Vase ca. 1895-98 Probably cut by Fredolin Kreischmann Austrian This vase features cased and cut decoration on a virtually colorless glass form. The blue-white opalescent rim is the result of the vessel having been reintroduced into the hot furnace. Tiffany's master of this type of ornamentation was Fredolin Kreischmann (or Kreischman), a highly skilled glass cutter and engraver whom Tiffany hired during the early years of his production of blown-glass vases. Kreischmann had perfected his technique while employed at the leading proponent of this method, the British firm Thomas Webb, in Stourbridge. In the five years that Kreischmann worked for Tiffany before his death in 1898 he created some of the most breathtaking pieces known from the firm.This vase exhibits a delicacy and fluidity not often associated with cut glass. Two of Tiffany's favorite motifs from the natural worldlily pads and Queen Anne's lacesubtly emerge from the surface. The lily pads are carved from a light spring gre

Vase ca. 1895-98 Probably cut by Fredolin Kreischmann Austrian This vase features cased and cut decoration on a virtually colorless glass form. The blue-white opalescent rim is the result of the vessel having been reintroduced into the hot furnace. Tiffany's master of this type of ornamentation was Fredolin Kreischmann (or Kreischman), a highly skilled glass cutter and engraver whom Tiffany hired during the early years of his production of blown-glass vases. Kreischmann had perfected his technique while employed at the leading proponent of this method, the British firm Thomas Webb, in Stourbridge. In the five years that Kreischmann worked for Tiffany before his death in 1898 he created some of the most breathtaking pieces known from the firm.This vase exhibits a delicacy and fluidity not often associated with cut glass. Two of Tiffany's favorite motifs from the natural worldlily pads and Queen Anne's lacesubtly emerge from the surface. The lily pads are carved from a light spring gre
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Vase ca. 1895-98 Probably cut by Fredolin Kreischmann Austrian This vase features cased and cut decoration on a virtually colorless glass form. The blue-white opalescent rim is the result of the vessel having been reintroduced into the hot furnace. Tiffany's master of this type of ornamentation was Fredolin Kreischmann (or Kreischman), a highly skilled glass cutter and engraver whom Tiffany hired during the early years of his production of blown-glass vases. Kreischmann had perfected his technique while employed at the leading proponent of this method, the British firm Thomas Webb, in Stourbridge. In the five years that Kreischmann worked for Tiffany before his death in 1898 he created some of the most breathtaking pieces known from the firm.This vase exhibits a delicacy and fluidity not often associated with cut glass. Two of Tiffany's favorite motifs from the natural worldlily pads and Queen Anne's lacesubtly emerge from the surface. The lily pads are carved from a light spring gre by Piemags/PL Photography Limited is available for licensing today.
Royalty Free License
Royalty-Free Standard Commercial licenses are granted for worldwide, non-exclusive and perpetual use, unless specifically noted otherwise. All Royalty-Free transactions are final. The Royalty-Free Standard Commercial license has no limitations and covers up to 15 users.
  • $50.00 Low400 X 500
  • $150.00 Med600 X 750
  • $250.00 High2978 X 3722
  • Download your images from the download tab on this page after purchase.
  • Up to 5 downloads
  • Can be used for a year after purchase.
$1,225.00
RF High / Super Res 5 Pack
Save $25.00
$245.00
per download
Order a Framed Print
Looking for a license?
Click here, and we'll help you find it! Questions? Just ask!
DETAILS
Image Number: 6145-29710476Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:2978×3722
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|