Decorative Porcelain Vases

A selection of ornate vases made from porcelain and faience, featuring intricate designs and vibrant colors reflective of cultural heritage.

Baluster covered jar with powder blue and flowering plants and animals in panel decoration, anonymous, c. 1700 - c. 1724 Balus -shaped lid jar with long, spreading neck, painted in underly glaze blue and on the glaze gold. The pot is covered with bleu poudré (powder blue) and decorated with three rows of compartments: the bottom row has a different flowering plant or tree in each section with a rock with insects; The second row is also with four different flowering plants (Lotus, chrysanthemum, prunus, peony) with birds and/or butterflies. Around the neck four compartments with different flower areas and butterflies; A double circle on the bottom. The lid with worn decoration of four compartments with flowering plants on a rock and decorative edge. Lid has been restored. Bleu Poudré with gold. China porcelain. glaze. cobalt (mineral). gold (metal) painting / vitrification Balus -shaped lid jar with long, spreading neck, painted in underly glaze blue and on the glaze gold. The pot is co

Assets in this Story

. attributed to the Drie Posteleyne Astonne (Pieter Gerritsz Kam) Delft, c. 1700 tin-glazed earthenware (faience)

Pear-shaped bottle vase with auspicious objects, anonymous, c. 1680 - c. 1720 Bottle -shaped vase made of porcelain with pear -shaped body, painted in underlaze blue. On the body six lucky symbols (scroll, vase, button) with ropes with brushes ending in a Ruyi motif; on the shoulder and the neck tires with decorative patterns with curl and geometric motifs; On the edge a bond with Lotusranken. Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrification Bottle -shaped vase made of porcelain with pear -shaped body, painted in underlaze blue. On the body six lucky symbols (scroll, vase, button) with ropes with brushes ending in a Ruyi motif; on the shoulder and the neck tires with decorative patterns with curl and geometric motifs; On the edge a bond with Lotusranken. Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrification

Vase with Loop Handles. China. Date: 1400-1499. Dimensions: H. 6 in. Porcelain painted in underglaze blue. Origin: China. Museum: The Chicago Art Institute, Chicago, USA.

Multicolored painted vase of faience. Vase of faience. Multicolored painted with chinoiseries.

Coverpot, Jan van Putten & Co., 1830 - 1850 FaiMence lid jar. Multicolored painted with Japanese Imari Decor. The lid jar is part of a cupboard set. Delft . FaiMence lid jar. Multicolored painted with Japanese Imari Decor. The lid jar is part of a cupboard set. Delft .

Flower vase. Delft (ośrodek ceramiczny ; ca 1600- ), factory

Vase. The turquoise colour of this vase is based on Chinese celadon porcelain. The painting of the Chinese horseman in the field is known as contour chinoiserie,’ because the face and hands are executed in red and black contours (outlines), without any shadows. The vase is one of a pair; its companion is in the Porzellansammlung in Dresden.

Baluster covered jar with powder blue and flowering plants and animals in panel decoration, anonymous, c. 1700 - c. 1724 Balus -shaped lid jar with long, spreading neck, painted in underly glaze blue and on the glaze gold. The pot is covered with bleu poudré (powder blue) and decorated with three rows of compartments: the bottom row has a different flowering plant or tree in each section with a rock with insects; The second row is also with four different flowering plants (Lotus, chrysanthemum, prunus, peony) with birds and/or butterflies. Around the neck four compartments with different flower areas and butterflies; A double circle on the bottom. The lid with worn decoration of four compartments with flowering plants on a rock and decorative edge. Lid has been restored. Bleu Poudré with gold. China porcelain. glaze. cobalt (mineral). gold (metal) painting / vitrification Balus -shaped lid jar with long, spreading neck, painted in underly glaze blue and on the glaze gold. The pot is co

Bottle vase with landscape, bird on branch and neck decoration in underglaze blue, anonymous, c. 1800 - c. 1899 Bottle -shaped vase (lump of lessons) of porcelain, painted in underly glaze blue and on the glaze blue, red, green, yellow, eggplant, black and gold. The body is covered with butterflies and flowering plants on a black speckled soil, with two rectangular cartouches saved with a bird on a magnoliat branch in flowering plants and two people in a river landscape with rocks, trees and a pavilion; the neck with a decoration in underlaze blue of a tire with servetwork interspersed with a cartouche with a flower in reserve, above it a band with French point with flower vines in reserve with a flower branch, on the neck flower branches with a band with hanging leaf motifs with hanging tops above it Flower vines in reserve. A crack in the edge. Famle Verte. China porcelain. glaze. cobalt (mineral). gold (metal) painting / gilding / vitrification Bottle -shaped vase (lump of lessons)

Vase with Cover (one of a pair). Worcester Porcelain Factory; Worcester, England, founded 1751. Date: 1765-1775. Dimensions: H. 29.2 cm (11 1/2 in.). Soft-paste porcelain with blue scale ground and gilding. Origin: Worcester. Museum: The Chicago Art Institute, Chicago, USA. Author: Worcester Royal Porcelain Company.

Vase with cover ca. 1725 Meissen Manufactory The Meissen factory was the first in Europe to master the technology to produce porcelain similar to that made in China. The factorys interest in Chinese porcelain extended to the palette of blue and white, which was inextricably linked in the minds of Europeans to porcelains imported from Asia. The fascination with the Far East encompassed subject matter as well, and the scenes of Chinese figures in exotic landscapes on this vase are typical of the taste for chinoiserie in the early eighteenth century.. Vase with cover. German, Meissen. ca. 1725. Hard-paste porcelain. Ceramics-Porcelain

Rosewater sprinkler or bottle vase with floral scrolls in reserve in lambrequins, anonymous, c. 1680 - c. 1720 Rose water drops or point bottle on high, spreading foot and two thickening in the neck, painted in under -glaze blue. On the belly a band with a zigzag pattern with a band with a flower vines saved in lambrequins underneath. Alternately a stylized flower and a window. On the neck a band with stylized flowers; above that flower branches. Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrification Rose water drops or point bottle on high, spreading foot and two thickening in the neck, painted in under -glaze blue. On the belly a band with a zigzag pattern with a band with a flower vines saved in lambrequins underneath. Alternately a stylized flower and a window. On the neck a band with stylized flowers; above that flower branches. Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrification

Triple Long-Necked Bottle Vase with Double Dragon Roundels and Elongated Curly Dragons (Gui) 1736-1795 China. Porcelain painted in underglaze blue .

Ovoid jar (fountain jar) with flowering plants near a rock, anonymous, anonymous, c. 1670 - c. 1680 Egg -shaped pot (fountain jar) of porcelain, painted in underlaze blue. On the abdomen twice a flowering plant (peony) and butterflies with a rock with an orchid in between. On the shoulder a band with a Swastika pattern interrupted by four lobed cartouches with valuables (Artemisiablad) on a brush. The neck with a tire stylized leaf motifs. A metal tap is later attached at the bottom of the belly. The lid with a continuous landscape with rocks, trees and clouds. Lid is not matching. Two chips in the edge. Arita, Blauw-Wit. Japan porcelain. glaze. cobalt (mineral). kraan: brass (alloy) painting / vitrification Egg -shaped pot (fountain jar) of porcelain, painted in underlaze blue. On the abdomen twice a flowering plant (peony) and butterflies with a rock with an orchid in between. On the shoulder a band with a Swastika pattern interrupted by four lobed cartouches with valuables (Artemisi

. Pot, underglaze blue, with tap with limits and swastikama motifs. Faucet later added.

Cobalt vase decoration Far Eastern type; Manufaktura Majoliki in Nieborów (Nieborów; Wytwórnia; 1881-1899); 1881-1886 (1881-00-00-1886-00-00);

Vase, early 1900s. Samson & Co. (French). Faience; overall: 55 x 28.6 cm (21 5/8 x 11 1/4 in.).

Pot, part of a cupboard set. Pot, multicolored painted faïence. The pot is octagonal and eight courses are painted on eight sides. In four courses is a vase with two S-shaped handles, portrait on a 3-legged pedestal and filled with flowers, painted in the other four courses a pot with lid on a 3-legged pedestal above which a phoenix. The pot is part of a couple and has been marked.

Ovoid vase. unknown, craftsman

Vase. unknown, craftsman

Cilindrical bottle vase with floral scrolls in reserve in ruyi-shaped panels, anonymous, c. 1680 - c. 1720 Bottle -shaped vase made of porcelain with a cylindrical body and short, spreading neck, painted in underlaze blue. On the belly a wide band with connected Ruyi-shaped cartouches with flower vines saved against a blue background. Above the foot a band with a zigzag pattern and stylized leaf motifs. On the shoulder a band with a zigzag pattern and hanging Ruyi motifs. On the neck pointed leaf motifs. Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrification Bottle -shaped vase made of porcelain with a cylindrical body and short, spreading neck, painted in underlaze blue. On the belly a wide band with connected Ruyi-shaped cartouches with flower vines saved against a blue background. Above the foot a band with a zigzag pattern and stylized leaf motifs. On the shoulder a band with a zigzag pattern and hanging Ruyi motifs. On the neck pointed leaf motifs. Blue Whit

Octagonal ribbed vase with lid of multicolored painted faïence, the metal pot, c. 1695 - c. 1725 Octagonal, ribbed vase of multicolored painted faïence. The vase is painted with flowers, rocks, birds and a bird in a tree. The vase is part of a couple, the other parts are: three identical pots and an identical vase. The parts are marked. Delft earthenware. tin glaze. Octagonal, ribbed vase of multicolored painted faïence. The vase is painted with flowers, rocks, birds and a bird in a tree. The vase is part of a couple, the other parts are: three identical pots and an identical vase. The parts are marked. Delft earthenware. tin glaze.

Pear-shaped bottle vase with floral scrolls and petals. Bottle-shaped vase of porcelain with a pear-shaped body, painted in underglaze blue. On the abdomen a continuous band with varied scalloped, oval cartouches with saved flower drinks against a blue background and narrow scalloped cartouches with a spotted flower and ruyi motif. The shoulder with a band hanging ruyi motifs against a blue background and a tire with spared flower drinks. A bond with standing leaf motifs on the neck. Blue White.

. Faïence lid pot. Painted blue. The lid pot is part of a cupboard set.

Jar with women at leisure mid-17th century China. Jar with women at leisure. China. mid-17th century. Porcelain painted in underglaze cobalt blue and overglaze polychrome enamels (Jingdezhen ware). Qing dynasty (1644-1911), Shunzhi period (1644-61). Ceramics

Baluster-shaped vase (part of a five-piece garniture) ca. 1690-1720 Japanese, for export market (Hizen ware, Imari type) This garniture, a grouping of vases, is notable for its completeness. Most such groupings have been broken up over time into their individual components. The painted decoration on all five vases is unusually richpainted with a dark cobalt blue applied under the glaze, then further decorated with red, green, turquoise, and black enamels and gilding. The finials or decorative knobs on the lids are in the form of a guardian lion, known as a shishi, echoing in three dimensions the primary motif painted below.. Baluster-shaped vase (part of a five-piece garniture). Japanese, for export market (Hizen ware, Imari type). ca. 1690-1720. Hard-paste porcelain with underglaze blue and overglaze enamel and gilding. Ceramics-Porcelain-Export

Bottle with chrysanthemums and plums, late 17th century, Unknown Japanese, 9 × 3 1/2 × 3 1/2 in. (22.86 × 8.89 × 8.89 cm), Hizen ware, Kakiemon style; porcelain with overglaze enamels, Japan, 17th century

Baluster vase with a hunting scene and borders with floral scrolls, anonymous, c. 1800 - c. 1820 Large, baluster -shaped vase of porcelain, painted in undermglaze blue and on the glaze gold. On the belly a hunting scene with hunters on horseback and on foot with weapons and dogs in a landscape with trees, mountains and rocks. Below a bond with Lotusranken. Above the foot a band with standing leaf motifs. On the shoulder a band with lambrequins with alternating lotus and flower vines. Above it a band with server work with a flower rod interrupted by cartouches with flowering plants (Lotus, peony, bamboo, chrysanthemum, prunus). The neck with a bond with Lotusranken. On the edge a band with Ruyi motif. The lid with the same decoration. Cash button in the form of a shishi. Blue White. China porcelain. glaze. cobalt (mineral). gold (metal) painting / gilding / vitrification Large, baluster -shaped vase of porcelain, painted in undermglaze blue and on the glaze gold. On the belly a hunting

Vase, 20th century, 7-1/8 x 4-5/16 x 4-5/16 in. (18.1 x 11.0 x 11.0 cm), Cloisonné, China, 20th century

Vessel for spices. unknown, craftsman

Apothecary bottle with mynas and peonies, c. 1660-1680, Unknown Japanese, 20 1/4 × 13 3/8 × 13 3/8 in. (51.44 × 33.97 × 33.97 cm), Imari ware; porcelain with underglaze cobalt blue, Japan, 17th century, In the 1500s and 1600s, blue-and-white porcelains made at Chinas famed Jingdezhen kilns were extremely popular in Europe, where the technology required to produce porcelain would not be known for another 200 years. When the Jingdezhen kilns entered a period of decline in the mid-1700s, porcelain makers in a town in far western Japan called Arita seized the opportunity and began making blue-and-white porcelains featuring European shapes and Chinese-style decoration for export to Europe. The combinations of flowers and birds used on many of these works—like myna birds and peonies—could also be found in traditional Chinese-style ink paintings. In the 1660s and 70s, the period of time during which this large apothecary bottle was created, Arita dominated the global porcelain market.

Wooden Cover Of Jar. Wooden, openwork lid of lid pot.

Vase China. Vase. China. Porcelain painted in underglaze blue and overglaze yellow and red enamels. Ming dynasty (1368-1644), Jiajing mark and period (1522-66). Ceramics

Bottle with Daoist Immortals late 16th-17th century China The immortals on the bottle are all carrying the Chinese character shou, or longevity, and the good wishes implied therein are also reiterated in the inscription on the neck, which reiterates the desire for long life.. Bottle with Daoist Immortals 49189

Beaker China. Beaker. China. Porcelain. Qing dynasty (1644-1911), early Kangxi period (1662-1722). Ceramics

Can. Can of earthenware with a high straight neck and tossed body at a high foot. The handle of the can be braided. The can be decorated with floral motifs in Chinese style in blue, red, green and purple. On the front a kilin and a bird on either side of a shrub.

Guan-type vase with lid. unknown, craftsman

Vase with Cover (one of a pair). Worcester Porcelain Factory; Worcester, England, founded 1751. Date: 1755-1765. Dimensions: 38.1 × 17.5 cm (15 × 6 7/8 in.). Soft-paste porcelain with underglaze blue decoration. Origin: Worcester. Museum: The Chicago Art Institute, Chicago, USA. Author: Worcester Royal Porcelain Company.

Pot with lid, part of a cupboard set, the 3 clocks (attributed to), c. 1820 - c. 1850 Pot with lid, of multicolored painted Faïence. The pot is eight -sided and eight courses are painted on the eight sides. In four compartments, a vase with two S-shaped handles, standing on a three-legged pedest and filled with flowers, in the other four compartments is a pot of lid on a three-legged pedestal above which a phoenix. The pot is part of a couple and is marked. Delft earthenware. tin glaze. Pot with lid, of multicolored painted Faïence. The pot is eight -sided and eight courses are painted on the eight sides. In four compartments, a vase with two S-shaped handles, standing on a three-legged pedest and filled with flowers, in the other four compartments is a pot of lid on a three-legged pedestal above which a phoenix. The pot is part of a couple and is marked. Delft earthenware. tin glaze.

Gu-shaped Beakerase with the Eight Immortals, Chinese Ladies and Flower Pots in panels. Gu-shaped porcelain vase with a round thickening in the middle and a spreading neck, painted in underglaze blue. On the wall tires with people and flower pots in petals. At the top a band with the eight immortal; Below a band with alternating a seated Chinese lady (long lice) or a flowerpot on a stool. On the thickening alternating a Chinese lady (long lice) in a fenced garden or a flower pot on a low table; Above flower branches. The lower strap with eight muscizing ladies for a fence; Above flower branches. Above and below the thickened middle part and on the inner edge a bond with a zigzag pattern. Marked on the underside with the six character mark of Emperor Jiajing in a double circle. A crack in the edge. Blue White.

Vase with covers; unpredictable Lona Manufaktura; 18th century (1701-00-00-1800-00-00);

Vase (wheelchair) with a Company in a Landscape. Cylindrical vase (trolley) of porcelain with a narrow, spreading neck, painted in underglaze blue. On the wall a high-quality capacity in a landscape with a servant behind him with a parasol. In addition to him, four servants. A man offers a vase with arrows on a tray to the dignity. In the landscape are rocks, willow, pine trees and banana trees. A tire with pointed leaf motifs on the neck. The bottom is unglazed. Transition porcelain.

Can, painted with owl, boar, hare and dogs, anonymous (Possible), c. 1650 - c. 1700 Spherical can of blue painted faience, on one foot. The neck is narrow and short and the ear wide and ends in two spirals. On the abdomen, an owl, a boar, a hare and dogs are painted between plants and leaves. PortugalSavona earthenware. tin glaze. Spherical can of blue painted faience, on one foot. The neck is narrow and short and the ear wide and ends in two spirals. On the abdomen, an owl, a boar, a hare and dogs are painted between plants and leaves. PortugalSavona earthenware. tin glaze.

Vase 1700-1750 Puebla state. Tin-glazed earthenware . Talavera Poblana (Potter)

. Vase of faience. Blue painted with floral decorations. The vase with lid is part of a cabinet set.

Vase Depicting a Phoenixlike Bird 1700-1750 Puebla. Chinese blue-and-white porcelain arrived in the Americas during the 1570s, when the Manila Galleons began crossing the Pacific Ocean from Mexico to the Spanish Philippines and back. Cargoes of Asian luxury goods landing at Acapulco were transshipped to Colonial Mexico City and Puebla, where they remained until shipment continued across the Atlantic Ocean to Seville. A thriving ceramic industry developed in Puebla, producing glazed earthenware imitating porcelain and freely adapting Chinese designs, often with humorous vitality. This vase of Chinese shape displays panels with phoenix-like birds framed by dot-and-leaf patterns, scrolled tendrils, and semicircular ìChinese astersî beneath a cloudlike canopy. Floral bands on the shoulder and footing of the jar similarly reflect decorations derived from blue-and-white export porcelain.. Tin-glazed earthenware . Talavera Poblana (Unknown Role)

Hexagonal tea caddy with floral scrolls and petal borders, anonymous, c. 1680 - c. 1720 Hexagonal porcelain tea lease on six short feet, painted in underlaze blue. On each side a lobed cartouche with flower vines saved in a blue background. On the top and bottom three decorative tires: one blue, one with teases saved in blue and one with standing or hanging, pointed leaf motifs. The lid with flower vines saved in blue. Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrification Hexagonal porcelain tea lease on six short feet, painted in underlaze blue. On each side a lobed cartouche with flower vines saved in a blue background. On the top and bottom three decorative tires: one blue, one with teases saved in blue and one with standing or hanging, pointed leaf motifs. The lid with flower vines saved in blue. Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrification

Vase with a cover; XVIII/19th century (1791-00-00-1810-00-00);

Flower vase - bottle. De Drye Vergulde Astonnekens (wytwórnia fajansu ; 1655-1803), factory

Octagonal vase with two handles, flowering plants and diaper pattern on a seperate stand, anonymous, c. 1700 - c. 1724 Octagonal vase of porcelain with two standing ears on the neck, painted on the glaze in red, green, yellow, eggplant and black. The belly is divided into eight courses with flowering plants in a rock. Above the abdomen a ring -shaped thickening with two tires with leaf motifs. The neck with vertical tires with servetwork. On the ears loose flowers and black dots. The inner edge with a band Arcewerk. The chassis of the pedestal with yellow flowers and black dots; A band with curl work above that. The top with shaft work. Famle Verte. China porcelain. glaze. painting / vitrification Octagonal vase of porcelain with two standing ears on the neck, painted on the glaze in red, green, yellow, eggplant and black. The belly is divided into eight courses with flowering plants in a rock. Above the abdomen a ring -shaped thickening with two tires with leaf motifs. The neck with v

. Pharmacist spot from faience. Blue painted with inscription: o / palmae.

knobbelvaas, anonymous, c. 1720 - c. 1750 Lump vase of multi -colored painted faience. The vase is octagonal and is painted with plants, flowers and birds in the colors green, red, blue, manganese and black. The vase includes an identical bottle with the invnr. BK-NM-11637-B. Delft earthenware. tin glaze. Lump vase of multi -colored painted faience. The vase is octagonal and is painted with plants, flowers and birds in the colors green, red, blue, manganese and black. The vase includes an identical bottle with the invnr. BK-NM-11637-B. Delft earthenware. tin glaze.

Temple Jar (one of a pair) with lid, 1662-1722, 12 5/8 in. (32.1 cm) (without lid or base), Porcelain, wood, China, 17th-18th century

Anonymous. "Chinese porcelain vase". Chinese porcelain with blue decoration on a white background. 1701-1800. Paris, Carnavalet museum. 101433-29

. Pot with faience lid. Blue painted with floral decorations.

Incense burner with pierced design Japan late 17th-early 18th century View more. Incense burner with pierced design. Japan. late 17th-early 18th century. Stoneware with overglaze enamels (Ko-Kiyomizu ware). Edo period (1615-1868). Ceramics

Covered Jar With Chinese Ladies And Flower Pots in panels. Porcelain baluster-shaped lid, painted in underglaze blue. The wall is divided into three rows with hexagonal compartments with alternating a Chinese lady (long lice) in a fenced garden and a flower vase in a landscape. Blue button. Part of a cabinet set with number AK-RBK-16290. Blue White.

. Bottle-shaped vase of porcelain, pear-shaped body overcrowing in a narrow neck, painted in underglaze blue. Four connected to each other on the wall, lied cartouches filled with blue with lotus drinks saved herein; Around the foot and the shoulder a band with Ruyi motifs closed by a narrow band with geometric patterns; The neck with a geometric motif with four lobby cartouches with tendrils. Marked on the bottom with an artemisia leaf. Blue White.

. Square bottle of porcelain, with long neck, painted on the glaze in blue, red, green, eggplant, black and gold with alternating on the four walls a prunus and chrysanthemum. With the neck-dependent flowers and leaves to a loop. Three red lines along the mouth edge. A chip in the edge. Old label with 'Westendorp / 123 collection. Kakiemon decor, perhaps performed in Meissen. Bottle of Japanese.

Octagonal ribbed vase with lid of multicolored painted faïence, the metal pot, after Lambertus van Eenhoorn, c. 1695 - c. 1725 Octagonal, ribbed vase of multicolored painted faïence. The vase is painted with flowers, rocks, birds and a bird in a tree. The vase is part of a couple, the other parts are: three identical pots and an identical vase. The parts are marked. Delft earthenware. tin glaze. Octagonal, ribbed vase of multicolored painted faïence. The vase is painted with flowers, rocks, birds and a bird in a tree. The vase is part of a couple, the other parts are: three identical pots and an identical vase. The parts are marked. Delft earthenware. tin glaze.

Baluster covered jar with floral scrolls and auspicious symbols, anonymous, c. 1875 - c. 1899 Diskel of baluster -shaped porcelain lid jar, painted on the glaze in blue, red, pink, green, yellow and black. On the lid three flower branches and a tire with servetwork. Famle Rose. China porcelain. glaze. painting / vitrification Diskel of baluster -shaped porcelain lid jar, painted on the glaze in blue, red, pink, green, yellow and black. On the lid three flower branches and a tire with servetwork. Famle Rose. China porcelain. glaze. painting / vitrification

. Jug or can of quartz frying with a white tin-lead alkali acid on which sitting people and decorative tires in luster.

Sugar Bowl, Royal Worcester, English, established 1751, soft paste porcelain, vitreous enamel, Elongated hemisphere, on cylindrical foot. Double-domed cover with applied knob of flower in the round attached to a stem and foliage in relief. Decoration of floral sprays., England, ca. 1770, ceramics, Decorative Arts, sugar bowl, sugar bowl

Ewer. Iran or Central Asia, late 15th - early 16th century. Ceramics. Earthenware with white slip, underglaze-painted

Jar late 12th-early 13th century Similar underglaze painted objects are usually attributed to Raqqa, a town on the Euphrates in northeast Syria, from which a large number appeared on the market from the end of the 19th century. While some of the workshops were located there, as the unearthing of a large number of wasters confirms, others were located elsewhere along the Euphrates valley, in southern Anatolia, central Syria, Damascus and as far as Egypt.This jar is said to come from the so-called "Great Find" in Raqqa in the early 20th century, when a colony of Circassians that was being relocated by the Ottomans was given permission to excavate an archaeological area in search of building material. They found a number of large jars containing intact vessels which were eventually sold on the market (see also 56.185.22 and 56.185.15).The cursive inscription painted on the body reads "lasting glory and prosperity". Listen to experts illuminate this artwork's story Listen Play or pause #67

Vase

Bottle 1825-45 Chinese. Bottle. Chinese. 1825-45. Porcelain. Made in China

Vase, one of a pair, 1662-1722, 17in. (43.2cm), Porcelain, China, 17th-18th century

Vase from the cover; Delft (ceramic family; Ca 1600-), de Porceleyne Claeuw (faience label; 1658-1840); 18th century (1700-00-00-1800-00-00);

Two beaker vases and a vase, part of a garniture, De Klaauw, c. 1760 - c. 1800 Pottle of Faience lid. Blue painted with floral decorations. Delft . Pottle of Faience lid. Blue painted with floral decorations. Delft .

Vase; End of the 19th century (1891-00-00-1900-00-00);

Baluster-shaped vase (part of an assembled garniture) ca. 1690-1720 Japanese, for export market (Hizen ware, Imari type) Japanese porcelain vases made for export were avidly sought by aristocratic and royal patrons to decorate their stately homes and palaces in the late seventeenth and early eighteenth centuries. While Chinese porcelains were exported to Europe and Britain in larger quantities during this period, Japanese porcelains were prized for their boldly patterned and richly colored decoration. The popularity of works such as these changed European taste for Asian porcelain, with a more vivid palette preferred over the blue and white decoration which once defined imported porcelains.. Baluster-shaped vase (part of an assembled garniture). Japanese, for export market (Hizen ware, Imari type). ca. 1690-1720. Porcelain. Ceramics-Porcelain-Export

Lidded Vase, Meissener porcelain manufactory, c. 1725 Vase of painted porcelain with an outstanding foot and a vaulted lid with a button. On the vase are painted in under -glaze blue and many colors of landscapes with rocks, trees and shrubs in which Chinese figures, temples, birds, butterflies and a man are painted in a boat. On one side of the foot edge are two each other on water birds. The neck of the bottle is painted with flower branches in red and green, the lid with landscapes with temples and plants. Float porcelain Vase of painted porcelain with an outstanding foot and a vaulted lid with a button. On the vase are painted in under -glaze blue and many colors of landscapes with rocks, trees and shrubs in which Chinese figures, temples, birds, butterflies and a man are painted in a boat. On one side of the foot edge are two each other on water birds. The neck of the bottle is painted with flower branches in red and green, the lid with landscapes with temples and plants. Float po

Vase. unknown, craftsman

Jar (Ping) with the Eight Immortals (Baxian). China, Jiangxi Province, Jingdezhen, Chinese, Ming dynasty, Wanli mark and period, 1573-1620. Furnishings; Serviceware. Wheel-thrown porcelain with underglaze blue, clear glaze, and overglaze painted enamel decoration (doucai)

Ro Ek" cylindrical vase; XVII/18th century () (1662-00-00-1722-00-00);Kangxi (style), Paderewski, Ignacy Jan (1860-1941), Paderewski, Ignacy Jan (1860-1941)-collection, qing (style), ceramics, Chinese (culture), gift (provenance), green porcelain, colorful porcelain Corners, Chinese art, vases, lotus (ornament)

Vase with two handles, Italian majolica of Montelupo, between the end of the 16th and early 17th century

Ewer With a Seated Figure in a Landscape. Pear-shaped porcelain porcelain with an S-shaped ear connected to the top with a bridge to the neck, a C-shaped ear and a triangular spout in the edge, painted in underglaze blue. On the wall twice a seated person in a landscape. The neck is divided into two tires with a tulip motif. A decorative band above the foot. The spout and neck with a cloud motif. Transition porcelain in blue and white.

Baluster beaker vase with flower scrolls and precious objects, anonymous, c. 1680 - c. 1720 Balus -shaped porcelain cup vas with wide neck, painted in underlaze blue. The abdomen and neck are covered with stylized chrysanthen drinks in which the 'should' character are incorporated; Between the tenders, lobed cartouches with valuables (diamond, pearl, music stone, books) and antiques (vase with peacock springs, books, incense burner, objects of a scholar). Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrification Balus -shaped porcelain cup vas with wide neck, painted in underlaze blue. The abdomen and neck are covered with stylized chrysanthen drinks in which the 'should' character are incorporated; Between the tenders, lobed cartouches with valuables (diamond, pearl, music stone, books) and antiques (vase with peacock springs, books, incense burner, objects of a scholar). Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrification

Pitcher. unknown, craftsman

Kan van faience, anonymous, c. 1740 - c. 1780 Can of blue painted faience, on a base, with an ear, a pour and a lid. A landscape is painted on the shoulder. Delft earthenware. tin glaze. Can of blue painted faience, on a base, with an ear, a pour and a lid. A landscape is painted on the shoulder. Delft earthenware. tin glaze.

Flute vase unknown

Octagonal ribbed vase with lid multicolored painted faience

Bottle-Shaped Vase with Figures in Garden. China. Date: 1627-1644. Dimensions: H. 42.7 cm (16 13/16 in.); diam. 20.6 cm (8 1/8 in.). Porcelain painted in underglaze blue. Origin: China. Museum: The Chicago Art Institute, Chicago, USA.

Ovoid covered jar with flower baskets and auspicious symbols, anonymous, c. 1850 - c. 1899 Porcelain lid of egg -shaped lid jar, painted in underly glaze blue and on the glaze in blue, red, pink, green, black and gold. On the wall lucky objects (table with rolls, Ruyi-SCEPTER, Waaier, Qin, incense burner, bowl with mushrooms (Lingzhi) and rolls). On the shoulder an irregular bond with peony drinks on 'Frogsdril', leaf vines, chrysanthnums, flower rosettes and peach blossom 'Crackled ICE'. On the edge a bond with chrysanthnums. Cover button Painted gold. Coverpot is part of Cabinet AK-RBK-15919. Famle Rose. China porcelain. glaze. cobalt (mineral) painting / gilding / vitrification Porcelain lid of egg -shaped lid jar, painted in underly glaze blue and on the glaze in blue, red, pink, green, black and gold. On the wall lucky objects (table with rolls, Ruyi-SCEPTER, Waaier, Qin, incense burner, bowl with mushrooms (Lingzhi) and rolls). On the shoulder an irregular bond with peony drinks

. Can from faience with a decoration to the Chinese porcelain from the transition period

Vase - a book cylinder (pilgrim); 2. PO. 18th century (1751-00-00-1800-00-00);Paderewski, Ignacy Jan (1860-1941), Paderewski, Ignacy Jan (1860-1941)-collection, qing (style), moon cylinders, Chinese (culture), Chrysanthemums, Cloisonné, Dar (provenance), field horses, Lilie, Meander (ornament), butterflies, Chinese art, dragonfly, lotus (ornament)

. Soft-paste porcelain, polychrome enamels, and gilding . Manufacture de porcelaine de Vincennes (Manufacturer)

Vase with lid. unknown, craftsman

One of a Pair of Vases with Dragon Handles. Culture: China. Dimensions: H. 18 1/2 in. (47 cm); Diam. 13 in. (33 cm); Diam. of rim 6 1/4 in. (15.9 cm); Diam. of foot 7 3/8 in. (18.7 cm). Date: 19th century.Cloisonné is a technique for creating designs on metal whereby enclosures made from copper or bronze wire that has been bent or hammered into a desired pattern are filled with colored glass paste. Known as cloisons (French for "partitions"), the enclosures are generally pasted or soldered onto the metal body. The glass paste, or enamel, is colored with metallic oxide and painted into the contained areas. The vessel is then fired, usually at a relatively low temperature, about 800 degrees centigrade. As enamels commonly shrink during firing, the process has to be repeated several times to fill the entire design. Once this process is completed, the surface of the vessel is burnished until the edges of the cloisons are visible. Museum: Metropolitan Museum of Art, New York, USA.

Vase. unknown, craftsman

Worcester Porcelain Manufactory, Vases (pair), c. 1765-75, soft-paste porcelain.

Vase with ladies and flowers late 17th-early 18th century China. Vase with ladies and flowers 48324

Can be painted with flowers, anonymous, c. 1725 - c. 1750 Can from Faience. Blue painted with flowers. Delft . Can from Faience. Blue painted with flowers. Delft .

Snuff Bottle with Scene of Dragon-Boat Festival China Qing dynasty (1644-1911), Qianlong mark and period (1736-95)

Vase. Culture: China. Dimensions: H. 12 1/2 in. (31.8 cm). Date: 18th century.The delicate shades of pink found in the lush peonies on the surface of this vase help date the piece to the eighteenth century. The color pink was introduced from Europe to China around 1720 and quickly become part of the decoration of cloisonné enamels, as well as porcelains painted with overglaze enamel pigments such as the famous famille rose wares. Museum: Metropolitan Museum of Art, New York, USA.

Vase - cylinder; 19th century (1801-00-00-1900-00-00);

Covered, Ovoid Jar With Antiques and Flower Sprays. Egg-shaped porcelain lid pot, painted in underglaze blue and on the glaze blue, red, green, yellow, auberine, black and gold. On the wall Four cartouches with a scalloped edge filled with antiques and a fan shape with a figure at two towers, between the flower branches compartments; To the foot a decorative bond of leaf-shaped points, a band with half flour rosakes with curlwork; To the shoulder a decorative border with half flower rosettes and one with a Ruyi motif. Marked on the underside with a diamond in green and black enamel in a double circle. Famille Verte.

Vaas cover with De Paauw house, N.V. Haagsche Plateel Factory Rozenburg, 1896 Cover of earthenware lid, belonging to a couple of three polychrome painted with sunflowers and topographical representations. Four sunflowers are painted on the lid. The Hague earthenware Cover of earthenware lid, belonging to a couple of three polychrome painted with sunflowers and topographical representations. Four sunflowers are painted on the lid. The Hague earthenware

Vase of earthenware, painted with butterfly -like motifs, palmets etc., Plateelbakkerij Arnhem, c. 1910 - c. 1915 Vase of earthenware, flattened spherical body with long neck and two ears. Painted in blue, yellow, green and orange with butterfly -like motifs, palmets etc. on matte yellowish soil. Arnhem earthenware Vase of earthenware, flattened spherical body with long neck and two ears. Painted in blue, yellow, green and orange with butterfly -like motifs, palmets etc. on matte yellowish soil. Arnhem earthenware

Jar. Culture: Mexican. Dimensions: H. 10 3/8 in. (26.4 cm); Diam. 4 3/8 in. (11.1 cm). Date: ca. 1775-1800. Museum: Metropolitan Museum of Art, New York, USA.

Vase. Culture: China. Dimensions: H. with stand: 8 in. (20.3 cm); Diam. 6 in. (15.2 cm); Diam. of rim 3 1/16 in. (7.8 cm); Diam. of foot 4 in. (10.2 cm). Museum: Metropolitan Museum of Art, New York, USA.

Blue Grape-Cluster Pitcher; Eastern Mediterranean; about 1st - 2nd century; Glass; 12 cm (4 3,4 in.)

Box with carachters and auspicious Symbols. Box of porcelain with lid, painted in underglaze blue and on the glaze eggplant, turquoise, black and gold. The outer wall of the box with lucky symbols (hammer, pouch, coins) and two characters (happiness and prosperity, long life). On the bottom shells. The lid with the same decoration; Established medallion in the center with the lid knob in it.

Teapot (part of a service) ca. 1750-55 Doccia Porcelain Manufactory Italian. Teapot (part of a service). Manner of Jacques Stella (French, Lyons 1596-1657 Paris). Italian, Florence. ca. 1750-55. Hard-paste porcelain. Ceramics-Porcelain

Jarlet in the Form of a Melon with Floral Scroll and Petals. Vietnam, 1450-1550. Furnishings; Serviceware. Wheel-thrown stoneware with cream slip, underglaze blue painted decoration, and clear glaze

Bottle Made 1745-1755 Liverpool .

Ewer and Basin, the Greek A, c. 1701 - c. 1722 Can from Faïence. Multicolored painted with figures in a garden and lambrequinrand. Delft . Can from Faïence. Multicolored painted with figures in a garden and lambrequinrand. Delft .

Vase in Trumpet Shape 1700 Japan. Vase in Trumpet Shape. Japan. 1700. Porcelain decorated in polychrome enamels and gold (Arita ware, Imari type). Edo period (1615-1868). Ceramics

Vase with cover. Culture: British, Worcester. Dimensions: Height: 16 1/4 in. (41.3 cm). Factory: Worcester factory (British, 1751-2008). Date: ca. 1770-75. Museum: Metropolitan Museum of Art, New York, USA.

Sauce tureen and lid, Tin-glazed earthenware, Shaped ovoid tureen on three feet; stepped, domed cover with central knop; green and ochre decoration of birds, flowers and foliage., Moustiers-Sainte Marie, France, 1760s-80s, ceramics, Decorative Arts, Sauce tureen and lid

. Can of faïence with hollow belly, in which a projected horse. In the cavity the inscription: Dirck Janse from YSeltsteyn Anno 1658.

Jug. Gray with blue jug of stoneware. Decorated with the arms of Amsterdam.

Pharmacy pot, Third quarter of the 15th century, Ceramics (earthenware decorated in blue and metallic reflections), of Manises or Paterna, Valencia, Height: 30 cm. Museum: Museo Fundación Francisco Godia, Barcelona, Cataluña, España.

Apothecary jar (orciuolo) probably 1431 perhaps workshop of Giunta di Tugio It is likely that this large and impressive apothecary jar, decorated with a crane against a ground of oak leaf foliage, belonged to the pharmacy of the Arcispedale Santa Maria Nuova, Florence's oldest and most distinguished hospital. Its likely maker, Giunta di Tugio, delivered many maiolica wares to the hospital, especially in the year 1431. The existence of other apothecary jars in the same style, also bearing the hospital's emblem, a crutch, suggests that they all form part of an extensive commission of maiolica wares executed by Giunta after Hispano-Moresque prototypes.. Apothecary jar (orciuolo). perhaps workshop of Giunta di Tugio (Italian (Florence), active ca. 1430-1466). probably 1431. Maiolica (tin-glazed earthenware). Ceramics-Pottery

Pot of multicolored painted faïence. Pot of Faïence. Multicolor painted with flower decorations. The pot is part of a cabinet set.

Prunus Vase (Meiping) with Blossoming Lotus, late 1400s. China, Jiangxi province, Jingdezhen kilns, Ming dynasty (1368-1644). Porcelain with polychrome glazes, Fahua ware; diameter: 19 cm (7 1/2 in.); overall: 37.5 cm (14 3/4 in.).

Albarello, multi -colored painted with flower vines and oval coat of arms, anonymous, c. 1480 - c. 1500 Albarello of multicolored painted Majolica. The vase has a sloping base and shoulder and a low cylindrical neck. The two ears are winged samples. The Albarello is painted on both sides with fine flower vines between which a flower (Anjelier) on one side and an oval coat of arms on the other. Faenza earthenware. tin glaze. lead glaze majolica Albarello of multicolored painted Majolica. The vase has a sloping base and shoulder and a low cylindrical neck. The two ears are winged samples. The Albarello is painted on both sides with fine flower vines between which a flower (Anjelier) on one side and an oval coat of arms on the other. Faenza earthenware. tin glaze. lead glaze majolica

Vase; XVIII/19th century (1790-00-00-1810-00-00);

Cantonese vase. unknown, craftsman

. Pot of faience with a decoration to the Chinese porcelain from the transition period.

Unknown (n. - d.), Vase (main title). Ceramics, porcelain, moufle fire enamels. Petit Palais, Museum of Fine Arts of the City of Paris.

Vase third quarter 18th century British mount and Korean ceramic. Vase 205694

Ovoid jar and domed cover with bleu poudré and panels in reserve with landscapes and antiquities, anonymous, c. 1700 - c. 1724 Egg -shaped pot of porcelain, painted in underly glaze blue and red and on the glaze green, yellow, eggplant and gold. The pot is covered with bleu poudré (powder blue) with four elongated cartouches in reserve with scalloped edge filled with a crane and a deer in a landscape, antiques (vas, books, tanning burner), valuables (Artemisiablad, books) and an attribute of the de de attribute Eight immortal (castagnets), a pond with lotus plants and two cranes, two people in a river landscape; Between the large cartouches two small cartouches with flower branches; On the blue flower branches in gold. A double circle on the bottom. Bleu Poudré with Famle Verte. China porcelain. glaze. cobalt (mineral). gold (metal) painting / gilding / vitrification Egg -shaped pot of porcelain, painted in underly glaze blue and red and on the glaze green, yellow, eggplant and gold. T

. Baluster-shaped, square lid pot of porcelain with beveled corners and wide ingressed neck, painted on the glaze in blue, red, green, yellow, eggplant and black with a trade decoration. The wall is divided into two layers, the bottom layer with two compartments with peony or lotus branches with butterflies and two compartments with persons in a river landscape, the corners with floral drinks; the shoulder with varied flower branches with butterflies and valuables, the corners with a flower branch; a tire with flowers against a green speckled soil above; the neck with flower branches; Around the foot circles with flour saved in a green 'frogs' ground. Flower branches and valuables alternately on the lid; Gold-plated brass button in the shape of a flower. Round, smooth hole in the soil; Five chips in the lid; Chip in the foot ring. Lid glued. Famille Verte.

Lid of tea bus. Lid of tea bus from Faïence. Multicolor painted with floral decorations.

Vase ca. 1760 British. Vase. British. ca. 1760. Opaque glass with enamel decoration. Probably made in Bristol, Bristol, England

Albarello, multicolor painted with flower sprays and oval escutcheon, Anonymous, c. 1480 - c. 1500

Barrel-Shaped Covered Jar With Flower Scrolls And Geometric Patterns. Lid with button of porcelain pot, painted on the glaze in red, green, yellow, eggplant and black with flower drinks and geometric motifs. Decorated with a layer of geometric motifs interrupted by cartouches with a flower branch, and above it a layer with flower reflections saved in a red soil, green button. Famille Verte.

Covered Jar With Figures, Flower Sprays And Auspicious Symbols in Shaped Panels on a Multi-Colored Ground. Porcelain lid of porcelain lid with baluster-shaped body and ribbed wall, painted on the glaze in blue, red, pink, green, yellow, purple, black and gold. On the wall cartouches against a common background of vertical tires (harlequin pattern); Two cartouches in the shape of open rolls with a lady (long lijs) with boy (ocean) in a fenced garden with flowering plants, including two leaf-shaped cartouches with ponda branch and butterfly, on either side of the large courses a smaller pomegranate and finger lemon-shaped box with lucky symbols; On the neck a bond with flower drinks. The lid with the same decoration. On the bottom an old label with 's.k. 21 'and one with' 17100/91 ... 003/5 '. Belonging to a five-part cabinet set. Family Rose.

Vase. Vase, spherical with long cylindrical neck halfway interrupted by a ring, painted multi-colored with dependent lambrequins. Signature.

Vase ca. 1891 Ernest Chaplet French Creating a marbled glaze required an extensive knowledge of chemical reactions and firing temperatures. Chaplets exhaustive experiments in the kiln would cost him dearly—a firing accident led to his eventual blindness, ending his career as a potter. In despair, he destroyed all his notebooks containing his secret techniques.. Vase. French, Choisy-le-Roi. ca. 1891. Porcelain, brass. Ceramics-Porcelain

Scent bottle ca. 1760-80 British, Staffordshire. Scent bottle. British, Staffordshire. ca. 1760-80. Copper, enamel. Enamels-Painted

Pear-Shaped Vase With Monster Heads And Gilded Bands With Ruyi Motif. Pear-shaped vase of porcelain with flared neck and raised edge, covered with a monochrome cracked gray glaze and on biscuit gold. On either side on the shoulder a sample head with ring; Around the foot, shoulder and neck a band with Ruyi motif, decoration in gold-plated biscuit. Flaging flakes. Monochromes.

Miniature double gourd-shaped vase with foliate scrolls, anonymous, c. 1675 - c. 1724 Miniature gourd -shaped vase made of porcelain, painted in underlaze blue. On the wall leaf vines and twigs. Blue White. China porcelain. glaze. cobalt (mineral) painting Miniature gourd -shaped vase made of porcelain, painted in underlaze blue. On the wall leaf vines and twigs. Blue White. China porcelain. glaze. cobalt (mineral) painting

. High, bell-shaped cup counter with lid of porcelain with high, spreading foot, painted in underglaze blue. Two rows with flower leaf-shaped compartments on the wall with plants blooming in it with arrearing; a half flower between the courses on the top row; the edge with a continuous leaf rank; A stylized flower on the foot three times. The lid with the same decoration. Lid is glued. Blue White.

Small bottle-shaped vase. Artist: Chinese , Qing Dynasty. Culture: Chinese. Dimensions: Height: 4 7/8 in. (12.3 cm.). Date: probably 18th century. Museum: Metropolitan Museum of Art, New York, USA.

"Pompeian" vase with cover (one of a pair) ca. 1874 Minton(s) This vase demonstrates the wealth of ornamental motifs available to designers at industrial manufactories such as Mintons, where Solon worked for much of his career. The results were at times startlingly eclectic. On this pair of Pompeiian vases,” the asymmetrically hung medallions evoke Japanese designs, while the delicate pink hue of the ornaments and Solon’s cameo decoration call to mind a neo-Rococo aesthetic.. "Pompeian" vase with cover (one of a pair). British, Stoke-on-Trent, Staffordshire. ca. 1874. Pte-sur-pte with gilding and enamel decoration. Ceramics-Pottery

Can, painted with lambrequins and family crest. Schenkkan painted in blue with lambrequins, leaf ornament and an unknown family crest.

. Cylindrical vase (wheel wagon) of porcelain with a wide, spreading neck, painted in underglaze blue. On the wall a continuous landscape with mountains, trees and rocks. Herein a dignity and his consequence. He receives an oxshearder with his OS. On the edge a tire with depending, pointed leaf motifs. Transition porcelain in blue and white.

Vase with lid. unknown, craftsman

Vase; around 1900 (1890-00-00-1900-00-00);

Jar, William Frend De Morgan, British, 1839-1917, Sands End Pottery, British, 1888 - 1907, William Frend De Morgan, British, 1839-1917, Glazed earthenware, Two high handles rising from the shoulders. Blue Hispano-Moresque decoration with dolphins., Fulham, England, ca. 1888-97, ceramics, Decorative Arts, Jar

Vase, Het Porian, after Rochus Jacobsz. Hoppesteijn, c. 1685 - c. 1690 Vase van Faience with flowers inspired by the Chinese porcelain. Delft pottery, marked rs. Delft . Vase van Faience with flowers inspired by the Chinese porcelain. Delft pottery, marked rs. Delft .

Vase with cobalt blue überfang with cut decoration. Square, gold-plated bronze foot and trunk in neolaissance style with gray damaged marble spacer. Trumpet-shaped chalice of bright colorless glass with a cobalt blue überfang, cut away in windows, fish blowing and circles. Scalloped upper edge.

Ko-Banko bottle. Gourd. Ceramic. Paris, Cernuschi museum. 55305-11 Ko-Banko bottle, ceramic, gourd

HU vessel vase with archaic motifs unknown

Pear-Shaped Vase, 1723-35. China, Jiangxi province, Jingdezhen kilns, Qing dynasty (1644-1911), Yongzheng reign (1723-35). Porcelain with underglaze blue decoration; overall: 16 cm (6 5/16 in.).

Vase; XVIII/19th century (1791-00-00-1810-00-00);

Lidded Funerary Urn (Lunghu Ping) with Dog and Dragon. China, Zhejiang Province, Longquan County, Southern Song dynasty, 1127-1279. Furnishings; Accessories. Longquan ware, wheel-thrown stoneware with carved, modeled, and applied decoration and green glaze

Square-Sectioned Bottle 1720-1730 Vienna. Hard-paste porcelain, polychrome enamels, gilding, and gilt wood stopper . Du Paquier Porcelain Manufactory (Manufacturer)

Bottle-Shaped Vase, Minton Ceramics Manufactory, English, established 1796, hard paste porcelain, vitreous enamel, gold, Circular mouth tapering into slender neck flaring to oval body on slightly flaring circular foot. Glazed deep turquoise with black arabesque decoration., 1870s, ceramics, Decorative Arts, vase, vase

Tea Canister, De Greek A (Attributed to), c. 1710 - c. 1725 Teabus from Faïence. Multicolored painted with floral decorations. Delft . Teabus from Faïence. Multicolored painted with floral decorations. Delft .

Tea bus from faience with lid of tin. Tea bus from faience with pewter lid. Painted multi-colored.

Flagon. Culture: British, Chelsea. Dimensions: 3 1/4 × 1 5/8 in. (8.3 × 4.1 cm). Factory: Chelsea Porcelain Manufactory (British, 1745-1784, Gold Anchor Period, 1759-69). Date: ca. 1765. Museum: Metropolitan Museum of Art, New York, USA.

Covered Jar with a Seated Dog. China. Date: 950 AD-1050. Dimensions: H. 31.7 cm (12 1/2 in.); diam. 15.1 cm (5 15/16 in.). Longquan ware; stoneware with underglaze mold-impressed and carved decoration. Origin: China. Museum: The Chicago Art Institute, Chicago, USA.

Tall vase with four roundels 1876 R. W. Martin and Brothers British Determined that pottery vessels should be regarded as true works of art, avant-garde ceramicists in France in the last decades of the nineteenth century transformed their craft into an intellectual and emotional endeavor. The pioneers of this revival were Jean Carriès, Ernest Chaplet, Théodore Deck, and Auguste Delaherche. These revolutionary artist-potters embraced artisanal traditions while pursuing lost techniques through exhaustive experimentation. Reacting to what they viewed as an excessive and improper use of ornament, they celebrated the simplicity and sincerity of their medium, following the tenets of the Art Nouveau style taking place in Europe. Based on the principles of the British Arts and Crafts movement, Art Nouveau artists sought to reform the decorative arts by emphasizing uniqueness and a return to craftsmanship. Artist-potters found inspiration in Asian ceramics, particularly Japanese stoneware (a ha

Ovoid bottle with figures in a water landscape, anonymous, c. 1650 - c. 1699 Egg -shaped bottle of porcelain with a flat edge, painted in underlaze blue. On the belly a continuous river landscape with sitting people by a pond surrounded by rocks, plants and banana trees. On the neck a tire with pointed leaf motifs. Arita, Blauw-Wit. Japan porcelain. glaze. cobalt (mineral) painting / vitrification Egg -shaped bottle of porcelain with a flat edge, painted in underlaze blue. On the belly a continuous river landscape with sitting people by a pond surrounded by rocks, plants and banana trees. On the neck a tire with pointed leaf motifs. Arita, Blauw-Wit. Japan porcelain. glaze. cobalt (mineral) painting / vitrification

. Vase of earthenware, belonging to a couple of three, polychrome painted with sunflowers and topographic representations. On one side, the house in Horst is painted at Voorschoten, on the other hand a pavilion in the garden of Huis de Paauw. Sunflowers have been painted between and above the performances.

Teapot with panel decoration with flowering plants, figures and silver mounts, anonymous, c. 1610 - c. 1630 Porcelain teapot with a ribbed, spherical body and s-shaped spout, painted in underlaze blue. The wall is divided into courses with alternating a flowering plant (chrysanthemum, peony) and a person sitting on a fenced terrace; the shoulder with a tire servetwork interspersed with a flower in a cartouche; The lid with a tire servetwork interspersed with a flower in a cartouche. Equipped with a 19th-century silver frame and handle by Arnoldi & Wielick, Amsterdam 1850. Kraakporcelain. Chinasilversmith: Amsterdam Porcelain. Glaze. Cobalt (Mineral). frame: Silver (Metal) painting / vitrification Porcelain teapot with a ribbed, spherical body and s-shaped spout, painted in underlaze blue. The wall is divided into courses with alternating a flowering plant (chrysanthemum, peony) and a person sitting on a fenced terrace; the shoulder with a tire servetwork interspersed with a flower in a

Lid of vase, painted with chinoiseries on a black fond. Lid of baluster-shaped vase of red Böttger-Stoneware

Vase, painted with chinoiseries on a black fond. Baluster-shaped vase of red Böttger-Stoneware. The vase has a thrilled, profiled foot and a short neck. The lid is a copy in wood. The original lid is missing. The vase, with the exception of the inside, is covered with black glaze, on which in multicolored cold lacquer and gold images are painted: on a side of Chinese figures, sitting on chairs at a table, on the other side a fence for which a handle with flowers with flowers . On the sides a tree with Chinese figures and a dog and a plant, bowl, vase and crane. Between the foot and body, between the shoulder and neck and on the flat foot edge, a gold band runs with dependent side-like ornaments. The coiled part of the foot is completely golded. Some small restorations at the foot and the mouth edge. The painting is rather damaged.

Covered jar with landscape scenes late 18th century China. Covered jar with landscape scenes 49364

Pilgrim Bottle first half of the 19th century China. Pilgrim Bottle 48467

Cup. Culture: Mexican. Dimensions: H. 4 7/8 in. (12.4 cm). Date: ca. 1830. Museum: Metropolitan Museum of Art, New York, USA.

Apothekerspot van faience, anonymous, c. 1700 - c. 1775 Pharmacist's pharmacy. Blue painted with inscription: E/Rutae. Delft . Pharmacist's pharmacy. Blue painted with inscription: E/Rutae. Delft .

Octagonal beaker decorated with bird and trees 1726 Attributed to followers of the Glasshouse of Bernard Perrot, Verrerie Royale d'Orléans This beaker, attributed to followers of the Italian-born glassmaker Bernard Perrot, was for drinking therapeutic waters at a spa.. Octagonal beaker decorated with bird and trees 207288

Flagon. Culture: British, Chelsea. Dimensions: 3 3/8 × 1 1/2 in. (8.6 × 3.8 cm). Factory: Chelsea Porcelain Manufactory (British, 1745-1784, Red Anchor Period, ca. 1753-58). Date: ca. 1750-53. Museum: Metropolitan Museum of Art, New York, USA.

Large Vase with Cover and Design of Peacocks. Culture: China. Dimensions: H. 52 1/4 in. (132.7 cm); Diam. 20 1/2 in. (52.1 cm); Diam. of rim 11 3/8 in. (28.9 cm); Diam. of base 13 1/4 in. (33.7 cm). Museum: Metropolitan Museum of Art, New York, USA.

Two beaker vases and a vase, part of a garniture, De Porceleyne Byl, c. 1750 - c. 1800 Vase of Faience. Blue painted with a landscape. Delft . Vase of Faience. Blue painted with a landscape. Delft .

Creamer. Culture: American. Designer: Designed by Karl L. H. Müller (ca. 1820-1887). Dimensions: H. 3 7/8 in. (9.8 cm); Diam. 3 1/4 in. (8.3 cm). Manufacturer: Manufactured by Union Porcelain Works (1863-ca. 1922). Date: ca. 1876.This creamer is part of a tea set (69.194.7-.14) designed for the 1876 Centennial celebration. The set's design is marked by rococo whimseys that can be seen in this creamer, including four rabbits that project outward, serving as feet, and the handle in the shape of a cornucopia. Museum: Metropolitan Museum of Art, New York, USA.

Bottle for Sweets 1790 Eiraku Hozen. Bottle for Sweets. Eiraku Hozen (Japanese, 1795-1854). Japan. 1790. Paste decorated with polychrome and transparent enamels (Kyoto ware). Edo period (1615-1868). Ceramics

Vase. Culture: China. Dimensions: H. 15 3/4 in. (40 cm). Museum: Metropolitan Museum of Art, New York, USA.

Tortoises Sake Pourer from Sake Pourers with Crane and Tortoises, c. 1893-1914. Seifū Yohei III (Japanese, 1851-1914). One of a pair of sake flasks; porcelain with overglaze color enamel; overall: 13.7 cm (5 3/8 in.).

Small Jar with Floral Appliqué Japan. Small Jar with Floral Appliqué 52252

Bottle ca. 1760 British. Bottle 637

Sleeve Vase. Cylindrical vase (wheel wagon) of porcelain with a wide, spreading neck, painted in underglaze blue. On the wall a continuous landscape with mountains, trees (willow, banana plant) and rocks. Herein a dignity and his consequence. He receives an oxsheer or boy on an OS. On the edge a tire with depending, pointed leaf motifs. Transition porcelain in blue and white.

Glass alabastron (perfume bottle). Culture: Greek, Eastern Mediterranean. Dimensions: 4 9/16 × 1 3/8 in. (11.5 × 3.6 cm)Diam. of rim: 1 7/16 in. (3.7 cm). Date: late 6th-5th century B.C..Translucent cobalt blue, with handles in opaque turquoise blue; trails in opaque yellow and opaque turquoise blue.Broad horizontal rim-disk, with radiating tooling marks on upper surface; short cylindrical neck; rounded shoulder; elongated ovoid body, tapering upward to pointed bottom, with maximum diameter below the middle; convex bottom; two vertical ring handles with knobbed tails, applied over trail decoration.Turquoise blue trail attached at edge of rim-disk; a yellow trail wound horizontally around top of body; a band comprising a yellow and a turquoise blue trail wound horizontally around body underneath handles, and a second band comprising two yellow trails flanking a turquoise blue trail wound horizontally around body at point of greatest diameter.Intact, except for most of one handle; s

Sugar bowl with lid of pottery with black covering glaze. Spherical sugar bowl of pottery with black covering glaze. The pot has a wide, curved edge and a vaulted lid. The button of the lid has the shape of a bird with spread wings. The pot and the lid are embossed decorated with a winger drink and leafwork, which is plated in a few places on the glaze.

Sugar bowl of pottery with black covering glaze. Spherical sugar bowl of pottery with black covering glaze. The pot has a wide, curved edge. The pot is embossed decorated with a winger drink and leafwork, which is plated in a few places on the glaze.

Vase, c. 1884, Linthorpe Pottery; Maker: Linthorp Factory, 10 1/2 x 7 1/8 in. (26.67 x 18.1 cm), Lead-glazed earthenware, England, 19th century

Ding-type censer on three legs with a profiled lid. unknown, craftsman

Jar with Peonies. Korea, Korean, Joseon dynasty (1392-1910), 18th century. Furnishings; Serviceware. Wheel-thrown porcelain with blue painted decoration under clear glaze

Bottle. Culture: China. Dimensions: H. 8 1/4 in. (21 cm). Date: late 17th-early 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Vase, Tin-glazed earthenware, Tall, reeded, eight-sided vase, straight-sided base swells to bulbous body, long thin neck, bulbous section top, flaring mouth; painted in underglaze blue on white with overall floral pattern, lambrequin border base, leaf border top bulbous section of body., Delft, Netherlands, 1875-1900, ceramics, Decorative Arts, Vase

Square Bough Pot With Figures on a Terrace, Birds and Flower Sprays. Lid of square flowerpot or vase of porcelain, painted on the glaze in blue, red, pink, green, yellow, purple, black and gold. Lid has been broken and restored to four places with iron wire. European forms with famille rose / mandarin.

Bottle Vase (Meiping) with Flowers 1100-1227 China. Cizhou-type cut-glaze ware; stoneware with dark iron brown glaze and cut and incised decoration .

RoseWater Sprinkler or Bottle Vase With Floral Scrolls in Spare in Lambrequins. Rose water dropper or point bottle on high, spreading foot and two thickenings in the neck, painted in underglaze blue. On the abdomen a band with a zigzag pattern with a bond with drafted flower drinks in Lambrequins. Alternating a stylized flower and a window alternately. On the neck a band with stylized flowers; Above flower branches. Blue White.

Porcelain tea caddy, tea caddy holder ceramic porcelain glaze silver , , baked glazed painted enamelled, ovoid on foot chine the commande galante scene parrot serving

Vase. Culture: American. Dimensions: 7 3/4 in. (19.7 cm). Maker: Tiffany Studios (1902-32). Date: ca. 1904-09.Louis Comfort Tiffany employed the motif of Queen Anne's lace, also known as "wild carrot," in his pottery, glass, and jewelry designs. Here, the bracts (stems on the underside of the blossoms) curl upward to form the organic shape of the vase. Queen Anne's lace was also the inspiration for the design of a cameo-cut glass vase (1997.409) and a hair ornament also in the Museum's collection (2001.249). Museum: Metropolitan Museum of Art, New York, USA.

Scent bottle. Culture: British, London. Dimensions: Height (with stopper): 4 1/16 in. (10.3 cm). Maker: Saint James's Factory (British, ca. 1748/49-1760). Date: ca. 1750-55. Museum: Metropolitan Museum of Art, New York, USA.

Vase (one of a pair) ca. 1760 Chelsea Porcelain Manufactory. Vase (one of a pair). British, Chelsea. ca. 1760. Soft-paste porcelain. Chelsea Porcelain Manufactory (British, 1745-1784, Gold Anchor Period, 1759-69). Ceramics-Porcelain

Two-handled flask, one of a pair, 1872, Philippe-Joseph Brocard, French, active 1867-1896, 15 9/16 x 8 1/2 x 5 7/8in. (39.5 x 21.6 x 14.9cm), Glass, enamel, France, 19th century, This pair of flasks was designed for the English aesthete, scholar and collector, Alfred Morrison (1821-1897). During the early 1860s Morrison hired designer Owen Jones to decorate and furnish his estate in Wiltshire, Fonthill House and his house at 16 Carlton House Terrace in London. Morrison's London house has survived with much of the original Islamic decoration intact. These flasks were probably placed upon a mantelpiece in front of a mirror in the townhouse so that the decoration could be seen 'in the round.

Mosque Lamp for the Mausoleum of Amir Aydakin al-'Ala'i al-Bunduqdar shortly after 1285 This lamps inscriptions reveal that it was ordered for Aydakins mausoleum (turba), a building still standing in Cairo. Mamluk amirs adopted emblems, often connected with their ceremonial roles at court, which decorated the objects and buildings they commissioned. Here, the motif of two gold crossbows against a red shield illustrates the office of bunduqdar (bow?keeper).. Mosque Lamp for the Mausoleum of Amir Aydakin al-'Ala'i al-Bunduqdar. shortly after 1285. Glass, brownish; blown, folded foot, applied handles; enameled and gilded. Made in Egypt, probably Cairo. Glass

Vase, one of a five-piece garniture, 19th century, H.6 x Di.3-7/8 in., Porcelain, England, 19th century

Sugar bowl (part of a service) ca. 1758-69 Chelsea Porcelain Manufactory The gilding on these pieces (see 54.163.7a, b-.34) is of a very high order, with tooled work on a thick application of honey gilding selectively matte and burnished for a lively design of pheasants, peacocks, and swallows in a landscape. The deep bowl was for little cakes. Listen to experts illuminate this artwork's story Listen Play or pause #407. Teapots Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Sugar bowl (part of a service). British, Chelsea. ca. 1758-69. Soft-paste porcelain with enamel decoration and gilding. Chelsea Porcelain Manufactory (British, 1745-1784, Gold Anchor Period, 1759-69). Ceramics-Porcelain

Can, painted with lambrequins and family crest, Anonymous, c. 1700 - c. 1730 Schenkkan painted in blue with lambrequins, leaf ornament and an unknown family crest. Rouen . Schenkkan painted in blue with lambrequins, leaf ornament and an unknown family crest. Rouen .

English pottery Vase by Josiah Wedgwood in Jasperware, about 1780

Kalian (water pipe). Iran, 17th century. Ceramics. Fritware, underglaze slip- and stain-painted, incised

Vase. unknown, craftsman

Can be from stoneware. Gray can of stoneware with pewter lid. Decorated with ingrangled flower gel with leaves and flowers. On the front of the abdomen a medallion with arm in relief.

Drucker Vase, anonymous, c. 1700 Square vase of porcelain with a wide, spreading neck, covered with a black glaze and painted in red, green, yellow, eggplant and black. A standing flower branch (Prunus) with one or more birds on each wall. Prunus branches on the shoulders. The neck with prunus branches and birds at a rock. Belongs to BK-NM-14283. Famle Noire. China porcelain. glaze. painting / vitrification Square vase of porcelain with a wide, spreading neck, covered with a black glaze and painted in red, green, yellow, eggplant and black. A standing flower branch (Prunus) with one or more birds on each wall. Prunus branches on the shoulders. The neck with prunus branches and birds at a rock. Belongs to BK-NM-14283. Famle Noire. China porcelain. glaze. painting / vitrification

Square bottle with stopper (one of a pair) ca. 1690-1720 Japanese, for export market (Hizen ware, Imari type) Japanese porcelain made for export was avidly sought by aristocratic and royal patrons to decorate their stately homes and palaces in the late seventeenth and early eighteenth centuries. While Chinese porcelains were exported to Europe and Britain in larger quantities during this period, Japanese porcelains were prized for their boldly patterned and richly colored decoration. The popularity of works such as these changed European taste for Asian porcelain, with a more vivid palette preferred over the blue and white decoration which once defined imported porcelains.. Square bottle with stopper (one of a pair). Japanese, for export market (Hizen ware, Imari type). ca. 1690-1720. Hard-paste porcelain with underglaze blue and overglaze enamel and gilding. Ceramics-Porcelain-Export

Vase China. Vase. China. Porcelain painted in underglaze blue and overglaze polychrome enamels. Qing dynasty (1644-1911), Qianlong mark and period (1736-95). Ceramics

Sugar bowl with cover (part of a service). Culture: British, Caughley. Dimensions: Height (with cover): 3 1/8 in. (7.9 cm). Factory: Caughley Factory (British, ca. 1772-1799). Date: ca. 1780-90. Museum: Metropolitan Museum of Art, New York, USA.

Vase; Kinkôzan, Sôbei VII (1867-1927), Kinkôzan; 19th/20th century (1891-00-00-1910-00-00);

Holder of ink set of multicolored painted faïence. Holder of Faïence ink set. Painted multi-colored.

Roll trolley, trolley tumbler holder ceramic porcelain glaze, baked painted glazed cabinet set (1-4). Cylindrical body with band-shaped thickening at the middle height. Trumpet-shaped neck decorate home interior

Funerary jar with dragon 12th-13th century China Several vessels like this one have been excavated from tombs in southern China. They are thought to have been employed to store grains used in burial ceremonies, and are sometimes associated with the religious tradition of Daoism.. Funerary jar with dragon 42476

Pitcher. Culture: American. Dimensions: H. 8 7/8 in. (22.5 cm). Maker: United States Pottery Company (1852-58). Date: 1852-58.Porcelain objects with white figures in low relief on a blue ground recall eighteenth-century Wedgwood wares. This pattern, known as "Paul and Virginia," is a copy of an English design. Museum: Metropolitan Museum of Art, New York, USA.

Vase. unknown, craftsman

Vase; 18th century (1701-00-00-1800-00-00);

Moon flask. Taniguchi (fl. ca 1880-1920), ceramist

Jug. Fragment of a gray with blue jug of stoneware.

Anonymous. Fountain with flags. Earthenware. 1789-1792. Paris, Carnavalet museum. 72437-52 Fantastic animal, crown, painted decor, flag, revolutionary faience, flower lily, fountain, music instrument, object, fish, revolution 1789, French revolution, drum, trumpet, 18th 18th 18th 18th 18th century

Ovoid covered jar with women in a landscape, anonymous, c. 1680 - c. 1720 Egg -shaped lid pot of porcelain, painted in underlaze blue. On the belly a landscape with two 'go' playing women (long lips). In addition, a two -standing women, one with a Qin. The performance is concluded with a cloud motif. On the lid two dancing boys (fools). Marked on the underside with an artemisia leaf. Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrification Egg -shaped lid pot of porcelain, painted in underlaze blue. On the belly a landscape with two 'go' playing women (long lips). In addition, a two -standing women, one with a Qin. The performance is concluded with a cloud motif. On the lid two dancing boys (fools). Marked on the underside with an artemisia leaf. Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrification

Moon flask rust body with central reserve ca. 1878-82 Doulton Manufactory. Moon flask rust body with central reserve. British, Lambeth, London. ca. 1878-82. Porcelain. Ceramics-Porcelain

Miniature bottle vase with Chinese figures and pine sprays. Miniature bottle-shaped vase of porcelain with square body, painted in underglaze blue. On the belly four medallions with a Chinese person in each, one of which is on horseback, one running, one with a range and one sitting; on the shoulder a band with zigzag work; The neck with twice a pine branch. Blue White.

Two vases.Meissen porcelain manufactory, Meissen, c. 1725, Hard Paste Porcelain

Candlestick with Floral Decor Candlestick; Manufactured by Volkstedt; porcelain, vitreous enamel

Snuff Bottle (Biyanhu) with Dragon Chasing Flaming Pearl. China, Chinese, Qing dynasty, Daoguang period, 1821-50. Tools and Equipment; bottles. Molded porcelain with painted overglaze enamel decoration

Jug of stoneware in gray and blue with around the neck three oval medallions in which three mances between which two flower vases. Jug of stoneware in gray and blue. To the neck three oval medallions in which three men's heads. Two flower vases in between. To the abdomen a wide tire on which a cavalcade with the overscription: Soldiers und Die Seint Ehren work, who serve zu faus und auch zu pert. Und Who Man Es von Ihnen Begerh in Decenber Anno 1617. Reidet In Nam DS Men. With tin lid. Note: The ear is broken.

Beaker with Cover (Humpen) with Hunting Scenes. Bohemian or German. Date: 1550-1600. Dimensions: H: 38.1 cm (15 in.). Colorless glass and enamel. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

Cylindrical, shoulderd vase with powder bleu and panels in reserve with flower sprays and birds, anonymous, c. 1700 - c. 1724 Cylindrical vase of porcelain with sloping shoulder, straight neck and flat, upright edge, painted in underlaze blue and on the glaze blue, red, green, yellow, black and gold. The vase is covered with bleu poudré (powder blue) with two rectangular cartouches with pressed corners filled with a bird on a flower branch (prunus and peony); On the blue a decoration in gold of curls with stylized flowers and two rectangular cartouches with crushed corners, one filled with rock, bamboo branch and two birds, the other with a prunus branch and a butterfly; On the shoulder a band Ruyi motif with geometric pattern interspersed with lobed cartouches with flower branches; the neck with geometric pattern in which two fan -shaped cartouches with flower branch and butterfly or river landscape; The edge with Meander motif. A chip in the edge and foot. On the bottom an old label

Vase with Scholar in a Landscape (one of a pair) ca. 1915-35 China Early in the twentieth century, under the auspices of Yuan Shikai, some ceramics of surprisingly fine quality were produced at the Jingdezhen kilns of Jiangxi Province. Yuan had been named president of the Chinese Republic in 1912, and his ambitions to become emperor were realized in December 1915, when he "accepted" the throne. His reign was short-lived, however, as he died in June 1916.This pair of vases have mirror-image designs that have been painted over the glaze in sepia and black pigments with minute attention to detail. They are marked on the base with Yuan Shikai's reign title, Hongxian, and they stand as proof of a degree of excellence in ceramic manufacture that is generally unexpected in wares of this period.. Vase with Scholar in a Landscape (one of a pair) 42325

Tureen 1814-30 Crown Derby. Tureen. British, Crown Derby. 1814-30. Soft-paste porcelain. Crown Derby (British, 1750-present). Ceramics-Porcelain

Walking stick button with painting in blue. Walking stick button of porcelain, painted in underglaze blue with floor motifs standing on the wall and on top of a flower branch.

Pair of Covered Vases 1880-1890 England. Bone china, enamel, and gilding .

Fábrica de Mensaque Rodríguez y Cía. (Maker); José León Rodríguez / 'Spittoon'. After 1917. Ceramic paste. Museum: Museo del Prado, Madrid, España.

Vase, multi -colored painted with chinoiseries, Meissener Porzellan Manufaktur, c. 1730 - c. 1735 Vase of painted porcelain. The vase is painted with a contour chinoiserie consisting of a running rider, preceded by a boy who wears a rolled-out music role on the back and with branches with Indianic blums. The vase is marked. Float porcelain Vase of painted porcelain. The vase is painted with a contour chinoiserie consisting of a running rider, preceded by a boy who wears a rolled-out music role on the back and with branches with Indianic blums. The vase is marked. Float porcelain

Goblet with cover ca. 1830-40 Bohemian. Goblet with cover 207907

Melon-shaped Ewer with Incised Peony Design, 1200s. Korea, Goryeo period (918-1392). Pottery; vessel only: 18.3 cm (7 3/16 in.). This melon-shaped pitcher is adorned with a delicate drawing that renders chrysanthemum buds with full blossoms in white and black inlays. In Korea, chrysanthemum flowers and leaves were made into both tea and wine. Chrysanthemum wine was enjoyed during the the Double Nine Festival (the ninth day of the ninth month in the lunar calendar) when praying for longevity.

Bottle-Flask with Drums, 1700s. Japan, Edo period (1615-1868). Porcelain with overglaze color enamel (Hizen ware, Arita type, Imari style); diameter: 18.2 cm (7 3/16 in.); overall: 25.6 cm (10 1/16 in.).

PILA BAUTISMAL DE MUEL - SIGLO XVI-XVII. Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION. MADRID. SPAIN.

Covered Deep Bowl. Culture: China. Dimensions: H. 5 1/2 in. (14 cm); Diam. 5 in. (12.7 cm). Date: early 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Test, 1760 Test of blue painted faience, ranging with an octagonal stew (BK-NM-4001). Makkum earthenware. tin glaze. Test of blue painted faience, ranging with an octagonal stew (BK-NM-4001). Makkum earthenware. tin glaze.

Swimming pool - aquarium; 19th century (1801-00-00-1900-00-00);

Container for kidding (); 19th century (1801-00-00-1900-00-00);

Decorative Asian Pot with Lid

George Loughridge, Crock, c 1938 Crock

Vase with Scene from The Story of the Blue Robe mid-17th century China Parallels to a vase with the same scene and an inscription identify the scene here as an episode from a Ming-dynasty play entitled The Story of the Blue Robe (Qingshan bao). This work recounts the story of a young scholar named Liang Hao who, for his help during a thunderstorm, was rewarded by the Daoist immortal Lu Dongbin with a bride, the promise of a successful career in government, and longevity.. Vase with Scene from The Story of the Blue Robe 76452

Carafe with a medallion with a women's portrait, anonymous, c. 1850 - c. 1900 Matt glass carafe with small gold -plated medallion in which a bust portrait of a girl. A golden rosette on the opposite side. The stop ends in a point. Along the four -part lobed spout and along the base golden edges. France (possibly) glass glassblowing / gilding Matt glass carafe with small gold -plated medallion in which a bust portrait of a girl. A golden rosette on the opposite side. The stop ends in a point. Along the four -part lobed spout and along the base golden edges. France (possibly) glass glassblowing / gilding

Drug Jar, 1550. Maiolica earthenware jar. Place of manufacture: Castelli, Italy.. The material used to make this drug jar is known in Italy as Maiolica.. It is earthenware with a thick, opaque white surface called tin glaze... Maiolica was established in the northern half of Italy by the mid-15th century when the pots were often decorated with bold patterns in green and purple.. As the industry developed throughout Italy, characteristic shapes emerged, amongst them drug jars like this used for display in pharmacies. The decoration on this pot shows a portrait of a bearded man in a damask robe, with an inscription reading 'nt agipriac', a contraction of the latin name of its original medicinal contents.

Long neck bottle with lions early 18th century China. Long neck bottle with lions. China. early 18th century. Porcelain painted in underglaze cobalt blue (Jingdezhen ware). Qing dynasty (1644-1911). Ceramics

Meiping vase with peach, pomegranade, and fingered citron 18th century China. Meiping vase with peach, pomegranade, and fingered citron. China. 18th century. Soft-paste porcelain painted in underglaze cobalt blue (Jingdezhen ware). Qing dynasty (1644-1911). Ceramics

Covered jar with plum blossoms early 18th century China. Covered jar with plum blossoms. China. early 18th century. Porcelain painted in underglaze cobalt blue (Jingdezhen ware). Qing dynasty (1644-1911). Ceramics

Vase; Chang; 19th century (1801-00-00-1900-00-00);

Hexagonal charcoal burner with water landscapes and floral scrolls, anonymous, anonymous, c. 1775 - c. 1799 Hexagonal charcoal burner (hiire) of stoneware, covered with a white sludge and painted on it in blue. The wall is divided into six courses with alternating a river landscape or in blue peony drinks. Kyoyaki. Japan stoneware. glaze. painting / vitrification Hexagonal charcoal burner (hiire) of stoneware, covered with a white sludge and painted on it in blue. The wall is divided into six courses with alternating a river landscape or in blue peony drinks. Kyoyaki. Japan stoneware. glaze. painting / vitrification

Vase Necel, Franciszek (1868 1935)

Miniature pitcher. Culture: American. Dimensions: 2 3/4 x 3 5/8 x 2 1/4 in. (7 x 9.2 x 5.7 cm). Maker: Charles Cartlidge and Company (1848-1856). Date: 1848-56. Museum: Metropolitan Museum of Art, New York, USA.

Wazon. unknown, craftsman

Beaker 1825-1855 Bohemia. Glass with polychrome enamels and gilding .

Ming dynasty, Yongle reign period. Porcelain painted in under glaze cobalt blue,.Jingdezhen, Jiangxi province.

Vase (one of a pair) ca. 1765-70 Chelsea Porcelain Manufactory. Vase (one of a pair). British, Chelsea. ca. 1765-70. Soft-paste porcelain. Chelsea Porcelain Manufactory (British, 1744-1784). Ceramics-Porcelain

Funnel with a Light Brown Glaze and Ruyi Border. Funnel of porcelain with a straight-handed, flared cup, bulb between cup and stem, partially covered with a café-au-lait-colored glaze and painted in underglaze blue. The cup with a ruyi motif band with curlwork; around the base of the cup a bond with dependent, pointed leaf motifs; The handle with a light brown glaze. Monochrome brown with blue and white.

Snuff Bottle, 19th century, 3 1/8 x 2 in. (7.9 x 5.1 cm), Ivory, China, 19th century

Incense Burner from a Set of Five-Piece Altar Set (Wugong) China. Incense Burner from a Set of Five-Piece Altar Set (Wugong). China. Porcelain. Qing dynasty (1644-1911), Daoguang period (1821-50). Ceramics

Cover of earthenware with black -covering glaze, anonymous, c. 1740 - c. 1770 A vaulted lid. The button of the lid has the shape of a bird with spread wings. The lid is decorated in relief with a winger drink and leaf work, which is gold -plated in a few places on the glaze. Staffordshire earthenware A vaulted lid. The button of the lid has the shape of a bird with spread wings. The lid is decorated in relief with a winger drink and leaf work, which is gold -plated in a few places on the glaze. Staffordshire earthenware

Tea caddy with birds in a landscape, Ansbach, c. 1765 Porcelain tea with with a rectangular body, short, round neck and sloping, slightly excellent shoulder. Painted on the glaze in email colors and gold. Two birds in a landscape on the wide courses of the abdomen. The narrow compartments and the shoulder with sprinkling flowers. On the edge just below the shoulder a band with servetwork, including Golden Ranks. Golden line on the neck. Marked on the underside with the A. Ansbach porcelain. glaze. gold (metal) painting / gilding / vitrification Porcelain tea with with a rectangular body, short, round neck and sloping, slightly excellent shoulder. Painted on the glaze in email colors and gold. Two birds in a landscape on the wide courses of the abdomen. The narrow compartments and the shoulder with sprinkling flowers. On the edge just below the shoulder a band with servetwork, including Golden Ranks. Golden line on the neck. Marked on the underside with the A. Ansbach porcelain. glaze.

Sugar bowl with lid, part of a tête-à-tête, painted with Lelies, N.V. Haagsche Plateel Factory Rozenburg, 1900 Sugar pot of a porcelain tête-à-tête. Painted in yellow, reddish -brown and different shades of green with an ornamental decor, in which lilies. On all parts the monogram MVV (= Michiels van Verduynen) and the weapon of this family, in which the color blue also occurs. Marked Rozenburg. The Hague porcelain Sugar pot of a porcelain tête-à-tête. Painted in yellow, reddish -brown and different shades of green with an ornamental decor, in which lilies. On all parts the monogram MVV (= Michiels van Verduynen) and the weapon of this family, in which the color blue also occurs. Marked Rozenburg. The Hague porcelain

Unknown (n. - d.), Covered vase (main title). Ceramics, porcelain, moufle fire enamels. Petit Palais, Museum of Fine Arts of the City of Paris.

Vase, Ernest Chaplet, c. 1885 - c. 1886 Vase of Grès Brun with entered and in relief modeled decoration, partially matte brown glazed, painted in colors and black and white enamel, heighted with gold. The vaulted, widening vase has a slightly cut neck. The body is decorated with three flying swallows and prunus blossoms. Brands: Stamped: Rosary within which H&CO (scratched away); Form number 70; Ingrift G2 above B1; Painted in gold HB & Co (HB together); Ingrift into the decor AK in monogram. Paris stoneware Vase of Grès Brun with entered and in relief modeled decoration, partially matte brown glazed, painted in colors and black and white enamel, heighted with gold. The vaulted, widening vase has a slightly cut neck. The body is decorated with three flying swallows and prunus blossoms. Brands: Stamped: Rosary within which H&CO (scratched away); Form number 70; Ingrift G2 above B1; Painted in gold HB & Co (HB together); Ingrift into the decor AK in monogram. Paris stoneware

Morning Glory Vase. Matthew Andrew Daly (United States, 1860-1937)Rookwood Pottery (United States, Ohio, Cincinnati, 1880-1960). United States, 1887. Furnishings; Accessories. Earthenware with glaze

Mosque lamp. .

Covered Vase. Culture: American. Designer: Probably designed by Edward Lycett (1833-1910). Dimensions: H. 27 in. (68.6 cm); Diam. 14 1/2 in. (36.8 cm). Manufacturer: Manufactured by Faience Manufacturing Company (American, New York, 1881-1892). Date: 1886-90.Because of its massive size, this Near Eastern-inspired bottle-form vase is one of the most important examples of the Faience Manufacturing Company's work. It may have belonged to the eminent ceramic historian Dr. Edwin AtLee Barber, who acquired a vase of the same size, shape, and decoration at auction in 1910. On the lower body, broad bands of Mazarine blue, a difficult-to-achieve glaze for which the firm was renowned, are painted with powdered gold and gilt vermiculation. On the upper body and neck, raised gold-paste butterflies flutter among chrysanthemums of Far Eastern derivation on an ivory-glazed ground. Museum: Metropolitan Museum of Art, New York, USA.

Square bottle with the Crucifixion and stylised flowers, anonymous, c. 1750 - c. 1799 Bottle of stoneware with a square body, rounded shoulder and narrow neck with thread. Partly covered with cobalt blue. On one side a small printed and imposed relief of the crucifixion with two Maria's comprises by a blowing blower. Below two stylized flowers. The other three sides with a long -term, stylized flower in a kind of gate. Stamped rosettes on the shoulder saved in blue. Dop is missing. Westerwald. Westerwald stoneware. glaze. cobalt (mineral) vitrification Bottle of stoneware with a square body, rounded shoulder and narrow neck with thread. Partly covered with cobalt blue. On one side a small printed and imposed relief of the crucifixion with two Maria's comprises by a blowing blower. Below two stylized flowers. The other three sides with a long -term, stylized flower in a kind of gate. Stamped rosettes on the shoulder saved in blue. Dop is missing. Westerwald. Westerwald stoneware. glaze.

Lekythos 1st quarter of 5th century B.C. Attributed to the Athena Painter. Lekythos. Greek, Attic. 1st quarter of 5th century B.C.. Terracotta; black-figure. Late Archaic. Vases

Snuff Bottle, 19th century, 3 3/4 x 2 1/4in. (9.5 x 5.7cm), Ivory, China, 19th century

Tankard. Germany, Hanau. Date: 1786. Dimensions: 22.2 x 12.1 cm (8 3/4 x 4 3/4 in.). Tin-glazed earthenware (faience) and pewter. Origin: Hanau. Museum: The Chicago Art Institute, Chicago, USA.

Lantern; End of the 19th century (1891-00-00-1900-00-00);

Bow Porcelain Manufactory, Frill-Vase and Cover, c. 1760-65, soft-paste porcelain.

. Metal lid of charcoal burner (hiire) of porcelain. The lid has openwork flower drinks. The edge is six times lobed. Blue White.

Vase, Meissener porcelain manufactory, c. 1725 - c. 1730 Vase with lid, made of multicolored painted porcelain. The vase and the lid are almost completely covered with a violet stock in which two-shaped four-passen-shaped four-passes have been saved on the top. Chinoiseries are painted in a garden in the four passes, on one side in the style of Höroldt. A lace gold Frisian runs on the shoulder. The lid has a gilded pear -shaped button on a white base. The vase is marked. Float porcelain Vase with lid, made of multicolored painted porcelain. The vase and the lid are almost completely covered with a violet stock in which two-shaped four-passen-shaped four-passes have been saved on the top. Chinoiseries are painted in a garden in the four passes, on one side in the style of Höroldt. A lace gold Frisian runs on the shoulder. The lid has a gilded pear -shaped button on a white base. The vase is marked. Float porcelain

Apothecary Jar ca. 1750-1800 Mexican. Apothecary Jar 3462

Sand shaker with pierced top, anonymous, c. 1750 - c. 1799 Sand spreader of stoneware with a cylindrical body, flared edge to place in the holder and openwork top. The edge is covered with cobalt blue. Westerwald. Westerwald stoneware. glaze. cobalt (mineral) vitrification Sand spreader of stoneware with a cylindrical body, flared edge to place in the holder and openwork top. The edge is covered with cobalt blue. Westerwald. Westerwald stoneware. glaze. cobalt (mineral) vitrification

Garden vase; De Grieksche A (Fiansu Factory; 1658-1818), Kocks, Adrianus (Fl. 1686-1701); around 1690 (1801-00-00-1900-00-00);

Unknown, covered vase (main title). Ceramics, porcelain, moufle fire enamels. Petit Palais, Museum of Fine Arts of the City of Paris.

Vase (one of a pair) ca. 1870 Minton(s) British These vases reflect Christopher Dressers work in its most overtly decorative vein. The primary aesthetic impact of the vases lies in the strong pink ground, and the ‘cloisonné decoration, applied in bands, is further removed from a true cloisonné appearance than is normally encountered in Dressers work in this genre. There is a boldness to the simplicity of the decorative scheme, which relies on a strong color offset by two primary areas of dense pattern. These vases are unlike any other ceramic works designed by Dresser in the Museums collection. Listen to experts illuminate this artwork's story Listen Play or pause #418. Christopher Dresser and the Birth of Industrial Design Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Vase (one of a pair). British, Stoke-on-Trent, Staffordshire. ca. 1870. Bone china. Ce

Charcoal burner with lobed sides, moulded rings and a metal cover, anonymous, c. 1800 - c. 1899 Metal lid of charcoal burner (Hiire) from porcelain. The lid has openwork flower vines. The edge has been lobed six times. Blue White. Japan porcelain. glaze. cobalt (mineral). deksel: metal painting / vitrification Metal lid of charcoal burner (Hiire) from porcelain. The lid has openwork flower vines. The edge has been lobed six times. Blue White. Japan porcelain. glaze. cobalt (mineral). deksel: metal painting / vitrification

Cylindrical vase with powder blue and a chinese lady on a terrace. Trolley vase of porcelain with flat shoulder, straight neck and flared edge, painted in underglaze blue and on the glaze blue, red, green, yellow, eggplant, black and gold. The wall is covered with bleu poudré (powder blue) with two rectangular reserves with squeezed corners, one filled with a Chinese lady with a sprig of sitting on a stool on a terrace with rocks and plants, the other with a Chinese lady with sitting On a couch with a musical instrument next to a stool in a fenced garden with rocks, plants and a tree; To the courses a decoration in gold, between the boxes a flower vase, around the foot curling, on the shoulder a Swastika pattern interspersed with boxes filled with antiques, on the neck flower branches. Restored crack in the edge and neck; On the underside an old label with 'Collection S. Alberge-La Haye 1750'. Bleu poudré with famille verte.

Goblet ca. 1870 Dott. Antonio Salviati & C.. Goblet. Italian, Venice (Murano). ca. 1870. Glass. Glass

Salt-cellar. Castelli (ośrodek ceramiczny ; ca 1400- ), factory

Vase ca. 1390-1353 B.C. New Kingdom This nearly complete glass bottle was discovered during the Museum's excavations at Malqata, the site of a city built for the jubilee festival of Amenhotep III.. Vase. ca. 1390-1353 B.C.. Glass. New Kingdom. From Egypt, Upper Egypt, Thebes, Malqata, Palace of Amenhotep III, MMA excavations, 1911-12. Dynasty 18

Vase with cover ca. 1775-80 Cozzi Manufactory Italian The painted decoration on this vase reflects the ongoing popularity of chinoiserie, an evocation of the peoples, buildings and landscape of Asia, which exerted a strong fascination for eighteenth century Europeans.. Vase with cover 200962

Terracotta oinochoe (jug) ca. 325-300 B.C. Attributed to the Stuttgart Group Nike driving a chariot preceded by Eros with a situla (bucket)The oinochoai are open at the bottom, indicating that they were made for funerary use. The opening rendered them useless as containers but permitted liquid offerings to flow into the ground.. Terracotta oinochoe (jug) 247372

Tea set with view of Mount Vernon, The seat of the Late Genl Washington. Engraver Source material by: Samuel Seymour, American, 1797-1822 After: William Russell Birch, British, 1755-1834

Bottle 1849-58 Probably designed by Daniel Greatbatch British. Bottle. American. 1849-58. Mottled brown earthenware. Made in Bennington, Vermont, United States

Spirit Keg in the Shape of a Japanese Woman on a Chariot. Genkuja of porcelain, painted in underglaze blue and on the glaze red, green, black and gold. The jug is in the form of a woman in kimono, sitting on a two-wheel cart. Her kimono has been raised, so that her lower legs are visible. Front the cart is a hole made for the tap. The head is separate from the body and acts as a cap. Wheels were modeled on either side of the cart. The kimono is decorated with clemators, cherry blossom and paulown patients. On the front of the cart a rectangular compartment with a cloud of cloud and a scalloped cartouche with a lotus drink. The back of the cart with two birds behind bars, prunus blossoms and flower rinks that walk on the sides. Two corners of the cart broken off at the front. Imari.

Covered Box. Vietnam, 15th century. Furnishings; Accessories. Stoneware with underglaze blue painted decoration

TIBOR DE PORCELANA CHINA - PERIODO QIAN LONG (1736-1795). Location: MINISTERIO DE HACIENDA-COLECCION. MADRID. SPAIN.

Tea caddy (one of a pair) ca. 1770 British, South Staffordshire. Tea caddy (one of a pair). British, South Staffordshire. ca. 1770. Enamel on copper. Enamels-Painted

Opulent Spanish Ceramic Earthenware from the 16th Century.

Very old style glass ewer water jar in view

Russian Nesting Dolls Colorful russian nesting dolls isolated on a white background Copyright: xZoonar.com/VladxPodkhlebnikx 479627

Scent bottle ca. 1760-1800 British, Staffordshire. Scent bottle. British, Staffordshire. ca. 1760-1800. Copper, enamel. Enamels-Painted

Hutsul Easter egg

Teapot with a motif of two dragons unknown

JARRA DE TALAVERA.

Vase 1861-1895 Silesia. Glass with enamel decoration . Adolph von Heyden (Decorator)

Turkish Figure, Sweetmeat Dish. Bow Porcelain Factory; London, England, 1744-1775. Date: 1755-1765. Dimensions: H. 20.3 cm (8 in.). Soft-paste porcelain, polychrome enamels and gilding. Origin: Bow. Museum: The Chicago Art Institute, Chicago, USA.

Asia, Iran, Tehran. Vase and necklace in shop window.

Tea canister with a maternity visit, anonymous, c. 1700 Tea bus with maternity visit, a thread along the neck. The cap was added later. Delft earthenware Tea bus with maternity visit, a thread along the neck. The cap was added later. Delft earthenware

Close-up of two vases in iron stands, Murano, Venice, Veneto, Italy

Incense container in shape of a bird (Kogo). Artist: Miyagawa Chozo (Japanese, 1797-1860). Culture: Japan. Dimensions: H. 1 13/16 in. (4.6 cm); Diam. 2 13/16 in. (7.2 cm).After being apprenticed to Aoki Mokubei (1767-1833) to learn pottery techniques, Miyagawa Chozo opened a new kiln at Makuzugahara in Higashiyama, Kyoto. Given the artistic name Makuzu by Yasui no Monzeki, a retired monk of the Shingon (Esoteric Buddhist) sect, he began making "Makuzu ware." He was the father of Meiji-period ceramic artist Miyagawa (Makuzu) Kozan I (1842-1916). Museum: Metropolitan Museum of Art, New York, USA.

HU" quadrilateral vase; 2. PO. 18th century (1736-00-00-1796-00-00);Qing (style), ceramics, Phoenixes (iconogr.), Hu, bats (iconogr.), Porcelain, color porcelain, dragons (iconogr.), Chinese art, vases

Box, Enamel, copper, brass, In shape of a head; field of white enamel, with features colored. Hinged lid and deep blue on outside. Representation of a 'Turk.', Staffordshire or Bilston, England, ca. 1770, enamels, Decorative Arts, box, box

Chinese Porcelain Vases

Candelabrum Depicting an Allegorical Figure of Matrimony, c. 1775. Derby Porcelain Factory (Chelsea-Derby Period, 1770-84). Soft-paste porcelain; overall: 31.1 x 25.7 x 15.6 cm (12 1/4 x 10 1/8 x 6 1/8 in.).

White Chinese porcelain vases with floral ornament

Milk jug (pot à lait Étrusque), part of Breakfast Service (déjeuner) 1813 Sèvres Manufactory French This breakfast service (56.29.1-.8) was presented by Napoleon I to Princess Auguste-Amélie, wife of his stepson Eugène Beauharnais, on New Year's Day of 1814. The overall theme of the decoration was described in the factory records as the "loves of amors and nymphs," and the title given to the scene on the tray was "Accused Nymphs Appearing before the Tribunal of Love.". Milk jug (pot à lait Étrusque), part of Breakfast Service (déjeuner). French, Sèvres. 1813. Hard-paste porcelain. Ceramics-Porcelain

Delftware, or Delft pottery, wooden clogs as souvenirs, Delft, Province of South Holland, the Netherlands

Covered Tankard. Unknown

Pharmaceutical jars for storing "Aspirina" and "Bicarbonat". Pharmacy Museum. Turku. Finland.