Allegorical Sculptures in Photography

Artistic photographs of allegorical sculptures depicting women in classical poses, showcasing intricate details and stylistic features from the 19th century.

Lazio Roma Rome S. Cecilia in Trastevere0. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, architectural fragments, sculptural fragments, sculpture, mosaics, floor tiling. Post-medieval: Painting, frescoes, architectural sculpture, sculpture, architecture, stucco, marble, gilding Antiquities: Mosaics, architectural fragments Object Notes: Built over an already existing church of the 5th century by Pope S. Pasquale I in the 9th century. Suffered damaged and plundering; rebuilt in 1110. Completely redone in 15th century, 17th century and 18th century. Styles from 10th-present century are existent here. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renai

Assets in this Story

Statue of a woman playing Lyre, Allegorie has ancient, by Georges Diebolt (1816-1861) Statue of a woman playing lyre, allegory to ancient, by Georges Diébolt (1816-1861). 1839-1870. Photography attributed to Edouard-Denis Baldus.

Abruzzo L'Aquila L'Aquila S. Giusta6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century) Medieval section: all exterior views Hutzel collection: interior views of naves, chapels, frescoes, sacristy and paintings German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

France crowning gold art and industry, Central Germany, by Georges Diebolt (1816-1861), 1855 France crowning gold art and industry, central allegory, by Georges Diébolt (1816-1861), 1855. 1839-1875. Photography attributed to Edouard-Denis Baldus.

Statue of a woman, Allegoria by Georges Diebolt (1816-1861) Statue of a woman, allegory by Georges Diébolt (1816-1861). 1839-1870. Photography attributed to Edouard-Denis Baldus.

Statue of a woman with a helm and a cornucopia (Fortuna). At the foot the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Lazio Roma Rome S. Cecilia in Trastevere0. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, architectural fragments, sculptural fragments, sculpture, mosaics, floor tiling. Post-medieval: Painting, frescoes, architectural sculpture, sculpture, architecture, stucco, marble, gilding Antiquities: Mosaics, architectural fragments Object Notes: Built over an already existing church of the 5th century by Pope S. Pasquale I in the 9th century. Suffered damaged and plundering; rebuilt in 1110. Completely redone in 15th century, 17th century and 18th century. Styles from 10th-present century are existent here. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renai

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)13. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Statue of Venus, Claude Mellan, 1636 - 1637 print Rome paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Venus (Aphrodite)

THE FAIRY TALE, BY MR. A. BRUCE JOY, 1872 engraving

Caryatid by François Jouffroy, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Lazio Roma Velletri Museo Civico di Velletri2. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects o

The Chiaramonti Niobid , Antiquities, Sculpture. Nicholas Catsimpoolas Collection

Caryatid by Eugène Guillaume, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Schiller, Friedrich von Designer: Guillelmus (1162) Printer: Long, Gustav Georgeprint: Bureau de Numismatique in ParisDation: 1827 / 1843Ptrocation: Paris print: Darmstadt

Caryatids by Astyanax Bosio, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Statue of the Roman Emperor Hadrian in clerical robes. Found in Monte Celio near the L'acquedotto Claudio. Copperplate engraving by Giacomo Bossi after an illustration by D. A. from Pietro Paolo Montagnani-Mirabili's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

Marble statue of a woman in robe and veil over her head, in her left hand she carries a bouquet of flowers., Louis-Emile Duran Delle, Ducher et Cie c. 1878 - 1881.

Statue of Demosthenes - Vatican Museum; Robert Macpherson (Scottish, 1811 - 1872); 1850s; Albumen silver print

Rev. James Bulwer, 1794-1879, British, One from A Volume of Drawings and Prints, 1834. watercolor, pen and brown and red ink, graphite on slightly textured, moderately thick, cream wove paper.

White Chelsea Porcelain gardener's companion figure, c1770. Artist: Unknown.

Campania Caserta Capua Museo Campano186. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek a

Jesus Christ. Plate 12. From: Christ and the Apostles, 1548, by Lambert Suavius. Gift of Sir John Ilott, 1971.

Statue of a woman without arms, known as 'Cesi Juno', Statue of a woman without arms Signorum Veterum Icones I (series title), print maker: Jan de Bisschop, anonymous, Northern Netherlands, c. 1663 - in or after 1668, paper, etching, h 210 mm × w 88 mm

Lazio Roma Rome S. Bartolomeo de Insula3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments. Post-medieval: Painting, stucco, architectural sculpture, architecture, fresco painting, sculpture General Notes: Originally built in the 10th century by German Kaiser Ottone II, on the island of the Tiber River, over the ruins of the Roman temple Esculapio. Enlarged in the 12th century, this renovation was destroyed in a flood in the mid 16th century. Current facade dates from 1624 by Torriani. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geog

Sculpture of Thaleia, muse from the comedy; Musa Representans Commediam in Capitolio; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

NAPLES The National Museum Agripinna ancient sculpture Summer, Giorgio (Georg) (1834 1914)

Department of the statue "Industry" from New Illustrated Tidning on 19/7 1873.

Umbria Perugia Perugia Galleria Nazionale dell'Umbria2. Hutzel, Max 1960-1990 Views of Umbrian painting and sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

695 relief of mourning Athena. A. M. Athens , Bas-reliefs, Antiquities, Goddesses, Athena Greek deity. Nicholas Catsimpoolas Collection

Antique statue from Greece , Antiquities, Sculpture. Nicholas Catsimpoolas Collection

Eduard Bitterlichs drawing depicts Psyche, created in coal around 1870, showing the figure in classical posture and form.

Eleanor of Sicily (1325-1375). Queen of Aragon (1349-1375). Third wife of King Peter IV of Aragon. Engraving. Historia General de España by Father Mariana. Madrid, 1852.

Spohr, Ludwig.

Sculpture injured amazon; Amazon, capitol. Part of photo album with recordings of sights and artwork in Rome.

Mummified body of Pharaoh Seti I, 1860 - 1900 photograph This photo is part of an album. paper albumen print mummy

Campania Caserta Capua Museo Campano18. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Gibson, Pandore. James Anderson (British, 1813 - 1877)

Lazio Viterbo Caprarola Palazzo Farnese447. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Old man with mask and banderol. Possibly, theater writer Sophocles of Euripides or another figure from antiquity is depicted in this print. Legal under numbered 108.

London, Leaf of a Roman diptych, Leaf of an ivory diptych with relief, depicting a woman before an altar, recto - printed, photomechanical print, page, photographs, photographically illustrated books, Third Century, No. 212. '65., height 169 mm, width 69 mm, maker, manufacturer, 1867 - 1872, paper, Woodburytype

Bearded Male Term Looking Left. Artist: Anonymous, French, 16th century. Dimensions: each: 11 7/16 x 3 15/16 in. (29 x 10 cm). Date: ca. 1545-65. Museum: Metropolitan Museum of Art, New York, USA.

Epidaurus - Aphrodite , Antiquities, Sculpture, Goddesses, Aphrodite Greek deity. Nicholas Catsimpoolas Collection

Lazio Latina Terracina Museo Archeologico19. Hutzel, Max 1960-1990 Antiquities: Stone figures, both full-length and busts; ancient altars, sarcophagi, inscriptions and stone fragments from the Temple of Giove Anxur and from the ancient town. Object Notes: Hutzel campaign notes are undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Amelia SS. Filippo e Giacomo. Hutzel, Max 1960-1990 Medieval: Church dates from 1287, cloister 15th century. Post-medieval: Interior renovated 1767; views include architecture, architectural sculpture, altar, statues, organ, wall paintings, paintings on canvas, frescoes, panels, tombs, wood cabinets, marble holy water basin. All views of the exterior and several of the tombs are stored in the Medieval core colection. The Hutzel Collection coverage is of the interior, including painting, statues, and tombs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by pr

St Helena,. 1879. Sir Edward Burne-Jones (d.1898). Design for St Helen's Church, Welton, Yorkshire, England

St. John the Evangelist. Artist: John Flaxman (British, York 1755-1826 London). Dimensions: Sheet: 28 15/16 × 15 1/16 in. (73.5 × 38.3 cm). Date: ca. 1811.Flaxman made this drawing to illustrate his first lecture as Professor of Sculpture at the Royal Academy, delivered in 1811. Designed to be seen from a distance, the handling is deliberately broad. St. John is one of a series of statues installed in niches adorning the walls of the Lady Chapel at Westminster Abbey around the tomb of Henry VII. The chapel itself is considered the last great masterpiece of English medieval architecture, described by John Leland in 1545 as "the wonder of the entire world."Instead of beginning with a discussion of classical art, Flaxman devoted his first lecture to English sculpture, then moved back to Egypt and Greece. Published posthumously in 1829, the lecture contrasts Pietro Torrigiano's designs for the royal tomb, with the native style of the figures adorning the walls. He wrote that the Italian

Abruzzo Teramo Atri Cattedrale, Museo Capitolare0. Hutzel, Max 1960-1990 Medieval: Metalwork, woodwork Salone 2 Post-medieval: Woodwork, metalwork (processional cross, reliquary, enamel) predella, architectural elements, sculpture; ceramics (6 plates, one vase, all attributed to Francesco Grue General views of galleries. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Citta della Pieve S. Lucia. Hutzel, Max 1960-1990 Views of details of the 17th century painting and architectural decoration; in addition, details of a 14th century fresco cycle. Object Notes: Hutzel photo campaign date: November 8, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Napoli Naples S. Lorenzo Maggiore238. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Campania Napoli Naples S. Lorenzo Maggiore33. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Statue "Women's

Lazio Roma Rome S. Pudenziana9. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculptural fragments, frescoes, mosaics.Post-medieval: Architecture, architectural sculpture, sculpture, frescoes, painting, stucco, mosaics. Object Notes: Tradition states that the church (on via Urbana) rests on the site of the house of the Roman senator Pudente, who gave shelter to S. Peter during his sojourn in Rome. Excavations reveal a 2nd century AD structure. 18th century facade. 4th century mosaic, "Triumphant Christ Enthroned" German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region i

Statue of a young woman, Michel Natalis, After Giovanni Battista Ruggieri, 1640 print Statue of a standing young woman, dressed in classic robe, a laurel wreath on the head. With her left hand she lifts her upper rug, in her right hand she holds a drinking nap. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving female persons from classical history (+ full length). crowning with laurel. monument, statue. piece of sculpture, reproduction of a piece of sculpture

Ceres, Cornelis Bloemaert (II), after Joachim von Sandrart (I), c. 1636 print An image of the goddess Ceres of two -tone marble. She is wearing a crown and holds a bundle of grain in her hand. The image comes from the Vincenzo Giustiniani collection, whose weapon can be seen on the pedestal. paper engraving (story of) Ceres (Demeter). piece of sculpture, reproduction of a piece of sculpture

Campania Salerno Nocera Inferiore Museo dell'Agro Nocerino2. Hutzel, Max German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Palma, Jacopo (il Vecchio), Photographic reproduction of a print after a painting, depicting Saint Barbara, photograph, photo, reproduction, page, photos, photographically illustrated books, height 141 mm, width 66 mm, photographer, 1882 - 1887, photographic paper, albumen print, albumine print, Work conception, after a print by, Italian, 1480 - 1528-07-30

Statue from Is. Melos , Antiquities, Sculpture. Nicholas Catsimpoolas Collection

THE PARIS INTERNATIONAL EXHIBITION

L'Abondance. Vatican. James Anderson (British, 1813 - 1877)

Veneto Padua Candiana S. Antonio. Hutzel, Max 1960-1990 Post-medieval: Architecture and architectural sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Rieti Museo Civico9. Hutzel, Max 1960-1990 Some wooden statues, mostly of the Madonna & Child. In most part, paintings, including the Madonna & Child with SS. Domenico. Peter, Paul and Peter Martyr by Lucca di Tomme. There is also a tryptich of the Resurrection, with predella scenes of the Passion, and other Renaissance and Baroque paintings. Owner: Palazzo Comunale Antiquities: Antique statues and busts. Object Notes: Two Hutzel photo campaign dates, one December 22, 1982, the other date is not legible. There are two sets of prints, one with numbers and an "A" set with its own numbers. At this time, the "A" set matches to the negatives we have; however, the negatives are missing for the numbered set. Since the two sets are virtually identical, it would in most cases be possible to find an image in the "A" set that would have a negative. Numbered set: 72 prints; "A" set: 94 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the ea

The coal drawing depicts a woman wearing a floral garland, showing her upper body and facial features, created around 1870.

Musée du Louvre, Victoire de Samothrace , Sculpture, Antiquities, Goddesses, Nike Greek deity. Nicholas Catsimpoolas Collection

Marches Macerata Tolentino S. Catervo, Duomo. Hutzel, Max 1960-1990 This church, erected in the 13th century, was completely renovated in 1830 in a neoclassical style. Exterior views are of the apse, an original bell tower and a medieval relief sculpture. Views of the vast baroque interior with its barrel-vaulted ceiling and numerous candelabra focus on the Cappella di S. Catervo--its frescoes and sarcophagus of S. Catervo and S. Settimia (14th century). Interior views also include a sculpture of the Pieta (14th century), wood intarsia choirstalls, a marble holy water stoup and a baptismal font. Object Notes: Hutzel photo campaign date: December 27, 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as wel

Diana with bow and hunting dog still image. Illustrations. 1829 - 1838. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Artemis (Greek deity), Bow and arrow, Mythology, Diana (Roman deity), Hunting dogs, Goddesses, Hunting , To 499, Hunters , Women

Statue of Fortuna; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a woman with a helm and a cornucopia (Fortuna). In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Kore archaic , Sculpture, Antiquities. Nicholas Catsimpoolas Collection

Lazio Roma Zagarolo Piazza G. Marconi. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, and sculpture (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Nuremberg, Sandrart, Jakob von, Germany, Eimart jr., Georg Christoph, Teutsche Akademie, Roman fragments with statue Hestia Giustiniani, verso - stamped, A collection of sacrificial objects with in the middle the sculpture 'Hestia Giustiniani' on a pedestal. To its left a candelabrum, to its right a pot or vase. Numbered G at the top right., print, ornamental print, book illustration, prints, ornamental prints, height 320 mm, width 212 mm, 1638 - 1705-01-05, print maker, printmaker, 1675 - 1675, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, papier, etching, etchings, Publication (Event), Publication, German, 1630-05-31 - 1708-08-15, publisher

Venus Genetrix, Joseph Adolf Schmetterling, Anonymous, 1761 - 1828

Umbria Terni Amelia SS. Filippo e Giacomo1. Hutzel, Max 1960-1990 Medieval: Church dates from 1287, cloister 15th century. Post-medieval: Interior renovated 1767; views include architecture, architectural sculpture, altar, statues, organ, wall paintings, paintings on canvas, frescoes, panels, tombs, wood cabinets, marble holy water basin. All views of the exterior and several of the tombs are stored in the Medieval core colection. The Hutzel Collection coverage is of the interior, including painting, statues, and tombs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by p

Female - Drapery Study of standing female Figure, 1864-65. Black and white chalk on brown paper. Artist: Edward Burne-Jones

Anatomical study of the femur. At the top right numbered T. 79.

Tanagra figurines - good style , Antiquities, Figurines. Nicholas Catsimpoolas Collection

Lazio Roma Rome S. Paolo08. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sculpture by Ariadne (Coll. Vatican Museums), Adolphe Braun & Cie., 1880 - 1900 photograph paper. photographic support. cardboard carbon print (story of) Ariadne Vatican Museums

Molise Isernia Isernia Cathedral, S. Pietro1. Hutzel, Max 1960-1990 Medieval: Architecture: campanile remains from the now destroyed Gothic church; sculpture. Post-medieval: 19th century neoclassical architecture Antiquities: Sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Thorvaldesens Museum. Thorvaldsen, Hebe , Sculpture, Antiquities, Goddesses, Hebe Greek deity. Nicholas Catsimpoolas Collection

SAN PEDRO-BARROCO. Location: MUSEE D'ARTS DECORATIFS. MADRID. SPANIEN. APOSTLE PETER.

Königin Louise , Sarcophagi, Queens, Luise, Queen, consort of Frederick William III, King of Prussia, 1776-1810, Carte de Visite Collection

Study for the decor of the Saint-Germain-des-Pr�s church: Christ

Marches Macerata Camerino Museo Diocesano1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Frosinone Veroli S. Maria Salome7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, stone reliquary, frescoes, inscription fragments. According to tradition, the church (and crypt below) was built in 1209 to house the relics of the mother of the Apostles James and John. The structure was restored in the medieval period (1350) after an earthquake. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco ceiling decoration. The interior and exterior of the church were largely restored in the 18th century. Triptych of the Madonna, Child and Saints signed F. D. Hispanus and dated 1561. General Notes: 2 sets of prints for the same site. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Et

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo31. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

The Tiburtine Sibyl. Artist: Sir Edward Burne-Jones

Colossal demi-statue of a goddess , Antiquities, Sculpture, Goddesses. Nicholas Catsimpoolas Collection

Roman sketchbook, Gauffier, Louis, 1761-1801, pencil, pen and black and brown ink, grey and brown wash, and black and white chalk, 1784-1789, executed during the artist's stay in Rome at the Acadeìmie de France as a recipient of the Grand Prix de Rome. Twenty-four drawings depict urban views of Rome, some inscribed by monument (including S. Gregorio, S. Lorenzo Fuori delle Mura, S. Giovanni Laterano, Villa Negroni, Villa Mattei). The remaining sketches are landscapes and figure studies, some after classical sculpture.

Tuscany Siena Montalcino Museo Civico. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Porcelain figure. .

Franz II., Roman-German Emperor.

Campania Caserta Casertavecchia S. Michele, Cathedral16. Hutzel, Max 1960-1990 Exterior and interior views of the 12th and 13th-century architecture and architectural sculpture. Exterior details of the portals, portal sculpture, bell tower, dome and cloister. Interior details of the pulpit (c. 1213), the tomb of Giacomo Martono (1360), the tomb of Francesco de la Rath (1359), various sculptural fragments, and the cosmati floor. Antiquities: Re-used Roman columns and capitals line the nave. Object Notes: A composite view of the interior is found in the Italy Oversize box in the Medieval core collection. General Notes: Hutzel probably made two photo campaigns of the site, and thus there is some overlap between the views in the Medieval core collection and the Hutzel collection. Some prints have been renumbered. Hutzel notes which account for 91 on the views date to a photo campaign from December 30, 1983. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy f

Seated woman, late 18th-early 19th century, (1943). Creator: Jacques-Louis David.

Abruzzo, L'Aquila, Celano, Museum, Italy, 20th century, photo, photography, Europe

Lazio Roma Rome S. Ignazio di Loyola13. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

Campania Caserta Caserta Palazzo Reale3. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two female Hermen, Agostino Veneziano, 1536 print Two Hermen (square pillar with human bust or upper body) of young women. The left has the bust of a woman with bare breasts. The judge bears the upper body of a woman, a basket with grapes on her head. She wears a glass in her left hand and holds her robe up with her right hand. The feet of the right Herme are visible. Numbered below: 8. Italy paper engraving constructive (architectural) parts ~ human beings

The Virgin with the Child. Nino Pisano marble sculpture, Pisa. Tuscany, Italy. Europe. Drawing by Chapuis. Travel through Tuscany 1881 by Eugene Muntz (1845 - 1902) Le Tour du Monde 1886

Venus with Amor sitting on a dolphin, Cornelis Bloemaert (II), After Giovanni Citosibio Guidi, c. 1636 print Image of the goddess Venus with a chalice in her right hand. She is accompanied by Amor who is sitting on a dolphin. The image comes from the Vincenzo Giustiniani collection, whose weapon can be seen on the pedestal. paper engraving Venus and Cupid (Cupid not being mere attribute). piece of sculpture, reproduction of a piece of sculpture

Marble statue of a woman in robe with a bare chest, Louis-Emile Durandelle, Ducher et Cie, c. 1878 - 1881.

Euripides with mask and scroll still image. Portraits. 1829 - 1838. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Masks , Greek, Euripides, Hairstyles , Greece , To 499, Beards , To 499, Drapery in art

Abruzzo Chieti Chieti Museo Nazionale di Antichita3. Hutzel, Max 1960-1990 Exterior views of part of the former Villa Frigeri, which along with a neighboring palazzo, houses the Museo Nazionale di Antichita. Views also of the gardens, fountain (17th century) and the restored interior. The so-called "Capestrano Warrior" (5th century B.C.) is found in the Antiquities core collection under Men, Youths, Warriors--Stone--Etruscan, Italic. Hutzel views include statues, funerary monuments, portrait busts and mosaics, many of which were excavated from Alba Fucens. Hutzel paid particular attention to the colossal statue of Hercules (late Hellenistic); the funerary temple reliefs of Lucius Storax; various nudes, torsos and heads, including the portrait bust of Agrippina Minore and the sepulchral portrait relief of Lucius Poditius (1st century A.D.); gravestones with inscriptions and bas-reliefs; Roman coins; bronze figurines (mainly warriors); and bronze vessels, utensils, helmets and ornaments.

Statue from Sacred Way to Apollo Temple near Miletus , Antiquities, Sculpture, Didymaeum Didyma. Nicholas Catsimpoolas Collection

Copper engraving by Coenradus Lauwers depicting a statue of John the Baptist, created between 1657 and 1660, showing figure, garments, and sculptural details.

Marches Pesaro e Urbino Pergola Municipio. Hutzel, Max 1960-1990 Post-medieval: Sculpture (15th century); decorative arts; paintings on canvas German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ἂυαλμα Αρχαϊκόν - Archaic female statue , Sculpture, Antiquities. Nicholas Catsimpoolas Collection

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)57. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Francisco Bayeu / 'Saint Ildefonso'. 1783. White chalk, Black chalk on grey paper. Museum: Museo del Prado, Madrid, España.

Antoninus Pius , Antiquities, Sculpture, Emperors, Antoninus Pius, Emperor of Rome, 86-161. Nicholas Catsimpoolas Collection

Colossal demi statue of a goddess , Antiquities, Sculpture, Goddesses. Nicholas Catsimpoolas Collection

Umbria Terni Narni S. Giovenale, Cathedral23. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Napoli - Museo Nazionale - Flora Farnese (scultura Greca) , Sculpture, Antiquities, Goddesses, Flora Roman deity. Nicholas Catsimpoolas Collection

Napoli - Museo Nazionale - Flora Farnese (scultura Greca) , Sculpture, Antiquities, Goddesses, Flora Roman deity. Nicholas Catsimpoolas Collection

Summer, Claude Michel (Nancy, France, 1738 - 1814)

Standing woman in Roman clothing; Signorum Veterum Icone II ..

Italy, Canova, Antonio, Tognolli, Giovanni, Marchetti, Domenico, Sculptures by Antonio Canova, Venere, Venus, verso - stamped, Sculpture of the goddess Venus by the Italian sculptor Antonio Canova., print, prent, prints, height 540 mm, width 409 mm, 1780 - 1844, print maker, printmaker, 1790 - 1844, paper, papier, engraving, engraving (printing process), Italian, 1786-06-16 - 1862-05-31, intermediary draughtsman, after a drawing by, 1757-11-01 - 1822-10-13, after a sculpture by

Vrede, Pietro Fontana, After Giovanni Tognolli, After Antonio Canova, 1772 - 1837 print Sculpture of an angel (peace) with a staff and a laurel branch by the Italian sculptor Antonio Canova. print maker: Italyafter drawing by: Italyafter sculpture by: ItalyItalyRussia paper engraving piece of sculpture, reproduction of a piece of sculpture. symbols, allegories of peace, 'Pax'; 'Pace' (Ripa)

Terpsichore, muse of the reed dance and choral singing, Terpsichore, draughtsman: Alexander Liernur, 1796, paper, h 241 mm × w 169 mm

Elizabeth Moutal, Figurehead Woman, 1935 1942 Figurehead: Woman

Marble Portrait Statue of a Veiled Priestess at the British Museum, Stephen Thompson, active 19th century, British, early 1870s, Albumen print from wet collodion negative on thin, smooth, cream wove paper, Sheet: 10 1/4 × 8 inches (26 × 20.3 cm) and Mount: 17 5/8 × 12 7/8 inches (44.8 × 32.7 cm), architectural subject, museum, sculpture, still life, Stone carving, British Museum, England, London, United Kingdom

MENEPHTAH. Egypt, engraving 1879

Die römische Göttin Pallas, Palade, Marmorstatue aus dem antiken Rom, Italien, digitale Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, Or...

Lazio Roma Rome S. Croce in Gerusalemme08. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Gesu25. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo, L'Aquila, Bazzano, S. Giusta, Italy, 20th century, photo, photography, Europe

Campania Caserta Caserta Palazzo Reale93. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Metaphysics. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop; and Girolamo Mengozzi (called Colonna) (Italian, Venetian, 1688-ca. 1766). Dimensions: 146 x 57 7/8 in. (370.8 x 147 cm). Date: 1760.Like the other frescoes in this gallery, this allegorical figure of Metaphysics, identified by the inscription on the base of the feigned statue, is from the Palazzo Valle-Marchesini-Sala in Vicenza. The simulated architecture, foreshortened from a viewing point in the center of the room, was carried out by a specialist in this type of work, Girolamo Mengozzi Colonna, who collaborated with Tiepolo on a number of commissions. The frescoes were probably commissioned by Count Giorgio Marchesini, and their iconography may reflect his particular interest in Freemasonry. They were detached from the palace about 1900. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop. and Girolamo Meng

Sir Edward Coley Burne Jones, Angelus Ministrans, c 1896 Angelus Ministrans

Study for 'Courage,' Lunette in Hudson County Courthouse, Jersey City, NJ, Kenyon Cox, American, 1856-1919, Charcoal and graphite on off-white wove paper, laid down, Seated allegorical female figure representing Courage, wearing a winged helmet, armor, and drapery. Her left elbow rests on a shield., 1910, mural designs, Drawing, Drawing

Sketch by Anton Hanak during a recovery trip to Gmunden in August 1925, exploring new artistic directions, executed in black ink.

Costume of a Vestal virgin or priestess of Vesta. She wears a stola robe, linen tunic and a suffibulum veil with a purple trim. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

Statue. Woman with flute in her hands.

Europe ca. 1765 Frankenthal Porcelain Manufactory. Europe 202346

Queen Victoria. Statue at Windsor. 19th cent. England.

Statue of Dagobert I. King of the Francs, in Saint-Denis church, Paris. France. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Göttin Griechisch 5. Jahrh. v. Chr. Kopie , Sculpture, Goddesses. Nicholas Catsimpoolas Collection

Flavia Julia Titi, daughter of Roman Emperor Titus. In the collection of Cardinal Pietro Ottoboni. Copperplate drawn and engraved by G. Bossi from Pietro Paolo Montagnani-Mirabili's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

The Assyrian Hercules. Stone statue of a Hero holding a lion. Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad. Old 19th century engraved illustration, Le Tour du Monde 1863

Marches Macerata Matelica Museo Piersanti5. Hutzel, Max 1960-1990 Views of the museum's collection of late 14th-16th century paintings, as well as the tapestry and maiolica collections. Antiquities: The photos depict roman portraiture busts. Object Notes: Hutzel photo campaign date: March 29, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

La muse de ponsard, Relief by J. Amy, Historic, digitally restored reproduction of a 19th century original, exact original date not known

Campania Caserta Teano Cathedral6. Hutzel, Max 1960-1990 Medieval: Built 1116, remodelled by Andrea Vaccaro in 1630, restored in years following damage in second world war. Includes re-used Roman capitals. Architecture, architectural sculpture; sculpture including painted wooded crucifix (c.1330-31) and pulpit (13th century) with mosaic and relief. The Cripta di S. Paride acts as a small museum containing roman, medieval, and modern marble. Post-medieval: Choir stall (MCMLVII); paintings by Francesco de Mura in the Cappella di S. Paride; marble fragments from the Cripta di S. Paride Antiquities: spolia Object Notes: Originally dedicated to S. Terenziano, now dedicated to S. Clemente German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etr

Umbria Perugia Norcia Castellina2. Hutzel, Max 1960-1990 Views of exterior and courtyard; views of sculptures, frescoes, and crosses in museum collection (housed in the Castlellina). General Notes: Some of the objects belong in the Palazzo Comunale museum; these have been reassigned numbers in that monument sequence. A number of prints, last noted as stored in Medieval section, are now missing, but we have the negatives which, where possible, have been assigned numbers corresponding to the Hutzel guide. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, si

Luxeuil Baths Gallery, Gallo-Roman bas-relief, vintage engraved illustration. Magasin Pittoresque 1869.

Figure for Trial ofCatherine. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Polyhymnia, Greek Muse of poetry and dance. Standing before ruined arches and broken masonry. From a sculpture in the Galleria Giustiniana. Variously identified as Sabina or Sibylla Cumana. Copperplate engraving after an illustration by Joachim von Sandrart from his LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

Mozesput in the Chartreuse monastery De Champnol near Dijon: the image of Moses, c. 1880 - c. 1900 photograph Part of French artists' album. Dijon paper. photographic support albumen print piece of sculpture, reproduction of a piece of sculpture (+ sculpture) Dijon

Carl Strehlau, Wooden Figure, 1935 1942 Wooden Figure

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)70. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Sir Walter Scott, Statue for Monument; Hill & Adamson (Scottish, active 1843 - 1848); France; 1843 - 1848; Salted paper print from a Calotype negative; 15.2 x 20.6 cm (6 x 8 1,8 in.)

DEMOSTHENES Greek orator and statesman Date: 384 - 322 BC

Antique statue of a woman, Etienne Baudet, 1677 print France paper engraving standing figure - AA - female human figure. piece of sculpture, reproduction of a piece of sculpture Tuileriep-palpal

THE PARIS INTERNATIONAL EXHIBITION

Penelope, vintage engraved illustration.

Roma, Statua di San Pietro. Unknown

Tuscany Siena Montalcino Museo Diocesano00. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pompeian Picture of Raphael's Hours (Arms Lowered) Unknown (Italian). , 19th century. Oil European Art 19th century

Two female hermen; Hermen (copies). Two Hermen (square pier with human bust or upper body) of young women. The left has the bust of a woman with bare breasts. The judge has the upper body of a woman, a basket with grapes on her head. She is wearing a glass in her left hand and holds her robe with her right hand. The feet are visible from the right Herme.

Verrière project representing esther Jean Gaspard Jules or Johann Caspar Julius Gsell (1814-1904). Gloer project representing Esther. Pencil on layer.

Navigatie, Jean Prud'hon, After Pierre Prud'hon, 1810 - 1823 print Paris paper etching / engraving 'Navigation' (Ripa)

Lazio Roma Rome S. Alessandro3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural fragments, architectural sculpture, sculpture. Object Notes: Located off of the Via Nomentana in direction of Mentano. Church dates from 7th century. Cemetery from 3rd century in which are buried three martyrs, Alessandro, Erenzio, Teodulo. Basilica was erected on spot of first two tombs in era of Constantine. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The triple deities or mother goddesses of the ancient Germans, Mairae or Mairabus. Inscribed: In honorem Domits divinae diis Mairabus Dee madri o matrone. Handcoloured copperplate engraving by Corsi from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1844.

Lazio Roma Rome S. Maria degli Angeli1. Hutzel, Max 1960-1990 Several exterior views of church facade, formed from exedra of calidarium of Roman baths (Terme di Diocleziano). Interior, designed by Michelangelo from fromer tepidarium and renovated by Vanvitelli (1749), is extensively documented. Views of vestibule, nave, altars, sacristy, chapels, frescoed ceilings, paintings, sculpture, courtyard. Antiquities: Sarcophagus; fragments of antiquities on exterior wall. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

"L'Art", Sculpture by Emile Seurre, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Clotaire I (497-560), King of the Franks, 1849. Artist: Unknown

Édouard Baldus, Study The Triumph of 1810 by Jean-Pierre Cortot, Arc de Triomphe, c. 1870, albumen print.

Madonna and Child probably mid-17th century After a composition by Alessandro Algardi Italian Bronze casts of the original composition by the Roman sculptor Alessandro Algardi were widely circulated throughout Europe, helping disseminate the Italian Baroque style. The carving of this ivory version, probably modeled after such a bronze, suggests the work of a French sculptor. The Virgin originally held a Rosary in her outstretched hand.. Madonna and Child 205131

Lazio Roma Rome S. Gregorio Magno53. Hutzel, Max 1960-1990 Medieval: Sculpture, mosaics. Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco Object Notes: Completely renovated/restored in 16th and 17th centuries in Baroque style, church (on Monte Celio) contains hardly any indication of paleo-Christian/medieval style of its origins. 173 prints are accounted for and filed; 182 + 83 negatives are accounted for and filed--leaving 117 negatives unaccounted for. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site comp

St. George. From the portfolio: The Work of E. Burne-Jones., 1892, Great Britain, by Edward Burne-Jones, The Berlin Photographic Company.

Campania Caserta Capua Museo Campano19. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Statue of John Flaxman by Musgrave Watson, exhibited on the Great Exhibition of the Works of Industry of All Nations of 1851 in London; Flaxman. (Marble) Watson.

Mano de vieja/1973. Museum: COLECCION PARTICULAR MADRID ESPAÑA. Author: EDUARDO NARANJO.

, Michaels Place - Michaelkrkrache - Innerniense - Purrowers figure D, Hl, Katharina, Bruno Raising Strategy -, Photographs

La Renommée , Sculpture by Auguste Poitevin, Decoration of the Louvre, Paris; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1852 - 1857; Salted paper print; 10 x 9.5 cm (3 15,16 x 3 3,4 in.)

Baccante, a maenad, mythical companion of the Dionysian traits as well as the historically provable cult follower, historical Rome, Italy, digital reproduction of an 18th century original, original date not known, Europe

William Deeble, active 1814-1849, British, Monumental Stone in St. Mary Overies Church, 1815. Engraving.

Abruzzo L'Aquila Sulmona Museo Civico7. Hutzel, Max 1960-1990 Museo Civico Treasures: these objects (Tesoro del Pio Istituto della SS. Annunziata and Tesoro della Cattedrale) are now housed in the security vault of a bank, not in the Museo Civico, as noted in Hutzel's photo campaign notes of August 1984. Views of the treasures include: a silver processional cross (14th century); gold, silver and enamel chalice (13th century), gold and silver crosier with sculpted figures depicting the Annunciation (13th century), a silver and gold reliquary with glass (13th century), a silver diadem (13th century), and a box-like silver and gold reliquary (15th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as wel

Painting decoration, Moregine, I Century, 55-99, mural painting,

Bliżej Kultury unknown

Etruscan clay sarcophagus from Cäre, spousal sarcophagus, Banditaccia necropolis, now in the Villa Giulia Rome, Italy, Historic, digitally restored re...

Lady Justice, Pollaiuolo, Pietro del, 1469

Interior of the Stedelijk Museum of Antiquities (Hogeland) in Utrecht: image of two sculptures from the sculpture group Domsteelsten, by Jan Nude (Nuyde), ca. 1450-1451, representing Sint Pontianus van Spoleto (left) and Sint Agnes.

Medallion first half 16th century Netherlandish. Medallion. Netherlandish. first half 16th century. Oak. Woodwork

Roman emperor. Culture: French. Dimensions: Height (bust): 29 1/2 in. (74.9 cm);Height (column): 48 3/4 in. (123.8 cm). Date: 17th century (). Museum: Metropolitan Museum of Art, New York, USA.

Figurehead. Dated: 1935/1942. Dimensions: overall: 55.8 x 38 cm (21 15/16 x 14 15/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Equality Louis-Philibert Debucourt (1755-1832). Equality. Engraving (aquatint, water).

Galla Placida and her son Valentinian III, Aelia Galla Placida, 388 -. 450 on November 27, a daughter of the Roman Emperor Theodosius I, granddaughter of Valentinian I., mother of the future emperor Valentinian III. and as such a number of years de facto ruler of the Western Roman Empire / Galla Placida und ihr Sohn Valentinian III., Aelia Galla Placidia, 388 - 27. November 450, eine Tochter des roemischen Kaisers Theodosius I., Enkelin von Valentinian I., Mutter des spaeteren Kaisers Valentinian III. und als solche einige Jahre lang faktische Regentin des Westroemischen Reiches, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,.

Umbria Terni Amelia Cathedral7. Hutzel, Max 1960-1990 Medieval: Tombstones, baptismal font. Post-medieval: Original romanesque church completely remodelled 1640. Architecture, architectural sculpture, views of interior including altar and organ, baptismal font, tombs, pavement by Sangallo, paintings, frescoes. Extensive coverage of exterior, interior naves and altars, tombs, burial chapel and paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bronze charioteer, Delphi M. , Sculpture, Antiquities. Nicholas Catsimpoolas Collection

Two Dogs on Either Side of a Female Head by Emmanuel Fremiet, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Ramolino, Lätitia.

Abruzzo Chieti Chieti Museo Nazionale di Antichita09. Hutzel, Max 1960-1990 Exterior views of part of the former Villa Frigeri, which along with a neighboring palazzo, houses the Museo Nazionale di Antichita. Views also of the gardens, fountain (17th century) and the restored interior. The so-called "Capestrano Warrior" (5th century B.C.) is found in the Antiquities core collection under Men, Youths, Warriors--Stone--Etruscan, Italic. Hutzel views include statues, funerary monuments, portrait busts and mosaics, many of which were excavated from Alba Fucens. Hutzel paid particular attention to the colossal statue of Hercules (late Hellenistic); the funerary temple reliefs of Lucius Storax; various nudes, torsos and heads, including the portrait bust of Agrippina Minore and the sepulchral portrait relief of Lucius Poditius (1st century A.D.); gravestones with inscriptions and bas-reliefs; Roman coins; bronze figurines (mainly warriors); and bronze vessels, utensils, helmets and ornaments

Saint James Major (Saint James le Majeur) James Tissot (French, 1836-1902). Saint James Major (Saint James le Majeur), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 10 13/16 x 5 13/16 in. (27.5 x 14.8 cm). European Art 1886-1894

Woman of Cairo (Femme de Caire) James Tissot (French, 1836-1902). , 1886-1887 or 1889. Pen and ink on paper mounted on board, Sheet: 7 3/16 x 4 11/16 in. (18.3 x 11.9 cm). European Art 1886-1887 or 1889

THOMAS FITZALAN, earl of ARUNDEL and Beatrice his wife, drawn from their monument in Arundel church. Both wear coronets, but the countess also sports a very fancy coiffure. Date: 1381 - 1415

EGALITE Janinet and Motte. "Equality".

Jean-Pierre Dantan (1800-1869) said Dantan the young. Statuette of Unknown (Grimoult). Patinated plaster, terrestrial, round-bump, 1840. Paris, Carnavalet museum. Man, unknown, patterned patina, round-bump, statuette, terracotta

Minerva, Jan Dam Steuerwald, 1842 print Minerva standing with a spear in one hand and a snake in the other hand. Leiden paper steel engraving (story of) Minerva (Pallas, Athena)