Virgin and Child with Two Saints (recto); Fragmentary Design of a Pietà (verso). Artist: Domenico Puligo (Italian, Florence 1492-1527 Florence). Dimensions: sheet: 8 1/16 x 6 1/8 in. (20.5 x 15.6 cm). Date: 1515-20.Dating from 1515-20, this rare, recently rediscovered work is one of the most accomplished surviving drawings by this artist. Less than 30 extant drawings by Puligo are known today, and this the only surviving study that can be securely connected to the design of one of Puligo's paintings. Born in Florence, Puligo formed part of the first generation of Florentine Mannerist painters, being closely influenced by Andrea del Sarto, his intimate friend and elder by six years, as well as by the young Jacopo Pontormo. As is seen here, Puligo used a stick of hard red chalk to draw with a dazzling confidence and boldness of mark. He quickly traced the contours of the figures, working them over with great movement and angular breaks. In the areas of intermediate shadows, he used pat
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SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Virgin and Child with Two Saints (recto); Fragmentary Design of a Pietà (verso). Artist: Domenico Puligo (Italian, Florence 1492-1527 Florence). Dimensions: sheet: 8 1/16 x 6 1/8 in. (20.5 x 15.6 cm). Date: 1515-20.Dating from 1515-20, this rare, recently rediscovered work is one of the most accomplished surviving drawings by this artist. Less than 30 extant drawings by Puligo are known today, and this the only surviving study that can be securely connected to the design of one of Puligo's paintings. Born in Florence, Puligo formed part of the first generation of Florentine Mannerist painters, being closely influenced by Andrea del Sarto, his intimate friend and elder by six years, as well as by the young Jacopo Pontormo. As is seen here, Puligo used a stick of hard red chalk to draw with a dazzling confidence and boldness of mark. He quickly traced the contours of the figures, working them over with great movement and angular breaks. In the areas of intermediate shadows, he used pat by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17372010Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album Archivo Contributor:Album / Metropolitan Museum of Art, NY Model Release:NoProperty Release:NoResolution:3053×3958
