TEXAS

TEXAS
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6145-30147722
Francisco de Goya (1746-1828), Dagerness in general (cat's clerk and the devoted clothes / quite as the load often Illed the vanre of the village), 1815-1824
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Disparate furioso, by Francisco Goya (1746-1828), created between 1815 and 1824, issued in 1864, located in Madrid. The work consists of etching and aquatint, with the first edition noted and referenced by standard number
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4409-17378096
Still Life: Armor, Sword, Snare Drum. Artist: Jakob Matthias Schmutzer (Austrian, Vienna 1733-1811 Vienna). Dimensions: sheet: 22 7/8 x 17 in. (58.1 x 43.2 cm). Date: 1765-1810. Museum: Metropolitan Museum of Art, New York, USA.
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4443-14227
SKETCHES AT A NORTHAMPTON WOOL FAIR
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6145-59684269
Three beggars in a landscape, Johann Andreas Benjamin Nothnagel, 1739 - 1804 print paper etching Begin
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6145-45823593
Well-known foolishness; Disperate conocido; Solve disparates (the follies); Los Proverbios (the proverbs). Two dressed wooden figures, seen on the back, standing in front of a group of people. The front boy shows his backside on the two figures, another makes the corna gesture with his hand. One of the four additional plates made for the series of detarrates.
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6145-29844828
Francisco de Goya, Disparate conocido (Well Known Folly), in or after 1816 Disparate conocido (Well-Known Folly)
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6145-59225279
Man comes to aid for a woman, Reinier Vinkeles (I), 1806 print View of a frozen lake, where a man helps a woman up. Possibly the woman from the sled that fell next to her is. In the background skaters and ice sledes. Amsterdam paper etching / engraving falling. skates (winter sports). sledge, sleigh (winter sports). windmill
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4409-17528902
Flooding of the Rijndijk in Gelderland, 1770. Draughtsman: Jacobus Buys. Dating: 1787 - 1789. Place: Northern Netherlands. Measurements: h 143 mm × w 91 mm. Museum: Rijksmuseum, Amsterdam.
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6145-59015091
Francisco José de Goya y Lucientes (1746-1828). "Los disparate - disparate pobre - poor disparate". Museum of Fine Arts of the City of Paris, Petit Palais. 34956-20 Hunt, woman, poor, poverty, old man
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6145-59454699
Four workers at the Water, Johannes Josephus Aarts, 1881 - 1934 print Four workers, three of which are on their backs and one from the front. One of them is on an inverted tub. paper working class, labourers. sitting figure
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William Strang, 1859-1921, British, The Penance (Ancient Mariner). Etching on laid paper.
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6145-29235681
Concerto Spirituale March 23, 1773 James Bretherton British Concerts of religious music were performed regularly at the Theatre Royal, Covent Garden in the 1770s. Bunbury's name does not appear on this caricature, but he is credited as designer in later variations (17.3.888-222 and 59.533.1738). The viol da gamba player likely represents Carl Friedrich Abel, or possibly Johann Christian Bach. The oboe player has been identified as Johann Christian Fisher, and the French horn player as Giovanni Punto (born Jan Stich). These men came to London from the Continent hoping to take advantage of the patronage of George III-the British king was also prince-elector of Hanover, married Charlotte of Mecklenburg-Strelitz, and enjoyed German music.. Concerto Spirituale. James Bretherton (British, active 1750-99). March 23, 1773. Etching touched with ink. Probably represents Carl Friedrich Abel (German, Cöthen 1723-1787 London). Prints
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6145-29220397
Wet Parsons 1785 After Thomas Rowlandson. Wet Parsons. After Thomas Rowlandson (British, London 1757-1827 London). 1785. Etching with aquatint. Prints
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Rembrandt van Rijn, David and Goliath, 1655 David and Goliath
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Giuseppe de Nittis (1846-1884). "Route de Castellammare, etching sketches, according to his table; engraving drawn inset". Gazette des Beaux-Arts, July 1876, p. 34. Museum of Fine Arts of the City of Paris, Petit Palais. Route de Castellammare CASTELLAMARE ROAD, CROQUIS, EAU-FORTE, ETCHING, GAZETTE BEAUX-ARTS, GRAVURE TIREE, PAGE 34, ROUTE CASTELLAMMARE, SKETCH, couple, engraving
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4409-17478563
Inconvénient de quitter...un convoi de chemin de fer... Dated: 1847. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.
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6145-59692776
Four workers at the Water, Johannes Josephus Aarts, 1881 - 1934 print Four workers, three of which are on their backs and one from the front. One of them is on an inverted tub. paper working class, labourers. sitting figure
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6145-29243133
The Sacrifice of Polyxena, after Pietro da Cortona ca. 1759-70 Jean Robert Ango This black chalk drawing is a copy after a painting by Pietro da Cortona of 1623-24, formerly in the Sacchetti palace and now in Pinacoteca Capitolina, Rome (inv. 153). Ango is a largely forgotten French artist who made a living in eighteenth-century Rome by producing chalk copies for patrons. This was one of many acquired by the abbé de Saint Non, who would later publish a compendium of etchings after the paintings and antiquities he had seen in Italy.The museum owns a related drawing, The Infant Moses before Pharaoh, after Giovanni Battista Ruggieri (61.234), possibly once mounted together with this one.. The Sacrifice of Polyxena, after Pietro da Cortona. Jean Robert Ango (French, active Rome, 1759-70, died after 1773). ca. 1759-70. Black chalk. Drawings
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Three men in a landscape by a lying barrel and a bag, draughtsman: Hendrik Willem Schweickhardt, (signed by artist), Netherlands, c. 1756 - c. 1797, paper, pen, brush, h 159 mm × w 134 mm
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6145-29735808
The Great Western Railway (Cartoon for Punch, February 18, 1898) February 18, 1898 Sir (Edward) Linley Sambourne British Sambourne here humorously contrasts modernity (the expansion of British railroads) with tradition (the River Thames used as the primary means of travel west of London). A bearded Father Thames stands amongst reeds but wears modern skulling gear and wields an oar. He is surrounded by water nymphs frightened by a steam engine looming over them on an embankment. The latter resembles a monster with rolling eyes and pronged couplers. The image cleverly responds to John William Waterhouse's "Hylas and the Nymphs" (1896), exhibited at the Royal Academy in the summer of 1897, with the lovely nudes whose long hair is entwined with flowers resembling those in the painting.. The Great Western Railway (Cartoon for Punch, February 18, 1898) 364045
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Image Number: 4443-8469Rights ManagedCredit Line:Artokoloro/SuperStockCollection:ArtokoloroStory:Dramatic Human ScenesModel Release:NoProperty Release:NoResolution:4207×5040
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