Classical Architectural Prints

Ornate etchings and illustrations of classical architectural designs, featuring intricate details like arches, pilasters, and decorative elements.

Longitudinal section of the Cybo Chapel in the Church of Santa Maria del Popolo, 17th century, designed by Carlo Fontana (1638-1714), Rome, Lazio, Italy, engraving from Insignium Romae Templorum Prospectus, by Giovanni Giacomo De Rossi, plate 5, 1684, Rome.

Christian Engelbrecht and Johann Andreas Pfeffel, after Peter Schubert von Ehrenberg, Triumphal Arch for Friedrich IV, 1725 Triumphal Arch for Friedrich IV

No. 3 sketch of temple remains at Baalbec, James Bruce, 1730-1794, British, undated, Graphite on slightly textured, medium, cream laid paper, Sheet: 21 3/4 × 30 3/4 inches (55.2 × 78.1 cm), architectural subject

Undated and partially unidentified building designs Uddington Church, North porch . Butterfield, William undated A broadly representative selection of drawings for building and manufacture of designs, representing the various types of commissions Butterfield received and illustrating his work in promoting Gothic Revival. Also included are estimates as well as record drawings (measured drawings) of buildings not designed by Butterfield. William Butterfield (1814-1900) was a British architect known for the Gothic revival style he championed. He studied with E. L. Blackburne and set up his own practice in 1840. A member of the Cambridge Camden Society, later the Ecclesiastical Society, he contributed designs to their journal The Ecclesiologist. Most of his work was for church designs, apart from that for schools and colleges (Rugby School and Keble College Oxford), and the Winchester County Hospital. Perhaps his best-known building is the All Saints Church, Margaret Street, London (1849-1

James Bruce, 1730-1794, British, Temple of Jupiter and Minerva, Thugga, undated. Pen and black ink, watercolor and graphite on moderately thick, slightly textured, cream laid paper.

Design for a Façade mid-18th century Anonymous, French, 18th century French. Design for a Façade. Anonymous, French, 18th century. mid-18th century. Pen and black ink, brush and gray wash. Drawings

Klingholz Fritz (1861-1921), Pavilion (without dat.): View. Tusche watercolor on the box, 31.7 x 38.3 cm (including scan edges) Klingholz Fritz (1861-1921): Pavillion

A Reconstruction of the Aurelian Temple of the Sun (above) and a View of the Ruins (below) before 1704 Jan Goeree Dutch. A Reconstruction of the Aurelian Temple of the Sun (above) and a View of the Ruins (below) 336119

Royal Botanic Gardens, Kew: Design for Interior of a Mosque, Sir William Chambers RA, 1723-1796, British, ca. 1761, Pen and black ink, watercolor and gray wash on medium, moderately textured, beige laid paper, with additional sheet affixed to verso, Sheet: 7 3/8 x 12 inches (18.7 x 30.5 cm), architectural subject, clouds, cross section, curtains, Decoration and ornament - Plant forms, domes, fringe, interior decoration, mural, palm trees, rotunda (building), sky, windows, England, Kew, London, Richmond, Royal Botanic Gardens, Kew, United Kingdom

Arc de Triomphe built at one of the ends of the Notre-Dame bridge, on the side of the strike. (IT)

Graphite drawing with brown feather accents by Francesco Borromini showing the clock tower (Uhrturm) of Monte della Pietà in Rome, including blind grooves, construction details, and labeling, 1623-1624, on fine paper.

DETALLES DE PUERTAS Y BALCONES DE LA CASA AYUNTAMIENTO DE SEVILLA - GRABADO SIGLO XIX - MONUMENTOS ARQUITECTONICOS DE ESPAÑA. Author: ESTEBAN BUXO / DEMETRIO DE LOS RIOS (1856-1882). Location: AYUNTAMIENTO. Sevilla. Seville. SPAIN.

Giebel, Nördlingen: views, details (from: Sketch and photo album 24)

Arch of Septimius Severus, Rome, circa 1800, triumphal arch commemorating the victories over the Parthians, Arabs, etc. Handcoloured copperplate engraving from Bertuch's "Bilderbuch fur Kinder" (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Floor plan and open view of a wooden garden alley at a property corner, possibly in Mödling, drawn with black pen, pencil, and watercolor by Carl von Hasenauer.

View of the Arch of Constantijn, Gabriel Perelle, 1650 - 1695 print Print is part of an album. publisher: Parispublisher: ParisFrance paper etching triumphal arch Arch of Constantine

'Ruins'. Italy, 18th century. Dimensions: 37x28,5 cm. Museum: State Hermitage, St. Petersburg. Author: CARLO GALLI BIBIENA.

Reconstructie van Restanten van de Porticus van Philip Rome, Giovanni Battista Piranesi, c. 1756 - c. 1757 print Reconstruction of remnants of the lost column gallery Porticus of Philippus in Rome. Numbered in the top left: Tom. Iv. Numbered at the top right: XLVI. Explanatory list of letters in STUDMARGE. Rome paper etching ruin of a building ~ architecture Porticus van Philip

Examples of the proportions of Doric columns, Greek architecture. Column from the Parthenon 1, and the Propylaea 2,3. Esempi di proporzione dorica. Handcoloured copperplate engraving by Giovanni Antonio Sasso from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1826.

Stiehl Otto (1860-1940): Sketch and photo album 7: Eberbach monastery

East side of the Burgerzaal in the town hall on Dam Square, Isaac de Moucheron (Possible), 1705 - 1744 print The east side of the Burgerzaal in the town hall on Dam Square in Amsterdam. In the background in the middle the entrance, on the left the door to the judicial room, on the right the door to the mayor's room. Different figures walk and talk in the room. paper etching townhall City Hall of Amsterdam (1655-1808). Citizen

Town gate, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Arched gateway flanked by wall panels and pairs of Doric columns. Written in the panel at left: 'diametri / 2'. Inscription tablet with a triangular pediment and an escutcheon on top. Low cone-shaped projections, laterally., Rome, Italy, 1780-1790, architecture, Drawing, Drawing

Papal Basilica of Saint John of Lateran; Veduta Interior Del Portico di S. Giovanni Laterano.

Two Half Portals, 1578 Two half portals flanked by a pilaster in a wall of Rustica. Both with an 'oeil de boeuf' (small round, oval or octagonal window in the facade of a building, also known as Oculus). The print is part of an album. Antwerp paper etching Two half portals flanked by a pilaster in a wall of Rustica. Both with an 'oeil de boeuf' (small round, oval or octagonal window in the facade of a building, also known as Oculus). The print is part of an album. Antwerp paper etching

Modern profiles, of the Doric, Ionic & Corinthian orders Sheraton, Thomas, 1751-1806. still image. Elevations. 1798. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Columns, Architectural decorations & ornaments, Capitals (Columns), Columns , To 499

'Narvsky Gate. Lateral Façade and Cross-section'. Italy, 1814. Dimensions: 25,5x37 cm. Museum: State Hermitage, St. Petersburg. Author: GIACOMO QUARENGHI.

Drawing, Section, Small Domed Building; Italy; pen and black ink, rose, brown and blue wash, black chalk on paper, with fragments of blue paper framing

Draft of wall graves at San Giovanni in Laterano, Rome, by Francesco Borromini, showing blind grooves, construction, scale, and quantity, drawn on fine paper in graphite, 1659.

Gate with columns and frontone; Plan et élévation d'Une Porte d'Hôtel; Hotel ports; 48th Cahier. A hotel gate with columns and a hemisphere frontone with shield and weapons. Print number 288.

Description: The Mirisweti Dágaba. Stelae flanking Frontispiece. Wall enclosing Platform of Dágaba. Location: Anurádhapura, Ceylon asia, srilanka, ceylon, asiathroughalens

Print (France)

'Smolny Convent in St Petersburg. The Iconostasis of the Corner Church. Design of the Facade and Plan'. Series of drawings for the Smolny Institute project. Italy-Russia, 1780s. Dimensions: 37,8x53,6 cm. Museum: State Hermitage, St. Petersburg. Author: GIACOMO QUARENGHI.

Wollenhaupt Kuno (born 1854), urban residential building (1879): longitudinal section through the main entrance, round. Ink on cardboard, 60.5 x 78.4 cm (including scan edges) Wollenhaupt Kuno (geb. 1854): Städtisches Wohnhaus

Facade of a Corinthian-style building, engraving from Sebastiani Serlii Bononiensis De Architectura libri quinque (Five books on Architecture by Sebastiano Serlio), published by Francesco de Franceschi Senese and Johann Criegher, Venice, 1569.

Palace faade with monumental column arrangement above rustica substructure. Draughtsman: anonymous. Dating: 1500 - 1599. Place: Noord-Italië. Measurements: h 215 mm × w 295 mm. Museum: Rijksmuseum, Amsterdam.

Memorial monument in the Grote Kerk in Breda, Anonymous, c. 1881 - in or before 1889 photomechanical print Bredaantwerp paper collotype / photolithography monument, statue. interior of church Big church

Two half portals; Architectura De Posten Tusschana. Two half portals flanked by a pilaster in a rustica wall. The print is part of an album.

Column composites order, postament and base

Royal Health House: Chapel Plan Charles Rohault de Fleury (1801-1875). Royal Health House: Plan de la Chapelle. Drawing from a connected album, made up of drawings mounted, and unmounted. Pencil, feather and black ink, pink and gray lavis.

Berlin, Petrikirche. Aufriss Turmfront

Pianta ed elevazione del Tempio di Giove Olimpico still image. Floor plans, Reconstructions. 1823 - 1838. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Greek temples, Temples , Greece, Colonnades , Greece, Porticoes (Porches) , Greece, Temple of Zeus (Olympia, Greece)

Entablature and Doric pedestal, engraving from Il Vignola Illustrato, by Giambattista Spampani and Carlo Antonini, printed by Marco Pagliarini, 1770, Rome.

Study of colonnades with basic and turf elements for the Hofburg conversion project in Vienna I, drawn in graphite with black, gray, pink, and brown washes around 1800.

Picturesque views of the main buildings of Paris n ° 13: Facade of the School of Paris Surgery, seen from the Court (factic title)

Thèbes. Karnak. Portion de la coupe longitudinale du petit temple du sud.. Prints, Illustrations. 1812. Rare Book Division. Egypt, Bas-reliefs , Egypt , Karnak

East End of Tunstall Church (recto and verso). Artist: Anonymous, British, 19th century. Dimensions: sheet: 9 1/2 x 12 1/2 in. (24.1 x 31.8 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

'Staircase in the Palazzo Farnese in Caprarola'. France, 1760. Dimensions: 27,1x19,5 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

Project for the fountain in Napoleon, isolated fountain n ° 1: elevation.

Architectural Study: The Measured Profiles of the Cornice and Entablature of the "Colonnacce" from the Forum Transitorium (the "Palace of Nerva"). 1500-1520 Sangallo family Italian. Architectural Study: The Measured Profiles of the Cornice and Entablature of the "Colonnacce" from the Forum Transitorium (the "Palace of Nerva"). 363251

Dak in ZolderverdiePing van Het Pavillon Richelieu in Het Palace of the Louvre.part of Tuileries meeting at the Louvre 1852-1857, album 1.

Elevation of the Facade of a Theater, Prague, Cesare Recanatini, Italian, 1823-1893, Pen and ink, brush and sepia, blue, green wash on cream paper, Horizontal format architectural drawing depicting a two-storied structure on a high rusticated basement broken by three doors. Central double-columned pedimented loggia with large window behind., Italy, ca. 1860, architecture, Drawing, Drawing

Johann Franciscus Ermels sketched columns and beams of an antique temple with a view of the cityscape including the Colosseum in yellow-brown and brown ink with gray shading.

Grossmann Ernst (born 1833), fountain housing. Monthly competition September 1866 (09.1866): View. Ink on cardboard, supplemented with pencil, 27.1 x 18.3 cm (including scan edges)

View of the interior of the Westerkerk in Amsterdam, seen to the east, Jan Goeree, 1680 - 1731 print At the top right handwritten numbered: 57. paper etching / engraving interior of church Westerkerk

S. Springsguth, active 1816-1819, Theatre Royal Covent Garden, 1819.

View of the Delftsche Poort in Rotterdam, Anonymous, 1774 print paper etching / engraving city-gate Rotterdam

Wolkenstein San Micheli (1873-1910), Königin-Luise-Memorial Church competition, Berlin Schöneberg (12.07.1908): 2 views 1 floor plan calculations. Pencil, colored pencil watercolored on paper, 51.2 x 30.8 cm (incl. Scan edges) Wolkenstein San Micheli (1873-1910): Wettbewerb Königin-Luise-Gedächtniskirche, Berlin Schöneberg

Etching by Stefano della Bella from 1637 depicting the facade of the Church of S. Lorenzo in Florence decorated for the exequias of Emperor Ferdinand II, showing architecture and ceremonial elements.

Böhmer Franz (1907-1943), Poznan Castle, Poznan (1939-1943): Plan content N.N. detected. Material/technology N.N. Captured, 43.6 x 88.5 cm (including scan edges) Böhmer & Petrich : Schloss Posen, Posen. Umbau

Leadenhall Market, II Made 1903 United States. Etching and drypoint on ivory laid paper . Joseph Pennell

Plan of the ground floor and elevation of the staircase from the cloister to the dormitory of Vauluisant Abbey, designed by François II Franque, Royal Architect. Copperplate engraving by Robert Benard from Denis Diderot and Jean le Rond dAlemberts Encyclopedie (Encyclopedia), Geneva, 1778.

Elevation of a Church. Dated: 1619. Medium: etching and engraving on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Uglovaia chast zdaniia ukr. tsvetn. izraztsami.. Illustrations, Architectural drawings. 1875. General Research Division. Architecture , Russia, Decoration and ornament, Architectural , Russia

Design for an Unidentified Gothic Structure, attributed to William Kent, ca.1686-1748, British, undated, Graphite, pen and black ink with brown wash on medium, slightly textured, cream laid paper, Sheet: 14 x 8 1/8in. (35.6 x 20.6cm), architectural subject, churches, garden structure, Gothic Revival, pavilions (garden structures)

View of the Orangery of Somerleyton Hall, Anonymous, 1857 print With English text on Verso. paper letterpress printing greenhouse, orangery Suffolk

Project for the Palace of Industry: Inner Elevation

The Alms Houses, Cobham, Kent: facade, and architectural details, with a key. Transfer lithograph by J.R. Jobbins, 1858, after F.T. Dollman.

Katafalk of the Infante Balthasar in Antwerp (front view), 1647. Katafalk on January 1, 1647 Founded in Antwerp in honor of Balthazar Karel Dominicus Lucas Philips, the son of King Philip IV died in October 1646. This print shows the monument from the front. Above the show two columns text in Latin.

Unknown architect, garden house. Monthly competition October 1877 (10.1877): Upper garden view; Scale bar. Pencil watercolor on the box, 44.2 x 66.7 cm (including scan edges) N.N. : Gartenhaus. Monatskonkurrenz Oktober 1877

Honor gates at the entry of Willem V in Veere (no. VII), 1766, 1766 - 1767 print The honorary gate with the scaffolding for the fireworks founded on the Markt in Veere. Part of a group of 10 plates of the decorations in Veere on the occasion of the inauguration of Stadholder Willem V as Markgraaf van Veere, 28 May 1766. Numbered at the top right: No. VII. Northern Netherlands paper etching / engraving triumphal arch. bonfire, fire-works (+ illumination, fire-works ~ festive activities) Veere

Schneider Hugo (1841-1925), relics shrine, Brussels (1867): Views. Pencil watercolor on the box, 31.1 x 45.5 cm (including scan edges) Schneider Hugo (1841-1925): Reliquienschrein, Brüssel

Knoblauch Gustav (1833-1916), Parochial Church in Berlin (without dat.): Perspective view of the wall and lattice work. Tusche watercolor on the box, 35.4 x 50.5 cm (including scan edges) Knoblauch Gustav (1833-1916): Parochialkirche, Berlin

Arbor at Rosendael Castle; The green planted arbor from Rozendaal, by 't Konings Kabinet; Faces at Rosendael Castle. .

A house decorated with various flags during a jousting tournament (possibly France) Date: circa 1450

Honor gates at the entry of Willem V in Veere (no. X), 1766, 1766 - 1767 print De Erpoort founded by the orphans in Veere. Part of a group of 10 plates of the decorations in Veere on the occasion of the inauguration of Stadholder Willem V as Markgraaf van Veere, 28 May 1766. Numbered at the top right: No. X. Northern Netherlands paper etching / engraving triumphal arch Veere

Ground floor with lodging motifs; Gardens with floorres. With a flat in the shape of a tripod. From series of 12 sheets.

Schupmann Ludwig (1851-1920), summer theater. Monthly competition March 1878 (03.1878): Riss front view of the stage house (with a cut through the auditorium) 1: 100; Scale bar. Pencil watercolor on the box, 31.8 x 48.9 cm (including scan edges) Schupmann Ludwig (1851-1920): Sommertheater. Monatskonkurrenz März 1878

Architectural design for a hall or hall, Giuseppe Valeriani, 1718 - 1762 drawing paper. ink pen / brush interior ~ architectural design or model. interior ~ architectural design or model

Left Corinthian Temple at Suttetula Modern Sheitla, James Bruce, 1730-1794, British, undated, Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 16 5/8 × 21 3/8 inches (42.2 × 54.3 cm), architectural subject

Right side of the portico in the courtyard of the Museo Pio-Clementino, from 'Veduta generale in prospettiva del cortile nel Museo Pio-Clementino' ca. 1790-1827 Vicenzo Feoli The Pio Clementino museum was named after the two popes who oversaw its foundation, Clement XIV Ganganelli (1769-1774) and Pius VI Braschi (1775-1799).. Right side of the portico in the courtyard of the Museo Pio-Clementino, from 'Veduta generale in prospettiva del cortile nel Museo Pio-Clementino'. Vicenzo Feoli (Italian, Rome ca. 1760-1827 Rome). ca. 1790-1827. Etching and engraving. Prints

Hotel de Sens. Hotel des archeveques de Sens is a medieval hotel particulier, or private mansion, in the Marais in the 4th arrondissement of Paris, France. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Leipzig. Pleissenburg Castle - entrance gate; Lesser, Aleksander (1814-1884); 1878 (1878-00-00-1878-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Leipzig (Germany), Pleissenburg Castle (Leipzig), architecture, architecture, German architecture, foreign architecture, gates, entry gates, gift ( provenance), castles (archite.)

Klosterkirche, Paulinzella: Details (from: sketch and photo album 24)

Historical graphic representation, Biblioteca Marciana, Marciana Library, Library of San Marco, Libreria Marciana, Biblioteca Nazionale Marciana, Libreria Sansoviniana, Libreria Vecchia, Piazza San Marco, Venice, Italy, 16th Century, from Meyers Konversations-Lexikon encyclopaedia, 1889, Europe

Stage Design, Group of Antique Buildings, Angelo Toselli, ca. 1765 - 1826, Pen and bistre ink on paper, Horizontal rectangle. Group of antique buildings with pediments, vaults, porticoes, stairs leading up., Italy, early 19th century, theater, Drawing, Drawing, Stage Design, Group of Antique Buildings, Angelo Toselli, ca. 1765 - 1826, Pen and bistre ink on paper, Horizontal rectangle. Group of antique buildings with pediments, vaults, porticoes, stairs leading up., Italy, early 19th century, theater, Drawing, Drawing

San Lorenzo, Library, pilaster, elevation; soffit, detail, plan (recto) San Lorenzo, Library, entablature, section (verso) early to mid-16th century Drawn by Anonymous, French, 16th century French. San Lorenzo, Library, pilaster, elevation; soffit, detail, plan (recto) San Lorenzo, Library, entablature, section (verso) 360474

1. - Porte des grands appartements; 2. - crochets des fenêtres des grands appartements; 3. - pilastre de la chapelle; 4. - lavabo de la sacristie. 1. Door to the grand apartments; 2 - window latch-hooks of the grand apartments; 3 - pilaster from the chapel; 4. sacristy basin.. Favier, Paul. Photographs. 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, French , 17th century, Doors & doorways, Basins (Containers)

Maison du XVIe. siècle, située rue de l'horloge à Rouen.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

N.N., Wilhelmstal Castle in Kassel. Wilhelmshöhe Castle in Kassel. (From: Atlas to the magazine for Building, ed. V. Ministry of public work (1908-1908): view door dining room Wilhelmstal. Printed on paper, 45.8 x 29.5 cm (incl. Scan edges) N.N. : Schloss Wilhelmstal, Kassel. Schloss Wilhelmshöhe, Kassel. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. Ministerium der öffentlichen Arbeiten, Jg. 58, 1908)

Culmination of Gothic door (15th century); Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);

Two skylight grids, leaf 1 from a series of gratings. .

Palace of Tipu Sultan from the west, Bangalore, Karnataka. Coloured aquatint by H. Merke after James Hunter, 1804.

N.N.: Belvedere. Monthly competition March 1830

The Arc de Triomphe, Place de l'Etoile

Prospect design for the organ of the village church Erbisdorf. Torn after the contract with Johann Georg Nice of May 22, 1756 (used at organ construction by A. G. Oehme 1770-1774). Drawing, probably 1756

Various Roman Ionic capitals compared with Greek examples from Le Roy S. Maria in Trastevere, S. Paoplo fuori le Mura, S. Clemente, etc., from Della Magnificenza e d'Architettura de'Romani (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London), tab. 20 mid-18th century Giovanni Battista Piranesi Italian In 1758, the French architect Julien-David Le Roy published 'Les ruines des plus beaux monuments de la Grèce' (The ruins of the most beautiful monuments of Greece) in which he proclaimed that the architectural orders were a Greek invention inherited by the Romans who imitated and subsequently debased them. Le Roy wrote of the Roman Composite order, "It is only a fairly imperfect mixture of the Ionic and Corinthian and by altering the proportions of the column from the Doric order and by multiplying the moldings of its entablature, they have perhaps made it lose a lot of its male character, which was a dist

Pfeifer Hermann, wooden architecture, Braunschweig. (From: Atlas to the magazine for Building, ed. V. Ministry of Public Work, Jg. 42, 1892): Views, floor plan, cut, details. Stitch on paper, 43.2 x 28 cm (including scan edges)

Design for the hall of the Hofoper, Mannheim, longitudinal section. Draughtsman: Alessandro Galli Bibiena. Dating: 1697 - 1769. Measurements: h 251 mm × w 442 mm. Museum: Rijksmuseum, Amsterdam.

Drawing, Ceiling Design; Designed by James Byres; England

Fencing and gates, Anonymous, 1700 - 1799 print Designs for three wrought iron gates, a wrought iron fence with columns and fronton and a wrought iron (stair) fence. In the undermar, the text zu Finden in the Academic Kunsthandlung in Augsburg. Germany paper etching welding (industrial process). fence, wall, paling. gate, entrance

'Elevation of the Mirror Wall in the Jasper Study in the Agate Pavilion at Tsarskoye Selo'. Great Britain, 1780. Dimensions: 42x66,5 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES CAMERON.

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