Classical Architecture Designs

Illustrations of classical architecture featuring detailed elevations and decorative elements from various periods.

Subscribe in Noordeinde Palace, Jan Matthysz., After Pieter Jansz. Post, 1664 print The Hague paper engraving

Assets in this Story

The Elevation of a Church, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

S. Andrea via Flaminia, elevation (recto) blank (verso) early to mid-16th century Drawn by Anonymous, French, 16th century French. S. Andrea via Flaminia, elevation (recto) blank (verso) 360518

Subscribe in Noordeinde Palace, Jan Matthysz., After Pieter Jansz. Post, 1664 print The Hague paper engraving

Drawing for a Door Frame 18th century Lorenzo Sarti Italian. Drawing for a Door Frame 346147

Section of the Wall of a Nunnery Chapel with the Choir, Pen and ink, brush and watercolor on paper, Elevation of a wall with a gallery above. At center, a door. Above this, a shell ornament and the gallery bows out in a convex curve., Italy, 18th century, interiors, Drawing, Drawing

Plan of upright of the Tabernacle above the Niche of Temple at Baalbec, James Bruce, 1730-1794, British, undated, Graphite, pen and black and brown ink on moderately thick, slightly textured,cream laid paper, Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm) and Mount: 23 1/8 × 13 1/4 inches (58.7 × 33.7 cm), architectural subject

Temple for a Flower Garden 1778 Sir John Soane British. Temple for a Flower Garden 398743

Architectural drawing of a column farm and central pavilion with a round dome, executed with feather and gray lavated ink, showing building structure and layout.

Poort puts Zuilen, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print Front and top view of a gate with Corinthian columns and a staircase. Print number 192. Paris paper etching / engraving monumental door, porch, 'aediculum'. column, pillar ~ architecture. Corinthian order ~ architecture. front steps

Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1303. The doorframe has the height of the lateral walls. The column has a greater diameter, and it is decorated above the band with drapery festoons. On top is a cresting of a small semicircular pediment above each cross arm., Rome, Italy, ca. 1795, architecture, Drawing, Drawing

Portal with hexagonal floor plan, 1658 Portal with hexagonal floor plan and detached pillars of the Tuscan order. The print is part of an album. Cologne (possibly) paper engraving Portal with hexagonal floor plan and detached pillars of the Tuscan order. The print is part of an album. Cologne (possibly) paper engraving

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 49e Cahier, Façades and pavilions, Elevation d'un Pavillon de 11 toises de face du còte' du jardin, Façade with round arches and statues, verso - stamped, A facade of a garden pavilion with three round arches, pilasters and a staircase. Above the pilasters of the entrance are four statues with panels with garlands in between, above them a crowned coat of arms with wings. Print number 292., print, ornamental print, prints, ornamental prints, height 204 mm, width 329 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Weysser Fr., built in and around Ragusa. (From: Atlas to the magazine for Building, ed. V. Ministry of Public Works, Jg. 44, 1894): View Palazzo Bizarro. Stitch on paper, 42.2 x 27.2 cm (including scan edges)

Underbools in Palace Huis ten Bosch; Chimneys of the cabinets of the third floor of the Sael of Orange; Chimney twecken.

Alberti Leon Battista (1404-1472), S. Andrea, Mantua. (From: Atlas to the magazine for Building, ed. V. Ministry of Public Work, Jg. 49, 1899): View Westfront, floor plan. Stitch on paper, 43.2 x 27.2 cm (including scan edges)

Jean Le Blond, Plan et elevation des plus beaux confessionnaux de Paris, tres fidelemant mesure, published 1688 Plan et elevation des plus beaux confessionnaux de Paris, tres fidelemant mesure

Facade and portal risalite design at the Hofburg, Vienna I, by Jean Nicolas Jadot, showing architectural elements and structural features for conversion and new construction, executed in graphite and pen, 18th century.

Porta Antonae (Views of Ancient Roman Temples and Arches) 1535-40 Anonymous, Italian, 16th century Half view of a triumphal arch dedicated to Anthony, at left.. Porta Antonae (Views of Ancient Roman Temples and Arches). Anonymous, Italian, 16th century. 1535-40. Engraving

Design for a Palace Gate, Pen and ink, brush and wash on light brown paper, Horizontal format. Steps are leading to an entrance pavilion giving access to a palace compound. Left and right of the pavilion is a wall made of bricks and stones. The pavilion is richly decorated with statues, reliefs, ornaments, and with pillars and columns in Corinthian style. Seen through the intercolumniation an obliquely placed garden terrace and part of the facade. The background is colored gray. Framing line and strip., Italy, 1800-30, architecture, Drawing, Drawing

fatta con architettura di Carlo Maderno, Finestra della facciata del Tempio Vaticano nel secondo ordine, fatta con architettura di Carlo Maderno, Stvdio d'architettvra civile sopra gli ornamenti di porte e finestre tratti da alcune fabbriche insigni di Roma con le misure, piante, modini, e profili: opera de' piv celebri architetti de nostri tempi, Maderno, Carlo, 1556-1629, Specchi, Alessandro, 1668-1729, Engraving, 1702-1721

Unknown architect, garden house. Monthly competition October 1877 (10.1877): Upper side view, longitudinal cut with interior wall decoration. Pencil on cardboard, 57.2 x 44.2 cm (including scan edges) N.N. : Gartenhaus. Monatskonkurrenz Oktober 1877

James Malton, 1761-1803, British, Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats, 1802. Graphite on medium, sligihtly textured, cream laid paper.

Antwerp, Galle, Theodoor, Vredeman de Vries, Hans, Doetechum, Johannes or Lucas van, Variae Architecturae formae, Oval architectural perspective views for intarsia, Part of a portal with vases in niches, Part of a portal with vases in niches. Through the gate a view of two obelisks in front of a city gate. Scrollwork in the corners. This print is part of an album., print, prent, albumblad, prints, prenten, height 163 mm, width 214 mm, print maker, prentmaker, 1560 - 1562, paper, papier, etching, etchings, Work conception, Southern Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, 1571 - 1633, publisher

Façade of the Hôtel de Chavannes, Paris (recto); Plan of a Circular Room (verso) 18th century Workshop of Pierre Louis Moreau Desproux French. Façade of the Hôtel de Chavannes, Paris (recto); Plan of a Circular Room (verso) 343362

Poort puts Pilasters in Trappartij, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print Front and top view of a gate with pilasters and a staircase. Print number 191. Paris paper etching / engraving monumental door, porch, 'aediculum'. half-column, pilaster ~ architecture. front steps

James Allen, active 18th century, British, Plans for Hinton St. George: Design for Gateway with Heraldic Lions, undated. Pen and black ink and wash on slightly textured, medium, cream laid paper with two fold marks bar scale of 1/2 inch to 1 foot.

Herold Reinhard, national hall for art and science at Königsplatz in Berlin. Schinkel competition 1896 (1896): facade detail. View 1:50. Tusche watercolor on the box, 60.1 x 76 cm (including scan edges) Herold Reinhard : Nationalhalle für Kunst und Wissenschaft am Königsplatz, Berlin. Schinkelwettbewerb 1896

Design for a Door Frame 1565-70 Jacques Androuet Du Cerceau. Design for a Door Frame. Meubles. Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). 1565-70. Etching. Prints

Views of a Theater (Bayreuth): Interior Elevation of the Theater Showing Royal Box. Artist: Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696-1756 Berlin). Dimensions: 17-3/4 x 15 in. (45.1 x 38.1 cm). Date: 1696-1756. Museum: Metropolitan Museum of Art, New York, USA.

Two ionic columns with a head frame and details; Architettura Con Diversi Ornamenti Cavati Dall 'Antico. On the left are details of the shaft, the capital and the head frame. With explanation of different parts. From first edition.

Corinthian porch with variant for right half, anonymous, after Giovanni Battista Montano, 1636 print From the first edition. after design by: Italy (possibly)publisher: Rome paper engraving

San Lorenzo, Library, Ricetto, window, elevation (recto) San Lorenzo, Library, Ricetto, column, elevation; details, elevation (verso) early to mid-16th century Drawn by Anonymous, French, 16th century French. San Lorenzo, Library, Ricetto, window, elevation (recto) San Lorenzo, Library, Ricetto, column, elevation; details, elevation (verso) 360476

Madril. Fireplace / Cham / Bres N�9 Ch�teau de Boulogne. (Registered Title) | Collection of the most excellent buildings of France: Madrid Castle in Boulogne (1st volume) (set of all)

James Gibbs, 1682-1754, British, Design for an Unidentified Town House: Elevation and Plan, ca. 1720. Pen and black ink with gray wash over graphite on medium, slightly textured, cream laid paper bar scale of 1/9 inch to 1 foot.

Luthmer Ferdinand (1842-1921), choir stalls from S. Giovanni, Parma. (From: Architectural sketchbook, H. 110/5, 1871.) (1871-1871): Perspective view. Lithograph on paper, 34.2 x 24.3 cm (including scan edges)

Architectural Design, probably for a church, Alfred Stevens, 1817-1875, British, undated, Pen and brown ink, brown wash, and graphite on medium, slighlty textured, cream wove paper, Sheet: 20 × 13 5/8 inches (50.8 × 34.6 cm), architectural subject

Gate with hemisphere frontone; Elevation d'une porte avec son profil; Gates; 24e Cahier. Front and side view of a gate with a hemisphere frontone. Print number 141.

Side view and map of the Zuiderkerk, Anonymous, 1631 print Two prints on a leaf. Plate II. paper engraving exterior ~ architectural design or model. plan ~ architecture. church (exterior) Zuiderkerk

Elevation for a Portico of Doric Order. Artist: Anonymous, Italian, 18th or early 19th century , possibly Venetian. Dimensions: 14 3/4 x 19 9/16 in. (37.5 x 49.7 cm). Date: late 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Portman Square, Home House 1770 Robert Adam (1728-1792 British) Sir John Soane's Museum, London, England

Double porch awarded a frontone; Oval architectectonic perspective faces for intarsia; Variae Architecturae Formae (...). Double porch awarded a frontone. In the corners rollerwork and a rosette in a square panel. This print is part of an album.

Glass door and panels; PANNEAU AVEC PORTE VITRÉE; Panels and doors; 22th Cahier. Wall decoration with a glass door and panels on either side. At the top a panel with flowers in a vase in an oval medallion and tendrils. Print number 128.

The Middelburgse Poort in Vlissingen, 1772, Caspar Jacobsz. Philips, After P. Janssens, 1772 - 1773 print The Middelburgse Poort in Vlissingen, Erepoort founded on behalf of the city of Middelburg at the celebration of 200 years of freedom in Vlissingen, April 6, 1772. Numbered top left: pl. I. Part of a group of nine plates numbered I-X of the decorations at this party. print maker: Northern Netherlandspublisher: Flushing paper etching / engraving triumphal arch Flushing. Middelburg

Interieur Van de Kerk de Collegiata of Santa Maria Assunta Te Ariccia, Giovanni Battista Fonda, 1665 - 1667 Title in the lower margin. Print is part of an album. print maker: Italyafter drawing by: Italypublisher: RomeVaticaanstadRomeItaly paper etching Collegiate of Santa Maria Assunta Title in the lower margin. Print is part of an album. print maker: Italyafter drawing by: Italypublisher: RomeVaticaanstadRomeItaly paper etching Collegiate of Santa Maria Assunta

Triumphant arch, 1809, plan by architect Louis Orelli, engraving. Italy, 19th century.

Intercolumniation with arch, Doric capitals and pedestals, engraving from Il Vignola Illustrato, by Giambattista Spampani and Carlo Antonini, printed by Marco Pagliarini, 1770, Rome.

James Bruce, 1730-1794, British, Elevation and Plan of Arch at Makther, ca. 1768. Graphite, gray wash, pen and black ink, red pencil on medium, slightly textured, cream laid paper.

Portico with variant for right half, Anonymous, After Jean Lepautre, After 1628 - Before 1656 print print maker: Netherlands (possibly)after design by: France (possibly)publisher: Amsterdam paper etching

Cross section of the Villa Grimaldi in Genoa; Taglio del Palazzo. D. Paralello Alla Facciata, / Leuata Sola La Muraglia di Quella. This print is part of an album.

Speculum Romanae Magnificentiae: Temple of Antoninus and Faustina. Artist: Anonymous. Dimensions: sheet: 16 1/8 x 12 5/8 in. (41 x 32 cm)mount: 20 11/16 x 14 15/16 in. (52.5 x 38 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1565.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is wh

Elevation of a Wall 1776 Attributed to Jean Guillaume Moitte French. Elevation of a Wall 343364

Buffet cupboard, Chanat, 1885 - 1895 print A Renaissance buffet cupboard. Print from 317th Livraison. paper furniture for storage

Vindicibvs.et.protectoribvs bonarvm.artivm I.B.Piranesivs , Boats, Harbors, Columns. The Antonio Cardinal Tosti Collection

Church of the XX Bernardine in Warsaw unknown

Aquaduct in Orange, 1639; Form of the great aqueduct that we see more in more places in the city of Orange. Reconstruct Van Het Romeinse Aquaduct in Orange. Gemerkt Rechtsonder: Pag. 31.

Detail of the Doksaal in the Kloosterkerk Ter Apel, Anonymous (Monumentenzorg) (Attributed to), 1893 photograph Apple photographic support. cardboard albumen print interior of church. rood-screen, choir-screen; iconostasis Apple

Section of the interior of the Chapelle Notre-Dame-des-Ardilliers, Saumur, built for the Oratorians, Cardinal Richelieu and later diplomat Abel Servien, marquis de Sable. Le Profil du dedans de l'eglise de nostre Dame des Ardilieres les Saumur. Que fait bastir Monseignor le Comte de Servien. Copperplate engraving drawn and engraved by Jean Marot from his Recueil des Plans, Profils et Elevations de Plusieurs Palais, Chasteaux, Eglises, Sepultures, Grotes et Hotels, Collection of Plans, Profiles and Elevations of Palaces, Castles, Churches, Tombs, Grottos and Hotels, chez Mariette, Paris, 1655.

The Temple of Aphaia at Aegina: Two Elevations, Charles Robert Cockerell, 1788-1863, British, 1860, Graphite, pen and gray ink and brown wash within single black ink border on moderately thick, moderately textured, beige wove paper, Sheet: 13 1/4 x 18 3/4 inches (33.7 x 47.6 cm), architectural subject

Ihne & Stegmüller (1878-1888), Villa Schiff, Berlin. (From: Architectural sketchbook, H. 195/6, 1885.) (1885-1885): View buffet in the dining room. Print on paper, 25.7 x 34.2 cm (including scan edges)

Elevation for a Palace Façade 1770 Degana. Elevation for a Palace Façade 341346

Ziller Hermann (1843-1915), horticultural exhibition in Berlin. Input pavilion. Monthly competition December 1889 (12,1889): floor plan, ancestry front view; Scale bar. Tusche watercolor on the box, 59 x 43.5 cm (including scan edges) Ziller Hermann (1843-1915): Gartenbauausstellung, Berlin. Eingangspavillon. Monatskonkurrenz Dezember 1889

Wall layout with corintean pilasters; Nouueaux Dessseins d'Alcaves. The wall in the alcove consists of mirrors in which both the back of the alcove wall and the opposite wall of the room can be seen.

Corvershof. Couple at a door. In the interior a maid is visible that wipes the floor. Possibly the Corvershof in Amsterdam.

Facade of a Doric-style building, engraving from Sebastiani Serlii Bononiensis De Architectura libri quinque (Five books on Architecture by Sebastiano Serlio), published by Francesco de Franceschi Senese and Johann Criegher, Venice, 1569.

Elevation of a church, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1236. The main differences are the omission of the most receding third lateral sections and the broadening of the central section. Six columns are shown, framing all three doors. Windows are in the lateral sections., Rome, Italy, 1796, architecture, Drawing, Drawing

Title card: Portails d`eglise a Italienne Inventés Par J. Le Pautre b.r.; Le Pautre, Jean (1618-1682); around 1660-OK. 1670 (1601-00-00-1700-00-00);

On the first floor the gallery is supported by columns of the composite order. The vaults are of wood. Gallery with vaults in the church of Oosterend Gallery, Squat or Hanging Loft, with vaults , print maker: anonymous, Albert Martin, (mentioned on object), printer: P. Blommers (Steendrukkerij van), (mentioned on object), The Hague, 1864 and/or 1875, paper, h 360 mm × w 273 mm

Copper engraving by Wolfgang Kilian depicting the front of the triumphal arch for Emperor Ferdinand III in Regensburg on December 12, 1652, for the opening of the Reichstag.

'Great Palace in Pavlovsk. Design of the Dressing-Room. Cross-section'. Italy-Russia, Late 1790s. Dimensions: 30,5x35 cm. Museum: State Hermitage, St. Petersburg. Author: GIACOMO QUARENGHI.

Design for a portal of a church (Chiesa di San Mamante) in Bologna, Anonymous, After Mauro Antonio Tesi, 1787 print Print is part of an album. paper etching parts of church exterior and annexes: portal Bologna

Front of the Pantheon, Rome. Showing the facade, portico of eight Corinthian pillars and concrete dome. Portail de la Rotonde de Rome. Copperplate engraving drawn and engraved by Jean Marot from his Recueil des Plans, Profils et Elevations de Plusieurs Palais, Chasteaux, Eglises, Sepultures, Grotes et Hotels, Collection of Plans, Profiles and Elevations of Palaces, Castles, Churches, Tombs, Grottos and Hotels, chez Mariette, Paris, 1655.

Print (France)

Arch of Septimius Severus; Arcus Severi; Livre des Edifes Antiques Romains; MAGESYN DER ITALIAN BUILDINGS. The print is part of an album.

Rotto onderaan vertical doorsnede van het grote waterspel to Karlsberg ; Scenographia caves in the sides of the theater exists, in which water streams gaily to break out of the (... ); Delineation of the mountain from the main city of Hesse-Cassel , about one miles distant (... ); Difegno del Monte , situated ply la Citta di metropolitan Cassel ( ...) . Prent maakt deel uit van list .

Schinkel Karl Friedrich (1781-1841), collection of architectural designs, Berlin 1858. Elisenbrunnen in Aachen (1823): facade view, floor plan, cross-section, detail. Stitch on paper, 42 x 53.3 cm (including scan edges) Schinkel Karl Friedrich (1781-1841): Sammlung Architektonischer Entwürfe, Berlin 1858. Elisenbrunnen, Aachen

Vestibule; pour un vestibule; 82E CAYER SUITE DES Models Contenant Plusieurs Décorations de Lambris A L'Usage des apartments; Septemary volume, recueil élémentaire d'Architecture (...). A vestibule with pilasters, three doors, two images and medallions with portraits. Above the doors Dessus-de-ports with vases and a harness with weapons. Print number 487.

Sanctuary with different towers on the corners; Temples and churches; Iacobus Androuetius du Cerceau lectoribus S Quoniam Apud Veteres Alio Structurae Genere Templa (...). Sanctuary with different towers on the corners, the one of which on the left in the foreground with a striker roof. This print is part of an album.

Paris, Duval, Denis, France, Androuet, Jacques, Magesyn der Italiaense Gebouwen, Livre des edifices antiques romains, Monumentum Cilonianorum, Monumentum Cilonianorum te Rome, The print is part of an album., print, picture, album sheet, prints, pictures, height 106 mm, width 122 mm, French, 1515 - 1584, print maker, printmaker, 1584 - 1584, paper, papier, etching, etchings, printer

Drawing, Stage Design: Walled Courtyard with View of a Garden; After Andrea Pozzo (Italian, 1642-1709); Italy; pen and brown, red ink, watercolor on paper

Half of an Arch Arcus Lutii Septimi from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the left half of a double triumphal arch, said to be the ‘Arcus Lutii Septimii’ set in a stylized landscape. The arch appears to be placed on a square and is stripped from all its ornaments and relief decorations, aside from a statue which crowns one of the protruding piers with Ionic or Composite pillars that flank the arches. While the proportions are incorrect, the overall composition of the arch resembles the arch of Septimius Severus in Rome.This print and several others in this series published by Gerard de Jode were copied after a group of Italian architectural prints, previously attriputed to the Master G. A. with the Caltrop, and first published in Rome between 1530 and 1550. The prints depict buildings from Roman Antiquity, ranging from triumphal arches to bath

Fontana Dell'acqua Felice in Rome; La Facciata dell'acqua felice a termine; Monuments and buildings established during the Pontificates of Pausen Paulus V and Sixtus V. View of the Fontana Dell'acqua Felice, the Mosesfontein, in Rome. Title in Italian above the show. Print is part of an album.

Twee Vensters, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print Two windows, on the right with triangular pediment. Print number 233. Paris paper etching / engraving window. other architectural details (with NAME)

Porta Maggiore in Rome; Speculum Romanae Magnificentiae. The print is part of an album.

Lille, Porte de Paris, Aufriss Feldeite

Elevation and Plan of a Casino, Pen and black ink, brush and brown watercolor and black wash over graphite, Italy, ca. 1797, architecture, Drawing, Drawing

Krüger Theodor (1818-1885), Opera House on Lützowplatz in Berlin (1883): FachaDENTail. Tusche watercolor, white and gold heighted on the box, 85.6 x 64.2 cm (including scan edges) Krüger Theodor (1818-1885): Opernhaus am Lützowplatz, Berlin. Schinkelwettbewerb 1883

Adler Friedrich (1827-1908), hereditary burial, Berlin. (From: Architectural sketchbook, H. 53/5, 1861.) (1861-1861): View, details. Lithography colored on paper, 25.4 x 35 cm (including scan edges)

Architectural Design for an Arch with CorinthianColumns. Artist: G. Autguers, French, active 1624-30

Persius Ludwig (1803-1845), Impluvium in paradise garden near Sanssouci, Potsdam. (From: Architectural sketchbook, H. 18, 1854.) (1854-1854): floor plan, view, cross-section. Lithography colored on paper, 24.5 x 33.1 cm (including scan edges) Persius Ludwig (1803-1845): Impluvium im Paradiesgärtlein bei Sanssouci, Potsdam. (Aus: Architektonisches Skizzenbuch, H. 18, 1854)

'Small Hermitage. Design of the Large Hall in the North Pavilion. Slit'. Italy-Russia, 1804. Dimensions: 19,4x47 cm. Museum: State Hermitage, St. Petersburg. Author: GIACOMO QUARENGHI.

Facade puts Pilasters, Antoine Carrée, After Richard de Lalonde, 1788 print A façade with two doors with garlands in the middle. On either side windows with curtains and pilasters. At the top consoles and in the middle a medallion with flowers and tendrils. Paris paper etching façade (of house or building). half-column, pilaster ~ architecture

Stage Design, Temples on Riverside, Giovanni Battista Piranesi, Italian, 1720-1778, Pen and ink, brush and sepia wash, graphite on paper, Horizontal rectangle. Group of temple buildings with porticoes on river side. Unfinished., Italy, early 19th century, theater, Drawing, Drawing

Elevation of a Garden House. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

LangsdoSnede van Het Palazzo Spinola Te Genua; Cutting all the palace. F. by halfway towards half day along with the courtyard; Buildings of Genoa / antique palaces. Met Italiaandse Toelichting.

Unknown architect, triumphal arch (approx. 1800): View. Tusche watercolor on the box, 29.8 x 43.9 cm (including scan edges) N.N. : Triumphbogen

Map and Façade of Villa designed by Andrea Palladio, Anonymous, After Andrea Palladio, 1600 - 1699 print The print is part of an album. Italy paper etching public baths

Westerpoort in Hoorn and a medallion.

Karl Friedrich Schinkel, The Nave and Apse, without a Transept, of a Cathedral for Berlin, 1827 1828 The Nave and Apse, without a Transept, of a Cathedral for Berlin

Portal Decorated with Rustica, Gerins and a coat of arms, Wendel Dietterlin (I), 1593 - 1595 Numbered: 41. Print is part of a book. Strasbourg (France) paper etching ornament derived from architectural details. parts of church exterior and annexes: portal. rustication ~ surface decorations (architecture). Corinthian order ~ architecture

Elevation of Proscenium and Lateral View ca. 1750 Workshop of Giuseppe Galli Bibiena Italian. Elevation of Proscenium and Lateral View 344485

Title Page, 'Picturesque Architecture in Paris, Ghent, Antwerp, Rouen, etc.', Thomas Shotter Boys, English, 1803 - 1874, Charles Joseph Hullmandel, British, 1789-1850, color lithograph on paper, England, 1839, Print, Print

Interior of the School of Chemistry, Plate 30 of Vues Pittoresques de Principaux édifices de Paris, Jean Testard, French, b. ca. 1740, Laurent Guyot, French, 1756 - 1808, Les Campion Frères, Paris, France, Engraving, brush and watercolor on paper, View of one end of a classical courtyard; a few people in it. Title, artists' and publisher's (and architect's) names below., Paris, France, 1792, Print, Print

Fountain of Saint Michel Square, 1854 Leon SYMONNEYE (1803-1879). Fountain of Saint Michel Square. Pencil, 1854.

Erepront at the Muntpoort, 1582. Erpoort with two obelisks at the Muntpoort on St. Michaelstraat. Plate XVI in the description of the arrival of the Duke of Anjou in Antwerp, 19 February 1582.

Unknown architect, garden house. Monthly competition October 1877 (10.1877): Upper garden view; Scale bar. Tusche watercolor on the box, 58.3 x 89.7 cm (including scan edges) N.N. : Gartenhaus. Monatskonkurrenz Oktober 1877

Two views on the card: 45. Arco di Costantino, Vicino al Colosseo; 46. Arco di Settimio Severo, Alle Falde del Campidoglio; Unknown, Raffaella, Giacomo (1753-1836); 1800 (1800-00-00-1800-00-00);

Arch of Janus in Rome; Templum Iani Quadrifronti in Foro Boario; Antique monuments; Antiquae Urbis Splendor. View of the arch of Janus in Rome. Text in Latin in undermarge. Numbered at the top right: 27. The print is part of an album.

Print made by unknown artist, sixteenth century, Panthei Fidelissime Dimensi Exterior et Interior, 1553. Etching and line engraving on thin, slightly textured, cream laid paper.

Unfinished Elevation of Altar, Filippo Marchionni, Italian, 1732-1805, Graphite, pen and ink on laid paper, Pairs of Ionic columns or pilasters support laterally entablatures which are connected by the segment of an arch. A tripartite structure of two stories stands between the columns. On top of it is a molded frame., Italy, ca. 1750, architecture, Drawing, Drawing

Böhmer Franz (1907-1943), Poznan Castle, Poznan (1939-1943): Plan content N.N. detected. Material/technology N.N. recorded, 44.4 x 77.5 cm (including scan edges) Böhmer & Petrich : Schloss Posen, Posen. Umbau

Palatium Maius Ro, from a Series of 24 Depicting (Reconstructed) Buildings from Roman Antiquity Plate ca. 1530-50 Anonymous, Italian, 16th century Perspectival view of part of the remains of the Imperial palace complex on the Palatine Hill, here referred to as the Palatium Maius Ro.’. It is not clear which palace or part of a palace is depicted exactly and a comparison with other historic drawings and prints as well as the current-day remains indicates that the printmaker has completed’ certain parts of the building that had been lost. As with his depiction of the Baths of Diocletian, he also reduced the amount of rubble and overgrowth to lay bare the fundamental structure of the building. The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are de

Pediment of the ancient amphitheater of the Faculty of Medicine (1617), vintage engraved illustration. Paris - Auguste VITU 1890.

N.N., from the Wetzlar sketch beech. (From: Atlas to the magazine for Building, ed. V. Ministry of Public Work, Jg. 54, 1904) (1904-1904): Views Portals, balustrade. Pressure on paper, 45.8 x 29.9 cm (including scan edges) N.N. : Aus dem Wetzlarer Skizzenbuche. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. Ministerium der öffentlichen Arbeiten, Jg. 54, 1904)

Unknown architect, dance hall with ceiling. Monthly competition February 1872 (02.1872): Upper front wall. Tusche watercolor on paper, 27.1 x 30.8 cm (including scan edges) N.N. : Tanzsaal mit Decke. Monatskonkurrenz Februar 1872

Balthasar Neumann (German, 1687 - 1753), Design for a City Gate in Trier, 1746, pen and gray ink with gray and pink wash over graphite on laid paper

Section of the Loggia in the Villa of Pope Julius III. 1710-27 Pietro Paolo Coccetti (Cocchetti) Italian. Section of the Loggia in the Villa of Pope Julius III. 344247

Southern facade of Palazzo della Loggia, Brescia, Italy, engraving by Pietro Beceni from a drawing by Gasparo Turbini, from Memorie intorno alle pubbliche fabbriche piu insigni della citta di Brescia (Memorie intorno alle pubbliche fabbriche piu insigni della citta di Brescia (Memories of the most famous public buildings in the city of Brescia)), by Baldassarre Zamboni, 1778, Brescia.

First view and perspective of fire made on the water opposite / the new place de Louis XV on the occasion of peace (IT)

Roger, view of the house of M. de Colange (), From the courtyard / rue de la Ville l'Evêque (registered title (letter)) ,. Carnavalet museum, history of Paris.

Paris, Duval, Denis, France, Androuet, Jacques, Magesyn der Italiaense buildings, Livre des edifices antiques romains, Stabula IIII factionum, De Stabula IIII factionum in Rome, The stables of the four companies that owned and managed the horses used for the races in the various circuses in Rome. The print is part of an album., print, picture, album sheet, prints, pictures, height 145 mm, width 167 mm, French, 1515 - 1584, print maker, printmaker, 1584 - 1584, paper, papier, etching, etchings, printer

Porta del Castel S. Angelo in Roma Michelangelo Buonarroti Italian Attributed to Carl Hårleman Swedish 1726 Elevation of one of the entrance portals to the Castel Sant'Angelo in Rome. This is not the main entrance through which the fortress is entered from the Ponte Sant'Angelo, but another portal on the east side of the defense wall. This print may have been made by the Swedish architect Carl Harleman, who spent time in Italy as part of his education. The formatting of the print and the calligraphic title suggest that it may have been part of a larger series, but the exact context of its making is unknown. View more. Porta del Castel S. Angelo in Roma. Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome). 1726. Engraving and drypoint. Attributed to Carl Hårleman (Swedish, Stockholm 1700-1753 Stockholm)

Burial monument in Jerusalem, Anonymous, c. 1550 - 1650 print The print is part of an album. paper etching grave, tomb Jerusalem

Anno MDCLXXXIII Insignium Romae templorum prospectus exteriores interioresque a celebrioribus architectis inventi: nunc tandem suis cum plantis ac mensuris a Io. Iacobo de Rubeis Romano suis typis in lucem editi ad aedem Pacis: cum privilegio Summi Pontificis, 1683

Porticus of Octavius in Rome; Archaeological finds in and around Rome; Le Antichità Romane. Platforms and uprising of the porticus of Octavius, a courtyard surrounded by piltall galleries, in Rome. Two planes with text left and right. Numbered above: Tom. IV. / XXXIX.

Copy of Raphael's facade layout/design/plan of the San Lorenzo church in Florence, by derivation Sanzio Raphael, probably Sangallo Bastiano detto Aristotile, 1518 - 1519, 16th Century, pen on paper. Italy, Tuscany, Florence, Uffizi Gallery, Drawings and Prints Cabinet. Whole artwork. Sheet facade San Lorenzo church elevation.

A Doorway and Gantry at the Temple of Tentyris, 19th century. Dendera Temple complex. The ancient site of Ta-ynt-netert which means 'She of the Divine Pillar', or Tentyra which is Greek for Dendera. By the French artist Vivant Denon.

Marot, Daniël (I), Portes Cocheres et d'Eglises, Two portes-cochères, On the left a double door with a semicircular fanlight, above it a semicircular balcony., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 181 mm, width 275 mm, 1663 - 1752-06-04, print maker, prentmaker, 1673 - 1752, third quarter 17th century, derde kwart 17e eeuw, fourth quarter 17th century, vier kwart 17e eeuw, first quarter 18th century, eerste kwart 18e eeuw, second quarter 18th century, tweede kwart 18th century, third quarter 18th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Architects Association at KGL. Polytechnic in Stuttgart, Schloss, Tübingen. (From: Architecton. Studies, ed. V. Architects' Association at the Royal Polytechnic Stuttgart, H. 42, 1877.) (1877-1877): View goal to the library. Light pressure on paper, 55.3 x 42.2 cm (including scan edges)

Book Illustration, The Architecture of A. Palladio, The Tempietto, plate XLIX

The Architecture of A. Palladio in Four Books containing a Short Treatise on the Five Orders (L'Architecture de A. Palladio en quatre livres... / Il quattro libri dell'architettura). Author: Andrea Palladio (Italian, Padua 1508-1580 Vicenza). Dimensions: Book: 17 13/16 × 11 5/8 × 2 3/16 in. (45.3 × 29.5 × 5.5 cm)Sheet: 17 9/16 x 10 1/4 in. (44.6 x 26 cm). Engraver: Michael Vandergucht (Flemish, Antwerp 1660-1725 London); Bernard Picart (French, Paris 1673-1733 Amsterdam); John Harris, the elder (British, active 1686-1740). Printer: Printed for the author by John Watts (London). Published in: London. Publisher: Revised and designed and published by James Giacomo Leoni (British (born Italy) ca. 1686-1746 London). Translator: Nicholas DuBois (ca. 1665-1735). Date: 1715 1716-20.Palladio's treatise, republished in this lavish two-volume edition by Giacomo Leoni in London (1715) as The Architecture of A. Palladio in Four Books, with refined prints by Bernard Picart and John Harris, gre

Lateral elevation of a restoration project of the Madeleine Church.

Berlin, residence lock, coin tower, copper engraving

View of the interior of the Church of the Ladies Saintes-Marie, rue du Faubourg Saint-Jacques Jean-François Janinet (1752-1814). "View from the interior of the Church of the Ladies Sainte-Marie Rue du Faubourg Saint-Jacques". Engraving.

Rotunda, State Capitol, Charleston, W. Va. , Capitols, Tichnor Brothers Collection, postcards of the United States

geography / travel, Greece, Athens, Acropolis, Erechtheum, built between 420 and 406 BC, north hall, exterior view, reconstruction, drawing, circa 1900,

Two colonnades of five arches each are topped by a parapet, before which figures stand in the axes of the columns. To each colonnade corresponds a main and a mansard story in the lateral sections, of which two bays are shown of each. From the roof center rises a circular colonnade, of which the bottom part is shown. Date: ca. 1795. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Front view of the court in Westzaan, Theodoor Koning, After J.S. Creutz, 1782 print Front of the court in Westzaan, with a tympanum in the middle containing the crowned city coat of arms of Westzaan, surrounded by emblems of wisdom, good governance, justice, caution, impartiality (right) and a safe custody of the goods of orphans (left) . A scale distribution under the front view. The print is part of a series with ten images from the court in Westzaan. Amsterdam paper etching Precaution. Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues Westzaan

First Premium Design for the Capitol of Ohio at Columbus by Walter of Cincinnati. Artist: Alexander Jackson Davis (American, New York 1803-1892 West Orange, New Jersey). Dimensions: sheet: 16 3/4 x 12 13/16 in. (42.5 x 32.6 cm). Date: ca. 1839. Museum: Metropolitan Museum of Art, New York, USA.

Lucae Richard (1829-1877), Villa Henschel, Kassel (1868-1868): Wall views. Ink, pencil watercolored on paper, 28.4 x 38.3 cm (including scan edges)

Section, Small Domed Building, Pen and black ink, rose, brown and blue wash, black chalk on paper, with fragments of blue paper framing, Temple in section and plan with porch and elliptical domed narthex behind which is nave with niches in walls and ending in apse. On either side of porch are vertical rectangular wings/aisles; each with apses on three sides and four columns supporting entablature, Italy, ca. 1780, architecture, Drawing, Drawing

Temple of Portunus in Rome, Anonymous, 1675 - 1711 print Amsterdam paper etching temple, shrine ~ Roman religion. low hill country Rome

Henry Ninham, 1793-1874, British, On Charing Cross, Norwich, 1842.

Louis Joseph Le Lorrain, The Temple of Minerva, for the Chinea Festival, 1746 The Temple of Minerva, for the Chinea Festival

Silluminated temple, / on the occasion of the 220th anniversary of the Utrechtsche Hoogeschool.

Speculum Romanae Magnificentiae: The Pantheon, broken away to show the interior. Artist: Anonymous. Dimensions: sheet: 18 1/8 x 22 1/16 in. (46 x 56 cm)plate: 14 7/16 x 18 7/8 in. (36.6 x 48 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1553.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose,

Amsterdam, Danckerts, Cornelis (I), Keyser, Hendrik de (I), Architectura moderna ofte Bouwinge van onsen tyt, De Suyder kerck, Uprising of the front façade of the Zuiderkerk with tower, Plate I., print, book illustration, ornamental print, prints, ornamental prints, height 334 mm, width 225 mm, print maker, printmaker, 1631 - 1631, paper, papier, engraving, engraving (printing process), Work conception, 1565-05-15 - 1621-05-15, after a design by, Publication (Event), Publication, 1604-06-13 - 1656-04-27, publisher

Wentzel H. A., Temple in the paradise garden, Haag. (From: Architectural sketchbook, H. 30, 1857.) (1857-1857): Perspective view. Lithography colored on paper, 48.5 x 65.7 cm (including scan edges) Wentzel Hermann Heinrich Alexander (1820-1889): Tempel im Paradiesgärtchen, Haag. (Aus: Architektonisches Skizzenbuch, H. 30, 1857)

Diebitsch Carl von (1819-1869), pavilion, Giza (without date): view and floor plan of a pavilion, scale bar, sketch site plan on the back. Pencil watercolor on the box, 50.7 x 39.5 cm (including scan edges) Diebitsch Carl von (1819-1869): Pavillon, Gizeh

Tsarist siole. Willa Lord Witworth. Rear facade; Quarenghi, Giacomo (1744-1817); 1795-1805 (1795-00-00-1805-00-00), 1783-1785 (1783-00-00-1785-00-00);Tsarist Sioło (Pushkin - palace and park complex), Nieborów - collection, architecture, classicism (style), palladianism (style)

Portal of a townhouse with Prussian wall. Scholtz, Julius (1825-1893), draughtsman, cartoonist

Design for a faade of a town hall. Draughtsman: Giovanni Battista Trotti. Dating: 1565 - 1619. Measurements: h 388 mm × w 270 mm. Museum: Rijksmuseum, Amsterdam.

Hôtel de la Tremouille, House of the Carnetaux / door on the courtyard, 1840

The three arcades and the built-in hall, rue des Tournelles, for the entrance of Catherine de Medici. (IT)

Drawing, Stage Design, Interior of Temple; Italy; pen and brown ink, brush and sepia wash on paper

Bow of trellis and garden pavilion in Rosendael; Nouveaux Sure de Bersseaux. Et trilliages. Cabinet. Below the arch is a garden bench in the shape of a fountain, awarded a bust. The coat of arms of England is on the garden pavilion. Copy to Leaf from series Nouveaux Liure de Bersseaux et Trilliaages issued by Daniel Marot.

Berlin, Parochialkirche. Inside side with torment design

Facade of Dyrham House, South Gloucestershire, United Kingdom, engraving by Henry Hulsbergh from a drawing by Campbell, from Vitruvius Britannicus or The British Architect, containing the plans, elevations and sections of the regular buildings both public and private in Great Britain, Volume II, by Colen Campbell, 1717, London.

Koenen & Klutmann, water tower in Colmar. Monthly competition March 1883 (03.1883): Upper view with receipt; Scale bar. Tusche watercolor on the box, 58.6 x 40.9 cm (including scan edges) Koenen & Klutmann : Wasserturm, Colmar. Monatskonkurrenz März 1883

Cross -section of the Library in Kenwood House; Pastorini, Benedetto (CA 1746-Post 1803), Adam, Robert (1728-1792); 1774 (1774-00-00-1778-00-00);

Bell tower. Page 153 From a sketchbook with 175 pages.

Establishment of the Government Regulations in Haarlem, 1787. Solemn ceremony with the swinging of the new government regulations in a temple established on the Grote Markt in Haarlem, 5 September 1787. Around the square are drafted.

An engraving depicting a cross-section of the Colosseum, Rome, Ancient roman empire. Italy, Europe. Old 19th century engraved illustration, El Mundo Ilustrado 1881

View from the interior of the New EL The Church of S (T) Chaumont Street S. Denis, in Paris. / No. 48. (registered title) | Picturesque views of the main buildings of Paris (title of all)

The Saratoga Street African Baptist Chapel is depicted in the image. The building features a brick facade, with a frontage of over 100 feet on Saratoga Street and 46 feet on Calvert Street. The construction cost was over $18,000. The image is an imperfect representation of the chapel., -, 1859, -, Baltimore, - Publisher, J. F. Weishampel, Jr., Baltimore (Md.), - Churches, African American Baptists, African American churches

The Choir Screen of the Nieuwe Kerk in Amsterdam, Johannes Lutma (1624-1689), After Johannes Lutma (1584-1669), 1654 print Choring fence with pilasters, tormented columns and lobe porn rags, awarded by two lions with the weapon of Amsterdam. Above the fence the text S.P.Q.A. Under the fence the title and a bowl: Mensura Semipedalis Amstelodamensium. Amsterdam paper etching / engraving rood-screen, choir-screen; iconostasis. interior of church. coat of arms (as symbol of the state, etc.) (+ city; municipal) new church

Tenplum Isaiae Prophetae, from a Series of 24 Depicting (Reconstructed) Buildings from Roman Antiquity Plate ca. 1530-50 Anonymous, Italian, 16th century Perspectival depiction of the left part of a temple, referred to as the Tenplum [sic Isaiae Prophetae’ placed on a two-stepped podium and set in a stylized landscape. The building is characterized by a domed tower and separate cupola over the central bay. The left side of the building is marked by an avant-corpse that mirrors the central entrance and is crowned by a small cupola with a tall drum and a pointed tip. The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over ti

Facade of palace with pond; Nouveau Liure de Paysages. On the left are two trees. From series of 6 sheets.

The elevation of a standing looking glass in Gothic Style, Graphite on paper, A panelled base is below. An arch rises upon it containing the oblong mirror and tracery on the top. Embedded columns and pilasters form the outward framing. A Cornice with a crest border connects the pilasters above the point of the arch. Tracery fills the wedges. Reverse: blotter of a plan: figures., Germany, ca. 1855, Drawing, Drawing

Temple with a small dome in the middle decorated with spikes; on the cornice, a swan, or bird, with arabesque, Herculaneum, Campania, Italy, engraving by Carlo Oratij from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume III, plate 60, 1757-1787, Naples.

Exterior marble work : plaster model of the south end of the Fifth Avenue facade.. 1903. Photographs. New York Public Library Archives. New York Public Library, New York Public Library. Humanities and Social Sciences Library, Library architecture

James Bruce, 1730-1794, British, No. 14 sketch of temple remains at Palmyra or Baalbec, undated. Graphite on medium, moderately textured, cream laid paper.

Etching and steel engraving by Franz Stöber from 1853 depicting a triumphal arch over Annengasse for Emperor Franz Joseph I's return from Hungary, showing architectural and compositional details.

Composite capitals and Attic column base, engraving from Il Vignola Illustrato, by Giambattista Spampani and Carlo Antonini, printed by Marco Pagliarini, 1770, Rome.

Nîmes, France La Maison Carrée , 1916 - French provinces - Jean Brunhes, Auguste Léon and Georges Chevalier - (April -July) (French - Nîmes , France La Maison Carrée). Temple, portico, column, Greco-Roman polytheism, Antiquity, Fronton, religious architecture, Religion , Art , Habitat , Architecture, France, Nîmes, facade of the square house

Facade of Palazzo Senatorio sul Campidoglio, by Michelangelo Buonarroti, Giacomo della Porta and Girolamo Rainaldi, Rome, Italy, etching by Giovanni Battista Falda, from Nuovi disegni delle architetture e piante de Palazzi di Roma de' piu celebri architetti, di Pietro Ferrerio, libro secondo (New drawings of the architecture and plans of Palaces in Rome by the most famous Architecs, by Pietro Ferrerio, volume II), 1655.

An engraving of the Ancient Temple in the city of Essenay, well-preserved except for the portal. The space between the columns (noted as 'a') has been filled by the Arabs with a wall to enclose their livestock. Created by Frederik Ludvig Norden in 1780, published in London by Lockyer Davis. The dimensions of the engraving are 45 x 27 cm. The work reflects themes of travel and antiquities in Egypt, with a focus on temples

Roman triumphal arch.

Mision San Diego de Alcala. Dimensions: sheet: 31.7 x 25 cm (12 1/2 x 9 13/16 in.). Medium: lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: James Jones.

Spaanse kroon, Antwerpen, Rubens, Peter Paul, Ryckmans, Nicolaes, Palazzi di Genova, Palazzi Antichi, Taglio di un fianco solo verso ponente del Palazzo. I., Longitudinal section of the Palazzo Rostan Raggio in Genoa, Antwerp, verso - stamped, With Italian explanation., print, ornamental print, prints, ornamental prints, height 202 mm, width 213 mm, 1595, print maker, printmaker, 1622 - 1622, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, South Netherlands, 1577-06-28 - 1640-05-30, publisher, uitgever, verlener, verlener van privilege" Spaanse kroon, Taglio di un fianco solo verso ponente del Palazzo. Genoa, height 200 mm, width 210 mm, granter of privilege

The stairs to the platform and suite of the Samaritan woman, vin The stairs to the platform and suite of the Samaritan woman, vintage engraved illustration. Paris - Auguste VITU 1890. Copyright: xZoonar.com/PatrickxGuenettex 10648317

Illustration depicting the interior of the Bayreuth Festspielhaus, an opera house in Bayreuth, Germany. The opera house serves as the venue for the annual Bayreuth Festival. Dated 19th Century

View of Hotel de Monsieur le Duke du Chatelet, Rue de Grenelle Saint-Germain Campion / Bellet. "View of the hotel of Le Duke du Chtelet, Rue de Grenelle Saint-Germain".

Basilica Sive Porticus Antonini PII, the temple of Antoninus Pius was located in the Piazza de Pietra next to the Pantheon on the Campus Martius, historical Rome, Italy, 1625, Rome, digital reproduction of an 18th century original, original date not known, Europe

Landscape with brokers of columns and a building with stairs before; Ruins; Iacobus Androuetius du Cerceau lectoral s Cum NECTUS Essem Duodecim Fragmenta Structurae Veteris (...). In the foreground three fragments of columns on an increase. Left is a drawing man in the shade of a building. On the right a building with stairs before. This print is part of an album.

Steps lead to a platform with seated warriors at the corners, more steps lead to the colonnade surrounding the bottom part of a circular temple. The top of the wall at the rear of the colonnade is surrounded by a frieze. Steps rise over the entablature upon which a tambour supports a dome. Festoons connect bull's eyes in the tambour. A group of figures supporting an eye sphere is shown on a pedestal at the front side of the dome. Date: ca. 1790. Pen and black ink, brush and brown wash, blue watercolor, graphite on off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

House of Emperor Constantijn in Rome; Domus Constantini; Livre des Edifes Antiques Romains; MAGESYN DER ITALIAN BUILDINGS. The print is part of an album.

Entrance to the output station in Vienna; Bili Ska-Bohdanowiczowa, Anna (1854-1893); 1882 (1882-00-00-1882-00-00);Renault, Wanda (1910-1990) - collection, Vienna (Austria), railway stations (architect.), Travels, stairs (archite.), Purchase (provenance)

Palace in Królikarnia near Warsaw, before the fire of August 14, 1879; Z: "Tygodnik Ilustrowany" 1879, No. 195 (September 20), p. 177; Brzozowski, Feliks (1836-1892), Ciechomski, Walenty (Fl. Ca 1878-1893), PUC, Bronisław (Warsaw; Artistic and Department of Department; 1939); 1879 (1879-00-00-1879-00-00);

Temple of Jupiter, Gerard Edelinck, 1652 - 1707 print Map and view of the Jupiter Olympus Temple in Athens. paper engraving

Invalids - South side. The invalids, south side, 7th arrondissement, Paris. The invalids, south side. Paris (VIIth ARR.). Photography of François-Auguste Fox. Salted paper fired with gold. 1852.

Plan and Elevation of the Church near the House of Annas. Dated: 1619. Medium: etching and engraving on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Erment Armant (Hermonthis). Plan, coupe et élévations du temple., 1809 - 1828. Issued in Paris by Impr. impériale., 51 x 70 cm. Key subjects include Egypt, Armant, temples, architectural elements, and colonnades

Speculum Romanae Magnificentiae: Elevation Showing the Exterior of Saint Peter's Basilica from the South as Conceived by Michelagelo (Published in 1569) 1558-61 Etienne DuPérac French This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories,

View of the Grove of the Garden of Luxembourg

Rome: Castel Sant'Angelo (mausoleum of Hadrian). Coloured engraving, ca. 1804-1811.

Window with oak shutters and couch, anonymous, Joseph Maes (Possibly), after Christoffel Plantijn, c. 1875 - in or before 1880 photomechanical print Antwerp paper collotype / photolithography window shutters on the inside. window-seat

Paris City Hall, Campanile, vintage engraved illustration. Dictionary of words and things - Larive and Fleury - 1895.

Het Theater Van Balbus Te Rome, Jacques Androuet, 1584 print The print is part of an album. print maker: Franceprinter: ParisFrance paper etching representation of real building (either existing or having existed). theatre (building) - AA - open-air performances Balbus theater

Reconstruction the Tempe of Zeus, Olympia, Greece, engraving by Ollivier from Grece, by Francois Pouqueville (1770-1838), L'Univers pittoresque, Europe, published by Firmin Didot Freres, Paris, 1835.

Coronation Pavilion de Marsan, vintage engraved illustration. Paris - Auguste VITU 1890.

Print (France)

Interior of the Pantheon in Rome, Anonymous, c. 1860 - c. 1900 photograph Part of photo album with recordings of sights and artworks in Rome. Rome photographic support albumen print interior of church Pantheon

Bernini's monument for Alexander VII at the Piazza della Minerva in Rome.

Coloured sketch of the Portico of Bush House, London. It now serves as part of the Strand Campus of King's College London. Dated 20th Century

The interior design for the Dome of Florence Cathedral

Theater of Marcellus in Rome; Theatrum Marcelli. Explanatory list of numbers at the top left. The print is part of an album.

Perspective in a park.

Zwinger Palace, Dresden. Dimensions: image: 41.1 x 28.1 cm (16 3/16 x 11 1/16 in.) sheet: 54.5 x 36.5 cm (21 7/16 x 14 3/8 in.). Medium: lithograph touched with white gouache on wove paper. Museum: National Gallery of Art, Washington DC. Author: Samuel Prout.

Perzische tempel en grafmonumenten.Sheet with performances of a Persian temple and two grave monuments. Under the performances a caption in French. At the top right numbered: 155.

Copper engraving by Nicolas Beatrizet depicting the facade of the Farnese Palace in Rome, created around 1549, highlighting 16th-century architectural engraving techniques.

The Temple by the Sea, Temple of Concord, Girgenti. Dated: 1913. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Home of a Chinese trader, in Canton, Plans of ground floor and upper floor, vintage engraved illustration. Magasin Pittoresque 1836.

Laspeyres P., S. Maria della Consolazione, Todi. (From: Atlas to the magazine for Building, ed. V. G. Erbkam, born 19, 1869.) (1869-1869): View from the front. Stitch on paper, 43.9 x 28.5 cm (including scan edges) Laspeyres P. : S. Maria della Consolazione, Todi. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. G. Erbkam, Jg. 19, 1869)

Domus Fausta in Rome; Domus Faustae Constantini Aug./ Atrium Faustae Aug; Livre des Edifes Antiques Romains; MAGESYN DER ITALIAN BUILDINGS. Reconstruction of the Domus Faustae in Rome. The print is part of an album.

Column in Moscow, Christian Anthony Lotter, François Joseph Weygand, 1812 - 1839.

'Old Charterhouse: Mantelpiece in the Master's Lodge', 1886. Artist: Joseph Pennell.

Fontana di S. Pietro. Giacomo Luswergh (Italian, 1819 - 1891)

Dorische zuil en basement; Dorica; Architectura.Details of the Doric column, capitals and basements. At the bottom right: H. Prent is part of an album.

Oldest Bank Building in America - Pennsylvania, Philadelphia - built in 1795 for the First Bank of the United States. Bought by Stephen Girard in 1815 and occupied by him until his death in 1831. The home of the Girard National Bank since 1832. Date: circa 1910s

Design for the Politeama theatre (Progetto per Politeama), by Rossetti Emilio, 19th Century

Variae architecturae formae (...); Oval architectectonic perspective faces for Intarsia. Title print for a series of oval architectectonic perspective faces for Intarsia. This print is part of an album.

La Combe baroque chapel after renovation. France.