Whose Sleeves (Tagasode). Culture: Japan. Dimensions: Overall (each screen): 57 1/16 x 136 9/16 in. (144.9 x 346.8 cm). Date: (right screen) late 16th-early 17th century; (left screen) early to mid-17th century.The suggestive title of this type of screen--"Whose Sleeves," or Tagasode--points to its provocative nature. The viewer is invited to speculate over who owns these gorgeous robes. Such screens omit human figures and represent only the robes, personal accessories, and furniture of the owners. However, even if a garment of a particular period is accurately depicted on the screen it may not be synchronous with the painting's date of production.The phrase "Whose Sleeves" is found in classical love poems and was not commonly used to refer to this type of screen until the late nineteenth century. Yet, by the early seventeenth century, representations of clothing stands (iko-zu) with lavish garments appear in painted handscrolls and woodblock-printed books. Similar compositions w

Whose Sleeves (Tagasode). Culture: Japan. Dimensions: Overall (each screen): 57 1/16 x 136 9/16 in. (144.9 x 346.8 cm). Date: (right screen) late 16th-early 17th century; (left screen) early to mid-17th century.The suggestive title of this type of screen--"Whose Sleeves," or Tagasode--points to its provocative nature. The viewer is invited to speculate over who owns these gorgeous robes. Such screens omit human figures and represent only the robes, personal accessories, and furniture of the owners. However, even if a garment of a particular period is accurately depicted on the screen it may not be synchronous with the painting's date of production.The phrase "Whose Sleeves" is found in classical love poems and was not commonly used to refer to this type of screen until the late nineteenth century. Yet, by the early seventeenth century, representations of clothing stands (iko-zu) with lavish garments appear in painted handscrolls and woodblock-printed books. Similar compositions w
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Whose Sleeves (Tagasode). Culture: Japan. Dimensions: Overall (each screen): 57 1/16 x 136 9/16 in. (144.9 x 346.8 cm). Date: (right screen) late 16th-early 17th century; (left screen) early to mid-17th century.The suggestive title of this type of screen--"Whose Sleeves," or Tagasode--points to its provocative nature. The viewer is invited to speculate over who owns these gorgeous robes. Such screens omit human figures and represent only the robes, personal accessories, and furniture of the owners. However, even if a garment of a particular period is accurately depicted on the screen it may not be synchronous with the painting's date of production.The phrase "Whose Sleeves" is found in classical love poems and was not commonly used to refer to this type of screen until the late nineteenth century. Yet, by the early seventeenth century, representations of clothing stands (iko-zu) with lavish garments appear in painted handscrolls and woodblock-printed books. Similar compositions w by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17355789Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:4573×2104
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