Wilderness Colors. Artist: Shitao (Zhu Ruoji) (Chinese, 1642-1707). Culture: China. Dimensions: Image (each leaf): 10 7/8 x 9 1/2 in. (27.6 x 24.1 cm). Date: ca. 1700.In the mid-1690s, after a life of wandering, Shitao settled permanently in Yangzhou, a bustling commercial city on the Grand Canal that eclipsed Suzhou during the eighteenth century as the most vigorous economic and cultural center in China. Renouncing his monastic vows and taking the name Dadizi, or "Greatly Purified One," Shitao turned to painting as his sole means of support.In Wilderness Colors, each leaf offers something unexpected, not only in the painter's choice of subject and compositional arrangement but also in the subtle wit and touching personal insights revealed in the verbal and pictorial imagery. Many of the leaves were inspired by Du Fu (712-770) and Li Bo (701-762) of the Tang dynasty (618-907); others refer to personal experiences. In late-seventeenth-century criticism, an excess of technical versatilit
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SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Wilderness Colors. Artist: Shitao (Zhu Ruoji) (Chinese, 1642-1707). Culture: China. Dimensions: Image (each leaf): 10 7/8 x 9 1/2 in. (27.6 x 24.1 cm). Date: ca. 1700.In the mid-1690s, after a life of wandering, Shitao settled permanently in Yangzhou, a bustling commercial city on the Grand Canal that eclipsed Suzhou during the eighteenth century as the most vigorous economic and cultural center in China. Renouncing his monastic vows and taking the name Dadizi, or "Greatly Purified One," Shitao turned to painting as his sole means of support.In Wilderness Colors, each leaf offers something unexpected, not only in the painter's choice of subject and compositional arrangement but also in the subtle wit and touching personal insights revealed in the verbal and pictorial imagery. Many of the leaves were inspired by Du Fu (712-770) and Li Bo (701-762) of the Tang dynasty (618-907); others refer to personal experiences. In late-seventeenth-century criticism, an excess of technical versatilit by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17418362Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album Archivo Contributor:Album / Metropolitan Museum of Art, NY Model Release:NoProperty Release:NoResolution:3337×4200
