Classic Narrative Scenes

Engravings depicting historical or biblical events with detailed characters, dramatic settings, and a focus on storytelling through visual art.

Luyken, Jan, Northern Netherlands, Gerard Hasepoot, brulé à Nimegue, Ao. 1556, Gerhard Hasepoot, zu Nimwegen verbrent, Gerrit Hasepoot te Nijmegen takes leave of his family, 1556, Gerrit Hasepoot te Nijmegen takes leave of his family before the judges who have sentenced him to death., print, engraving, historical print, prints, engravings, Frederik Muller Historical plates, height 115 mm, width 143 mm, 1649-04-16 - 1712-04-05, print maker, printmaker, 1683 - 1685, fourth quarter 17th century, paper, papier, etching, etchings, Work conception
Luyken, Jan, Northern Netherlands, Gerard Hasepoot, brulé à Nimegue, Ao. 1556, Gerhard Hasepoot, zu Nimwegen verbrent, Gerrit Hasepoot te Nijmegen takes leave of his family, 1556, Gerrit Hasepoot te Nijmegen takes leave of his family before the judges who have sentenced him to death., print, engraving, historical print, prints, engravings, Frederik Muller Historical plates, height 115 mm, width 143 mm, 1649-04-16 - 1712-04-05, print maker, printmaker, 1683 - 1685, fourth quarter 17th century, paper, papier, etching, etchings, Work conception
Antwerp, Galle, Philips, Vos, Maerten de, Collaert, Jan (II), Decalogvs cvm acerbissimis, Tien Geboden, David en Bathsheba: het negende Commandment, verso bottom center - stamped, King David has a relationship with Bathsheba, the wife of Uriah (2 Samuel 11:1-26). In the background, the prophet Nathan tells David that he will be punished by God because he has violated the ninth Commandment: 'You shall not covet your fellow man's wife'. The print has a Latin caption. The print series depicts the Ten Commandments through scenes from the Old Testament., print, prints, 35, recto top right - written, height 198 mm, width 244 mm, South Netherlands (before 1775), 1566 - 1628-05-26, print maker, printmaker, 1585 - 1589, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, 1537 - 1612-03-29, publisherLudwig II., Duke of Bourbon.Lucas van Leyden's 'Jael Killing Sisera' woodcut, created around 1517, illustrates the biblical story of Jael's decisive action. The print depicts Jael driving a tent peg into Sisera's head.Hooghe, Romeyn de, Netherlands, Illustration for Le paysan from Contes et nouvelles by Fontaine, verso - stamped, Illustration for Le paysan from Contes et nouvelles by Fontaine. A peasant kneels before a table behind which sits a richly dressed man. Coins lie on the table. On the back of the sheet text in letterpress., print, engraving, book illustration, prints, height 68 mm, width 88 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1685 - 1685, fourth quarter 17th century, paper, etching, engraving (printing process), Work conception, after own design byCartoon at Louis XIV when hearing the death of Willem III is false, 1690; Pantagruel agonisant.Nieuweveen, Jacobus van, Luyken, Jan, Amsterdam, Hovaardig with the devil as a maid, verso center bottom - stamped, In the foreground the personification Hovaardig, with peacock crown, mirror and graceful dress. The devil is her maid and carries her train. At seeing the devil's claw that Hovaardig hides under her dress, three people flee., print, book illustration, prints, height 92 mm, width 80 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1699 - 1699, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, printer, drukker, booksellerMurder of the Prince of Orange, 1584; The killing of the Prince of Orange, by Balthasar Gerards, in the year 1584. in Delft. The Prince of Orange in Delft murdered by Balthasar Gerards, July 10, 1584. Willem van Oranje is shot on a staircase at the open door by Balthasar Gerards.Personified soul in conversation with the flesh and a blind one, Jan Luyken, 1678 - 1687 print The personified soul has a conversation with a blind man and the personification of the flesh (worldly temptations). Amsterdam paper etching / letterpress printing spirit (or soul) versus body. blind, blindnessMevrouw Bellaston schrikt van Thomas Jones.If Thomas Jones suddenly entered his room again, Mrs. Bellaston is frightened in a chair.Two figures for a gate. Two figures are for a gate in a defense wall. The figure left is surrounded by tools, right is a second figure with a compass and a building drawing in his hands.Amsterdam, Houttuyn, Frans, Fokke, Simon, Scholar in study, recto - manuscript in brown ink, A scholar sits behind a desk in a study and points to an open book. Above his desk hang two medallions with images of philosophers from antiquity. On the floor around his desk are papers and books, and a portrait bust and a globe., print, prints, verso - stamped, 6, height 160 mm, width 103 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1759 - 1759, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, Dutch, publisherAmsterdam, Picart, Bernard, Handing over a letter, verso - stamped, A man gives a letter to a man who has taken off his hat. Below the image is the face and attributes of Father Time., print, prints, height 79 mm, width 78 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1720 - 1720, first quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process)Print at the top right labeled: PAG: 452.Meryon, Charles, Presentation du Valère Maxime au roi Louis XI, Printer Valère Maxime is presented to King Louis XI, recto lower right - stamped, King Louis XI is seated on a throne and is presented with a book by the printer Valère Maxime. The printer kneels before the king and is introduced to him by another man. The scene is set at the French court in the fifteenth century., print, prints, verso middle - stamped, height 172 mm, width 200 mm, French, 1821-11-23 - 1868-02-14, print maker, printmaker, 1860 - 1860, third quarter 19th century, paper, etching, etchings, drypoint, dry needle, Work conceptionMondragon refuses to be of service as long as Aldegonde is still imprisoned, 1574, 1781 print Mondragon refuses to serve Requesens as long as Philip van Marnix, lord of Sint-Aldegonde is still imprisoned, 1574. Twelfth singing. print maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdampublisher: Amsterdam paper etchingMarriage of Ferdinando I de 'Medici with Christina van Lotharingen, Jacques Callot, after Jacopo da Empoli, 1614 - 1620 print Ferdinando I de 'Medici gives a ring to Christina van Lorraine, in the presence of a spiritual and some ladies (left) and gentlemen (right). Under the show an empty margin. This print is part of a series of 16 prints (plus 2 unfinished prints) of the life of Ferdinando I de 'Medici, intended as a supplement to an existing series of illustrations of the history of the doctors. Florence paper engraving exchange of rings ~ marriagePrint left of the number numbered: 97.Evidence to character - being, a portrait of a traitor by his friends & by himself , Politicians, Judges, Nobility, Authors, Courtrooms, O'Connor, Arthur, 1763-1852, Buller, Francis, 1746-1800, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Grattan, Henry, 1746-1820, Erskine, Thomas Erskine, Baron, 1750-1823. James Gillray (1756-1815). Prints and DrawingsScene of a tournament. 17th century. Engraving. FRANCE. ëLE-DE-FRANCE. Paris. National Library.Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself, James Gillray, 1757-1815, British, 1798, EtchingPart of the procession, no. 6; Funeral procession of Emperor Karel V, 1558. Three participants in the procession, a horse decorated with the motto and emblem of the emperor, banner with Matamoros (H. Jacobus who beats the Moors). Part of the printer of the funeral procession of Emperor Charles V on December 29, 1558 in Brussels.Lady Jane Grey, Queen for nine  days is beheaded at the Tower  of London on charges of  treason.  She presents her  Tablet Book to Sir John Gage.      Date: 12 February 1554Jesus with the Pharisees, from The New Testament. Jacques Callot (French, 1592-1635); published by Israël Henriet (French, 1590-1661). Date: 1635. Dimensions: 71 × 85 mm (plate); 73 × 89 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.Antonio Tempesta, Philip as a Boy before Margaret of Austria, 1612 Philip as a Boy before Margaret of Austria"Tristram Shandy," Frontispiece, Volume 1,. Artist: After William Hogarth (British, London 1697-1764 London). Author: Illustrates Laurence Sterne (British, 1713-1768). Dimensions: sheet: 5 1/2 x 3 1/8 in. (13.9 x 7.9 cm). Engraver: Simon Francis Ravenet, the elder (French, 1706-1774). Date: April 1760. Museum: Metropolitan Museum of Art, New York, USA.Opgebaarde onverteerde lichaam van de H. Idesbald, 1625.The miraculously undigested body of the bleaching idesbelled from Ter Duinen, buried in 1167 and found in the abbey of Our Lady at Duinen in Koksijde in 1625 (or 13 November 1623) and showed in the Abdijhoeve in Bogaerde. A group of spectators has been collected around the body on a purge bed, including Isabella Clara Eugenia and Spinola. With caption of 4 lines in French.Antwerp, Galle, Philips, Kiliaan, Cornelis, Straet, Jan van der, Collaert, Adriaen, Insigne in prolem materni exemplar amoris, Allegory of motherly love, verso center bottom - stamped, On In a market in Florence, an escaped lion seizes a child. The crowd runs away in fear, except for the child's mother, who saves her son from the lion's claws. She proves the power of motherly love. The print has a Latin caption., print, prints, verso bottom center - stamped, height 240 mm, width 175 mm, Southern Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1570 - 1618, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1523 - 1605-11-02, after a design by, 1530 - 1607-04-15, writer, Publication (Event), Publication, 1537 - 1612-03-29, publisherFemales: A Tartar lady; Servant maid; A Bonzess; A country woman. Prints, Illustrations. 1745 - 1747. Rare Book DivisionDompteur, tamer, animal trainer, Caspar Luyken, Anonymous, 1711Education of Balthazar Karel, the eldest son of King Philip IV, 1642, Caspar Luyken (attributed to), 1701 print Balthazar Karel, the eldest son of King Philip IV, learns to dance at the court of his father King Philip IV. Frankfurt am Main paper etching / letterpress printing group dancing among upper classesMoritz der Scholar, Landgrave of Hessen-Kassel.Lebey de Batilly, Denis, Frankfurt am Main, Bry, Theodor de, Boissard, Jean Jacques, Denis Lebey de Batilly, Emblemata, 1596, HOMO POMO SIMILIS AUT MATUR CADIT, AUT SI CITO ACERB RUIT, Young man picking an apple from a tree, verso - stamped, A young man picks an apple from a tree. Next to the tree a couple is sitting on a bench. The man is holding an apple in his hand. There are also a few ripe apples under the tree. The motto makes a comparison between the apple and man. If the apple is picked too early it is sour. When the apple is ripe it falls from the tree by itself., print, book illustration, emblem, prints, height 67 mm, width 85 mm, South Netherlands, 1528 - 1598-03-27, print maker, printmaker, 1596 - 1596, fourth quarter 16th century, paper, engraving, engraving (printing process), 1528 - 1598, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, writerBolswert, Boëtius Adamsz., Nederlanden, Het Mirakel van Amsterdam (copy), 1345, The church where the host is kept burns down but the host is spared, 8, The church where the host is kept burns down but the host is spared. In the foreground wailing spectators. Print no. 8 from the series of 16 representations of The Miracle of Amsterdam, after the events of 15 March 1345. Copies after the series of Bolswert. Below the representation in the plate engraved a six-line verse in Latin, below that a six-line verse in letterpress in Dutch., print, prent, historieprent, prints, prenten, Frederik Muller Historieplaten, height 117 mm, width 80 mm, print maker, prentmaker, 1639 - 1699, second quarter 17th century, tweede kwart 17e eeuw, third quarter 17th century, derde kwart 17e eeuw, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, engraving, graveren (drukprocedé), Work conception, Zuid-Nederlands, 1580 - 1633-03-25Kampen, Warnerssen, Peter, Heemskerck, Maarten van, Netherlands, Monogrammist AI (16th century), Last Supper, verso lower left - stamped, Christ at table with the twelve disciples. In the room an altar with above it a representation of the Jewish Passover celebration with Moses. One line of text above the print, four lines below in Latin., print, prent, prints, height 296 mm, width 367 mm, print maker, prentmaker, 1552 - 1552, third quarter 16th century, paper, woodcut, Northern Netherlands, 1498 - 1574, after, after painting by, Publication (Event), Publication, publisherSpeelhuis, Caspar Luyken, 1711 print Print to the left of the fresh numbered: 76.  paper etching games of calculation and chance, e.g.: card games, gambling, puzzles, etc.An old couple are assisted in walking; representing the ninetieth year of life. Engraving.This copper engraving by Hendrick Goltzius, created in 1587, depicts an allegorical representation of a doctor as a man, illustrating human qualities and professional symbolism.The Queen and Death. Wenceslaus Hollar (Czech, 1607-1677); after Hans Holbein the younger (German, c.1497-1543). Date: 1651. Dimensions: 72 × 54 mm (sheet, trimmed within plate mark). Etching on ivory wove paper. Origin: Bohemia. Museum: The Chicago Art Institute, USA.Zygmunt I meets J. Tarnowski's winner from Wołochow in: Historical songs with music and engravings , in Warsaw, in the printing house at Nowolipie, 1816 Frenzel, Johann Gottfried (1782 1855), Zabiełło, Henryk (1788 1850). Print left of the number numbered: 76.Northern Netherlands, The scene of English misery, Allegory of King Charles II of England, ca. 1651, verso - stamped, ca. 1651. Charles is donned in his armor and handed a pistol by Ireland and Scotland to wage war and claim the crown of England. On the right a seven-headed dragon of parliament with royal insignia and severed heads of, among others, King Charles I. In the background the beheading of Charles I at Whitehall in 1649, from the sky shine rays of God's wrath and vengeance. This copy is missing the accompanying text sheet., print, picture, propaganda print, prints, pictures, Frederik Muller Historieplaten, height 361 mm, width 420 mm, print maker, printmaker, 1651 - 1652, third quarter 17th century, paper, papier, etching, etchings, engraving, engraving (printing process)Habits des Indiens du Perou, Indians of Peru, Relation du voyage de la mer du Sud aux cotes du Chili, du Perou, et du Bresil, fait pendant les années 1712, 1713 and 1714, Frézier, Amédée François, 1682-1773, Engraving, etching, black-and-white, 1717Allegory of the judiciary, Willem Isaacsz. van Swanenburg, after Joachim Wtewael, 1606 print A man kneels and presents a supplication or indictment to a royal judge. This refuses to take the paper. Under the performance two four -line verses in Latin over the judge who must be guided by law and not by tears or supplications. print maker: Leidenpublisher: Amsterdampublisher: Leiden paper engraving juridical examples; exemplary judges; 'Gerechtigkeitsbilder'The skeleton of Death, Freund Hans, embracing a woman while pointing to a Viennese woman with a bony hand, 18th century. Viennese and Roman women. Wienerin und Romerin. Copperplate engraving by Johan Georg Mansfeld after an original by Johann Rudolf Schellenberg from Johan Kark Musauss Freund Heins Erscheinungen in Holbeins Manier, (Apparitions of Death in the manner of Holbein) Mannheim, 1803.Three women, dressed according to the fashion of Bologna ca. 1580, in or before 1585 Sett nr. 11 Uit Album 'of the real portraits of the Habites of TVTTE The parts of the world carved in copper for Opera by Bartolomeo Grassi', 1585.  paper engraving Sett nr. 11 Uit Album 'of the real portraits of the Habites of TVTTE The parts of the world carved in copper for Opera by Bartolomeo Grassi', 1585.  paper engravingBoaz speaks to Ruth, who has been gathering ears in his field Ruth bows her head To the right some resting reapers, eating and drinking In the background on the left, the field Below the scene the title in Latin, a four-line verse in Dutch, French, German and English and a reference to the biblical text in Ruth 2, Ruth en Boaz Typus vocationis gentium in Rutha  Royaalbijbel , print maker: anonymous, after: Gerbrand van den Eeckhout, publisher: Clement de Jonghe, (mentioned on object), Amsterdam, 1655 - 1677 and/or 1679 - 1702, paper, engraving, h 407 mm × w 499 mmDon Carlos, the Crown Prince of Spain and son of Philip II, tries to murder the Duke of Alva with a dagger, Don Carlos tries to murder the Duke of Alva Prince Carel, tries to stab the Duke of Albam , print maker: Jan Luyken, bookseller: Engelbrecht Boucquet, print maker: Amsterdam, bookseller: The Hague, 1699, paper, etching, h 145 mm × w 84 mmLa Foire de Gonesse, from Choix de chasons mises in musique par M. De La Borde, Premier Valet-de-Chambre ordinaire du Roi, Gouverneur du Louvre. Ornées d'Estampes Par J.M. Moreau, Dédiées à Madame la Dauphine. A Paris Chez de Lormel, Imprimeur de l'Academie Royale de Musique rue du Foin Siant-Jacques. MDCCLXXIII. Avec Aprobation et Privilège du Roi. Gravées par Moria et M.lle Vendôme 1772 Jean Michel Moreau the Younger French. La Foire de Gonesse, from Choix de chasons mises in musique par M. De La Borde, Premier Valet-de-Chambre ordinaire du Roi, Gouverneur du Louvre. Ornées d'Estampes Par J.M. Moreau, Dédiées à Madame la Dauphine. A Paris Chez de Lormel, Imprimeur de l'Academie Royale de Musique rue du Foin Siant-Jacques. MDCCLXXIII. Avec Aprobation et Privilège du Roi. Gravées par Moria et M.lle Vendôme 423704Ending students and musicians, Jacob van der Heyden, 1608 print Numbered at the bottom right: 6. With caption in Latin and German.  paper engraving / etching 'album amicorum', 'Stammbuch'. more than one musician with instrument. one pair dancing; man and woman dancing as a couple. (lovers) kissing each other. viola, violoncello; double bass. evening meal, dinner, supperLe Bellezze D'Olimpia. Prints. 1581. Spencer CollectionPrologue. (title registered) | Small comedians. (IFF 1771-1772) (Title of the whole)Vernois, Pierre de, Plantijn, Christoffel, Cock, Hieronymus, Southern Netherlands, Doetechum, Lucas van, Joannes van (I), The magnificent and sumptuous Pompe Funebre, made from the Obseques & Funerailles of the very great & very victorious Emperor Charles Cinquième, Celebrities in the City of Brussels the XXIX. Iour du Mois de Decembre MDLVIII. by Philippes Roy Catholique d'Espaignes son Fils., Funeral procession of Emperor Charles V, 1558, Part of the procession, no. 14, Four participants in the procession, horses and the banners with the coats of arms of Mallorca and Galicia. Part of the print series of the Funeral procession of Emperor Charles V on 29 December 1558 in Brussels., print, prints, Frederik Muller Historical plates, height 237 mm, width 324 mm, Northern Netherlands, 1530 - 1605, print maker, printmaker, 1559 - 1559, third quarter 16th century, paper, etching, engraving, engraving (printing process), - 1589, 1518 - 1570-03-10, intermediary draughtsman, after a drawing by,Northern Netherlands, Hooghe, Romeyn de, The Citizens of Dordrecht force Cornelis de Witt to renounce the Eternal Edict, and smash the Painting of Chattam to pieces, Citizens of Dordrecht force Cornelis de Witt to revoke the Eternal Edict, 1672, A group of angry and armed citizens of Dordrecht force Cornelis de Witt, who is lying in bed, to revoke the Eternal Edict, June 30, 1672. Fragment of the large print about the De Witt brothers: Witten Wonder Spiegel (1675)., print, picture, historical print, prints, Frederik Muller Historical plates, height 110 mm, width 112 mm, 1645-09-10 - 1708-06-15, print maker, printmaker, 1675 - 1675, fourth quarter 17th century, paper, etching, etchingsJacques Callot after Donato Mascagni, Maddalena, 1619 MaddalenaPortrait of Frederik v van Bohemia, his wife Elisabeth Stuart and their five children; Warry Affising Vanden spent and the Hoochborn Prince Fredericke (...). Portrait of Frederik V, his wife Elisabeth Stuart, king and queen of Bohemia, and their five children: Hendrik Frederik, Karel I Lodewijk, Elisabeth, Ruprecht and Maurits of the Palatinate. In heaven the tetragram with the name of God and a two-legged Bible quote from PS. 132 in English. In the margin the names and function of the portrayers in English. Under the print a 40-line poem, in two columns, in Dutch.Interior of a regent room or mayor room, Dionys van Nijmegen, 1715 - 1798 drawing   paper. ink. pencil brush / pen interior of the houseIn 't Jaar 1579. Draughtsman: anonymous. Draughtsman: Jacques Kuyper (rejected attribution). Dating: c. 1789 - c. 1810. Place: Netherlands. Measurements: h 65 mm × w 55 mm. Museum: Rijksmuseum, Amsterdam.Plate 8: Psyche seated at a table and attended by invisible servants, Eros beside the goddess, from 'The Fable of Cupid and Psyche.' 1530-60 Master of the Die Italian. Plate 8: Psyche seated at a table and attended by invisible servants, Eros beside the goddess, from 'The Fable of Cupid and Psyche.' 396418Antwerp, Jode, Gerard de, Francken, Ambrosius (I), Collaert, Hans (I), Thesaurus sacrarum historiarum veteris testamenti, History of Jerobeam and Rehoboam, Rehoboam answers the people, verso - stamped, King Rehoboam gives the people of Israel respond to their request for a lightening of their yoke. He stands on a podium and tells the people that he will make their yoke even heavier. The people react in fright. The Israelites break with Rehoboam, who remains the sole king of the cities of Judah. Below the representation is a reference in Latin to the Bible text in 1 Kings 12., print, prints, height 207 mm, width 295 mm, South Netherlands (before 1775), 1540 - 1581, print maker, printmaker, 1579 - 1579, paper, engraving, engraving (printing process), Work conception, 1544 - 1618-10-16, after a design by, Publication (Event), Publication, North Netherlands, 1509 - 1591-02-05, publisherBrabant Bring Gut / Wollust Armut; Pugillus facetarium iconographicarum ... Strasbourg 1608. "Aristippi apotthehegma", standing between "Nudum Vestit" and "Relinquit Inertem" at the latter are the objects of a light-hearted life on the ground: lute, cards, wine roemer and a heart with arrows. At the "Nudum Vestit" objects of study and learning: books, globe and mercury staff. Two Latin lines and two German caption lines. R.O. Numbered 16. Print from: Pugillis Facetarium .... Strasburg.Death of Mary II Stuart, queen of England, 1695, print maker: Jan Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 111 mm × w 155 mmDampierre, Guillaume II. de.Friedrich Brentel, known as Brenten the father (1580-1651). Funeral pump of Charles third of the name, Duke of Lorraine, made in Nancy the year 1608, eighth board of the representation of the procession: the minimal fathers (Le Blanc 21 page 516; Andreas Andresen 10, Tome 4, page 192). Etching. 1609. Museum of Fine Arts of the City of Paris, Petit Palais. 100464-23 Etching, 17th XVIIth XVII 17th 17th 17 CENTURYAmsterdam, Janssonius van Waesberge, Pauli, Joannes, Goeree, Jan, Title page for: Abraham a Sancta Clara, Narrinnen-Spiegel, 1718, Monk with portrait of female jester, verso - stamped, A monk with a portrait of a female jester stands amidst four laughing figures. In front of him a tablet with a jester's cap and sticks and the title., print, engraving, title page, prints, engravings, height 137 mm, width 78 mm, 1670-10-20 - 1731-01-04, print maker, printmaker, 1718 - 1718, paper, engraving (printing process), etching, Publication (Event), Publication, Northern Netherlands, publisherA meeting of the royal advisors. In the background, Louis XIII is seated on a throne. Cardinal Mazarin stands next to the throne, Cardinal Mazarin in meeting with Louis XIII and his advisors, 1643 Sitting of 't Parlament , print maker: Caspar Luyken, bookseller: Boudewijn van der Aa, Leiden, 1699, paper, etching, h 141 mm × w 82 mmArtist: Albrecht Dürer, German, 1471-1528, Saints Nicholas, Ulrich andErasmus, ca.1504, Woodcut, sheet: 20.1 × 14.3 cm (7 15/16 × 5 5/8in.), Made in Germany, German, 16thcentury, Works on Paper -PrintsBurying the Dead (Enseveliir les morts). Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: sheet: 10 1/8 x 12 1/8 in. (25.7 x 30.8 cm). Publisher: Published by Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: Les OEuvres de miséricorde. Museum: Metropolitan Museum of Art, New York, USA.Joy  France - on the birth of Delfin, son of Louis XIII.; Bosse, Abraham (1602-1676); 1638 (1638-00-00-1638-00-00);Delfin, title of the successors of the French throne, Louis XIII (King of France - 1601-1643) - iconography, Louis XIV (King of France - 1638-1715) - iconography, Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945), XVII century (XVII History), ladies, decorations, occasional decorations, royal courts, courtiers, children, French (culture), birth, palaces (archite.), Peintre-Graveur, allegorical scenes, symbolic scenes, celebrationsWael, Cornelis de, Italian craftsmen and sellers, Shoemaker, verso lower left - stamped, Men stand around a shoemaker who is working in a square. Soles of shoes lie scattered on the ground around his feet. In the margin a caption in Latin., print, prent, prints, prenten, height 89 mm, width 125 mm, Work conception, Zuid-Nederlands, 1592-09-07 - 1667-04-21, after a design by, 1613 - 1667, paper, engraving, engraving (printing process), print maker, printmakerThree women, dressed according to the fashion of Perugia and Ancona, ca. 1580, in or before 1585 Sett nr. 18 Uit Album 'of the real portraits of the Habiti di TVtte the parts of the world carved in copper for Opera by Bartolomeo Grassi', 1585.  paper engraving Sett nr. 18 Uit Album 'of the real portraits of the Habiti di TVtte the parts of the world carved in copper for Opera by Bartolomeo Grassi', 1585.  paper engravingYoung lady greeted by various gentlemen, Jan van de Velde (II), After David Vinckboons, 1622 print Several men greet an elegantly dressed young lady in a street. One takes off his hat, one makes a knee out and a touch touches his hat. Book illustration from G.A. Bredero, Boertigh, Amoreus, and Aend-like Lied-Boeck, 1622. At the top left page number 58. Amsterdam paper etching / letterpress printing postures and gestures of the hand. adolescent, young woman, maiden. baring the head, lifting one's hat. head bent forward; bowingFide Sed Vide: Werin Wolff Trawt Auf der Heyd ...; Pugillus facetarium iconographicarum ... Strasbourg 1608. In a landscape there are a Jew and a priest opposite a wolf. Above their heads the words: "FIDE SED VIDE". In the margin 2 lines Latin: "Praedator Lupus ... Orbem". Four rules German: "WER EINEM WOLFF TRAWT AUFF DER HEYD / EINEM JUTEN BEY SEINEM EYD / UND EINEM PFAFFEN BEY SEINEMG 'WILL / DER WIRDT VON ALEN DREYEN B'ISHISS. (Not numbered). Print from: Pugillis Facetarium .... Strasburg.Two women and a man play a ball game on the table, Jacob van der Heyden, 1608 print With caption in Latin.  paper engraving Morality. 'album amicorum', 'Stammbuch'. ball games in which ball or bowl is rolledDoctor, Jan Luyken, 1694 print  Amsterdam paper etching physician, doctorFireter, Caspar Luyken, 1711 print Print to the left of the fresh numbered: 98.  paper etching fire-eaterPompeius's head is shown to  Caesar, as evidence of his  death.        Date: 48 BCEIllustration from 'The Fables of Gellert, Gleim, Hagedorn and Lichtwer'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1792. Prints; etchings. EtchingAntwerp, Jode, Pieter de (I), Italy, Tempesta, Antonio, Metamorphoses by Ovid, Metamorphoseon sive transformationum, Arachne in araneam a Pallade convertitur, Minerva changes Arachne into a spider, verso - stamped, because Arachne has lost a weaving competition. Title in Latin in the lower margin., print, prints, height 104 mm, width 117 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1606 - 1606, paper, papier, etching, etchings, Publication (Event), Publication, South Netherlands, 1570 - 1634-08-09, publisherThe patriotick barber of New York, or the captain in the suds.. Prints. 1775. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Wigs, Political satire, American, Barbers , New York (State) , New YorkFriedrich Brentel, known as Brenten the father (1580-1651). Funeral pump of Charles third of the name, Duke of Lorraine, made in Nancy the year 1608, thirty-fourth board of the representation of the procession: the kings of arms, the sieur (Jean) Callot (Le Blanc 47 Page 516; Andreas Andresen 10, volume 4, page 192). Etching. 1609. Museum of Fine Arts of the City of Paris, Petit Palais. 100465-18 Etching, 17th XVIIth XVII 17th 17th 17 CENTURYMarie Antoinette handing a servant an oval portrait of herself for Madame de Lamballe. It was signed, Ses mahleurs l'ont blanchie, misfortunes made me grey. (Her hair went grey in her early 30s). Stipple copperplate engraving by Noel after an illustration by Sebastien Leroy from Marie Antoinette, Archiduchesse d'Autriche, Reine de France, chez le Fuel, Paris, 1815.King Wenceslaus of Bohemia riding with the Archbishop of Mainz, the Bishops of Bamberg and Wurtzburg and the Burgraves of Nuremberg 1; citizens of Frankfurt on horseback 2; the Archbishop of Mainz 3, and Holy Roman Emperor Charles IV on his throne with sceptre and orb with the Archbishops of Trier, Cologne and Mainz 4. Miniatures from the Vienna Codex of the Golden Bull, an illuminated manuscript prepared for King Wenceslaus IV of Bohemia, 1365. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1844.Mieris, Frans van, Amsterdam, Wandelaar, Jan, Luciaens Droom of de Haen, A man and a rooster at a house, top right on cardboard - stamped, A man opens the front door of a house. Behind him stands a rooster. In the house sits a woman reading. The representation has an ornamental frame with (shoemaker's) tools on the left and symbols of wealth on the right. Above the representation a caduceus and an olive branch as symbols of peace. At the bottom in a cartouche the title of the depicted poem., print, prints, verso bottom center - stamped, JA Frederiks Architect Middelburg, height 151 mm, width 111 mm, Noord-Nederlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1730 - 1731, paper, papier, etching, engraving, engraving (printing process), Work conception, after a design by, intermediary draughtsmanJohann Gottlieb Friedrich (1742-1809), the introduction of the Suveraenity, (1797)Interior with music making company. Draughtsman: Nicolaes Aartman. Dating: 1723 - 1760. Measurements: h 111 mm × w 173 mm. Museum: Rijksmuseum, Amsterdam. Author: Nicolaes Aartman.Nice words of Mr. Bailly: The Assembly Nation has no order to receive ". Nice words of Mr. Bailly: The Assembly Nation has no order to receive ". Royal session in the room of the menus-pleasures. Versailles, June 23, 1789". Forte, 1789.Hall, Bolsover Castle, Derbyshire, 1840. Joseph Nash (British, 1808-1878). Lithograph, hand colored;Louis XIV (1638-1715) king of France from 1643, proclaiming duc d'Anjou, his grandson, king of Spain, 16 November 1700. War of Spanish Succession. Late 19th century chromolithograph.Print made by Jacob Gole, 1660-1737, Dutch, The Dutch School, undated. Mezzotint on medium, slightly textured, cream laid paper.Almanac for 1685 - Happiness and Rest in Europe - Publication of the Tree between France - The Empire - Spain and the States of Holland in 1684 Nicolas de Larmessin (1638-1794). "Almanach for 1685 - happiness and rest in Europe. Publication of the truce between France, the Empire, Spain and the states of Holland in 1684". Engraving.Funeral stele with the Lords Count Philip of Nassau, Count Solm, members of the States General and the Council of State. Sheet 11 in the funeral procession of William of Orange, Delft 3 August 1584., Funeral procession of William of Orange, sheet 11 The funeral procession of William of Orange, 3 August 1584 (series title) Haec Pompa funebris spectata fuit Batavorum Delphis, tertio die Augusti, Ao. 1584 (series title on object), print maker: Hendrick Goltzius, publisher: Willem Janszoon Blaeu, print maker: Haarlem, publisher: Amsterdam, 1584 and/or 1584 - 1638, paper, etching, engraving, h 158 mm × w 373 mmVernois, Pierre de, Plantijn, Christoffel, Cock, Hieronymus, Southern Netherlands, Doetechum, Lucas van, Joannes van (I), The magnificent and sumptuous Pompe Funebre, made from the Obseques & Funerailles of the very great & very victorious Emperor Charles Cinquième, Celebrities in the City of Brussels the XXIX. Iour du Mois de Decembre MDLVIII. by Philippes Roy Catholique d'Espaignes son Fils., Funeral procession of Emperor Charles V, 1558, Part of the procession, no. 20, Five participants in the procession, horses and the banners with the coats of arms of Castilla and León. Part of the print series of the Funeral procession of Emperor Charles V on 29 December 1558 in Brussels., print, prints, Frederik Muller Historical plates, height 236 mm, width 345 mm, Northern Netherlands, 1530 - 1605, print maker, printmaker, 1559 - 1559, third quarter 16th century, paper, etching, engraving, engraving (printing process), - 1589, 1518 - 1570-03-10, intermediary draughtsman, after a drawing by, PuBuys, Jacobus, Northern Netherlands, Brouwer, Cornelis, Scenes from the life of Prince William I, 1568-1584, Orange indignantly rejects the proposals of the Spanish ambassador, ca. 1580, The Prince of Orange indignantly rejects the proposals of the Spanish envoy off, ca. 1580. Twenty-third song., print, picture, history print, prints, Frederik Muller History plates, height 185 mm, width 150 mm, 1735 - 1803-03-31, print maker, printmaker, 1788 - 1788, fourth quarter 18th century, paper, etching, etchings, Work conception, 1724-11-19 - 1801-04-07, after a design by, intermediary draughtsmanFrancesc Pla (El Vigatà) / Mural paintings inside the central hall of the Moja Palace, 1791, Barcelona, Catalonia, Spain. Author: FRANCESC PLA I DURAN.'Illustration of a scene from the play 'The Persian Wife' by Carlo Goldoni, act 5'. Italy. Dimensions: 8x10,6 cm. Museum: State Hermitage, St. Petersburg. Author: Pietro Antonio Novelli.Johan de Wit is appointed advanced from Holland, 1653; Jan de Wit Destrout Aen Den Huyse van Bicker, Wert Gemaeckt Raet-Penunièris van Hollandt Groot Zegel Bewaerder.Johan de Wit is appointed advancer of Holland, February 1653. Fragment of the great print over the De Witt brothers: Witten Wonder mirror (1675 ).The royal game of fortifications, 18th century. Louis XIV's three sons use cue sticks to hit balls through a fortress and onto a fortified structure. Lithograph from Henry Rene Allemagne's Sports and Games of Skill (Sports et Jeux d'Adresse), Librairie Hachette, Paris, 1903.TAPIZ DEL ENCUENTRO DE LUIS XIV Y FELIPE IV EL 7 JUN 1660 - EL MATRIMONIO DE LUIS XIV Y LA INFANTA MARIA TERESA POR LA PAZ DE LOS PIRINEOS - DETALLE. Author: Charles Le Brun (1619-1690). Location: FRENCH EMBASSY. MADRID. SPAIN. FELIPE DE ORLEANS. NAVAILLES MADAME DE. GRAMONT DUQUE DE. LIONNE HUGO DE. PRINCIPE DE CONTI. HENRI DE LA TOUR AUVERGNE VIZCONDE TURENNE.Published by Jacques Chéreau, Les Palatines Habit Ordinaire Les Casaquins, 1720s() Les Palatines/Habit Ordinaire/Les CasaquinsProcession by the Rederijkerskamer de Witte Ackoleyen from Leiden (second part), 1607; The entry of the white acleyen of Leyden verthounts. Procession by the Rederijkerskamer de Witte Ackoleyen from Leiden, at the Rederijkersfeest of October 22, 1607 in Haarlem. Second part: procession of allegorical figures around the theme of the seven works of mercy.