Triptych with the Way to Calvary, the Crucifixion, and the Disrobing of Jesus. Culture: Netherlandish or French. Dimensions: Overall (open): 9 3/4 x 16 1/2 x 3/4 in. (24.8 x 41.9 x 1.9 cm)Overall (closed): 9 3/4 x 8 3/8 x 1 9/16 in. (24.8 x 21.2 x 3.9 cm). Date: ca. 1400-1420.Made as an object of private devotion for an affluent patron, this triptych is a virtuoso example of Parisian goldsmiths' art of the early fifteenth century. Christ, the group of mourners, and the soldiers on the central panel are reliefs of uncolored silver. By contrast, the two thieves in the gilded background, as well as the Carrying of the Cross and Christ Disrobed on the wings, are rendered in pointillé (stippling). In this technique, the goldsmith's hammer hits a very fine stamp repeatedly into the metal ground, leaving a multitude of indentations. Their varying thickness and concentration establish shadows, depth, and the overall legibility of the composition. The refinement and the difficulty involved (t

Triptych with the Way to Calvary, the Crucifixion, and the Disrobing of Jesus. Culture: Netherlandish or French. Dimensions: Overall (open): 9 3/4 x 16 1/2 x 3/4 in. (24.8 x 41.9 x 1.9 cm)Overall (closed): 9 3/4 x 8 3/8 x 1 9/16 in. (24.8 x 21.2 x 3.9 cm). Date: ca. 1400-1420.Made as an object of private devotion for an affluent patron, this triptych is a virtuoso example of Parisian goldsmiths' art of the early fifteenth century. Christ, the group of mourners, and the soldiers on the central panel are reliefs of uncolored silver. By contrast, the two thieves in the gilded background, as well as the Carrying of the Cross and Christ Disrobed on the wings, are rendered in pointillé (stippling). In this technique, the goldsmith's hammer hits a very fine stamp repeatedly into the metal ground, leaving a multitude of indentations. Their varying thickness and concentration establish shadows, depth, and the overall legibility of the composition. The refinement and the difficulty involved (t
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Triptych with the Way to Calvary, the Crucifixion, and the Disrobing of Jesus. Culture: Netherlandish or French. Dimensions: Overall (open): 9 3/4 x 16 1/2 x 3/4 in. (24.8 x 41.9 x 1.9 cm)Overall (closed): 9 3/4 x 8 3/8 x 1 9/16 in. (24.8 x 21.2 x 3.9 cm). Date: ca. 1400-1420.Made as an object of private devotion for an affluent patron, this triptych is a virtuoso example of Parisian goldsmiths' art of the early fifteenth century. Christ, the group of mourners, and the soldiers on the central panel are reliefs of uncolored silver. By contrast, the two thieves in the gilded background, as well as the Carrying of the Cross and Christ Disrobed on the wings, are rendered in pointillé (stippling). In this technique, the goldsmith's hammer hits a very fine stamp repeatedly into the metal ground, leaving a multitude of indentations. Their varying thickness and concentration establish shadows, depth, and the overall legibility of the composition. The refinement and the difficulty involved (t by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17398673Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:4311×3234
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