Tile Panel in the form of an Architectural Niche. Dimensions: H. 48 1/2 in. (123.2 cm)W. 23 1/2 in. (59.7 cm). Maker: Hasan ibn `Ali ibn Ahmad Babavaih. Date: first half 14th century.Scholars have proposed that this large three-piece <i>mihrab</i>-shaped panel once adorned the tomb of the Sufi shaikh 'Abd al-Samad in Natanz. In addition to its selection of Qur'anic verses, the panel includes an inscription describing itself as the work of Hasan ibn 'Ali ibn Ahmad Babavaih, a known fourteenth-century tilemaker from Kashan. Indicative of the collaborative nature of this type of work, this piece also contains the signature of the calligrapher who wrote the inscription - 'Ali ibn Muhammad ibn Fadl Allah. Museum: Metropolitan Museum of Art, New York, USA.

Tile Panel in the form of an Architectural Niche. Dimensions: H. 48 1/2 in. (123.2 cm)W. 23 1/2 in. (59.7 cm). Maker: Hasan ibn `Ali ibn Ahmad Babavaih. Date: first half 14th century.Scholars have proposed that this large three-piece <i>mihrab</i>-shaped panel once adorned the tomb of the Sufi shaikh 'Abd al-Samad in Natanz. In addition to its selection of Qur'anic verses, the panel includes an inscription describing itself as the work of Hasan ibn 'Ali ibn Ahmad Babavaih, a known fourteenth-century tilemaker from Kashan. Indicative of the collaborative nature of this type of work, this piece also contains the signature of the calligrapher who wrote the inscription - 'Ali ibn Muhammad ibn Fadl Allah. Museum: Metropolitan Museum of Art, New York, USA.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Tile Panel in the form of an Architectural Niche. Dimensions: H. 48 1/2 in. (123.2 cm)W. 23 1/2 in. (59.7 cm). Maker: Hasan ibn `Ali ibn Ahmad Babavaih. Date: first half 14th century.Scholars have proposed that this large three-piece <i>mihrab</i>-shaped panel once adorned the tomb of the Sufi shaikh 'Abd al-Samad in Natanz. In addition to its selection of Qur'anic verses, the panel includes an inscription describing itself as the work of Hasan ibn 'Ali ibn Ahmad Babavaih, a known fourteenth-century tilemaker from Kashan. Indicative of the collaborative nature of this type of work, this piece also contains the signature of the calligrapher who wrote the inscription - 'Ali ibn Muhammad ibn Fadl Allah. Museum: Metropolitan Museum of Art, New York, USA. by Album/Album Archivo is available for licensing today.
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Image Number: 4409-17503816Rights ManagedCredit Line:Album/Album Archivo/SuperStockCollection:Album ArchivoContributor:AlbumModel Release:NoProperty Release:NoResolution:2254×4466
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