William Shakespeare Artist Unknown

William Shakespeare Artist Unknown
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William Parsons, thief, fraud, cheat and highwayman, executed 1750. Copperplate engraving after George Cruikshank from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.
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Thomas Patch, 1725-1782, British, Portrait of a Man, called Edward Gibbon, 1760s. Red chalk on medium, slightly textured, cream laid paper bound in carta fiorentina.
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Mary Darly, active 1762 -1772, British, The Novicate. Etching.
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James Boswell in the Dress of a Corsican Chief, Print made by J. Miller, active 1769-1825, British, after Samuel Wale RA, 1721-1786, British, 1769, Line engraving and stipple on Laid paper, Sheet: 7 1/4 x 4 1/4 inches (18.4 x 10.8 cm), costume, historical subject, male, portrait, Shakespeare Jubilee, 1769
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Loudon, Gideon Ernst Freiherr.
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Theodora de Verdion, an eccentric teacher of languages, a book seller and collector of medals. Engraving, 1803.
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Mrs. Susan Greville in the character of Sir Harry Wildair in George Farguhars Sir Harry Wildair. However, Greville only performed this role in The Constant Couple at Drury Lane in 1776. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1777.
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Jean Sylvain Bailly. Lithograph by A. Lacauchie.
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Lafayette
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Self-portrait of Taco Scheltema.
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My Lord Tip-Toe Just Arrived from Monkey Land November 3, 1771 Matthew Darly British This image comes from a set of twenty-four caricatures that Matthew and Mary Darly published in 1771. A husband-and-wife team, the Darlys developed a new British print genre--small etched caricatures of single figures against plain backgrounds, their identities indicated through dress, pose and a few props. Many of these works mocked the fashionable manners of contemporary London dandies called "macaronis," and the Darly's wares soon became known as macaroni prints no matter what their subjects. The implied Italian connection was in fact appropriate, since the basic form was inspired by Ghezzi's caricature drawings brought back from Rome by Grand Tourists. The form and subjects adapted by the Darlys tickled British tastes and broadened the scope of Ghezzi's works to include a range of social classes, known figures, and types. This etching shows a Frenchifed nobleman wearing a wig with high toupée over
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Print made by James Bretherton, ca. 1730-1806, British, John Jehu L'Inghilterra, 1772. Etching on medium, moderately textured, blued white laid paper.
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Montag Wycinka from the German press stuck on the album's card unknown
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Napoleon
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Iffland, August Wilhelm .
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Jourdan (Jean-Baptiste, Count of)
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Montering van schutterij van Vlaardingen, ca. 1785. Vlaardingen Schuttery (title on object). Draughtsman: anonymous. Dating: 1789. Place: Northern Netherlands. Measurements: h 220 mm × w 137 mm. Museum: Rijksmuseum, Amsterdam.
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Riel, Marquis de Beurnonville, Pierre.
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Monting the Schutterij van Zwolle, ca. 1785; Swol Schuttery. Monting or uniform of the Schutterij of Zwolle, approx. 1785. Part of a sketchbook with 41 colored drawings of the montages of the armed shooters and citizenship corps in the Netherlands in the period ca. 1783-1789.
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Drawings according to the common people in particular the call to buy in Vienna, Kitchen carrier, Pourvoyeur de cuisine, Johann Christian Brand -, Artist, Johann Feigel, Copper Engraver
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Charles IV of Spain, called the Hunter (1748-1819). King of Spain from 1788 to 1808. Portrait. Illustration by Cibera. Engraving by Zarza. Historia General de España by Father Mariana. Madrid, 1853. Author: Eusebio Zarza (1842-1881). Spanish artist. Ildefonso Cibera. Spanish illustrator and xylographer of the second half of the 19th.
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DETAILS
Image Number: 463-4917Rights ManagedCredit Line:AKG London/SuperStockCollection:AKG LondonStory:18th Century Portraits of GentlemenModel Release:NoProperty Release:NoResolution:4815×6611
35-40 years
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