Wide three-case inro showing plovers in flight above waves, stone basket and water wheel, Early 18th century, Koma Kyūhaku; Artist: Style of Ogata Kōrin, Japanese, 1658 - 1716, 2 5/16 × 2 1/2 × 7/8 in. (5.87 × 6.35 × 2.22 cm), Lacquer (kinji, takamaki-e), gold, silver, raden; ojime; silk cord, Japan, 18th century, A number of different motifs are fit onto this compact four case inrō, beginning with a 'plover over waves' design in the style of the Rinpa artist, Ogata Kōrin (1658-1716). The plovers are executed in chunky mother-of-pearl inlays and takamaki-e, and fly over mountainous waves that simulates the look of pewter sheetingan element favored by Kōrin and his predecessor, Hon’ami Kōetsu (1558-1637). Oversized inlays are used for the depiction of the water wheel and rock basket as well, creating an artfully cluttered composition. The imagery of plovers over waves is a common Japanese literary convention, which seems to have first appeared in the Kojiki, an 8th-century compendium o
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Wide three-case inro showing plovers in flight above waves, stone basket and water wheel, Early 18th century, Koma Kyūhaku; Artist: Style of Ogata Kōrin, Japanese, 1658 - 1716, 2 5/16 × 2 1/2 × 7/8 in. (5.87 × 6.35 × 2.22 cm), Lacquer (kinji, takamaki-e), gold, silver, raden; ojime; silk cord, Japan, 18th century, A number of different motifs are fit onto this compact four case inrō, beginning with a 'plover over waves' design in the style of the Rinpa artist, Ogata Kōrin (1658-1716). The plovers are executed in chunky mother-of-pearl inlays and takamaki-e, and fly over mountainous waves that simulates the look of pewter sheetingan element favored by Kōrin and his predecessor, Hon’ami Kōetsu (1558-1637). Oversized inlays are used for the depiction of the water wheel and rock basket as well, creating an artfully cluttered composition. The imagery of plovers over waves is a common Japanese literary convention, which seems to have first appeared in the Kojiki, an 8th-century compendium o by Artokoloro is available for licensing today.
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