Vanderbilt Mantelpiece. Culture: American. Dimensions: 184 3/8 x 154 7/8 x 37 1/4 in. (468.3 x 393.4 x 94.6 cm). Maker: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Date: ca. 1881-83.This mantelpiece originally dominated the entrance hall of the residence of Cornelius Vanderbilt II on Fifth Avenue at 57th Street (demolished 1925-27). Working for the architect George B. Post, the artist John La Farge (1835-1910) created a lavish decorative program, to which Saint-Gaudens contributed many of the sculptural elements. Two classical caryatids, Amor (Love) and Pax (Peace), support the expansive entablature with bowed heads and upraised arms. The overmantel mosaic depicts a classically dressed woman holding a garland. The Latin phrase of hospitality flanking her head may be translated as "the house at its threshold gives evidence of the master's good will. Welcome to the guest who arrives; farewell and helpfulness to him who departs.". Museum: Metropolitan Muse

Vanderbilt Mantelpiece. Culture: American. Dimensions: 184 3/8 x 154 7/8 x 37 1/4 in. (468.3 x 393.4 x 94.6 cm). Maker: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Date: ca. 1881-83.This mantelpiece originally dominated the entrance hall of the residence of Cornelius Vanderbilt II on Fifth Avenue at 57th Street (demolished 1925-27). Working for the architect George B. Post, the artist John La Farge (1835-1910) created a lavish decorative program, to which Saint-Gaudens contributed many of the sculptural elements. Two classical caryatids, Amor (Love) and Pax (Peace), support the expansive entablature with bowed heads and upraised arms. The overmantel mosaic depicts a classically dressed woman holding a garland. The Latin phrase of hospitality flanking her head may be translated as "the house at its threshold gives evidence of the master's good will. Welcome to the guest who arrives; farewell and helpfulness to him who departs.". Museum: Metropolitan Muse
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Vanderbilt Mantelpiece. Culture: American. Dimensions: 184 3/8 x 154 7/8 x 37 1/4 in. (468.3 x 393.4 x 94.6 cm). Maker: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Date: ca. 1881-83.This mantelpiece originally dominated the entrance hall of the residence of Cornelius Vanderbilt II on Fifth Avenue at 57th Street (demolished 1925-27). Working for the architect George B. Post, the artist John La Farge (1835-1910) created a lavish decorative program, to which Saint-Gaudens contributed many of the sculptural elements. Two classical caryatids, Amor (Love) and Pax (Peace), support the expansive entablature with bowed heads and upraised arms. The overmantel mosaic depicts a classically dressed woman holding a garland. The Latin phrase of hospitality flanking her head may be translated as "the house at its threshold gives evidence of the master's good will. Welcome to the guest who arrives; farewell and helpfulness to him who departs.". Museum: Metropolitan Muse by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17431336Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:3152×3473
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