops. Two middle-aged men are seen near the officers in the left foreground., Austria, ca. 1840, Drawing, Drawing

Oddział Afgańczyków majora George'a Broadfoota (1807-1845) pod Mudki. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Reproduction of a painting: Chełmoński, Józef (1849-1914), Forest morning; from: "Kłosy" 1874, I, 52. Kłosy (Warszawa ; drzeworytnia ; 1865-1890), printing house, Perrot, draughtsman, cartoonist, Boulay, Ernest (fl. 1872-1875), engraver

Grand Fantastical Parade, New-York, December 2, 1833. Artist: Attributed to David Claypoole Johnston (American, Philadelphia, Pennsylvania 1799-1865 Dorchester, Massachusetts). Dimensions: image: 19 1/2 x 10 7/8 in. (49.5 x 27.6 cm)sheet: 22 5/16 x 16 9/16 in. (56.6 x 42 cm). Publisher: Endicott & Swett (New York, NY). Date: 1833.This light-hearted marine triumph casts George, Prince of Wales as a sea monster distracted by pleasure. In January 1812 the prince had officially become Regent and Cruikshank emphasizes his fleshly self-indulgence and weakness for mistresses and flatterers. When he became Regent, the prince surprised his former Whig friends by retaining the Tory Spencer Perceval as chief minister. Perceval, the fisherman of the title, stands in a small boat holding his prize fast on a golden chain while being showered by the "Dew of Favor." The disgruntled Whigs at left receive only "the Liquor of Oblivion." Clearly bored with politics, the Regent eyes a buxom mermaid, his

Thomas Rowlandson, 1756-1827, British, A Livery Stable, undated. Watercolor and graphite with pen and red-brown ink, pen and gray ink, and pen and brown ink on medium, slightly textured, beige, wove paper with pen in gray ink line and gray wash borders.

'Away They Went The Pretty Babes, Rejoycing At That Tide' c1878. Creator: Randolph Caldecott.

Clark Mills' Equestrian statue of Washington. Views in Washington City, D.C. , No.1991. 1860 - 1880. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.)

RECEPTION OF THE CZAREVITCH AT COLOMBO, CEYLON (SRI LANKA)

Easter Monday at Greenwich , Crowds, Recreation, Hills. Thomas Rowlandson (1756-1827). Prints and Drawings

Racing: (1) Godolphin Arabian - 'Scham', James R. Mackrell, (Mackerell), c.1815-1846, after Francis Calcraft Turner, active 1782-1846, British, 1842, Aquatint, hand-colored, Sheet: 16 3/4 x 20 7/8in. (42.5 x 53cm)

Staircase of the Achilleion on Corfu with a Fresco by Franz von Matsch, representing the triumph of Achilles, Anonymous, c. 1895 - in or before 1905 photograph Part of Reisalbum with photos of sights in Greece and Egypt. Korfoe paper. photographic support albumen print painting (including book-illumination, miniature-painting) (+ plaster ~ arts). Hector's body, tied to Achilles' chariot, is dragged around the city Korfoe

"Husarz". Strzałecki, Wandalin (1855-1917), painter

Second group in the procession at the celebration of the 25th anniversary of King Willem III in Amsterdam, 1874; Second group; Coated historic procession at the celebration of the 25-year governance jubilee of Z: M: Willem III King of the Netherlands. 12 May 1874. Held in Amsterdam.Second of the Seven Orange Groups, The Figures Numbered 1-29. Part of the Group of Nine Plates of the Costumed Historical Procession Hero in Amsterdam at the Celebration of the 25-year Anniversary of King Willem III on 12 May 1874.

The Effects of Good Government in the Country, by Lorenzetti Ambrogio, 1338 - 1340, 14th Century, fresco. Italy: Tuscany: Siena: Palazzo Pubblico: Sala della Pace. Detail. Couple horse riding in a hunt with falcon

Promenade to Longchamps.

Leading them by Polish utilities; unknown Polish painter; 20th century (1901-00-00-1950-00-00);

Maskerade by students from the Leidse Hogeschool, 1840 (plate 11), 1840 Historically costumed parade of the students of the Hogeschool van Leiden on February 8, 1840. The parade depicts the entry of Hertog Jan van Beieren in Leiden on August 18, 1420. Eleventh plate in a series of nineteen unnumbered plates, with the groups numbered 72-77 . Leiden paper Historically costumed parade of the students of the Hogeschool van Leiden on February 8, 1840. The parade depicts the entry of Hertog Jan van Beieren in Leiden on August 18, 1420. Eleventh plate in a series of nineteen unnumbered plates, with the groups numbered 72-77 . Leiden paper

John Harris, 1811-1865, British, One of a set of four: The Liverpool Great National Steeple-Chase, 1839. Color printed aquatint.

George Hunt, active 1820-1840, British, Full Cry, 1823. Aquatint, printed in color and colored by hand.

The Departure of a Post-Chaise From the () Red Lion Inn, Bagshot, Possibly Samuel Howitt, 1756-1822, British, undated, Watercolor, with pen, in gray ink on medium, moderately textured, cream, laid paper, mounted on, thick, slightly textured, beige, wove, cardboard paper, Mount: 6 3/16 × 8 5/16 inches (15.7 × 21.1 cm) and Sheet: 6 × 8 3/16 inches (15.2 × 20.8 cm), carriage, dog (animal), fence, genre subject, horses (animals), inn, men, post-chaises, trees, women, Bagshot, England, Europe, Surrey, United Kingdom

Image reproduction: Wojciech Kossak (1856-1942), relay, 1904; Salon Painters Publishing House (Kraków; 1895-1949); 1908 (1908-00-00-1908-00-00);

Women with laurel wreath and fluttering mantles driving a Greek four-horse chariot. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages" (1796).

Reproduction of a painting: Chełmoński, Józef (1849-1914), Ukrainian quadriga; excerpt from a magazine. Masłowski, Stanisław (1853-1926), draughtsman, cartoonist, Choromański, A. (fl. 1870-1881), engraver, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Grigor (Gocho) Savov (1880-1966). Pintor búlgaro. Horse Market. National Art Gallery. Sofia. Bulgaria. Author: Grigor (Gocho) Savov (1880-1966). Bulgarian painter.

Winter games; Magasin des Demoiselles (Paris; magazine; 1844-), Marohn, Ferdinand (Flow. Ca 1820-1865); 1846-1859 (1846-00-00-1859-00-00);

Ericsson, Henry, Sketchbook, 21 leaves, 1930, drawing, 26.8 cm x 21.2 cm, Ericsson, Henry, section: Buildings, Tammisaari, 1930, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

A man from Kamtschatka on a sledge drawn by five dogs; encountered by Captain Cook on his third voyage (1777-1780) Engraving by S. Middiman after J. Webber, 1780/1785.

Winged putto on horseback; Thoma, Hans (1839-1924); around 1894 (1880-00-00-1900-00-00);

Toy Fire Engine. Dated: 1935/1942. Dimensions: overall: 35.8 x 45.8 cm (14 1/8 x 18 1/16 in.) Original IAD Object: 11 1/2" long; 4 1/2" high; 4" deep. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: William Spiecker.

'Capitulation of Paris'. Russia, 1816-1818. Dimensions: 40x53 cm. Museum: State Hermitage, St. Petersburg. Author: Jean Gerin.

An exact representation of the principal banners and triumphal car, which conveyed Sir Frances Burdett to the Crown and Anchor Tavern on Monday June 29th, 1807 - dedicated to the 5134 independent electors of Westminster, engraving 1807 July, three men with banners leading a four-horse team drawing a carriage with a statue of Britannia holding a staff topped with a liberty cap, two fasces on a low platform, and Sir Frances Burdett sitting in a chair atop a short column, another man with a banner

Choctaw men in loincloth and tail only playing the ball game similar to lacrosse or hockey. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

August - Dogs Have Their Days from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853. George Cruikshank (English, 1792-1878); published by Pickering & Chatto (English, 19th century). Date: 1839. Dimensions: 93 × 155 mm (primary support); 223 × 287 mm (secondary support). Steel etching in black on cream India paper, laid down on off-white card (chine collé). Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Return of the aristocrats of the London race. (IT)

Morning in the Highlands. The royal family ascending Lochnagar by Haag, Carl (1820-1915) Royal Collection, London 1853 Watercolour, Gouache on Paper 77x136,6 Germany Orientalism Genre Painting

Le Finale. The Espara killing the Bull; Juan Laurent (French, 1816 - 1886); about 1865; Albumen silver print

British Tars, Towing the Danish Fleet into Harbour. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1807. Dimensions: 230 × 340 mm (image); 248 × 350 mm (plate); 270 × 380 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

This image shows a chariot race in the Circus Maximus by Ulpiano Fernandez-Checa y Sanz(1860 1916), known asUlpiano Checa, a Spanish painter, sculptor, poster designer and illustrator. He used bothimpressionisticandacademictechniques, and mainly painted historical subjects. The circus was a specific arena, shaped like a bullet, for the staging of chariot races, the largest of these was the Circus Maximus in Rome.

Huntsmen came across a boggart or goblin in the field, Randolph Caldecott

The pretty living room Attributed to John Boyne (1750-1810). The pretty living. Drawing.

A visitor arriving late at night at a friend's house and being mistaken for a burglar by a servant. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.

Reproduction of a painting: Chełmoński, Józef (1849-1914), Ukrainian chaser; from: "Kłosy" 1875, no. 549, vol. XXII. unknown, draughtsman, cartoonist, Zajkowski, Andrzej (1851-1914), engraver, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher

Francisco de Goya y Lucientes (1746-1828). Spanish painter. Bulls in a town, 1808-1812. San Fernando Royal Academy of Fine Arts. Madrid, Spain.

Winter landscape with skating riders on a Wetering, Jacob Cats (1741-1799), 1781 drawing paper. ink. watercolor (paint) brush / pen ice ~ freezing weather. winter sports

Thomas Sutherland, ca. 1785-1838, British, A set of four: Breaking Cover. London, pub. by Thos. McLean, 1824, 1824. Aquatint, colored by hand.

Thomas Rowlandson, 1756-1827, British, The Hedger and Ditcher, undated. Watercolor with pen and red-brown ink over graphite; verso: blue watercolor blot on medium, moderately textured, cream wove paper.

Procession at the marriage of Princess Sophie, 1842 (plate 5); Erinnerungs-Blätter an Eine Thuringian Bauernhochzeit, Ausgeführt Zur Feier des Glücklichen Einzuges des Erbgrossherzogs Carl Alexander von Sachsen Weimar-Eisenach Mit der Erbrossherzogin Sophie b. Prinzessin der Niederlande, in Weimar am 27. October 1842.opted on the occasion of the marriage of Princess Sophie with Charles Alexander, Groothertog of Saxony-Weimar-Eisenach, held at the arrival of the couple in Weimar on October 27, 1842. Fifth plate with The groups numbered 36-44. Part of the series of six loose plates of the procession.

Illustration of the 1889, Fête des Vignerons (Winegrowers Festival); is a traditional celebration held five times a century in Vevey, Switzerland. It has been organized by the Brotherhood of Winegrowers of Vevey since 1797. The committee is free to choose the time intervals between parties, the maximum being five times per century. Until now, the interval between two parties has varied between 14 and 28 years. The next edition will take place in 2019, 20 years after the previous one (1999); . The show pays tribute to the world of wine, several performances take place on the Market Square along the shores of Lake Geneva.

Utrechtse Maskerade, Plate E: Hof, 1856, Anonymous, After Willem Pieter Hoevenaar, 1856 print The court of Willem van Oranje, part two: carriage and riders. Part of a group of five albums with an explanation of the historical procession in Maskerade performed by the students of the Utrecht Hogeschool on 17 June 1856 on the occasion of the celebration of its 220th anniversary. print maker: Netherlandsafter drawing by: Utrechtprinter: Utrechtpublisher: Utrecht paper students' pageant. costumes used in pageants Utrecht

Equestrian statue of Napoleon I, inaugurated in Cherbourg on August 8, 1858

Charles Hunt, Sr., The Death, 1838, Hand-colored aquatint on paper.

Gold Mining in California (Panning for Gold) Konstantin Rodko (1908-1995 Russian)

Venable's Tobaccos , Men, Horses, Tobacco products, 19th Century American Trade Cards

Currier & Ives Illustration 19th Century. Peytona and Fashion. In their Great Match for $20,000

Indian Braves. Artist: Charles M. Russell (American, St. Louis, Missouri 1864-1926 Great Falls, Montana). Dimensions: 20 7/8 x 29 3/8 in. (53 x 74.6 cm)Mat: 30 × 40 in. (76.2 × 101.6 cm). Date: 1899.Russell, who was known as the "Cowboy Artist," relied on his personal experiences as a Montana rancher and wrangler for the detailed realism of his sculptures, paintings, and sketches. At the same time, he mythologized his Old West subjects through dramatic narratives and generalized types. Here, armed braves on horseback advance slowly toward the edge of a hill; their leader gestures for them to wait as he surveys the landscape below him. The outcome of the scenario remains tantalizingly unanswered. Museum: Metropolitan Museum of Art, New York, USA. Author: Charles M. Russell.

The Queen. Dimensions: overall: 16 x 23.4 cm (6 5/16 x 9 3/16 in.). Medium: watercolor and graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Constantin Guys.

On the Southern Plains 1907 Oil on canvas Frederic Remington American (1861-1909)

Amsterdam, De Ruyter & Meijer, Meijer's prenten, Nederlandsche leger, verso - stamped, Sheet with 4 horizontal rows of images of Dutch soldiers. A caption below each image. Numbered top right: No. 70., print, prent, volksprent, prints, prenten, volksprenten, height 423 mm, width 338 mm, Publication (Event), Publicatie, Nederlands, publisher, uitgever, 1878 - 1878, paper, papier, kleurlithografie (process), letterpress printing, boekdruk, print maker, prentmaker

Bronze Statue, General Jackson, Washington, D.C.. Charles Bierstadt (American, born Germany, 1819 - 1903)

Wojciech Kossak (1856-1942), Débris de la Grande-carée 1812; Salon Painters Publishing House (Kraków; 1895-1949), Anczyc, Władysław Ludwik and company (Kraków; Drukarnia; 1875-1948); around 1910 (1905-00-00-1915-00-00);

Absolute Gravity, Engraving by William Hogarth;18th century

fourth crusade, young Alexis l'Ange moves prince Balduin IX to free his brother, 1201 / Bilderserie vierter Kreuzzug, Der junge Alexis l'Ange bewegt den Fürsten Balduin IX zur Befreiung seines Bruders, 1201, Liebigbild, digital improved reproduction of a collectible image from the Liebig company, estimated from 1900, pd / digital restaurierte Reproduktion eines Sammelbildes von ca 1900, gemeinfrei,.

This 1923 illustration oshowsf Rudolf Henneberg's painting 'Lure of Pan Germanism.' The Pan-German movement had coalesced in the 1890s among German critics of imperial timidity, and it had gained substantial influence by the eve of World War I. It urged, among other things, the uniting of all ethnic Germans, regardless of existing state borders; reduction of 'un-German' (Slav, Catholic, Jewish) cultural influence; and creation of 'lebensraum' for Germany by colonial annexation. Rudolf Henneberg was a German painter (1826-1876).

INDIAS INGLESAS - CACERIA DE RINOCERONTES EN HONOR DE JORGE V - SIGLO XX. Location: PRIVATE COLLECTION, FRANCE.

Painting titled 'The Coach of Mangkoe Nagoro IV' Painted by Pieter Alardus Haaxman (1814-1887) Dutch painter. Dated 1870

'Saint George and the Dragon', c1505. Artist: Raphael.

'Hunters'. Russia, 1898. Dimensions: 69x118 cm. Museum: State Hermitage, St. Petersburg. Author: Ilya Galkin.

Kendall's Spavin Cure - Dandy:--"Inform me, sir, why your quadruped should have the audacious effrontery to exhale his obnoxious, reprehensible, odious and offensive breath directly under my nostrils. Urchin:--"Can't you understand your relation better than that He's only blowing for Kendall's Spavin Cure, 'cause it cured him of that awful spavin.". Kendall's Spavin Cure - Dandy:--"Inform me, sir, why your quadruped should have the audacious effrontery to exhale his obnoxious, reprehensible, odious and offensive breath directly under my nostrils. Urchin:--"Can't you understand your relation better than that He's only blowing for Kendall's Spavin Cure, 'cause it cured him of that awful spavin."

Coaching - Four in Hand - A Swell Turn-out. Dimensions: image: 11 x 15 7/8 in. (28 x 40.3 cm)sheet: 15 9/16 x 19 15/16 in. (39.6 x 50.6 cm). Publisher: Lithographed and published by Currier & Ives (American, active New York, 1857-1907). Date: 1876. Museum: Metropolitan Museum of Art, New York, USA.

Eight of Diamonds - Russians in Poland. Tański, Czesław (1862-1942), draughtsman, cartoonist

To Serve 1913 France. Color lithograph on cream wove paper laid down on linen . Jean Louis Forain

James Pollard, 1792-1867, British, Shooting set of six: 6. Packing up, 1822. Aquatint, hand-colored.

Fireworks in Paris, 1850, engraving. France, 19th century.

Lagarde, Waiting for a Bite, 22 Aug. 1874, wood engraving on newsprint.

Troika by Samokish, Nikolai Semyonovich (1860-1944)/ Regional Art Museum, Simferopol/ 1917/ Russia/ Oil on canvas/ Russian Painting, End of 19th - Early 20th cen./ 67,5x125/ Genre

The IceCart. Artist: Nicolino Calyo, Italian, 1799-1884

Adolphe-Eugène-Gabriel Roehn, The Swearing in of President Boyer at the Palace of Haiti, ca. 1818, oil on canvas.

Prints for Dirk 1849, Johannes Tavenraat, 1849 drawing Rider with a hat with plume, in a landscape with a few other riders. Title page for a signed picture booklet for his son Dirk Tavraat. paper. pencil. ink. watercolor (paint) pen / brush riding a horse, ass, or mule; rider, horseman

The last review

Brzozowski, Feliks (1836-1892), Before the sunrise; from: "Kłosy" 1882, I, 184. Kłosy (Warszawa ; drzeworytnia ; 1865-1890), printing house, Brzozowski, Feliks (1836-1892), draughtsman, cartoonist, Malinowski, Aleksander (1855-1917), woodcutter

A Dog Feast - Sioux. Dated: 1861/1869. Dimensions: overall: 47.3 x 63.8 cm (18 5/8 x 25 1/8 in.). Medium: oil on card mounted on paperboard. Museum: National Gallery of Art, Washington DC. Author: George Catlin.

Advice on the Prairie, 1853. Ranney, William Tylee.

Departure of Replaces or Paris Table Anonymous. "Departure of replaced or painting in Paris and France in Floreal, 1797". Print.

'Emblem-bearers of Cutch', 1903. Artist: Mortimer L Menpes.

The King is Coming. Otte Bache (1839-1927). Oil on canvas. Dated 1898. 26 x 38in

Watercolour titled 'The Colonial Society: Chaise Judge of the Royal Audience' by Pancho Fierro (1807-1879) Afro-Peruvian painter. Dated 19th Century

A Cock-fight Watched by Four Men in an Out-House:The Death, Engraved as Plate 40 in 'The National Sports of Great Britain', Henry Thomas Alken, 1785-1851, British, 1821, Graphite and watercolor on medium, slightly textuered, cream, wove paper, mounted on, thick, oderately textured, beige, wove paper, Mount: 9 11/16 × 13 11/16 inches (24.6 × 34.8 cm), Contemporary drawn border: 9 5/8 × 13 5/8 inches (24.4 × 34.6 cm), and Sheet: 9 7/16 × 13 3/8 inches (24 × 34 cm), cock-fight, death, men, outhouse, roosters, sporting art

Partitura musical de la gavota "Uruguaya", del maestro J.M. Castillón. Dibujo de Apel·les Mestres i Oñós (Barcelona, 1854-1936). Año 1901.

Graphic by Randolph Caldecott (1846-1886) a British artist and illustrator. Dated 19th Century

Frederick the Great, Frederick II 1712-1786 and his horse Conde, Potsdam, Germany, Historic, digital reproduction of an original 19th-century painting, Europe

Cutting Out Mexican Cows. Charlie Dye (1906-1972). Oil on masonite. 76 x 101.2cm.

La lidia. Cogida de Juan Lucas Blanco (1822-1867). Año 1888.

The FalseStart. Artist: Edgar Degas, French, 1834-1917

USA, New Mexico, Santa Fe: New Mexico History Street Mural

'Epsom', c1910. Artist: Unknown.

The greater Shenandoah by Bronson Howard. | Library of Congress

Yon Yonson | Library of Congress