View of a Colliery at the Edge of a Town. Artist: Attributed to John Ruskin (British, London 1819-1900 Brantwood, Cumbria). Dimensions: sheet: 11 15/16 x 10 3/16 in. (30.4 x 25.8 cm). Date: 1840-49.Ruskin became one of the most influential critics of the Victorian era, a close friend of J. M. W. Turner, and himself an accomplished watercolorist. From about the age of ten he carried a sketchbook with him on trips, and was particularly attracted by geological features that define landscapes. This drawing describes a valley with coal mining machinery in the middle distance before houses, a church, and distant hill crowned by a castle. Colored washes use acid green, mauve, pink, dark green and brown to distinguish key forms, with graphite only applied to describe water running over rocks, and a row of foreground flowers. The curling upturned ends of the lines, and overall refinement and precision are in keeping with Ruskin's early work of the 1840s when his style remained close to that of

View of a Colliery at the Edge of a Town. Artist: Attributed to John Ruskin (British, London 1819-1900 Brantwood, Cumbria). Dimensions: sheet: 11 15/16 x 10 3/16 in. (30.4 x 25.8 cm). Date: 1840-49.Ruskin became one of the most influential critics of the Victorian era, a close friend of J. M. W. Turner, and himself an accomplished watercolorist. From about the age of ten he carried a sketchbook with him on trips, and was particularly attracted by geological features that define landscapes. This drawing describes a valley with coal mining machinery in the middle distance before houses, a church, and distant hill crowned by a castle. Colored washes use acid green, mauve, pink, dark green and brown to distinguish key forms, with graphite only applied to describe water running over rocks, and a row of foreground flowers. The curling upturned ends of the lines, and overall refinement and precision are in keeping with Ruskin's early work of the 1840s when his style remained close to that of
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of View of a Colliery at the Edge of a Town. Artist: Attributed to John Ruskin (British, London 1819-1900 Brantwood, Cumbria). Dimensions: sheet: 11 15/16 x 10 3/16 in. (30.4 x 25.8 cm). Date: 1840-49.Ruskin became one of the most influential critics of the Victorian era, a close friend of J. M. W. Turner, and himself an accomplished watercolorist. From about the age of ten he carried a sketchbook with him on trips, and was particularly attracted by geological features that define landscapes. This drawing describes a valley with coal mining machinery in the middle distance before houses, a church, and distant hill crowned by a castle. Colored washes use acid green, mauve, pink, dark green and brown to distinguish key forms, with graphite only applied to describe water running over rocks, and a row of foreground flowers. The curling upturned ends of the lines, and overall refinement and precision are in keeping with Ruskin's early work of the 1840s when his style remained close to that of by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17418712Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:3027×3566
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