On top a variation of -1846, bottom left. Bearded hermae with capitals are the supports. The portrait of the Pope is to hang at the entablature. A torch is the support of the lower frames. Bottom partly drawn over the supports of the upper design: a variation of the scheme of 1901-39-1447. The top of the upper frame is flanked by tassels, hanging from the keys. The lower portraits are oblongs which are not separated. They are supported by two crossed cornucopias. Putti are shown behind the outer upper corners of the frames. Colored background. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1793. Museum: Cooper Hewitt, Smithsonian Design Museum.