Terracotta pelike (jar) ca. 470 B.C. Attributed to the Altamura Painter Obverse and reverse, libation at the departure of a young warriorVases are invaluable sources of evidence for Athenian practices. Here, for instance, it is noteworthy that both the woman and the warrior are holding a phiale from which to pour a libation. Artistically, it is also apparent that the Altamura Painter used the shield to experiment with effects of perspective and foreshortening.. Terracotta pelike (jar). Greek, Attic. ca. 470 B.C.. Terracotta; red-figure. Classical. Vases

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Terracotta pelike (jar) ca. 470 B.C. Attributed to the Altamura Painter Obverse and reverse, libation at the departure of a young warriorVases are invaluable sources of evidence for Athenian practices. Here, for instance, it is noteworthy that both the woman and the warrior are holding a phiale from which to pour a libation. Artistically, it is also apparent that the Altamura Painter used the shield to experiment with effects of perspective and foreshortening.. Terracotta pelike (jar). Greek, Attic. ca. 470 B.C.. Terracotta; red-figure. Classical. Vases

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Terracotta pelike (jar) ca. 470 B.C. Attributed to the Altamura Painter Obverse and reverse, libation at the departure of a young warriorVases are invaluable sources of evidence for Athenian practices. Here, for instance, it is noteworthy that both the woman and the warrior are holding a phiale from which to pour a libation. Artistically, it is also apparent that the Altamura Painter used the shield to experiment with effects of perspective and foreshortening.. Terracotta pelike (jar). Greek, Attic. ca. 470 B.C.. Terracotta; red-figure. Classical. Vases by Piemags/PL Photography Limited is available for licensing today.

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