Verscheyde Constige Vindigen om in Gout, Silver, Hout en Steen te wercken (Plate 2). Artist: After Gerbrand van den Eeckhout (Dutch, Amsterdam 1621-1674 Amsterdam); After Adam van Vianen I (Dutch, Utrecht ca. 1568/69-1627 Utrecht). Dimensions: Plate: 10 1/16 × 7 1/16 in. (25.6 × 18 cm). Engraver: Engraved by Michiel Mosyn (Dutch, born 1630). Publisher: Published by Cornelis Danckertsz. I (Dutch, ca. 1603-1656). Date: ca. 1651-53.The publisher Cornelis Danckerts was clever enough to quickly pick up on the popularity of print series showing designs in the Auricular Style. Taking full advantage of the wide demand, he compiled a series after all the first important protagonists of the style, such as the Van Vianen brothers, Van den Eeckhout and Lutma. This design for a ewer seems closest to objects made by Adam van Vianen, although it might be a free adaptation rather than a piece by the master himself. Just like in other prints from this series, variants are given to stimulate inspirat

Verscheyde Constige Vindigen om in Gout, Silver, Hout en Steen te wercken (Plate 2). Artist: After Gerbrand van den Eeckhout (Dutch, Amsterdam 1621-1674 Amsterdam); After Adam van Vianen I (Dutch, Utrecht ca. 1568/69-1627 Utrecht). Dimensions: Plate: 10 1/16 × 7 1/16 in. (25.6 × 18 cm). Engraver: Engraved by Michiel Mosyn (Dutch, born 1630). Publisher: Published by Cornelis Danckertsz. I (Dutch, ca. 1603-1656). Date: ca. 1651-53.The publisher Cornelis Danckerts was clever enough to quickly pick up on the popularity of print series showing designs in the Auricular Style. Taking full advantage of the wide demand, he compiled a series after all the first important protagonists of the style, such as the Van Vianen brothers, Van den Eeckhout and Lutma. This design for a ewer seems closest to objects made by Adam van Vianen, although it might be a free adaptation rather than a piece by the master himself. Just like in other prints from this series, variants are given to stimulate inspirat
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Verscheyde Constige Vindigen om in Gout, Silver, Hout en Steen te wercken (Plate 2). Artist: After Gerbrand van den Eeckhout (Dutch, Amsterdam 1621-1674 Amsterdam); After Adam van Vianen I (Dutch, Utrecht ca. 1568/69-1627 Utrecht). Dimensions: Plate: 10 1/16 × 7 1/16 in. (25.6 × 18 cm). Engraver: Engraved by Michiel Mosyn (Dutch, born 1630). Publisher: Published by Cornelis Danckertsz. I (Dutch, ca. 1603-1656). Date: ca. 1651-53.The publisher Cornelis Danckerts was clever enough to quickly pick up on the popularity of print series showing designs in the Auricular Style. Taking full advantage of the wide demand, he compiled a series after all the first important protagonists of the style, such as the Van Vianen brothers, Van den Eeckhout and Lutma. This design for a ewer seems closest to objects made by Adam van Vianen, although it might be a free adaptation rather than a piece by the master himself. Just like in other prints from this series, variants are given to stimulate inspirat by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17350136Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:2789×3946
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