Triton. Artist: Giambologna (Netherlandish, Douai 1529-1608 Florence). Culture: Italian, Florence. Dimensions: Height: 36 in., 53.9 lb. (91.4 cm, 24.4 kg). Date: 1560-70.The Triton, seated on a circular base formed of three dolphins with tails interlaced and heads resting on three inverted scallop shells, originally served as a fountain figure. Like most of the sculptor's compositions, this work was meant to be viewed from all sides. With its supple modeling and its vigorous chasing, the present bronze is the earliest example of this composition to survive and should be dated to the artist's early maturity, in the 1560s, shortly after he arrived in Florence from his native Flanders.Giambologna was renowned for his skill in casting bronze, the medium in which almost all his work (ranging in scale from minute to monumental) was executed. The nature of the casting process lent itself to the multiplication of original models under the sculptor's supervision as well as the production of s
This asset has restrictions and cannot be purchased online. Get in touch for more details.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Triton. Artist: Giambologna (Netherlandish, Douai 1529-1608 Florence). Culture: Italian, Florence. Dimensions: Height: 36 in., 53.9 lb. (91.4 cm, 24.4 kg). Date: 1560-70.The Triton, seated on a circular base formed of three dolphins with tails interlaced and heads resting on three inverted scallop shells, originally served as a fountain figure. Like most of the sculptor's compositions, this work was meant to be viewed from all sides. With its supple modeling and its vigorous chasing, the present bronze is the earliest example of this composition to survive and should be dated to the artist's early maturity, in the 1560s, shortly after he arrived in Florence from his native Flanders.Giambologna was renowned for his skill in casting bronze, the medium in which almost all his work (ranging in scale from minute to monumental) was executed. The nature of the casting process lent itself to the multiplication of original models under the sculptor's supervision as well as the production of s by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
Looking for a license?
Click here, and we'll help you find it! Questions? Just ask!
Click here, and we'll help you find it! Questions? Just ask!
DETAILS
Image Number: 4409-17418250Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album Archivo Contributor:Album / Metropolitan Museum of Art, NY Model Release:NoProperty Release:NoResolution:3171×4400
