View of South Street, from Maiden Lane, New York City ca. 1827 William James Bennett American Born and trained in London, Bennett learned well the conventions of the architectural and street views perfected by the Venetian artist Antonio Canaletto, who worked in England in the mid-eighteenth century. Immigrating to the United States about 1826, Bennett adapted the conventions to New York, then undergoing rapid urbanization with the opening of the Erie Canal in 1825. Unlike the Bennett watercolor, Weehawken from Turtle Grove” (54.90.107) the topography here is entirely man-made, with the bustle of South Street mediating the forest of masts and the opposing palisade of warehouses. Bennett engraved this watercolor for Megarey’s Street Views in the City of New-York” (1834).. View of South Street, from Maiden Lane, New York City 10141

View of South Street, from Maiden Lane, New York City ca. 1827 William James Bennett American Born and trained in London, Bennett learned well the conventions of the architectural and street views perfected by the Venetian artist Antonio Canaletto, who worked in England in the mid-eighteenth century. Immigrating to the United States about 1826, Bennett adapted the conventions to New York, then undergoing rapid urbanization with the opening of the Erie Canal in 1825. Unlike the Bennett watercolor, Weehawken from Turtle Grove” (54.90.107) the topography here is entirely man-made, with the bustle of South Street mediating the forest of masts and the opposing palisade of warehouses. Bennett engraved this watercolor for Megarey’s Street Views in the City of New-York” (1834).. View of South Street, from Maiden Lane, New York City 10141
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of View of South Street, from Maiden Lane, New York City ca. 1827 William James Bennett American Born and trained in London, Bennett learned well the conventions of the architectural and street views perfected by the Venetian artist Antonio Canaletto, who worked in England in the mid-eighteenth century. Immigrating to the United States about 1826, Bennett adapted the conventions to New York, then undergoing rapid urbanization with the opening of the Erie Canal in 1825. Unlike the Bennett watercolor, Weehawken from Turtle Grove” (54.90.107) the topography here is entirely man-made, with the bustle of South Street mediating the forest of masts and the opposing palisade of warehouses. Bennett engraved this watercolor for Megarey’s Street Views in the City of New-York” (1834).. View of South Street, from Maiden Lane, New York City 10141 by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29737972Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:3811×2669
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